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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B59C233F it is the complementary color #4A63DC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B59C233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B59C233F shade: #BA9C1E3F, #CBAE313F, #DCC0443F, #EDD2573F and #FEE46A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B59C233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B59C233F shade: #B59C233F, #A48A103F, #9378003F, #8266003F and #7154003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B59C233F shade: #B49B22, #B47422, #B44C22, #B42522 and #B42222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B59C233F shade: #B49B22, #A6B422, #7EB422, #57B422 and #30B422

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B59C233F shade matches the following richer shades: #B49B22 and #C5A611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B59C233F shade: #B49B22, #A39034, #918445, #807956 and #6F6D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B59C233F shade: #B44C22, #B47222, #B49922, #A8B422 and #81B422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B59C233F shade: #6F5F15, #917D1C, #B49B22, #D6B929 and #DDC44C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B59C233F shade: #B59C23, #22B425 and #5F22B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B59C233F shade: #B59C23, #22B499 and #9922B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B59C233F shade: #B59C23, #22B425, #223DB4 and #B422B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B59C233F shade: #B59C23, #22B450, #223DB4 and #B42286

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 20 / 7

HEX #B59C233F

RGBA 181 156 35 0.25

HSLA 49.73, 0.68%, 0.42%, 0.25

LABA 64.74, -2.93, 61.24, 0.25

 

Complementary color

CMYK 17 / 14 / 0 / 3

HEX #4A63DC3F

RGBA 74 99 220 0.25

HSLA 229.73, 0.68%, 0.58%, 0.25

LABA 46.37, 29.55, -64.78, 0.25

 

CMYK 0 / 4 / 21 / 7

HEX #BA9C1E3F

RGBA 186 156 30 0.25

HSLA 48.46, 0.72%, 0.42%, 0.25

LABA 65.21, -0.85, 63.3, 0.25

 

CMYK 0 / 4 / 19 / 5

HEX #CBAE313F

RGBA 203 174 49 0.25

HSLA 48.7, 0.61%, 0.49%, 0.25

LABA 71.68, -2.26, 63.68, 0.25

 

CMYK 0 / 3 / 17 / 3

HEX #DCC0443F

RGBA 220 192 68 0.25

HSLA 48.95, 0.68%, 0.56%, 0.25

LABA 78.07, -3.45, 63.31, 0.25

 

CMYK 0 / 3 / 16 / 2

HEX #EDD2573F

RGBA 237 210 87 0.25

HSLA 49.2, 0.81%, 0.64%, 0.25

LABA 84.37, -4.46, 62.53, 0.25

 

CMYK 0 / 3 / 15 / 0

HEX #FEE46A3F

RGBA 254 228 106 0.25

HSLA 49.46, 0.99%, 0.71%, 0.25

LABA 90.6, -5.33, 61.55, 0.25

 

CMYK 0 / 3 / 20 / 7

HEX #B59C233F

RGBA 181 156 35 0.25

HSLA 49.73, 0.68%, 0.42%, 0.25

LABA 64.74, -2.93, 61.24, 0.25

 

CMYK 0 / 4 / 23 / 9

HEX #A48A103F

RGBA 164 138 16 0.25

HSLA 49.46, 0.82%, 0.35%, 0.25

LABA 58.14, -1.39, 60.04, 0.25

 

CMYK 0 / 5 / 25 / 11

HEX #9378003F

RGBA 147 120 0 0.25

HSLA 48.98, 1%, 0.29%, 0.25

LABA 51.42, 0.44, 57.2, 0.25

 

CMYK 0 / 5 / 25 / 12

HEX #8266003F

RGBA 130 102 0 0.25

HSLA 47.08, 1%, 0.25%, 0.25

LABA 44.59, 2.64, 51.56, 0.25

 

CMYK 0 / 6 / 25 / 14

HEX #7154003F

RGBA 113 84 0 0.25

HSLA 44.6, 1%, 0.22%, 0.25

LABA 37.57, 4.96, 45.79, 0.25

 

CMYK 0 / 14 / 81 / 29

HEX #B49B22

RGB 180 155 34

HSL 49.73, 0.68%, 0.42%

LAB 64.37, -2.88, 61.18

 

CMYK 0 / 36 / 81 / 29

HEX #B47422

RGB 180 116 34

HSL 33.7, 0.68%, 0.42%

LAB 54.35, 18.63, 52.24

 

CMYK 0 / 58 / 81 / 29

HEX #B44C22

RGB 180 76 34

HSL 17.26, 0.68%, 0.42%

LAB 45.62, 39.98, 44.12

 

CMYK 0 / 79 / 81 / 29

HEX #B42522

RGB 180 37 34

HSL 1.23, 0.68%, 0.42%

LAB 39.82, 55.67, 38.49

 

CMYK 0 / 81 / 81 / 29

HEX #B42222

RGB 180 34 34

HSL 0, 0.68%, 0.42%

LAB 39.52, 56.52, 38.19

 

CMYK 0 / 14 / 81 / 29

HEX #B49B22

RGB 180 155 34

HSL 49.73, 0.68%, 0.42%

LAB 64.37, -2.88, 61.18

 

CMYK 8 / 0 / 81 / 29

HEX #A6B422

RGB 166 180 34

HSL 65.75, 0.68%, 0.42%

LAB 70.08, -21.99, 65.72

 

CMYK 30 / 0 / 81 / 29

HEX #7EB422

RGB 126 180 34

HSL 82.19, 0.68%, 0.42%

LAB 67.42, -38.31, 62.35

 

CMYK 52 / 0 / 81 / 29

HEX #57B422

RGB 87 180 34

HSL 98.22, 0.68%, 0.42%

LAB 65.58, -51.59, 59.99

 

CMYK 73 / 0 / 81 / 29

HEX #30B422

RGB 48 180 34

HSL 114.25, 0.68%, 0.42%

LAB 64.47, -60.65, 58.56

 

CMYK 0 / 14 / 81 / 29

HEX #B49B22

RGB 180 155 34

HSL 49.73, 0.68%, 0.42%

LAB 64.37, -2.88, 61.18

 

CMYK 0 / 16 / 91 / 23

HEX #C5A611

RGB 197 166 17

HSL 49.67, 0.84%, 0.42%

LAB 68.88, -1.58, 69.59

 

CMYK 0 / 14 / 81 / 29

HEX #B49B22

RGB 180 155 34

HSL 49.73, 0.68%, 0.42%

LAB 64.37, -2.88, 61.18

 

CMYK 0 / 12 / 68 / 36

HEX #A39034

RGB 163 144 52

HSL 49.73, 0.52%, 0.42%

LAB 59.87, -3.72, 49.58

 

CMYK 0 / 9 / 52 / 43

HEX #918445

RGB 145 132 69

HSL 49.74, 0.36%, 0.42%

LAB 55.02, -3.85, 35.48

 

CMYK 0 / 5 / 33 / 50

HEX #807956

RGB 128 121 86

HSL 50, 0.2%, 0.42%

LAB 50.61, -3.11, 20.2

 

CMYK 0 / 2 / 6 / 56

HEX #6F6D68

RGB 111 109 104

HSL 42.86, 0.03%, 0.42%

LAB 46.06, -0.21, 3.06

 

CMYK 0 / 58 / 81 / 29

HEX #B44C22

RGB 180 76 34

HSL 17.26, 0.68%, 0.42%

LAB 45.62, 39.98, 44.12

 

CMYK 0 / 37 / 81 / 29

HEX #B47222

RGB 180 114 34

HSL 32.88, 0.68%, 0.42%

LAB 53.87, 19.74, 51.8

 

CMYK 0 / 15 / 81 / 29

HEX #B49922

RGB 180 153 34

HSL 48.9, 0.68%, 0.42%

LAB 63.84, -1.8, 60.71

 

CMYK 7 / 0 / 81 / 29

HEX #A8B422

RGB 168 180 34

HSL 64.93, 0.68%, 0.42%

LAB 70.23, -21.14, 65.91

 

CMYK 28 / 0 / 81 / 29

HEX #81B422

RGB 129 180 34

HSL 80.96, 0.68%, 0.42%

LAB 67.59, -37.15, 62.57

 

CMYK 0 / 14 / 81 / 56

HEX #6F5F15

RGB 111 95 21

HSL 49.33, 0.68%, 0.26%

LAB 40.6, -1.93, 41.64

 

CMYK 0 / 14 / 81 / 43

HEX #917D1C

RGB 145 125 28

HSL 49.74, 0.68%, 0.34%

LAB 52.7, -2.63, 51.44

 

CMYK 0 / 14 / 81 / 29

HEX #B49B22

RGB 180 155 34

HSL 49.73, 0.68%, 0.42%

LAB 64.37, -2.88, 61.18

 

CMYK 0 / 14 / 81 / 16

HEX #D6B929

RGB 214 185 41

HSL 49.94, 0.68%, 0.5%

LAB 75.55, -3.52, 70.11

 

CMYK 0 / 11 / 66 / 13

HEX #DDC44C

RGB 221 196 76

HSL 49.66, 0.68%, 0.58%

LAB 79.26, -4.65, 61.3

 

CMYK 0 / 14 / 81 / 29

HEX #B59C23

RGB 181 156 35

HSL 49.73, 0.68%, 0.42%

LAB 64.74, -2.93, 61.24

 

CMYK 81 / 0 / 79 / 29

HEX #22B425

RGB 34 180 37

HSL 121.23, 0.68%, 0.42%

LAB 64.25, -62.48, 57.38

 

CMYK 47 / 81 / 0 / 29

HEX #5F22B4

RGB 95 34 180

HSL 265.07, 0.68%, 0.42%

LAB 31.51, 56.26, -65.71

 

CMYK 0 / 14 / 81 / 29

HEX #B59C23

RGB 181 156 35

HSL 49.73, 0.68%, 0.42%

LAB 64.74, -2.93, 61.24

 

CMYK 81 / 0 / 15 / 29

HEX #22B499

RGB 34 180 153

HSL 168.9, 0.68%, 0.42%

LAB 65.97, -42.95, 3.35

 

CMYK 15 / 81 / 0 / 29

HEX #9922B4

RGB 153 34 180

HSL 288.9, 0.68%, 0.42%

LAB 39.93, 65.65, -51.63

 

CMYK 0 / 14 / 81 / 29

HEX #B59C23

RGB 181 156 35

HSL 49.73, 0.68%, 0.42%

LAB 64.74, -2.93, 61.24

 

CMYK 81 / 0 / 79 / 29

HEX #22B425

RGB 34 180 37

HSL 121.23, 0.68%, 0.42%

LAB 64.25, -62.48, 57.38

 

CMYK 81 / 66 / 0 / 29

HEX #223DB4

RGB 34 61 180

HSL 228.9, 0.68%, 0.42%

LAB 31.75, 34.62, -65.51

 

CMYK 0 / 81 / 1 / 29

HEX #B422B2

RGB 180 34 178

HSL 300.82, 0.68%, 0.42%

LAB 44.32, 70.42, -43.17

 

CMYK 0 / 14 / 81 / 29

HEX #B59C23

RGB 181 156 35

HSL 49.73, 0.68%, 0.42%

LAB 64.74, -2.93, 61.24

 

CMYK 81 / 0 / 56 / 29

HEX #22B450

RGB 34 180 80

HSL 138.9, 0.68%, 0.42%

LAB 64.61, -58.08, 40.26

 

CMYK 81 / 66 / 0 / 29

HEX #223DB4

RGB 34 61 180

HSL 228.9, 0.68%, 0.42%

LAB 31.75, 34.62, -65.51

 

CMYK 0 / 81 / 26 / 29

HEX #B42286

RGB 180 34 134

HSL 318.9, 0.68%, 0.42%

LAB 42.11, 64.24, -20.18

 

Description

Color code: HEX #B59C233F | qconv.com Color code: HEX #B59C233F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 156 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 156 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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