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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B599D2 it is the complementary color #4A662D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B599D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B599D2 shade: #BA99CD, #CBABE0, #DCBDF3, #EDCFFF and #FEE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B599D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B599D2 shade: #B599D2, #A487BF, #9375AC, #826399 and #715186

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B599D2 shade: #B598D2, #C498D2, #D298D0, #D298C1 and #D298B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B599D2 shade: #B598D2, #A598D2 and #9898D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B599D2 shade matches the following richer shades: #B598D2, #B48CDE, #B480EA and #B474F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B599D2 shade: #B598D2, #B5A4C6, #B5B0BA, #B5BCAE and #B5C8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B599D2 shade: #989BD2, #A598D2, #B498D2, #C398D2 and #D298D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B599D2 shade: #8B5FB9, #A07CC5, #B598D2, #C9B5DE and #DED2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B599D2 shade: #B599D2, #D298AA and #98D29D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B599D2 shade: #B599D2, #D2B498 and #98D2B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B599D2 shade: #B599D2, #D298AA, #B6D298 and #98D2C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B599D2 shade: #B599D2, #D29899, #B6D298 and #98D2D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 27 / 0 / 18

HEX #B599D2

RGB 181 153 210

HSL 269.47, 0.39%, 0.71%

LAB 67.47, 21.29, -25.3

 

Complementary color

CMYK 27 / 0 / 56 / 60

HEX #4A662D

RGB 74 102 45

HSL 89.47, 0.39%, 0.29%

LAB 39.83, -21.07, 28.63

 

CMYK 9 / 25 / 0 / 20

HEX #BA99CD

RGB 186 153 205

HSL 278.08, 0.34%, 0.7%

LAB 67.75, 21.85, -22.07

 

CMYK 9 / 24 / 0 / 12

HEX #CBABE0

RGB 203 171 224

HSL 276.23, 0.46%, 0.77%

LAB 74.32, 21.31, -22.35

 

CMYK 9 / 22 / 0 / 5

HEX #DCBDF3

RGB 220 189 243

HSL 274.44, 0.69%, 0.85%

LAB 80.78, 20.82, -22.64

 

CMYK 7 / 19 / 0 / 0

HEX #EDCFFF

RGB 237 207 255

HSL 277.5, 1%, 0.91%

LAB 86.92, 18.99, -19.59

 

CMYK 0 / 12 / 0 / 0

HEX #FEE1FF

RGB 254 225 255

HSL 298, 1%, 0.94%

LAB 92.64, 15.06, -10.87

 

CMYK 14 / 27 / 0 / 18

HEX #B599D2

RGB 181 153 210

HSL 269.47, 0.39%, 0.71%

LAB 67.47, 21.29, -25.3

 

CMYK 14 / 29 / 0 / 25

HEX #A487BF

RGB 164 135 191

HSL 271.07, 0.3%, 0.64%

LAB 60.77, 21.87, -25.1

 

CMYK 15 / 32 / 0 / 33

HEX #9375AC

RGB 147 117 172

HSL 272.73, 0.25%, 0.57%

LAB 53.93, 22.51, -24.91

 

CMYK 15 / 35 / 0 / 40

HEX #826399

RGB 130 99 153

HSL 274.44, 0.21%, 0.49%

LAB 46.93, 23.21, -24.74

 

CMYK 16 / 40 / 0 / 47

HEX #715186

RGB 113 81 134

HSL 276.23, 0.25%, 0.42%

LAB 39.78, 23.99, -24.58

 

CMYK 14 / 28 / 0 / 18

HEX #B598D2

RGB 181 152 210

HSL 270, 0.39%, 0.71%

LAB 67.23, 21.85, -25.67

 

CMYK 7 / 28 / 0 / 18

HEX #C498D2

RGB 196 152 210

HSL 285.52, 0.39%, 0.71%

LAB 68.64, 26.67, -23.39

 

CMYK 0 / 28 / 1 / 18

HEX #D298D0

RGB 210 152 208

HSL 302.07, 0.39%, 0.71%

LAB 69.97, 30.86, -20.12

 

CMYK 0 / 28 / 8 / 18

HEX #D298C1

RGB 210 152 193

HSL 317.59, 0.39%, 0.71%

LAB 69.48, 28.17, -12.56

 

CMYK 0 / 28 / 16 / 18

HEX #D298B1

RGB 210 152 177

HSL 334.14, 0.39%, 0.71%

LAB 68.99, 25.49, -4.37

 

CMYK 14 / 28 / 0 / 18

HEX #B598D2

RGB 181 152 210

HSL 270, 0.39%, 0.71%

LAB 67.23, 21.85, -25.67

 

CMYK 21 / 28 / 0 / 18

HEX #A598D2

RGB 165 152 210

HSL 253.45, 0.39%, 0.71%

LAB 65.83, 16.83, -27.94

 

CMYK 28 / 28 / 0 / 18

HEX #9898D2

RGB 152 152 210

HSL 240, 0.39%, 0.71%

LAB 64.79, 12.89, -29.63

 

CMYK 14 / 28 / 0 / 18

HEX #B598D2

RGB 181 152 210

HSL 270, 0.39%, 0.71%

LAB 67.23, 21.85, -25.67

 

CMYK 19 / 37 / 0 / 13

HEX #B48CDE

RGB 180 140 222

HSL 269.27, 0.55%, 0.71%

LAB 64.75, 30.91, -36.17

 

CMYK 23 / 45 / 0 / 8

HEX #B480EA

RGB 180 128 234

HSL 269.43, 0.72%, 0.71%

LAB 62.58, 40.3, -46.23

 

CMYK 27 / 53 / 0 / 4

HEX #B474F6

RGB 180 116 246

HSL 269.54, 0.88%, 0.71%

LAB 60.65, 49.56, -55.93

 

CMYK 14 / 28 / 0 / 18

HEX #B598D2

RGB 181 152 210

HSL 270, 0.39%, 0.71%

LAB 67.23, 21.85, -25.67

 

CMYK 9 / 17 / 0 / 22

HEX #B5A4C6

RGB 181 164 198

HSL 270, 0.23%, 0.71%

LAB 69.79, 12.63, -15.13

 

CMYK 3 / 5 / 0 / 27

HEX #B5B0BA

RGB 181 176 186

HSL 270, 0.07%, 0.71%

LAB 72.51, 3.65, -4.47

 

CMYK 4 / 0 / 7 / 26

HEX #B5BCAE

RGB 181 188 174

HSL 90, 0.09%, 0.71%

LAB 75.36, -5, 6.23

 

CMYK 10 / 0 / 19 / 22

HEX #B5C8A2

RGB 181 200 162

HSL 90, 0.26%, 0.71%

LAB 78.31, -13.29, 16.88

 

CMYK 28 / 26 / 0 / 18

HEX #989BD2

RGB 152 155 210

HSL 236.9, 0.39%, 0.71%

LAB 65.57, 11.18, -28.43

 

CMYK 21 / 28 / 0 / 18

HEX #A598D2

RGB 165 152 210

HSL 253.45, 0.39%, 0.71%

LAB 65.83, 16.83, -27.94

 

CMYK 14 / 28 / 0 / 18

HEX #B498D2

RGB 180 152 210

HSL 268.97, 0.39%, 0.71%

LAB 67.14, 21.53, -25.82

 

CMYK 7 / 28 / 0 / 18

HEX #C398D2

RGB 195 152 210

HSL 284.48, 0.39%, 0.71%

LAB 68.54, 26.35, -23.55

 

CMYK 0 / 28 / 0 / 18

HEX #D298D1

RGB 210 152 209

HSL 301.03, 0.39%, 0.71%

LAB 70.01, 31.05, -20.62

 

CMYK 25 / 49 / 0 / 27

HEX #8B5FB9

RGB 139 95 185

HSL 269.33, 0.39%, 0.55%

LAB 48.48, 35.87, -41.01

 

CMYK 19 / 37 / 0 / 23

HEX #A07CC5

RGB 160 124 197

HSL 269.59, 0.39%, 0.63%

LAB 57.96, 28.25, -32.87

 

CMYK 14 / 28 / 0 / 18

HEX #B598D2

RGB 181 152 210

HSL 270, 0.39%, 0.71%

LAB 67.23, 21.85, -25.67

 

CMYK 9 / 18 / 0 / 13

HEX #C9B5DE

RGB 201 181 222

HSL 269.27, 0.38%, 0.79%

LAB 76.52, 14.8, -17.94

 

CMYK 6 / 11 / 0 / 8

HEX #DED2EB

RGB 222 210 235

HSL 268.8, 0.38%, 0.87%

LAB 85.82, 8.69, -10.79

 

CMYK 14 / 27 / 0 / 18

HEX #B599D2

RGB 181 153 210

HSL 269.47, 0.39%, 0.71%

LAB 67.47, 21.29, -25.3

 

CMYK 0 / 28 / 19 / 18

HEX #D298AA

RGB 210 152 170

HSL 341.38, 0.39%, 0.71%

LAB 68.79, 24.38, -0.76

 

CMYK 28 / 0 / 25 / 18

HEX #98D29D

RGB 152 210 157

HSL 125.17, 0.39%, 0.71%

LAB 79.16, -29.08, 20.43

 

CMYK 14 / 27 / 0 / 18

HEX #B599D2

RGB 181 153 210

HSL 269.47, 0.39%, 0.71%

LAB 67.47, 21.29, -25.3

 

CMYK 0 / 14 / 28 / 18

HEX #D2B498

RGB 210 180 152

HSL 28.97, 0.39%, 0.71%

LAB 75.21, 6.59, 18.29

 

CMYK 28 / 0 / 14 / 18

HEX #98D2B4

RGB 152 210 180

HSL 148.97, 0.39%, 0.71%

LAB 79.65, -24.81, 8.91

 

CMYK 14 / 27 / 0 / 18

HEX #B599D2

RGB 181 153 210

HSL 269.47, 0.39%, 0.71%

LAB 67.47, 21.29, -25.3

 

CMYK 0 / 28 / 19 / 18

HEX #D298AA

RGB 210 152 170

HSL 341.38, 0.39%, 0.71%

LAB 68.79, 24.38, -0.76

 

CMYK 13 / 0 / 28 / 18

HEX #B6D298

RGB 182 210 152

HSL 88.97, 0.39%, 0.71%

LAB 80.91, -19.52, 25.74

 

CMYK 28 / 0 / 9 / 18

HEX #98D2C0

RGB 152 210 192

HSL 161.38, 0.39%, 0.71%

LAB 79.94, -22.37, 2.92

 

CMYK 14 / 27 / 0 / 18

HEX #B599D2

RGB 181 153 210

HSL 269.47, 0.39%, 0.71%

LAB 67.47, 21.29, -25.3

 

CMYK 0 / 28 / 27 / 18

HEX #D29899

RGB 210 152 153

HSL 358.97, 0.39%, 0.71%

LAB 68.36, 21.88, 8.09

 

CMYK 13 / 0 / 28 / 18

HEX #B6D298

RGB 182 210 152

HSL 88.97, 0.39%, 0.71%

LAB 80.91, -19.52, 25.74

 

CMYK 28 / 0 / 0 / 18

HEX #98D2D1

RGB 152 210 209

HSL 178.97, 0.39%, 0.71%

LAB 80.39, -18.67, -5.51

 

Description

Color code: HEX #B599D2 | qconv.com Color code: HEX #B599D2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 153 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 153 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 27 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 27% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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