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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B599233F it is the complementary color #4A66DC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B599233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B599233F shade: #BA991E3F, #CBAB313F, #DCBD443F, #EDCF573F and #FEE16A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B599233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B599233F shade: #B599233F, #A487103F, #9375003F, #8263003F and #7151003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B599233F shade: #B49822, #B47122, #B44922 and #B42222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B599233F shade: #B49822, #A9B422, #81B422, #5AB422 and #33B422

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B599233F shade matches the following richer shades: #B49822 and #C5A311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B599233F shade: #B49822, #A38D34, #918345, #807856 and #6F6D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B599233F shade: #B44922, #B47022, #B49722, #AAB422 and #83B422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B599233F shade: #6F5D15, #917B1C, #B49822, #D6B529 and #DDC14C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B599233F shade: #B59923, #22B422 and #5D22B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B599233F shade: #B59923, #22B497 and #9722B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B599233F shade: #B59923, #22B422, #223FB4 and #B422B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B599233F shade: #B59923, #22B44E, #223FB4 and #B42288

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 20 / 7

HEX #B599233F

RGBA 181 153 35 0.25

HSLA 48.49, 0.68%, 0.42%, 0.25

LABA 63.94, -1.32, 60.53, 0.25

 

Complementary color

CMYK 17 / 13 / 0 / 3

HEX #4A66DC3F

RGBA 74 102 220 0.25

HSLA 228.49, 0.68%, 0.58%, 0.25

LABA 47.14, 27.67, -63.54, 0.25

 

CMYK 0 / 4 / 21 / 7

HEX #BA991E3F

RGBA 186 153 30 0.25

HSLA 47.31, 0.72%, 0.42%, 0.25

LABA 64.42, 0.76, 62.63, 0.25

 

CMYK 0 / 4 / 19 / 5

HEX #CBAB313F

RGBA 203 171 49 0.25

HSLA 47.53, 0.61%, 0.49%, 0.25

LABA 70.9, -0.68, 62.95, 0.25

 

CMYK 0 / 4 / 17 / 3

HEX #DCBD443F

RGBA 220 189 68 0.25

HSLA 47.76, 0.68%, 0.56%, 0.25

LABA 77.3, -1.89, 62.52, 0.25

 

CMYK 0 / 3 / 16 / 2

HEX #EDCF573F

RGBA 237 207 87 0.25

HSLA 48, 0.81%, 0.64%, 0.25

LABA 83.61, -2.93, 61.71, 0.25

 

CMYK 0 / 3 / 15 / 0

HEX #FEE16A3F

RGBA 254 225 106 0.25

HSLA 48.24, 0.99%, 0.71%, 0.25

LABA 89.84, -3.82, 60.7, 0.25

 

CMYK 0 / 4 / 20 / 7

HEX #B599233F

RGBA 181 153 35 0.25

HSLA 48.49, 0.68%, 0.42%, 0.25

LABA 63.94, -1.32, 60.53, 0.25

 

CMYK 0 / 4 / 23 / 9

HEX #A487103F

RGBA 164 135 16 0.25

HSLA 48.24, 0.82%, 0.35%, 0.25

LABA 57.33, 0.27, 59.4, 0.25

 

CMYK 0 / 5 / 25 / 11

HEX #9375003F

RGBA 147 117 0 0.25

HSLA 47.76, 1%, 0.29%, 0.25

LABA 50.6, 2.14, 56.62, 0.25

 

CMYK 0 / 6 / 25 / 12

HEX #8263003F

RGBA 130 99 0 0.25

HSLA 45.69, 1%, 0.25%, 0.25

LABA 43.76, 4.39, 50.99, 0.25

 

CMYK 0 / 7 / 25 / 14

HEX #7151003F

RGBA 113 81 0 0.25

HSLA 43.01, 1%, 0.22%, 0.25

LABA 36.74, 6.77, 45.22, 0.25

 

CMYK 0 / 16 / 81 / 29

HEX #B49822

RGB 180 152 34

HSL 48.49, 0.68%, 0.42%

LAB 63.57, -1.26, 60.48

 

CMYK 0 / 37 / 81 / 29

HEX #B47122

RGB 180 113 34

HSL 32.47, 0.68%, 0.42%

LAB 53.63, 20.29, 51.58

 

CMYK 0 / 59 / 81 / 29

HEX #B44922

RGB 180 73 34

HSL 16.03, 0.68%, 0.42%

LAB 45.06, 41.44, 43.58

 

CMYK 0 / 81 / 81 / 29

HEX #B42222

RGB 180 34 34

HSL 0, 0.68%, 0.42%

LAB 39.52, 56.52, 38.19

 

CMYK 0 / 16 / 81 / 29

HEX #B49822

RGB 180 152 34

HSL 48.49, 0.68%, 0.42%

LAB 63.57, -1.26, 60.48

 

CMYK 6 / 0 / 81 / 29

HEX #A9B422

RGB 169 180 34

HSL 64.52, 0.68%, 0.42%

LAB 70.31, -20.71, 66.01

 

CMYK 28 / 0 / 81 / 29

HEX #81B422

RGB 129 180 34

HSL 80.96, 0.68%, 0.42%

LAB 67.59, -37.15, 62.57

 

CMYK 50 / 0 / 81 / 29

HEX #5AB422

RGB 90 180 34

HSL 96.99, 0.68%, 0.42%

LAB 65.7, -50.7, 60.13

 

CMYK 72 / 0 / 81 / 29

HEX #33B422

RGB 51 180 34

HSL 113.01, 0.68%, 0.42%

LAB 64.53, -60.13, 58.64

 

CMYK 0 / 16 / 81 / 29

HEX #B49822

RGB 180 152 34

HSL 48.49, 0.68%, 0.42%

LAB 63.57, -1.26, 60.48

 

CMYK 0 / 17 / 91 / 23

HEX #C5A311

RGB 197 163 17

HSL 48.67, 0.84%, 0.42%

LAB 68.1, 0.02, 68.99

 

CMYK 0 / 16 / 81 / 29

HEX #B49822

RGB 180 152 34

HSL 48.49, 0.68%, 0.42%

LAB 63.57, -1.26, 60.48

 

CMYK 0 / 13 / 68 / 36

HEX #A38D34

RGB 163 141 52

HSL 48.11, 0.52%, 0.42%

LAB 59.05, -2.08, 48.73

 

CMYK 0 / 10 / 52 / 43

HEX #918345

RGB 145 131 69

HSL 48.95, 0.36%, 0.42%

LAB 54.74, -3.29, 35.15

 

CMYK 0 / 6 / 33 / 50

HEX #807856

RGB 128 120 86

HSL 48.57, 0.2%, 0.42%

LAB 50.33, -2.54, 19.82

 

CMYK 0 / 2 / 6 / 56

HEX #6F6D68

RGB 111 109 104

HSL 42.86, 0.03%, 0.42%

LAB 46.06, -0.21, 3.06

 

CMYK 0 / 59 / 81 / 29

HEX #B44922

RGB 180 73 34

HSL 16.03, 0.68%, 0.42%

LAB 45.06, 41.44, 43.58

 

CMYK 0 / 38 / 81 / 29

HEX #B47022

RGB 180 112 34

HSL 32.05, 0.68%, 0.42%

LAB 53.39, 20.85, 51.36

 

CMYK 0 / 16 / 81 / 29

HEX #B49722

RGB 180 151 34

HSL 48.08, 0.68%, 0.42%

LAB 63.3, -0.72, 60.24

 

CMYK 6 / 0 / 81 / 29

HEX #AAB422

RGB 170 180 34

HSL 64.11, 0.68%, 0.42%

LAB 70.39, -20.28, 66.11

 

CMYK 27 / 0 / 81 / 29

HEX #83B422

RGB 131 180 34

HSL 80.14, 0.68%, 0.42%

LAB 67.71, -36.38, 62.72

 

CMYK 0 / 16 / 81 / 56

HEX #6F5D15

RGB 111 93 21

HSL 48, 0.68%, 0.26%

LAB 40.02, -0.75, 41.1

 

CMYK 0 / 15 / 81 / 43

HEX #917B1C

RGB 145 123 28

HSL 48.72, 0.68%, 0.34%

LAB 52.14, -1.51, 50.94

 

CMYK 0 / 16 / 81 / 29

HEX #B49822

RGB 180 152 34

HSL 48.49, 0.68%, 0.42%

LAB 63.57, -1.26, 60.48

 

CMYK 0 / 15 / 81 / 16

HEX #D6B529

RGB 214 181 41

HSL 48.55, 0.68%, 0.5%

LAB 74.51, -1.43, 69.21

 

CMYK 0 / 13 / 66 / 13

HEX #DDC14C

RGB 221 193 76

HSL 48.41, 0.68%, 0.58%

LAB 78.48, -3.1, 60.48

 

CMYK 0 / 15 / 81 / 29

HEX #B59923

RGB 181 153 35

HSL 48.49, 0.68%, 0.42%

LAB 63.94, -1.32, 60.53

 

CMYK 81 / 0 / 81 / 29

HEX #22B422

RGB 34 180 34

HSL 120, 0.68%, 0.42%

LAB 64.24, -62.67, 58.26

 

CMYK 48 / 81 / 0 / 29

HEX #5D22B4

RGB 93 34 180

HSL 264.25, 0.68%, 0.42%

LAB 31.27, 55.99, -66.12

 

CMYK 0 / 15 / 81 / 29

HEX #B59923

RGB 181 153 35

HSL 48.49, 0.68%, 0.42%

LAB 63.94, -1.32, 60.53

 

CMYK 81 / 0 / 16 / 29

HEX #22B497

RGB 34 180 151

HSL 168.08, 0.68%, 0.42%

LAB 65.92, -43.48, 4.38

 

CMYK 16 / 81 / 0 / 29

HEX #9722B4

RGB 151 34 180

HSL 288.08, 0.68%, 0.42%

LAB 39.61, 65.29, -52.17

 

CMYK 0 / 15 / 81 / 29

HEX #B59923

RGB 181 153 35

HSL 48.49, 0.68%, 0.42%

LAB 63.94, -1.32, 60.53

 

CMYK 81 / 0 / 81 / 29

HEX #22B422

RGB 34 180 34

HSL 120, 0.68%, 0.42%

LAB 64.24, -62.67, 58.26

 

CMYK 81 / 65 / 0 / 29

HEX #223FB4

RGB 34 63 180

HSL 228.08, 0.68%, 0.42%

LAB 32.24, 33.33, -64.7

 

CMYK 0 / 81 / 0 / 29

HEX #B422B4

RGB 180 34 180

HSL 300, 0.68%, 0.42%

LAB 44.44, 70.73, -44.17

 

CMYK 0 / 15 / 81 / 29

HEX #B59923

RGB 181 153 35

HSL 48.49, 0.68%, 0.42%

LAB 63.94, -1.32, 60.53

 

CMYK 81 / 0 / 57 / 29

HEX #22B44E

RGB 34 180 78

HSL 138.08, 0.68%, 0.42%

LAB 64.59, -58.36, 41.2

 

CMYK 81 / 65 / 0 / 29

HEX #223FB4

RGB 34 63 180

HSL 228.08, 0.68%, 0.42%

LAB 32.24, 33.33, -64.7

 

CMYK 0 / 81 / 24 / 29

HEX #B42288

RGB 180 34 136

HSL 318.08, 0.68%, 0.42%

LAB 42.19, 64.49, -21.27

 

Description

Color code: HEX #B599233F | qconv.com Color code: HEX #B599233F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 153 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 153 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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