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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B594FDCE it is the complementary color #4A6B02CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B594FDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B594FDCE shade: #BA94F8CE, #CBA6FFCE, #DCB8FFCE, #EDCAFFCE and #FEDCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B594FDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B594FDCE shade: #B594FDCE, #A482EACE, #9370D7CE, #825EC4CE and #714CB1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B594FDCE shade: #B696FD, #D296FD, #EE96FD, #FD96F0 and #FD96D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B594FDCE shade: #B696FD, #9B96FD and #9696FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B594FDCE shade matches the following richer shades: #B696FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B594FDCE shade: #B696FD, #BA9FF4, #BDA7EC, #C0B0E3 and #C3B9DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B594FDCE shade: #96AEFD, #9996FD, #B596FD, #D096FD and #EC96FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B594FDCE shade: #7E45FB, #9A6EFC, #B696FD, #D2BEFE and #EEE7FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B594FDCE shade: #B594FD, #FD96C9 and #A0FD96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B594FDCE shade: #B594FD, #FDB596 and #96FDB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B594FDCE shade: #B594FD, #FD96C9, #DEFD96 and #96FDC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B594FDCE shade: #B594FD, #FD96AB, #DEFD96 and #96FDE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 34 / 0 / 1

HEX #B594FDCE

RGBA 181 148 253 0.81

HSLA 258.86, 0.96%, 0.79%, 0.81

LABA 68.09, 33.98, -47.98, 0.81

 

Complementary color

CMYK 25 / 0 / 79 / 47

HEX #4A6B02CE

RGBA 74 107 2 0.81

HSLA 78.86, 0.96%, 0.21%, 0.81

LABA 41.18, -26.49, 46.32, 0.81

 

CMYK 20 / 33 / 0 / 2

HEX #BA94F8CE

RGBA 186 148 248 0.81

HSLA 262.8, 0.88%, 0.78%, 0.81

LABA 68.31, 34.16, -44.87, 0.81

 

CMYK 17 / 28 / 0 / 0

HEX #CBA6FFCE

RGBA 203 166 255 0.81

HSLA 264.94, 1%, 0.83%, 0.81

LABA 74.31, 30.68, -39.18, 0.81

 

CMYK 11 / 23 / 0 / 0

HEX #DCB8FFCE

RGBA 220 184 255 0.81

HSLA 270.42, 1%, 0.86%, 0.81

LABA 80.02, 25.97, -30.23, 0.81

 

CMYK 6 / 17 / 0 / 0

HEX #EDCAFFCE

RGBA 237 202 255 0.81

HSLA 279.62, 1%, 0.9%, 0.81

LABA 85.74, 21.65, -21.38, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FEDCFFCE

RGBA 254 220 255 0.81

HSLA 298.29, 1%, 0.93%, 0.81

LABA 91.45, 17.66, -12.64, 0.81

 

CMYK 23 / 34 / 0 / 1

HEX #B594FDCE

RGBA 181 148 253 0.81

HSLA 258.86, 0.96%, 0.79%, 0.81

LABA 68.09, 33.98, -47.98, 0.81

 

CMYK 24 / 36 / 0 / 7

HEX #A482EACE

RGBA 164 130 234 0.81

HSLA 259.62, 0.71%, 0.71%, 0.81

LABA 61.48, 34.84, -48.07, 0.81

 

CMYK 26 / 39 / 0 / 13

HEX #9370D7CE

RGBA 147 112 215 0.81

HSLA 260.39, 0.56%, 0.64%, 0.81

LABA 54.76, 35.78, -48.18, 0.81

 

CMYK 27 / 42 / 0 / 19

HEX #825EC4CE

RGBA 130 94 196 0.81

HSLA 261.18, 0.46%, 0.57%, 0.81

LABA 47.93, 36.81, -48.32, 0.81

 

CMYK 29 / 46 / 0 / 25

HEX #714CB1CE

RGBA 113 76 177 0.81

HSLA 261.98, 0.4%, 0.5%, 0.81

LABA 40.98, 37.91, -48.45, 0.81

 

CMYK 28 / 41 / 0 / 1

HEX #B696FD

RGB 182 150 253

HSL 258.64, 0.96%, 0.79%

LAB 68.64, 33.13, -47.1

 

CMYK 17 / 41 / 0 / 1

HEX #D296FD

RGB 210 150 253

HSL 274.95, 0.96%, 0.79%

LAB 71.29, 40.96, -42.77

 

CMYK 6 / 41 / 0 / 1

HEX #EE96FD

RGB 238 150 253

HSL 291.26, 0.96%, 0.79%

LAB 74.24, 49.03, -37.94

 

CMYK 0 / 41 / 5 / 1

HEX #FD96F0

RGB 253 150 240

HSL 307.57, 0.96%, 0.79%

LAB 75.44, 51.15, -28.89

 

CMYK 0 / 41 / 16 / 1

HEX #FD96D4

RGB 253 150 212

HSL 323.88, 0.96%, 0.79%

LAB 74.48, 46.65, -15.05

 

CMYK 28 / 41 / 0 / 1

HEX #B696FD

RGB 182 150 253

HSL 258.64, 0.96%, 0.79%

LAB 68.64, 33.13, -47.1

 

CMYK 39 / 41 / 0 / 1

HEX #9B96FD

RGB 155 150 253

HSL 242.91, 0.96%, 0.79%

LAB 66.42, 26.03, -50.75

 

CMYK 41 / 41 / 0 / 1

HEX #9696FD

RGB 150 150 253

HSL 240, 0.96%, 0.79%

LAB 66.05, 24.78, -51.36

 

CMYK 28 / 41 / 0 / 1

HEX #B696FD

RGB 182 150 253

HSL 258.64, 0.96%, 0.79%

LAB 68.64, 33.13, -47.1

 

CMYK 28 / 41 / 0 / 1

HEX #B696FD

RGB 182 150 253

HSL 258.64, 0.96%, 0.79%

LAB 68.64, 33.13, -47.1

 

CMYK 24 / 35 / 0 / 4

HEX #BA9FF4

RGB 186 159 244

HSL 259.06, 0.79%, 0.79%

LAB 70.71, 27.11, -38.94

 

CMYK 20 / 29 / 0 / 7

HEX #BDA7EC

RGB 189 167 236

HSL 259.13, 0.64%, 0.79%

LAB 72.57, 21.71, -31.68

 

CMYK 15 / 22 / 0 / 11

HEX #C0B0E3

RGB 192 176 227

HSL 258.82, 0.48%, 0.79%

LAB 74.7, 15.69, -23.49

 

CMYK 11 / 15 / 0 / 15

HEX #C3B9DA

RGB 195 185 218

HSL 258.18, 0.31%, 0.79%

LAB 76.9, 9.85, -15.26

 

CMYK 41 / 31 / 0 / 1

HEX #96AEFD

RGB 150 174 253

HSL 226.02, 0.96%, 0.79%

LAB 72.13, 11.12, -41.81

 

CMYK 40 / 41 / 0 / 1

HEX #9996FD

RGB 153 150 253

HSL 241.75, 0.96%, 0.79%

LAB 66.27, 25.53, -51

 

CMYK 28 / 41 / 0 / 1

HEX #B596FD

RGB 181 150 253

HSL 258.06, 0.96%, 0.79%

LAB 68.55, 32.86, -47.25

 

CMYK 18 / 41 / 0 / 1

HEX #D096FD

RGB 208 150 253

HSL 273.79, 0.96%, 0.79%

LAB 71.09, 40.39, -43.09

 

CMYK 7 / 41 / 0 / 1

HEX #EC96FD

RGB 236 150 253

HSL 290.1, 0.96%, 0.79%

LAB 74.02, 48.45, -38.3

 

CMYK 50 / 73 / 0 / 2

HEX #7E45FB

RGB 126 69 251

HSL 258.79, 0.96%, 0.63%

LAB 46.52, 63.78, -81.83

 

CMYK 39 / 56 / 0 / 1

HEX #9A6EFC

RGB 154 110 252

HSL 258.59, 0.96%, 0.71%

LAB 57.12, 48.15, -65.04

 

CMYK 28 / 41 / 0 / 1

HEX #B696FD

RGB 182 150 253

HSL 258.64, 0.96%, 0.79%

LAB 68.64, 33.13, -47.1

 

CMYK 17 / 25 / 0 / 0

HEX #D2BEFE

RGB 210 190 254

HSL 258.75, 0.97%, 0.87%

LAB 80.56, 19.46, -28.94

 

CMYK 7 / 9 / 0 / 0

HEX #EEE7FF

RGB 238 231 255

HSL 257.5, 1%, 0.95%

LAB 92.82, 6.73, -10.74

 

CMYK 28 / 42 / 0 / 1

HEX #B594FD

RGB 181 148 253

HSL 258.86, 0.96%, 0.79%

LAB 68.09, 33.98, -47.98

 

CMYK 0 / 41 / 21 / 1

HEX #FD96C9

RGB 253 150 201

HSL 330.29, 0.96%, 0.79%

LAB 74.13, 45.02, -9.51

 

CMYK 37 / 0 / 41 / 1

HEX #A0FD96

RGB 160 253 150

HSL 114.17, 0.96%, 0.79%

LAB 91.65, -47.04, 40.74

 

CMYK 28 / 42 / 0 / 1

HEX #B594FD

RGB 181 148 253

HSL 258.86, 0.96%, 0.79%

LAB 68.09, 33.98, -47.98

 

CMYK 0 / 28 / 41 / 1

HEX #FDB596

RGB 253 181 150

HSL 18.06, 0.96%, 0.79%

LAB 79.69, 22.43, 26.18

 

CMYK 41 / 0 / 28 / 1

HEX #96FDB5

RGB 150 253 181

HSL 138.06, 0.96%, 0.79%

LAB 91.72, -45.02, 25.27

 

CMYK 28 / 42 / 0 / 1

HEX #B594FD

RGB 181 148 253

HSL 258.86, 0.96%, 0.79%

LAB 68.09, 33.98, -47.98

 

CMYK 0 / 41 / 21 / 1

HEX #FD96C9

RGB 253 150 201

HSL 330.29, 0.96%, 0.79%

LAB 74.13, 45.02, -9.51

 

CMYK 12 / 0 / 41 / 1

HEX #DEFD96

RGB 222 253 150

HSL 78.06, 0.96%, 0.79%

LAB 95.15, -25.96, 45.93

 

CMYK 41 / 0 / 21 / 1

HEX #96FDC9

RGB 150 253 201

HSL 149.71, 0.96%, 0.79%

LAB 92.11, -41.3, 15.6

 

CMYK 28 / 42 / 0 / 1

HEX #B594FD

RGB 181 148 253

HSL 258.86, 0.96%, 0.79%

LAB 68.09, 33.98, -47.98

 

CMYK 0 / 41 / 32 / 1

HEX #FD96AB

RGB 253 150 171

HSL 347.77, 0.96%, 0.79%

LAB 73.31, 41, 5.85

 

CMYK 12 / 0 / 41 / 1

HEX #DEFD96

RGB 222 253 150

HSL 78.06, 0.96%, 0.79%

LAB 95.15, -25.96, 45.93

 

CMYK 41 / 0 / 8 / 1

HEX #96FDE8

RGB 150 253 232

HSL 167.77, 0.96%, 0.79%

LAB 92.82, -34.8, 0.63

 

Description

Color code: HEX #B594FDCE | qconv.com Color code: HEX #B594FDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 148 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 148 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 34 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 34% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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