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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5931E3F it is the complementary color #4A6CE13F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5931E3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5931E3F shade: #BA93193F, #CBA52C3F, #DCB73F3F, #EDC9523F and #FEDB653F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5931E3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5931E3F shade: #B5931E3F, #A4810B3F, #936F003F, #825D003F and #714B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5931E3F shade: #B4921D, #B4691D, #B4411D and #B41D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5931E3F shade: #B4921D, #ADB41D, #85B41D, #5CB41D and #33B41D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5931E3F shade matches the following richer shades: #B4921D and #C59B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5931E3F shade: #B4921D, #A3892E, #927F3F, #817650 and #706D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5931E3F shade: #B4401D, #B4691D, #B4911D, #AFB41D and #87B41D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5931E3F shade: #6D5812, #907517, #B4921D, #D7AF23 and #E0BD43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5931E3F shade: #B5931E, #22B41D and #541DB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5931E3F shade: #B5931E, #1DB491 and #911DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5931E3F shade: #B5931E, #22B41D, #1D40B4 and #AF1DB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5931E3F shade: #B5931E, #1DB445, #1D40B4 and #B41D8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 21 / 7

HEX #B5931E3F

RGBA 181 147 30 0.25

HSLA 46.49, 0.72%, 0.41%, 0.25

LABA 62.33, 1.78, 60.65, 0.25

 

Complementary color

CMYK 17 / 13 / 0 / 3

HEX #4A6CE13F

RGBA 74 108 225 0.25

HSLA 226.49, 0.72%, 0.59%, 0.25

LABA 49.03, 25.66, -63.32, 0.25

 

CMYK 0 / 5 / 22 / 7

HEX #BA93193F

RGBA 186 147 25 0.25

HSLA 45.47, 0.76%, 0.41%, 0.25

LABA 62.82, 3.89, 62.65, 0.25

 

CMYK 0 / 5 / 20 / 5

HEX #CBA52C3F

RGBA 203 165 44 0.25

HSLA 45.66, 0.64%, 0.48%, 0.25

LABA 69.32, 2.32, 63.22, 0.25

 

CMYK 0 / 4 / 18 / 3

HEX #DCB73F3F

RGBA 220 183 63 0.25

HSLA 45.86, 0.69%, 0.55%, 0.25

LABA 75.73, 0.99, 62.93, 0.25

 

CMYK 0 / 4 / 16 / 2

HEX #EDC9523F

RGBA 237 201 82 0.25

HSLA 46.06, 0.81%, 0.63%, 0.25

LABA 82.05, -0.15, 62.17, 0.25

 

CMYK 0 / 3 / 15 / 0

HEX #FEDB653F

RGBA 254 219 101 0.25

HSLA 46.27, 0.99%, 0.7%, 0.25

LABA 88.29, -1.13, 61.18, 0.25

 

CMYK 0 / 5 / 21 / 7

HEX #B5931E3F

RGBA 181 147 30 0.25

HSLA 46.49, 0.72%, 0.41%, 0.25

LABA 62.33, 1.78, 60.65, 0.25

 

CMYK 0 / 5 / 23 / 9

HEX #A4810B3F

RGBA 164 129 11 0.25

HSLA 46.27, 0.87%, 0.34%, 0.25

LABA 55.7, 3.51, 59.13, 0.25

 

CMYK 0 / 6 / 25 / 11

HEX #936F003F

RGBA 147 111 0 0.25

HSLA 45.31, 1%, 0.29%, 0.25

LABA 48.97, 5.56, 55.5, 0.25

 

CMYK 0 / 7 / 25 / 12

HEX #825D003F

RGBA 130 93 0 0.25

HSLA 42.92, 1%, 0.25%, 0.25

LABA 42.12, 7.91, 49.86, 0.25

 

CMYK 0 / 8 / 25 / 14

HEX #714B003F

RGBA 113 75 0 0.25

HSLA 39.82, 1%, 0.22%, 0.25

LABA 35.09, 10.41, 44.11, 0.25

 

CMYK 0 / 19 / 84 / 29

HEX #B4921D

RGB 180 146 29

HSL 46.49, 0.72%, 0.41%

LAB 61.95, 1.84, 60.59

 

CMYK 0 / 42 / 84 / 29

HEX #B4691D

RGB 180 105 29

HSL 30.2, 0.72%, 0.41%

LAB 51.72, 24.56, 51.79

 

CMYK 0 / 64 / 84 / 29

HEX #B4411D

RGB 180 65 29

HSL 14.3, 0.72%, 0.41%

LAB 43.61, 45, 44.61

 

CMYK 0 / 84 / 84 / 29

HEX #B41D1D

RGB 180 29 29

HSL 0, 0.72%, 0.41%

LAB 39.02, 57.66, 40.43

 

CMYK 0 / 19 / 84 / 29

HEX #B4921D

RGB 180 146 29

HSL 46.49, 0.72%, 0.41%

LAB 61.95, 1.84, 60.59

 

CMYK 4 / 0 / 84 / 29

HEX #ADB41D

RGB 173 180 29

HSL 62.78, 0.72%, 0.41%

LAB 70.6, -19.14, 67.65

 

CMYK 26 / 0 / 84 / 29

HEX #85B41D

RGB 133 180 29

HSL 78.68, 0.72%, 0.41%

LAB 67.81, -35.79, 64.15

 

CMYK 49 / 0 / 84 / 29

HEX #5CB41D

RGB 92 180 29

HSL 94.97, 0.72%, 0.41%

LAB 65.75, -50.32, 61.55

 

CMYK 72 / 0 / 84 / 29

HEX #33B41D

RGB 51 180 29

HSL 111.26, 0.72%, 0.41%

LAB 64.51, -60.39, 59.96

 

CMYK 0 / 19 / 84 / 29

HEX #B4921D

RGB 180 146 29

HSL 46.49, 0.72%, 0.41%

LAB 61.95, 1.84, 60.59

 

CMYK 0 / 21 / 94 / 23

HEX #C59B0C

RGB 197 155 12

HSL 46.38, 0.89%, 0.41%

LAB 66.01, 4.24, 68.22

 

CMYK 0 / 19 / 84 / 29

HEX #B4921D

RGB 180 146 29

HSL 46.49, 0.72%, 0.41%

LAB 61.95, 1.84, 60.59

 

CMYK 0 / 16 / 72 / 36

HEX #A3892E

RGB 163 137 46

HSL 46.67, 0.56%, 0.41%

LAB 57.92, -0.22, 50.15

 

CMYK 0 / 13 / 57 / 43

HEX #927F3F

RGB 146 127 63

HSL 46.27, 0.4%, 0.41%

LAB 53.65, -1.15, 36.99

 

CMYK 0 / 9 / 38 / 49

HEX #817650

RGB 129 118 80

HSL 46.53, 0.23%, 0.41%

LAB 49.74, -1.77, 22.49

 

CMYK 0 / 3 / 13 / 56

HEX #706D61

RGB 112 109 97

HSL 48, 0.07%, 0.41%

LAB 45.97, -1.12, 7.12

 

CMYK 0 / 64 / 84 / 29

HEX #B4401D

RGB 180 64 29

HSL 13.91, 0.72%, 0.41%

LAB 43.45, 45.45, 44.46

 

CMYK 0 / 42 / 84 / 29

HEX #B4691D

RGB 180 105 29

HSL 30.2, 0.72%, 0.41%

LAB 51.72, 24.56, 51.79

 

CMYK 0 / 19 / 84 / 29

HEX #B4911D

RGB 180 145 29

HSL 46.09, 0.72%, 0.41%

LAB 61.69, 2.39, 60.36

 

CMYK 3 / 0 / 84 / 29

HEX #AFB41D

RGB 175 180 29

HSL 61.99, 0.72%, 0.41%

LAB 70.76, -18.28, 67.84

 

CMYK 25 / 0 / 84 / 29

HEX #87B41D

RGB 135 180 29

HSL 77.88, 0.72%, 0.41%

LAB 67.93, -35, 64.3

 

CMYK 0 / 19 / 83 / 57

HEX #6D5812

RGB 109 88 18

HSL 46.15, 0.72%, 0.25%

LAB 38.33, 1.11, 40.61

 

CMYK 0 / 19 / 84 / 44

HEX #907517

RGB 144 117 23

HSL 46.61, 0.72%, 0.33%

LAB 50.35, 1.23, 50.97

 

CMYK 0 / 19 / 84 / 29

HEX #B4921D

RGB 180 146 29

HSL 46.49, 0.72%, 0.41%

LAB 61.95, 1.84, 60.59

 

CMYK 0 / 19 / 84 / 16

HEX #D7AF23

RGB 215 175 35

HSL 46.67, 0.72%, 0.49%

LAB 73.04, 1.98, 69.69

 

CMYK 0 / 16 / 70 / 12

HEX #E0BD43

RGB 224 189 67

HSL 46.62, 0.72%, 0.57%

LAB 77.67, -0.24, 63.42

 

CMYK 0 / 19 / 83 / 29

HEX #B5931E

RGB 181 147 30

HSL 46.49, 0.72%, 0.41%

LAB 62.33, 1.78, 60.65

 

CMYK 81 / 0 / 84 / 29

HEX #22B41D

RGB 34 180 29

HSL 118.01, 0.72%, 0.41%

LAB 64.22, -62.94, 59.59

 

CMYK 53 / 84 / 0 / 29

HEX #541DB4

RGB 84 29 180

HSL 261.85, 0.72%, 0.41%

LAB 29.56, 56.76, -68.97

 

CMYK 0 / 19 / 83 / 29

HEX #B5931E

RGB 181 147 30

HSL 46.49, 0.72%, 0.41%

LAB 62.33, 1.78, 60.65

 

CMYK 84 / 0 / 19 / 29

HEX #1DB491

RGB 29 180 145

HSL 166.09, 0.72%, 0.41%

LAB 65.71, -45.48, 7.38

 

CMYK 19 / 84 / 0 / 29

HEX #911DB4

RGB 145 29 180

HSL 286.09, 0.72%, 0.41%

LAB 38.19, 65.57, -54.52

 

CMYK 0 / 19 / 83 / 29

HEX #B5931E

RGB 181 147 30

HSL 46.49, 0.72%, 0.41%

LAB 62.33, 1.78, 60.65

 

CMYK 81 / 0 / 84 / 29

HEX #22B41D

RGB 34 180 29

HSL 118.01, 0.72%, 0.41%

LAB 64.22, -62.94, 59.59

 

CMYK 84 / 64 / 0 / 29

HEX #1D40B4

RGB 29 64 180

HSL 226.09, 0.72%, 0.41%

LAB 32.31, 32.28, -64.59

 

CMYK 3 / 84 / 0 / 29

HEX #AF1DB4

RGB 175 29 180

HSL 298.01, 0.72%, 0.41%

LAB 43.19, 70.91, -46.2

 

CMYK 0 / 19 / 83 / 29

HEX #B5931E

RGB 181 147 30

HSL 46.49, 0.72%, 0.41%

LAB 62.33, 1.78, 60.65

 

CMYK 84 / 0 / 62 / 29

HEX #1DB445

RGB 29 180 69

HSL 135.89, 0.72%, 0.41%

LAB 64.43, -60.07, 45.18

 

CMYK 84 / 64 / 0 / 29

HEX #1D40B4

RGB 29 64 180

HSL 226.09, 0.72%, 0.41%

LAB 32.31, 32.28, -64.59

 

CMYK 0 / 84 / 22 / 29

HEX #B41D8C

RGB 180 29 140

HSL 315.89, 0.72%, 0.41%

LAB 41.96, 66.17, -24.07

 

Description

Color code: HEX #B5931E3F | qconv.com Color code: HEX #B5931E3F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 147 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 147 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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