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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58EF8 it is the complementary color #4A7107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58EF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58EF8 shade: #BA8EF3, #CBA0FF, #DCB2FF, #EDC4FF and #FED6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58EF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58EF8 shade: #B58EF8, #A47CE5, #936AD2, #8258BF and #7146AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58EF8 shade: #B48CF8, #D18CF8, #EE8CF8, #F88CE5 and #F88CC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58EF8 shade: #B48CF8, #978CF8 and #8C8CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58EF8 shade matches the following richer shades: #B48CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58EF8 shade: #B48CF8, #B696EE, #B9A0E4, #BBAADA and #BEB4D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58EF8 shade: #8C9EF8, #978CF8, #B38CF8, #D08CF8 and #ED8CF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58EF8 shade: #813EF3, #9A65F5, #B48CF8, #CDB3FA and #E6DAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58EF8 shade: #B58EF8, #F88CBB and #90F88C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58EF8 shade: #B58EF8, #F8B38C and #8CF8B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58EF8 shade: #B58EF8, #F88CBB, #D0F88C and #8CF8C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58EF8 shade: #B58EF8, #F88C9A, #D0F88C and #8CF8E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 43 / 0 / 3

HEX #B58EF8

RGB 181 142 248

HSL 262.08, 0.88%, 0.76%

LAB 66.48, 36.11, -47.78

 

Complementary color

CMYK 35 / 0 / 94 / 56

HEX #4A7107

RGB 74 113 7

HSL 82.08, 0.88%, 0.24%

LAB 43.18, -29.19, 46.74

 

CMYK 23 / 42 / 0 / 5

HEX #BA8EF3

RGB 186 142 243

HSL 266.14, 0.81%, 0.75%

LAB 66.72, 36.32, -44.64

 

CMYK 20 / 37 / 0 / 0

HEX #CBA0FF

RGB 203 160 255

HSL 267.16, 1%, 0.81%

LAB 72.93, 33.97, -41.33

 

CMYK 14 / 30 / 0 / 0

HEX #DCB2FF

RGB 220 178 255

HSL 272.73, 1%, 0.85%

LAB 78.62, 29.21, -32.38

 

CMYK 7 / 23 / 0 / 0

HEX #EDC4FF

RGB 237 196 255

HSL 281.69, 1%, 0.88%

LAB 84.33, 24.84, -23.51

 

CMYK 0 / 16 / 0 / 0

HEX #FED6FF

RGB 254 214 255

HSL 298.54, 1%, 0.92%

LAB 90.04, 20.8, -14.76

 

CMYK 27 / 43 / 0 / 3

HEX #B58EF8

RGB 181 142 248

HSL 262.08, 0.88%, 0.76%

LAB 66.48, 36.11, -47.78

 

CMYK 28 / 46 / 0 / 10

HEX #A47CE5

RGB 164 124 229

HSL 262.86, 0.67%, 0.69%

LAB 59.86, 36.99, -47.86

 

CMYK 30 / 50 / 0 / 18

HEX #936AD2

RGB 147 106 210

HSL 263.65, 0.54%, 0.62%

LAB 53.13, 37.94, -47.94

 

CMYK 32 / 54 / 0 / 25

HEX #8258BF

RGB 130 88 191

HSL 264.47, 0.45%, 0.55%

LAB 46.29, 38.95, -48.04

 

CMYK 34 / 59 / 0 / 33

HEX #7146AC

RGB 113 70 172

HSL 265.29, 0.42%, 0.47%

LAB 39.36, 40, -48.1

 

CMYK 27 / 44 / 0 / 3

HEX #B48CF8

RGB 180 140 248

HSL 262.22, 0.89%, 0.76%

LAB 65.93, 36.95, -48.65

 

CMYK 16 / 44 / 0 / 3

HEX #D18CF8

RGB 209 140 248

HSL 278.33, 0.89%, 0.76%

LAB 68.82, 44.96, -43.92

 

CMYK 4 / 44 / 0 / 3

HEX #EE8CF8

RGB 238 140 248

HSL 294.44, 0.89%, 0.76%

LAB 72.03, 53.19, -38.65

 

CMYK 0 / 44 / 8 / 3

HEX #F88CE5

RGB 248 140 229

HSL 310.56, 0.89%, 0.76%

LAB 72.47, 52.82, -27.49

 

CMYK 0 / 44 / 19 / 3

HEX #F88CC8

RGB 248 140 200

HSL 326.67, 0.89%, 0.76%

LAB 71.48, 48.3, -13

 

CMYK 27 / 44 / 0 / 3

HEX #B48CF8

RGB 180 140 248

HSL 262.22, 0.89%, 0.76%

LAB 65.93, 36.95, -48.65

 

CMYK 39 / 44 / 0 / 3

HEX #978CF8

RGB 151 140 248

HSL 246.11, 0.89%, 0.76%

LAB 63.44, 29.42, -52.76

 

CMYK 44 / 44 / 0 / 3

HEX #8C8CF8

RGB 140 140 248

HSL 240, 0.89%, 0.76%

LAB 62.6, 26.74, -54.14

 

CMYK 27 / 44 / 0 / 3

HEX #B48CF8

RGB 180 140 248

HSL 262.22, 0.89%, 0.76%

LAB 65.93, 36.95, -48.65

 

CMYK 27 / 44 / 0 / 3

HEX #B48CF8

RGB 180 140 248

HSL 262.22, 0.89%, 0.76%

LAB 65.93, 36.95, -48.65

 

CMYK 24 / 37 / 0 / 7

HEX #B696EE

RGB 182 150 238

HSL 261.82, 0.72%, 0.76%

LAB 67.97, 29.57, -39.96

 

CMYK 19 / 30 / 0 / 11

HEX #B9A0E4

RGB 185 160 228

HSL 262.06, 0.56%, 0.76%

LAB 70.22, 22.59, -30.97

 

CMYK 14 / 22 / 0 / 15

HEX #BBAADA

RGB 187 170 218

HSL 261.25, 0.39%, 0.76%

LAB 72.48, 15.47, -22.01

 

CMYK 9 / 13 / 0 / 18

HEX #BEB4D0

RGB 190 180 208

HSL 261.43, 0.23%, 0.76%

LAB 74.92, 8.88, -12.84

 

CMYK 44 / 36 / 0 / 3

HEX #8C9EF8

RGB 140 158 248

HSL 230, 0.89%, 0.76%

LAB 67.13, 16.32, -46.97

 

CMYK 39 / 44 / 0 / 3

HEX #978CF8

RGB 151 140 248

HSL 246.11, 0.89%, 0.76%

LAB 63.44, 29.42, -52.76

 

CMYK 28 / 44 / 0 / 3

HEX #B38CF8

RGB 179 140 248

HSL 261.67, 0.89%, 0.76%

LAB 65.84, 36.69, -48.8

 

CMYK 16 / 44 / 0 / 3

HEX #D08CF8

RGB 208 140 248

HSL 277.78, 0.89%, 0.76%

LAB 68.71, 44.68, -44.09

 

CMYK 4 / 44 / 0 / 3

HEX #ED8CF8

RGB 237 140 248

HSL 293.89, 0.89%, 0.76%

LAB 71.92, 52.91, -38.84

 

CMYK 47 / 74 / 0 / 5

HEX #813EF3

RGB 129 62 243

HSL 262.21, 0.88%, 0.6%

LAB 45.06, 65.31, -79.74

 

CMYK 37 / 59 / 0 / 4

HEX #9A65F5

RGB 154 101 245

HSL 262.08, 0.88%, 0.68%

LAB 54.83, 51.21, -64.85

 

CMYK 27 / 44 / 0 / 3

HEX #B48CF8

RGB 180 140 248

HSL 262.22, 0.89%, 0.76%

LAB 65.93, 36.95, -48.65

 

CMYK 18 / 28 / 0 / 2

HEX #CDB3FA

RGB 205 179 250

HSL 261.97, 0.88%, 0.84%

LAB 77.35, 23.05, -31.76

 

CMYK 9 / 14 / 0 / 1

HEX #E6DAFD

RGB 230 218 253

HSL 260.57, 0.9%, 0.92%

LAB 88.95, 10.56, -15.54

 

CMYK 27 / 43 / 0 / 3

HEX #B58EF8

RGB 181 142 248

HSL 262.08, 0.88%, 0.76%

LAB 66.48, 36.11, -47.78

 

CMYK 0 / 44 / 25 / 3

HEX #F88CBB

RGB 248 140 187

HSL 333.89, 0.89%, 0.76%

LAB 71.08, 46.46, -6.37

 

CMYK 42 / 0 / 44 / 3

HEX #90F88C

RGB 144 248 140

HSL 117.78, 0.89%, 0.76%

LAB 89.37, -51.1, 42.55

 

CMYK 27 / 43 / 0 / 3

HEX #B58EF8

RGB 181 142 248

HSL 262.08, 0.88%, 0.76%

LAB 66.48, 36.11, -47.78

 

CMYK 0 / 28 / 44 / 3

HEX #F8B38C

RGB 248 179 140

HSL 21.67, 0.89%, 0.76%

LAB 78.51, 20.49, 29.83

 

CMYK 44 / 0 / 28 / 3

HEX #8CF8B3

RGB 140 248 179

HSL 141.67, 0.89%, 0.76%

LAB 89.84, -45.92, 23.65

 

CMYK 27 / 43 / 0 / 3

HEX #B58EF8

RGB 181 142 248

HSL 262.08, 0.88%, 0.76%

LAB 66.48, 36.11, -47.78

 

CMYK 0 / 44 / 25 / 3

HEX #F88CBB

RGB 248 140 187

HSL 333.89, 0.89%, 0.76%

LAB 71.08, 46.46, -6.37

 

CMYK 16 / 0 / 44 / 3

HEX #D0F88C

RGB 208 248 140

HSL 82.22, 0.89%, 0.76%

LAB 92.77, -29.87, 47.55

 

CMYK 44 / 0 / 19 / 3

HEX #8CF8C9

RGB 140 248 201

HSL 153.89, 0.89%, 0.76%

LAB 90.29, -41.67, 12.96

 

CMYK 27 / 43 / 0 / 3

HEX #B58EF8

RGB 181 142 248

HSL 262.08, 0.88%, 0.76%

LAB 66.48, 36.11, -47.78

 

CMYK 0 / 44 / 38 / 3

HEX #F88C9A

RGB 248 140 154

HSL 352.22, 0.89%, 0.76%

LAB 70.21, 42.33, 10.78

 

CMYK 16 / 0 / 44 / 3

HEX #D0F88C

RGB 208 248 140

HSL 82.22, 0.89%, 0.76%

LAB 92.77, -29.87, 47.55

 

CMYK 44 / 0 / 6 / 3

HEX #8CF8E9

RGB 140 248 233

HSL 171.67, 0.89%, 0.76%

LAB 91.05, -34.68, -2.53

 

Description

Color code: HEX #B58EF8 | qconv.com Color code: HEX #B58EF8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 142 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 142 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 43 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 43% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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