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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58D83 it is the complementary color #4A727C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58D83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58D83 shade: #BA8D7E, #CB9F91, #DCB1A4, #EDC3B7 and #FED5CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58D83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58D83 shade: #B58D83, #A47B70, #93695D, #82574A and #714537

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58D83 shade: #B48D83 and #B48383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58D83 shade: #B48D83, #B49A83, #B4A783, #B4B483 and #A7B483

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58D83 shade matches the following richer shades: #B48D83, #C58373, #D57963, #E57052 and #F56642

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58D83 shade: #B48D83, #A49693, #94A0A3, #84AAB3 and #74B3C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58D83 shade: #B48393, #B48386, #B48D83, #B49A83 and #B4A783

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58D83 shade: #8F6156, #A57569, #B48D83, #C4A49C and #D3BCB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58D83 shade: #B58D83, #A1B483 and #838DB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58D83 shade: #B58D83, #83B48D and #8D83B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58D83 shade: #B58D83, #A1B483, #83AAB4 and #9783B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58D83 shade: #B58D83, #92B483, #83AAB4 and #A583B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 28 / 29

HEX #B58D83

RGB 181 141 131

HSL 12, 0.25%, 0.61%

LAB 62.09, 13.66, 11.14

 

Complementary color

CMYK 40 / 8 / 0 / 51

HEX #4A727C

RGB 74 114 124

HSL 192, 0.25%, 0.39%

LAB 45.56, -11.21, -9.96

 

CMYK 0 / 24 / 32 / 27

HEX #BA8D7E

RGB 186 141 126

HSL 15, 0.3%, 0.61%

LAB 62.5, 14.95, 14.62

 

CMYK 0 / 22 / 29 / 20

HEX #CB9F91

RGB 203 159 145

HSL 14.48, 0.36%, 0.68%

LAB 69.14, 14.28, 13.54

 

CMYK 0 / 20 / 25 / 14

HEX #DCB1A4

RGB 220 177 164

HSL 13.93, 0.44%, 0.75%

LAB 75.66, 13.68, 12.56

 

CMYK 0 / 18 / 23 / 7

HEX #EDC3B7

RGB 237 195 183

HSL 13.33, 0.6%, 0.82%

LAB 82.08, 13.15, 11.64

 

CMYK 0 / 16 / 20 / 0

HEX #FED5CA

RGB 254 213 202

HSL 12.69, 0.96%, 0.89%

LAB 88.41, 12.66, 10.77

 

CMYK 0 / 22 / 28 / 29

HEX #B58D83

RGB 181 141 131

HSL 12, 0.25%, 0.61%

LAB 62.09, 13.66, 11.14

 

CMYK 0 / 25 / 32 / 36

HEX #A47B70

RGB 164 123 112

HSL 12.69, 0.22%, 0.54%

LAB 55.31, 14.35, 12.21

 

CMYK 0 / 29 / 37 / 42

HEX #93695D

RGB 147 105 93

HSL 13.33, 0.23%, 0.47%

LAB 48.38, 15.15, 13.41

 

CMYK 0 / 33 / 43 / 49

HEX #82574A

RGB 130 87 74

HSL 13.93, 0.27%, 0.4%

LAB 41.31, 16.1, 14.77

 

CMYK 0 / 39 / 51 / 56

HEX #714537

RGB 113 69 55

HSL 14.48, 0.35%, 0.33%

LAB 34.07, 17.25, 16.38

 

CMYK 0 / 22 / 27 / 29

HEX #B48D83

RGB 180 141 131

HSL 12.24, 0.25%, 0.61%

LAB 61.99, 13.27, 10.98

 

CMYK 0 / 27 / 27 / 29

HEX #B48383

RGB 180 131 131

HSL 0, 0.25%, 0.61%

LAB 59.5, 18.86, 7.45

 

CMYK 0 / 22 / 27 / 29

HEX #B48D83

RGB 180 141 131

HSL 12.24, 0.25%, 0.61%

LAB 61.99, 13.27, 10.98

 

CMYK 0 / 14 / 27 / 29

HEX #B49A83

RGB 180 154 131

HSL 28.16, 0.25%, 0.61%

LAB 65.32, 6.06, 15.64

 

CMYK 0 / 7 / 27 / 29

HEX #B4A783

RGB 180 167 131

HSL 44.08, 0.25%, 0.61%

LAB 68.74, -1.02, 20.35

 

CMYK 0 / 0 / 27 / 29

HEX #B4B483

RGB 180 180 131

HSL 60, 0.25%, 0.61%

LAB 72.22, -7.94, 25.08

 

CMYK 7 / 0 / 27 / 29

HEX #A7B483

RGB 167 180 131

HSL 75.92, 0.25%, 0.61%

LAB 71.21, -12.97, 23.55

 

CMYK 0 / 22 / 27 / 29

HEX #B48D83

RGB 180 141 131

HSL 12.24, 0.25%, 0.61%

LAB 61.99, 13.27, 10.98

 

CMYK 0 / 34 / 42 / 23

HEX #C58373

RGB 197 131 115

HSL 11.71, 0.41%, 0.61%

LAB 61.08, 23.51, 19.06

 

CMYK 0 / 43 / 54 / 16

HEX #D57963

RGB 213 121 99

HSL 11.58, 0.58%, 0.61%

LAB 60.54, 33.64, 27.7

 

CMYK 0 / 51 / 64 / 10

HEX #E57052

RGB 229 112 82

HSL 12.24, 0.74%, 0.61%

LAB 60.65, 43.13, 37.72

 

CMYK 0 / 58 / 73 / 4

HEX #F56642

RGB 245 102 66

HSL 12.07, 0.9%, 0.61%

LAB 61.05, 52.87, 47.29

 

CMYK 0 / 22 / 27 / 29

HEX #B48D83

RGB 180 141 131

HSL 12.24, 0.25%, 0.61%

LAB 61.99, 13.27, 10.98

 

CMYK 0 / 9 / 10 / 36

HEX #A49693

RGB 164 150 147

HSL 10.59, 0.09%, 0.61%

LAB 63.19, 4.63, 3.44

 

CMYK 9 / 2 / 0 / 36

HEX #94A0A3

RGB 148 160 163

HSL 192, 0.08%, 0.61%

LAB 65.03, -3.63, -3.03

 

CMYK 26 / 5 / 0 / 30

HEX #84AAB3

RGB 132 170 179

HSL 191.49, 0.24%, 0.61%

LAB 67.21, -10.73, -8.84

 

CMYK 41 / 8 / 0 / 24

HEX #74B3C3

RGB 116 179 195

HSL 192.15, 0.4%, 0.61%

LAB 69.39, -16.04, -14.5

 

CMYK 0 / 27 / 18 / 29

HEX #B48393

RGB 180 131 147

HSL 340.41, 0.25%, 0.61%

LAB 59.93, 21.31, -1.11

 

CMYK 0 / 27 / 26 / 29

HEX #B48386

RGB 180 131 134

HSL 356.33, 0.25%, 0.61%

LAB 59.58, 19.3, 5.84

 

CMYK 0 / 22 / 27 / 29

HEX #B48D83

RGB 180 141 131

HSL 12.24, 0.25%, 0.61%

LAB 61.99, 13.27, 10.98

 

CMYK 0 / 14 / 27 / 29

HEX #B49A83

RGB 180 154 131

HSL 28.16, 0.25%, 0.61%

LAB 65.32, 6.06, 15.64

 

CMYK 0 / 7 / 27 / 29

HEX #B4A783

RGB 180 167 131

HSL 44.08, 0.25%, 0.61%

LAB 68.74, -1.02, 20.35

 

CMYK 0 / 32 / 40 / 44

HEX #8F6156

RGB 143 97 86

HSL 11.58, 0.25%, 0.45%

LAB 45.72, 17.24, 13.83

 

CMYK 0 / 29 / 36 / 35

HEX #A57569

RGB 165 117 105

HSL 12, 0.25%, 0.53%

LAB 53.75, 17.24, 14.12

 

CMYK 0 / 22 / 27 / 29

HEX #B48D83

RGB 180 141 131

HSL 12.24, 0.25%, 0.61%

LAB 61.99, 13.27, 10.98

 

CMYK 0 / 16 / 20 / 23

HEX #C4A49C

RGB 196 164 156

HSL 12, 0.25%, 0.69%

LAB 69.96, 10.46, 8.52

 

CMYK 0 / 11 / 14 / 17

HEX #D3BCB6

RGB 211 188 182

HSL 12.41, 0.25%, 0.77%

LAB 77.99, 7.17, 6.01

 

CMYK 0 / 22 / 28 / 29

HEX #B58D83

RGB 181 141 131

HSL 12, 0.25%, 0.61%

LAB 62.09, 13.66, 11.14

 

CMYK 11 / 0 / 27 / 29

HEX #A1B483

RGB 161 180 131

HSL 83.27, 0.25%, 0.61%

LAB 70.77, -15.24, 22.88

 

CMYK 27 / 22 / 0 / 29

HEX #838DB4

RGB 131 141 180

HSL 227.76, 0.25%, 0.61%

LAB 59.13, 5.34, -21.61

 

CMYK 0 / 22 / 28 / 29

HEX #B58D83

RGB 181 141 131

HSL 12, 0.25%, 0.61%

LAB 62.09, 13.66, 11.14

 

CMYK 27 / 0 / 22 / 29

HEX #83B48D

RGB 131 180 141

HSL 132.24, 0.25%, 0.61%

LAB 69.03, -24.25, 14.76

 

CMYK 22 / 27 / 0 / 29

HEX #8D83B4

RGB 141 131 180

HSL 252.24, 0.25%, 0.61%

LAB 57.26, 14.28, -24.41

 

CMYK 0 / 22 / 28 / 29

HEX #B58D83

RGB 181 141 131

HSL 12, 0.25%, 0.61%

LAB 62.09, 13.66, 11.14

 

CMYK 11 / 0 / 27 / 29

HEX #A1B483

RGB 161 180 131

HSL 83.27, 0.25%, 0.61%

LAB 70.77, -15.24, 22.88

 

CMYK 27 / 6 / 0 / 29

HEX #83AAB4

RGB 131 170 180

HSL 192.24, 0.25%, 0.61%

LAB 67.18, -10.79, -9.45

 

CMYK 16 / 27 / 0 / 29

HEX #9783B4

RGB 151 131 180

HSL 264.49, 0.25%, 0.61%

LAB 58.14, 17.5, -22.99

 

CMYK 0 / 22 / 28 / 29

HEX #B58D83

RGB 181 141 131

HSL 12, 0.25%, 0.61%

LAB 62.09, 13.66, 11.14

 

CMYK 19 / 0 / 27 / 29

HEX #92B483

RGB 146 180 131

HSL 101.63, 0.25%, 0.61%

LAB 69.75, -20.78, 21.32

 

CMYK 27 / 6 / 0 / 29

HEX #83AAB4

RGB 131 170 180

HSL 192.24, 0.25%, 0.61%

LAB 67.18, -10.79, -9.45

 

CMYK 8 / 27 / 0 / 29

HEX #A583B4

RGB 165 131 180

HSL 281.63, 0.25%, 0.61%

LAB 59.46, 22.11, -20.85

 

Description

Color code: HEX #B58D83 | qconv.com Color code: HEX #B58D83 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 141 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 141 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 28 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 28% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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