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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58CD6 it is the complementary color #4A7329. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58CD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58CD6 shade: #BA8CD1, #CB9EE4, #DCB0F7, #EDC2FF and #FED4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58CD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58CD6 shade: #B58CD6, #A47AC3, #9368B0, #82569D and #71448A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58CD6 shade: #B48BD5, #C88BD5, #D58BCE, #D58BBA and #D58BA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58CD6 shade: #B48BD5, #A08BD5, #8C8BD5 and #8B8BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58CD6 shade matches the following richer shades: #B48BD5, #B57EE2, #B771EF and #B864FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58CD6 shade: #B48BD5, #B398C8, #B1A4BC, #B0B1AF and #AEBEA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58CD6 shade: #8C8BD5, #A08BD5, #B48BD5, #C78BD5 and #D58BCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58CD6 shade: #8D4EBF, #A06CCA, #B48BD5, #C8A9E0 and #DBC7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58CD6 shade: #B58CD6, #D58B9D and #8BD596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58CD6 shade: #B58CD6, #D5B48B and #8BD5B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58CD6 shade: #B58CD6, #D58B9D, #ACD58B and #8BD5C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58CD6 shade: #B58CD6, #D58F8B, #ACD58B and #8BD1D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 35 / 0 / 16

HEX #B58CD6

RGB 181 140 214

HSL 273.24, 0.47%, 0.69%

LAB 64.51, 29.44, -32.09

 

Complementary color

CMYK 36 / 0 / 64 / 55

HEX #4A7329

RGB 74 115 41

HSL 93.24, 0.47%, 0.31%

LAB 44.06, -28.01, 35.53

 

CMYK 11 / 33 / 0 / 18

HEX #BA8CD1

RGB 186 140 209

HSL 280, 0.43%, 0.68%

LAB 64.8, 29.92, -28.81

 

CMYK 11 / 31 / 0 / 11

HEX #CB9EE4

RGB 203 158 228

HSL 278.57, 0.56%, 0.76%

LAB 71.39, 29.26, -29.03

 

CMYK 11 / 29 / 0 / 3

HEX #DCB0F7

RGB 220 176 247

HSL 277.18, 0.82%, 0.83%

LAB 77.86, 28.65, -29.25

 

CMYK 7 / 24 / 0 / 0

HEX #EDC2FF

RGB 237 194 255

HSL 282.3, 1%, 0.88%

LAB 83.87, 25.9, -24.22

 

CMYK 0 / 17 / 0 / 0

HEX #FED4FF

RGB 254 212 255

HSL 298.6, 1%, 0.92%

LAB 89.57, 21.85, -15.46

 

CMYK 15 / 35 / 0 / 16

HEX #B58CD6

RGB 181 140 214

HSL 273.24, 0.47%, 0.69%

LAB 64.51, 29.44, -32.09

 

CMYK 16 / 37 / 0 / 24

HEX #A47AC3

RGB 164 122 195

HSL 274.52, 0.38%, 0.62%

LAB 57.8, 30.16, -31.95

 

CMYK 16 / 41 / 0 / 31

HEX #9368B0

RGB 147 104 176

HSL 275.83, 0.31%, 0.55%

LAB 50.96, 30.94, -31.82

 

CMYK 17 / 45 / 0 / 38

HEX #82569D

RGB 130 86 157

HSL 277.18, 0.29%, 0.48%

LAB 44, 31.78, -31.69

 

CMYK 18 / 51 / 0 / 46

HEX #71448A

RGB 113 68 138

HSL 278.57, 0.34%, 0.4%

LAB 36.89, 32.66, -31.54

 

CMYK 15 / 35 / 0 / 16

HEX #B48BD5

RGB 180 139 213

HSL 273.24, 0.47%, 0.69%

LAB 64.14, 29.47, -32.11

 

CMYK 6 / 35 / 0 / 16

HEX #C88BD5

RGB 200 139 213

HSL 289.46, 0.47%, 0.69%

LAB 66.17, 35.68, -28.8

 

CMYK 0 / 35 / 3 / 16

HEX #D58BCE

RGB 213 139 206

HSL 305.68, 0.47%, 0.69%

LAB 67.33, 38.49, -23.01

 

CMYK 0 / 35 / 13 / 16

HEX #D58BBA

RGB 213 139 186

HSL 321.89, 0.47%, 0.69%

LAB 66.64, 35.04, -12.87

 

CMYK 0 / 35 / 22 / 16

HEX #D58BA6

RGB 213 139 166

HSL 338.11, 0.47%, 0.69%

LAB 66.03, 31.9, -2.53

 

CMYK 15 / 35 / 0 / 16

HEX #B48BD5

RGB 180 139 213

HSL 273.24, 0.47%, 0.69%

LAB 64.14, 29.47, -32.11

 

CMYK 25 / 35 / 0 / 16

HEX #A08BD5

RGB 160 139 213

HSL 257.03, 0.47%, 0.69%

LAB 62.29, 23.43, -35.13

 

CMYK 34 / 35 / 0 / 16

HEX #8C8BD5

RGB 140 139 213

HSL 240.81, 0.47%, 0.69%

LAB 60.64, 17.68, -37.82

 

CMYK 35 / 35 / 0 / 16

HEX #8B8BD5

RGB 139 139 213

HSL 240, 0.47%, 0.69%

LAB 60.57, 17.4, -37.95

 

CMYK 15 / 35 / 0 / 16

HEX #B48BD5

RGB 180 139 213

HSL 273.24, 0.47%, 0.69%

LAB 64.14, 29.47, -32.11

 

CMYK 20 / 44 / 0 / 11

HEX #B57EE2

RGB 181 126 226

HSL 273, 0.63%, 0.69%

LAB 61.86, 39.86, -42.91

 

CMYK 23 / 53 / 0 / 6

HEX #B771EF

RGB 183 113 239

HSL 273.33, 0.8%, 0.69%

LAB 59.99, 50.3, -53.09

 

CMYK 27 / 60 / 0 / 2

HEX #B864FB

RGB 184 100 251

HSL 273.38, 0.95%, 0.69%

LAB 58.29, 59.82, -62.44

 

CMYK 15 / 35 / 0 / 16

HEX #B48BD5

RGB 180 139 213

HSL 273.24, 0.47%, 0.69%

LAB 64.14, 29.47, -32.11

 

CMYK 11 / 24 / 0 / 22

HEX #B398C8

RGB 179 152 200

HSL 273.75, 0.3%, 0.69%

LAB 66.68, 19.07, -20.97

 

CMYK 6 / 13 / 0 / 26

HEX #B1A4BC

RGB 177 164 188

HSL 272.5, 0.15%, 0.69%

LAB 69.13, 9.25, -10.62

 

CMYK 1 / 0 / 1 / 31

HEX #B0B1AF

RGB 176 177 175

HSL 90, 0.01%, 0.69%

LAB 72.07, -0.72, 0.89

 

CMYK 8 / 0 / 15 / 25

HEX #AEBEA2

RGB 174 190 162

HSL 94.29, 0.18%, 0.69%

LAB 75.1, -10.65, 12.29

 

CMYK 34 / 35 / 0 / 16

HEX #8C8BD5

RGB 140 139 213

HSL 240.81, 0.47%, 0.69%

LAB 60.64, 17.68, -37.82

 

CMYK 25 / 35 / 0 / 16

HEX #A08BD5

RGB 160 139 213

HSL 257.03, 0.47%, 0.69%

LAB 62.29, 23.43, -35.13

 

CMYK 15 / 35 / 0 / 16

HEX #B48BD5

RGB 180 139 213

HSL 273.24, 0.47%, 0.69%

LAB 64.14, 29.47, -32.11

 

CMYK 7 / 35 / 0 / 16

HEX #C78BD5

RGB 199 139 213

HSL 288.65, 0.47%, 0.69%

LAB 66.07, 35.37, -28.97

 

CMYK 0 / 35 / 3 / 16

HEX #D58BCF

RGB 213 139 207

HSL 304.86, 0.47%, 0.69%

LAB 67.36, 38.67, -23.51

 

CMYK 26 / 59 / 0 / 25

HEX #8D4EBF

RGB 141 78 191

HSL 273.45, 0.47%, 0.53%

LAB 45.46, 47.17, -49.3

 

CMYK 21 / 47 / 0 / 21

HEX #A06CCA

RGB 160 108 202

HSL 273.19, 0.47%, 0.61%

LAB 54.51, 38.45, -41.11

 

CMYK 15 / 35 / 0 / 16

HEX #B48BD5

RGB 180 139 213

HSL 273.24, 0.47%, 0.69%

LAB 64.14, 29.47, -32.11

 

CMYK 11 / 25 / 0 / 12

HEX #C8A9E0

RGB 200 169 224

HSL 273.82, 0.47%, 0.77%

LAB 73.57, 21.45, -23.52

 

CMYK 7 / 15 / 0 / 8

HEX #DBC7EB

RGB 219 199 235

HSL 273.33, 0.47%, 0.85%

LAB 82.86, 13.55, -15.23

 

CMYK 15 / 35 / 0 / 16

HEX #B58CD6

RGB 181 140 214

HSL 273.24, 0.47%, 0.69%

LAB 64.51, 29.44, -32.09

 

CMYK 0 / 35 / 26 / 16

HEX #D58B9D

RGB 213 139 157

HSL 345.41, 0.47%, 0.69%

LAB 65.78, 30.6, 2.19

 

CMYK 35 / 0 / 30 / 16

HEX #8BD596

RGB 139 213 150

HSL 128.92, 0.47%, 0.69%

LAB 79.2, -35.83, 24.05

 

CMYK 15 / 35 / 0 / 16

HEX #B58CD6

RGB 181 140 214

HSL 273.24, 0.47%, 0.69%

LAB 64.51, 29.44, -32.09

 

CMYK 0 / 15 / 35 / 16

HEX #D5B48B

RGB 213 180 139

HSL 33.24, 0.47%, 0.69%

LAB 75.23, 6.08, 25.36

 

CMYK 35 / 0 / 15 / 16

HEX #8BD5B4

RGB 139 213 180

HSL 153.24, 0.47%, 0.69%

LAB 79.83, -30.16, 9.07

 

CMYK 15 / 35 / 0 / 16

HEX #B58CD6

RGB 181 140 214

HSL 273.24, 0.47%, 0.69%

LAB 64.51, 29.44, -32.09

 

CMYK 0 / 35 / 26 / 16

HEX #D58B9D

RGB 213 139 157

HSL 345.41, 0.47%, 0.69%

LAB 65.78, 30.6, 2.19

 

CMYK 19 / 0 / 35 / 16

HEX #ACD58B

RGB 172 213 139

HSL 93.24, 0.47%, 0.69%

LAB 80.86, -26.47, 32.3

 

CMYK 35 / 0 / 8 / 16

HEX #8BD5C3

RGB 139 213 195

HSL 165.41, 0.47%, 0.69%

LAB 80.19, -26.97, 1.6

 

CMYK 15 / 35 / 0 / 16

HEX #B58CD6

RGB 181 140 214

HSL 273.24, 0.47%, 0.69%

LAB 64.51, 29.44, -32.09

 

CMYK 0 / 33 / 35 / 16

HEX #D58F8B

RGB 213 143 139

HSL 3.24, 0.47%, 0.69%

LAB 66.26, 26.06, 12.99

 

CMYK 19 / 0 / 35 / 16

HEX #ACD58B

RGB 172 213 139

HSL 93.24, 0.47%, 0.69%

LAB 80.86, -26.47, 32.3

 

CMYK 35 / 2 / 0 / 16

HEX #8BD1D5

RGB 139 209 213

HSL 183.24, 0.47%, 0.69%

LAB 79.55, -20.85, -8.96

 

Description

Color code: HEX #B58CD6 | qconv.com Color code: HEX #B58CD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 140 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 140 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 35 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 35% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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