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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58C5B it is the complementary color #4A73A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58C5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58C5B shade: #BA8C56, #CB9E69, #DCB07C, #EDC28F and #FED4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58C5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58C5B shade: #B58C5B, #A47A48, #936835, #825622 and #71440F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58C5B shade: #B58B5A, #B5735A and #B55A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58C5B shade: #B58B5A, #B5A45A, #ADB55A, #94B55A and #7CB55A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58C5B shade matches the following richer shades: #B58B5A, #C88D46, #DB8F33 and #EF901F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58C5B shade: #B58B5A, #A1896D, #8E8880, #7B8694 and #6784A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58C5B shade: #B55A5A, #B5725A, #B58A5A, #B5A25A and #AFB55A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58C5B shade: #82613A, #9E7647, #B58B5A, #C19F76 and #CEB393

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58C5B shade: #B58C5B, #72B55A and #665AB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58C5B shade: #B58C5B, #5AB58A and #8A5AB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58C5B shade: #B58C5B, #72B55A, #5A84B5 and #9C5AB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58C5B shade: #B58C5B, #5AB55D, #5A84B5 and #B55AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 50 / 29

HEX #B58C5B

RGB 181 140 91

HSL 32.67, 0.38%, 0.53%

LAB 61.08, 9.42, 32.04

 

Complementary color

CMYK 55 / 30 / 0 / 36

HEX #4A73A4

RGB 74 115 164

HSL 212.67, 0.38%, 0.47%

LAB 47.49, 0.41, -30.67

 

CMYK 0 / 25 / 54 / 27

HEX #BA8C56

RGB 186 140 86

HSL 32.4, 0.42%, 0.53%

LAB 61.54, 11.09, 35.41

 

CMYK 0 / 22 / 48 / 20

HEX #CB9E69

RGB 203 158 105

HSL 32.45, 0.49%, 0.6%

LAB 68.15, 10.13, 34

 

CMYK 0 / 20 / 44 / 14

HEX #DCB07C

RGB 220 176 124

HSL 32.5, 0.58%, 0.67%

LAB 74.65, 9.31, 32.67

 

CMYK 0 / 18 / 40 / 7

HEX #EDC28F

RGB 237 194 143

HSL 32.55, 0.72%, 0.75%

LAB 81.06, 8.6, 31.42

 

CMYK 0 / 17 / 36 / 0

HEX #FED4A2

RGB 254 212 162

HSL 32.61, 0.98%, 0.82%

LAB 87.37, 7.98, 30.25

 

CMYK 0 / 23 / 50 / 29

HEX #B58C5B

RGB 181 140 91

HSL 32.67, 0.38%, 0.53%

LAB 61.08, 9.42, 32.04

 

CMYK 0 / 26 / 56 / 36

HEX #A47A48

RGB 164 122 72

HSL 32.61, 0.39%, 0.46%

LAB 54.32, 10.43, 33.5

 

CMYK 0 / 29 / 64 / 42

HEX #936835

RGB 147 104 53

HSL 32.55, 0.47%, 0.39%

LAB 47.44, 11.66, 35.02

 

CMYK 0 / 34 / 74 / 49

HEX #825622

RGB 130 86 34

HSL 32.5, 0.59%, 0.32%

LAB 40.44, 13.17, 36.5

 

CMYK 0 / 40 / 87 / 56

HEX #71440F

RGB 113 68 15

HSL 32.45, 0.77%, 0.25%

LAB 33.31, 15.06, 37.48

 

CMYK 0 / 23 / 50 / 29

HEX #B58B5A

RGB 181 139 90

HSL 32.31, 0.38%, 0.53%

LAB 60.81, 9.88, 32.24

 

CMYK 0 / 36 / 50 / 29

HEX #B5735A

RGB 181 115 90

HSL 16.48, 0.38%, 0.53%

LAB 54.89, 23.25, 24.62

 

CMYK 0 / 50 / 50 / 29

HEX #B55A5A

RGB 181 90 90

HSL 0, 0.38%, 0.53%

LAB 49.34, 36.81, 17.23

 

CMYK 0 / 23 / 50 / 29

HEX #B58B5A

RGB 181 139 90

HSL 32.31, 0.38%, 0.53%

LAB 60.81, 9.88, 32.24

 

CMYK 0 / 9 / 50 / 29

HEX #B5A45A

RGB 181 164 90

HSL 48.79, 0.38%, 0.53%

LAB 67.36, -3.77, 40.35

 

CMYK 4 / 0 / 50 / 29

HEX #ADB55A

RGB 173 181 90

HSL 65.27, 0.38%, 0.53%

LAB 71.33, -16, 44.96

 

CMYK 18 / 0 / 50 / 29

HEX #94B55A

RGB 148 181 90

HSL 81.76, 0.38%, 0.53%

LAB 69.53, -26.03, 42.37

 

CMYK 31 / 0 / 50 / 29

HEX #7CB55A

RGB 124 181 90

HSL 97.58, 0.38%, 0.53%

LAB 68.07, -35, 40.27

 

CMYK 0 / 23 / 50 / 29

HEX #B58B5A

RGB 181 139 90

HSL 32.31, 0.38%, 0.53%

LAB 60.81, 9.88, 32.24

 

CMYK 0 / 30 / 65 / 22

HEX #C88D46

RGB 200 141 70

HSL 32.77, 0.54%, 0.53%

LAB 63.15, 15.32, 45.9

 

CMYK 0 / 35 / 77 / 14

HEX #DB8F33

RGB 219 143 51

HSL 32.86, 0.7%, 0.53%

LAB 65.71, 21.37, 57.85

 

CMYK 0 / 40 / 87 / 6

HEX #EF901F

RGB 239 144 31

HSL 32.6, 0.87%, 0.53%

LAB 68.31, 28.63, 68.04

 

CMYK 0 / 23 / 50 / 29

HEX #B58B5A

RGB 181 139 90

HSL 32.31, 0.38%, 0.53%

LAB 60.81, 9.88, 32.24

 

CMYK 0 / 15 / 32 / 37

HEX #A1896D

RGB 161 137 109

HSL 32.31, 0.22%, 0.53%

LAB 58.58, 4.8, 18.4

 

CMYK 0 / 4 / 10 / 44

HEX #8E8880

RGB 142 136 128

HSL 34.29, 0.06%, 0.53%

LAB 57, 0.76, 5.08

 

CMYK 17 / 9 / 0 / 42

HEX #7B8694

RGB 123 134 148

HSL 213.6, 0.1%, 0.53%

LAB 55.48, -0.93, -8.85

 

CMYK 38 / 21 / 0 / 35

HEX #6784A7

RGB 103 132 167

HSL 212.81, 0.27%, 0.53%

LAB 54.21, -1.24, -21.87

 

CMYK 0 / 50 / 50 / 29

HEX #B55A5A

RGB 181 90 90

HSL 0, 0.38%, 0.53%

LAB 49.34, 36.81, 17.23

 

CMYK 0 / 37 / 50 / 29

HEX #B5725A

RGB 181 114 90

HSL 15.82, 0.38%, 0.53%

LAB 54.65, 23.81, 24.32

 

CMYK 0 / 24 / 50 / 29

HEX #B58A5A

RGB 181 138 90

HSL 31.65, 0.38%, 0.53%

LAB 60.55, 10.44, 31.91

 

CMYK 0 / 10 / 50 / 29

HEX #B5A25A

RGB 181 162 90

HSL 47.47, 0.38%, 0.53%

LAB 66.83, -2.7, 39.7

 

CMYK 3 / 0 / 50 / 29

HEX #AFB55A

RGB 175 181 90

HSL 63.96, 0.38%, 0.53%

LAB 71.49, -15.17, 45.18

 

CMYK 0 / 25 / 55 / 49

HEX #82613A

RGB 130 97 58

HSL 32.5, 0.38%, 0.37%

LAB 43.65, 8.45, 27.27

 

CMYK 0 / 25 / 55 / 38

HEX #9E7647

RGB 158 118 71

HSL 32.41, 0.38%, 0.45%

LAB 52.6, 9.99, 31.77

 

CMYK 0 / 23 / 50 / 29

HEX #B58B5A

RGB 181 139 90

HSL 32.31, 0.38%, 0.53%

LAB 60.81, 9.88, 32.24

 

CMYK 0 / 18 / 39 / 24

HEX #C19F76

RGB 193 159 118

HSL 32.8, 0.38%, 0.61%

LAB 67.61, 6.87, 26.12

 

CMYK 0 / 13 / 29 / 19

HEX #CEB393

RGB 206 179 147

HSL 32.54, 0.38%, 0.69%

LAB 74.49, 4.9, 19.93

 

CMYK 0 / 23 / 50 / 29

HEX #B58C5B

RGB 181 140 91

HSL 32.67, 0.38%, 0.53%

LAB 61.08, 9.42, 32.04

 

CMYK 37 / 0 / 50 / 29

HEX #72B55A

RGB 114 181 90

HSL 104.18, 0.38%, 0.53%

LAB 67.55, -38.45, 39.51

 

CMYK 44 / 50 / 0 / 29

HEX #665AB5

RGB 102 90 181

HSL 247.91, 0.38%, 0.53%

LAB 43.47, 27.99, -46.88

 

CMYK 0 / 23 / 50 / 29

HEX #B58C5B

RGB 181 140 91

HSL 32.67, 0.38%, 0.53%

LAB 61.08, 9.42, 32.04

 

CMYK 50 / 0 / 24 / 29

HEX #5AB58A

RGB 90 181 138

HSL 151.65, 0.38%, 0.53%

LAB 67.32, -37.38, 13.71

 

CMYK 24 / 50 / 0 / 29

HEX #8A5AB5

RGB 138 90 181

HSL 271.65, 0.38%, 0.53%

LAB 47.04, 37.47, -40.97

 

CMYK 0 / 23 / 50 / 29

HEX #B58C5B

RGB 181 140 91

HSL 32.67, 0.38%, 0.53%

LAB 61.08, 9.42, 32.04

 

CMYK 37 / 0 / 50 / 29

HEX #72B55A

RGB 114 181 90

HSL 104.18, 0.38%, 0.53%

LAB 67.55, -38.45, 39.51

 

CMYK 50 / 27 / 0 / 29

HEX #5A84B5

RGB 90 132 181

HSL 212.31, 0.38%, 0.53%

LAB 54.04, -0.55, -30.25

 

CMYK 14 / 50 / 0 / 29

HEX #9C5AB5

RGB 156 90 181

HSL 283.52, 0.38%, 0.53%

LAB 49.15, 42.53, -37.5

 

CMYK 0 / 23 / 50 / 29

HEX #B58C5B

RGB 181 140 91

HSL 32.67, 0.38%, 0.53%

LAB 61.08, 9.42, 32.04

 

CMYK 50 / 0 / 49 / 29

HEX #5AB55D

RGB 90 181 93

HSL 121.98, 0.38%, 0.53%

LAB 66.53, -45.44, 36.51

 

CMYK 50 / 27 / 0 / 29

HEX #5A84B5

RGB 90 132 181

HSL 212.31, 0.38%, 0.53%

LAB 54.04, -0.55, -30.25

 

CMYK 0 / 50 / 2 / 29

HEX #B55AB2

RGB 181 90 178

HSL 301.98, 0.38%, 0.53%

LAB 52.23, 49.14, -30.7

 

Description

Color code: HEX #B58C5B | qconv.com Color code: HEX #B58C5B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 140 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 140 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 50 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 50% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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