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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58A8C it is the complementary color #4A7573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58A8C shade: #BA8A87, #CB9C9A, #DCAEAD, #EDC0C0 and #FED2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58A8C shade: #B58A8C, #A47879, #936666, #825453 and #714240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58A8C shade: #B68B8D and #B68B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58A8C shade: #B68B8D, #B68B99, #B68BA4, #B68BB0 and #B18BB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58A8C shade matches the following richer shades: #B68B8D, #C67C7F, #D56C71, #E45D63 and #F34E56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58A8C shade: #B68B8D, #A79A9B, #98A9A9, #89B9B7 and #79C8C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58A8C shade: #B68BA4, #B68B99, #B68B8D, #B6948B and #B6A08B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58A8C shade: #935C5E, #A67274, #B68B8D, #C6A4A6 and #D6BEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58A8C shade: #B58A8C, #B0B68B and #8B9EB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58A8C shade: #B58A8C, #8DB68B and #8B8DB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58A8C shade: #B58A8C, #B0B68B, #8BB6B4 and #918BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58A8C shade: #B58A8C, #A3B68B, #8BB6B4 and #9E8BB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 23 / 29

HEX #B58A8C

RGB 181 138 140

HSL 357.21, 0.23%, 0.63%

LAB 61.56, 16.67, 5.27

 

Complementary color

CMYK 37 / 0 / 2 / 54

HEX #4A7573

RGB 74 117 115

HSL 177.21, 0.23%, 0.37%

LAB 46.2, -15.33, -3.63

 

CMYK 0 / 26 / 27 / 27

HEX #BA8A87

RGB 186 138 135

HSL 3.53, 0.27%, 0.63%

LAB 61.97, 17.86, 8.77

 

CMYK 0 / 23 / 24 / 20

HEX #CB9C9A

RGB 203 156 154

HSL 2.45, 0.32%, 0.7%

LAB 68.61, 17.19, 7.8

 

CMYK 0 / 21 / 21 / 14

HEX #DCAEAD

RGB 220 174 173

HSL 1.28, 0.4%, 0.77%

LAB 75.14, 16.59, 6.91

 

CMYK 0 / 19 / 19 / 7

HEX #EDC0C0

RGB 237 192 192

HSL 0, 0.56%, 0.84%

LAB 81.57, 16.05, 6.08

 

CMYK 0 / 17 / 17 / 0

HEX #FED2D3

RGB 254 210 211

HSL 358.64, 0.96%, 0.91%

LAB 87.9, 15.56, 5.3

 

CMYK 0 / 24 / 23 / 29

HEX #B58A8C

RGB 181 138 140

HSL 357.21, 0.23%, 0.63%

LAB 61.56, 16.67, 5.27

 

CMYK 0 / 27 / 26 / 36

HEX #A47879

RGB 164 120 121

HSL 358.64, 0.19%, 0.56%

LAB 54.77, 17.35, 6.22

 

CMYK 0 / 31 / 31 / 42

HEX #936666

RGB 147 102 102

HSL 0, 0.18%, 0.49%

LAB 47.84, 18.13, 7.28

 

CMYK 0 / 35 / 36 / 49

HEX #825453

RGB 130 84 83

HSL 1.28, 0.22%, 0.42%

LAB 40.75, 19.04, 8.5

 

CMYK 0 / 42 / 43 / 56

HEX #714240

RGB 113 66 64

HSL 2.45, 0.28%, 0.35%

LAB 33.51, 20.1, 9.94

 

CMYK 0 / 24 / 23 / 29

HEX #B68B8D

RGB 182 139 141

HSL 357.21, 0.23%, 0.63%

LAB 61.94, 16.64, 5.26

 

CMYK 0 / 24 / 24 / 29

HEX #B68B8B

RGB 182 139 139

HSL 0, 0.23%, 0.63%

LAB 61.89, 16.34, 6.33

 

CMYK 0 / 24 / 23 / 29

HEX #B68B8D

RGB 182 139 141

HSL 357.21, 0.23%, 0.63%

LAB 61.94, 16.64, 5.26

 

CMYK 0 / 24 / 16 / 29

HEX #B68B99

RGB 182 139 153

HSL 340.47, 0.23%, 0.63%

LAB 62.26, 18.55, -1.09

 

CMYK 0 / 24 / 10 / 29

HEX #B68BA4

RGB 182 139 164

HSL 325.12, 0.23%, 0.63%

LAB 62.58, 20.42, -6.87

 

CMYK 0 / 24 / 3 / 29

HEX #B68BB0

RGB 182 139 176

HSL 308.37, 0.23%, 0.63%

LAB 62.96, 22.6, -13.1

 

CMYK 3 / 24 / 0 / 29

HEX #B18BB6

RGB 177 139 182

HSL 293.02, 0.23%, 0.63%

LAB 62.67, 22.03, -16.99

 

CMYK 0 / 24 / 23 / 29

HEX #B68B8D

RGB 182 139 141

HSL 357.21, 0.23%, 0.63%

LAB 61.94, 16.64, 5.26

 

CMYK 0 / 37 / 36 / 22

HEX #C67C7F

RGB 198 124 127

HSL 357.57, 0.39%, 0.63%

LAB 59.85, 29.15, 10.52

 

CMYK 0 / 49 / 47 / 16

HEX #D56C71

RGB 213 108 113

HSL 357.14, 0.56%, 0.63%

LAB 58.1, 41.65, 16.45

 

CMYK 0 / 59 / 57 / 11

HEX #E45D63

RGB 228 93 99

HSL 357.33, 0.71%, 0.63%

LAB 57.29, 52.95, 23.86

 

CMYK 0 / 68 / 65 / 5

HEX #F34E56

RGB 243 78 86

HSL 357.09, 0.87%, 0.63%

LAB 57.25, 63.2, 31.79

 

CMYK 0 / 24 / 23 / 29

HEX #B68B8D

RGB 182 139 141

HSL 357.21, 0.23%, 0.63%

LAB 61.94, 16.64, 5.26

 

CMYK 0 / 8 / 7 / 35

HEX #A79A9B

RGB 167 154 155

HSL 355.38, 0.07%, 0.63%

LAB 64.72, 4.94, 1.19

 

CMYK 10 / 0 / 0 / 34

HEX #98A9A9

RGB 152 169 169

HSL 180, 0.09%, 0.63%

LAB 67.96, -5.92, -2.03

 

CMYK 26 / 0 / 1 / 27

HEX #89B9B7

RGB 137 185 183

HSL 177.5, 0.26%, 0.63%

LAB 71.85, -16.19, -4.14

 

CMYK 40 / 0 / 2 / 22

HEX #79C8C4

RGB 121 200 196

HSL 176.96, 0.42%, 0.63%

LAB 75.67, -25.19, -5.66

 

CMYK 0 / 24 / 10 / 29

HEX #B68BA4

RGB 182 139 164

HSL 325.12, 0.23%, 0.63%

LAB 62.58, 20.42, -6.87

 

CMYK 0 / 24 / 16 / 29

HEX #B68B99

RGB 182 139 153

HSL 340.47, 0.23%, 0.63%

LAB 62.26, 18.55, -1.09

 

CMYK 0 / 24 / 23 / 29

HEX #B68B8D

RGB 182 139 141

HSL 357.21, 0.23%, 0.63%

LAB 61.94, 16.64, 5.26

 

CMYK 0 / 19 / 24 / 29

HEX #B6948B

RGB 182 148 139

HSL 12.56, 0.23%, 0.63%

LAB 64.15, 11.33, 9.55

 

CMYK 0 / 12 / 24 / 29

HEX #B6A08B

RGB 182 160 139

HSL 29.3, 0.23%, 0.63%

LAB 67.24, 4.71, 13.91

 

CMYK 0 / 37 / 36 / 42

HEX #935C5E

RGB 147 92 94

HSL 357.82, 0.23%, 0.47%

LAB 45.17, 22.82, 8.32

 

CMYK 0 / 31 / 30 / 35

HEX #A67274

RGB 166 114 116

HSL 357.69, 0.23%, 0.55%

LAB 53.39, 20.83, 7.2

 

CMYK 0 / 24 / 23 / 29

HEX #B68B8D

RGB 182 139 141

HSL 357.21, 0.23%, 0.63%

LAB 61.94, 16.64, 5.26

 

CMYK 0 / 17 / 16 / 22

HEX #C6A4A6

RGB 198 164 166

HSL 356.47, 0.23%, 0.71%

LAB 70.39, 12.78, 3.64

 

CMYK 0 / 11 / 11 / 16

HEX #D6BEBF

RGB 214 190 191

HSL 357.5, 0.23%, 0.79%

LAB 78.97, 8.66, 2.6

 

CMYK 0 / 24 / 23 / 29

HEX #B58A8C

RGB 181 138 140

HSL 357.21, 0.23%, 0.63%

LAB 61.56, 16.67, 5.27

 

CMYK 3 / 0 / 24 / 29

HEX #B0B68B

RGB 176 182 139

HSL 68.37, 0.23%, 0.63%

LAB 72.59, -9.4, 21.24

 

CMYK 24 / 13 / 0 / 29

HEX #8B9EB6

RGB 139 158 182

HSL 213.49, 0.23%, 0.63%

LAB 64.42, -1.29, -14.65

 

CMYK 0 / 24 / 23 / 29

HEX #B58A8C

RGB 181 138 140

HSL 357.21, 0.23%, 0.63%

LAB 61.56, 16.67, 5.27

 

CMYK 23 / 0 / 24 / 29

HEX #8DB68B

RGB 141 182 139

HSL 117.21, 0.23%, 0.63%

LAB 70.16, -22.22, 17.51

 

CMYK 24 / 23 / 0 / 29

HEX #8B8DB6

RGB 139 141 182

HSL 237.21, 0.23%, 0.63%

LAB 59.81, 8.33, -21.65

 

CMYK 0 / 24 / 23 / 29

HEX #B58A8C

RGB 181 138 140

HSL 357.21, 0.23%, 0.63%

LAB 61.56, 16.67, 5.27

 

CMYK 3 / 0 / 24 / 29

HEX #B0B68B

RGB 176 182 139

HSL 68.37, 0.23%, 0.63%

LAB 72.59, -9.4, 21.24

 

CMYK 24 / 0 / 1 / 29

HEX #8BB6B4

RGB 139 182 180

HSL 177.21, 0.23%, 0.63%

LAB 71.04, -14.69, -3.68

 

CMYK 20 / 24 / 0 / 29

HEX #918BB6

RGB 145 139 182

HSL 248.37, 0.23%, 0.63%

LAB 59.76, 11.4, -21.68

 

CMYK 0 / 24 / 23 / 29

HEX #B58A8C

RGB 181 138 140

HSL 357.21, 0.23%, 0.63%

LAB 61.56, 16.67, 5.27

 

CMYK 10 / 0 / 24 / 29

HEX #A3B68B

RGB 163 182 139

HSL 86.51, 0.23%, 0.63%

LAB 71.63, -14.3, 19.76

 

CMYK 24 / 0 / 1 / 29

HEX #8BB6B4

RGB 139 182 180

HSL 177.21, 0.23%, 0.63%

LAB 71.04, -14.69, -3.68

 

CMYK 13 / 24 / 0 / 29

HEX #9E8BB6

RGB 158 139 182

HSL 266.51, 0.23%, 0.63%

LAB 60.88, 15.64, -19.87

 

Description

Color code: HEX #B58A8C | qconv.com Color code: HEX #B58A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 138 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 138 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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