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Color name
HEX #B5890F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5890F it is the complementary color #4A76F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5890F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5890F shade: #BA890A, #CB9B1D, #DCAD30, #EDBF43 and #FED156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5890F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5890F shade: #B5890F, #A47700, #936500, #825300 and #714100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5890F shade: #B3880F, #B35B0F, #B32F0F and #B30F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5890F shade: #B3880F, #B2B30F, #86B30F, #5AB30F and #2DB30F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5890F shade matches the following richer shades: #B3880F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5890F shade: #B3880F, #A4801E, #94792E, #84723E and #756A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5890F shade: #B32F0F, #B35B0F, #B3870F, #B3B30F and #87B30F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5890F shade: #674E08, #8D6B0B, #B3880F, #D9A412 and #EDB927

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5890F shade: #B5890F, #1AB30F and #450FB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5890F shade: #B5890F, #0FB387 and #870FB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5890F shade: #B5890F, #1AB30F, #0F3AB3 and #A80FB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5890F shade: #B5890F, #0FB335, #0F3AB3 and #B30F8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 92 / 29

HEX #B5890F

RGB 181 137 15

HSL 44.1, 0.85%, 0.38%

LAB 59.66, 6.91, 62.2

 

Complementary color

CMYK 69 / 51 / 0 / 6

HEX #4A76F0

RGB 74 118 240

HSL 224.1, 0.85%, 0.62%

LAB 52.62, 24.7, -65.92

 

CMYK 0 / 26 / 95 / 27

HEX #BA890A

RGB 186 137 10

HSL 43.3, 0.9%, 0.38%

LAB 60.21, 9.1, 63.72

 

CMYK 0 / 24 / 86 / 20

HEX #CB9B1D

RGB 203 155 29

HSL 43.45, 0.75%, 0.45%

LAB 66.69, 7.23, 65.52

 

CMYK 0 / 21 / 78 / 14

HEX #DCAD30

RGB 220 173 48

HSL 43.6, 0.71%, 0.53%

LAB 73.1, 5.63, 65.95

 

CMYK 0 / 19 / 72 / 7

HEX #EDBF43

RGB 237 191 67

HSL 43.76, 0.83%, 0.6%

LAB 79.43, 4.24, 65.59

 

CMYK 0 / 18 / 66 / 0

HEX #FED156

RGB 254 209 86

HSL 43.93, 0.99%, 0.67%

LAB 85.68, 3.05, 64.82

 

CMYK 0 / 24 / 92 / 29

HEX #B5890F

RGB 181 137 15

HSL 44.1, 0.85%, 0.38%

LAB 59.66, 6.91, 62.2

 

CMYK 0 / 27 / 100 / 36

HEX #A47700

RGB 164 119 0

HSL 43.54, 1%, 0.32%

LAB 53.04, 8.96, 59.21

 

CMYK 0 / 31 / 100 / 42

HEX #936500

RGB 147 101 0

HSL 41.22, 1%, 0.29%

LAB 46.33, 11.33, 53.7

 

CMYK 0 / 36 / 100 / 49

HEX #825300

RGB 130 83 0

HSL 38.31, 1%, 0.25%

LAB 39.47, 13.82, 48.1

 

CMYK 0 / 42 / 100 / 56

HEX #714100

RGB 113 65 0

HSL 34.51, 1%, 0.22%

LAB 32.46, 16.45, 42.4

 

CMYK 0 / 24 / 92 / 30

HEX #B3880F

RGB 179 136 15

HSL 44.27, 0.85%, 0.38%

LAB 59.18, 6.56, 61.74

 

CMYK 0 / 49 / 92 / 30

HEX #B35B0F

RGB 179 91 15

HSL 27.8, 0.85%, 0.38%

LAB 48.39, 31.4, 53.63

 

CMYK 0 / 74 / 92 / 30

HEX #B32F0F

RGB 179 47 15

HSL 11.71, 0.85%, 0.38%

LAB 40.66, 51.66, 48.06

 

CMYK 0 / 92 / 92 / 30

HEX #B30F0F

RGB 179 15 15

HSL 0, 0.85%, 0.38%

LAB 37.77, 59.8, 46.07

 

CMYK 0 / 24 / 92 / 30

HEX #B3880F

RGB 179 136 15

HSL 44.27, 0.85%, 0.38%

LAB 59.18, 6.56, 61.74

 

CMYK 1 / 0 / 92 / 30

HEX #B2B30F

RGB 178 179 15

HSL 60.37, 0.85%, 0.38%

LAB 70.69, -16.77, 70.56

 

CMYK 25 / 0 / 92 / 30

HEX #86B30F

RGB 134 179 15

HSL 76.46, 0.85%, 0.38%

LAB 67.53, -35.33, 66.72

 

CMYK 50 / 0 / 92 / 30

HEX #5AB30F

RGB 90 179 15

HSL 92.56, 0.85%, 0.38%

LAB 65.32, -51.03, 63.99

 

CMYK 75 / 0 / 92 / 30

HEX #2DB30F

RGB 45 179 15

HSL 109.02, 0.85%, 0.38%

LAB 64.03, -61.64, 62.39

 

CMYK 0 / 24 / 92 / 30

HEX #B3880F

RGB 179 136 15

HSL 44.27, 0.85%, 0.38%

LAB 59.18, 6.56, 61.74

 

CMYK 0 / 24 / 92 / 30

HEX #B3880F

RGB 179 136 15

HSL 44.27, 0.85%, 0.38%

LAB 59.18, 6.56, 61.74

 

CMYK 0 / 22 / 82 / 36

HEX #A4801E

RGB 164 128 30

HSL 43.88, 0.69%, 0.38%

LAB 55.51, 4.54, 54.02

 

CMYK 0 / 18 / 69 / 42

HEX #94792E

RGB 148 121 46

HSL 44.12, 0.53%, 0.38%

LAB 52.03, 1.9, 43.59

 

CMYK 0 / 14 / 53 / 48

HEX #84723E

RGB 132 114 62

HSL 44.57, 0.36%, 0.38%

LAB 48.62, -0.16, 31.18

 

CMYK 0 / 9 / 34 / 54

HEX #756A4D

RGB 117 106 77

HSL 43.5, 0.21%, 0.38%

LAB 45.12, -0.45, 17.88

 

CMYK 0 / 74 / 92 / 30

HEX #B32F0F

RGB 179 47 15

HSL 11.71, 0.85%, 0.38%

LAB 40.66, 51.66, 48.06

 

CMYK 0 / 49 / 92 / 30

HEX #B35B0F

RGB 179 91 15

HSL 27.8, 0.85%, 0.38%

LAB 48.39, 31.4, 53.63

 

CMYK 0 / 25 / 92 / 30

HEX #B3870F

RGB 179 135 15

HSL 43.9, 0.85%, 0.38%

LAB 58.92, 7.11, 61.54

 

CMYK 0 / 0 / 92 / 30

HEX #B3B30F

RGB 179 179 15

HSL 60, 0.85%, 0.38%

LAB 70.77, -16.34, 70.66

 

CMYK 25 / 0 / 92 / 30

HEX #87B30F

RGB 135 179 15

HSL 76.1, 0.85%, 0.38%

LAB 67.6, -34.93, 66.79

 

CMYK 0 / 24 / 92 / 60

HEX #674E08

RGB 103 78 8

HSL 44.21, 0.86%, 0.22%

LAB 34.7, 3.84, 40.55

 

CMYK 0 / 24 / 92 / 45

HEX #8D6B0B

RGB 141 107 11

HSL 44.31, 0.86%, 0.3%

LAB 47.24, 5.23, 51.55

 

CMYK 0 / 24 / 92 / 30

HEX #B3880F

RGB 179 136 15

HSL 44.27, 0.85%, 0.38%

LAB 59.18, 6.56, 61.74

 

CMYK 0 / 24 / 92 / 15

HEX #D9A412

RGB 217 164 18

HSL 44.02, 0.85%, 0.46%

LAB 70.42, 8.35, 71.48

 

CMYK 0 / 22 / 84 / 7

HEX #EDB927

RGB 237 185 39

HSL 44.24, 0.85%, 0.54%

LAB 77.79, 6.36, 73.48

 

CMYK 0 / 24 / 92 / 29

HEX #B5890F

RGB 181 137 15

HSL 44.1, 0.85%, 0.38%

LAB 59.66, 6.91, 62.2

 

CMYK 85 / 0 / 92 / 30

HEX #1AB30F

RGB 26 179 15

HSL 115.98, 0.85%, 0.38%

LAB 63.75, -64.08, 62.04

 

CMYK 61 / 92 / 0 / 30

HEX #450FB3

RGB 69 15 179

HSL 259.76, 0.85%, 0.38%

LAB 26.34, 59.4, -73.76

 

CMYK 0 / 24 / 92 / 29

HEX #B5890F

RGB 181 137 15

HSL 44.1, 0.85%, 0.38%

LAB 59.66, 6.91, 62.2

 

CMYK 92 / 0 / 25 / 30

HEX #0FB387

RGB 15 179 135

HSL 163.9, 0.85%, 0.38%

LAB 65.03, -48.51, 11.91

 

CMYK 25 / 92 / 0 / 30

HEX #870FB3

RGB 135 15 179

HSL 283.9, 0.85%, 0.38%

LAB 35.49, 66.76, -58.38

 

CMYK 0 / 24 / 92 / 29

HEX #B5890F

RGB 181 137 15

HSL 44.1, 0.85%, 0.38%

LAB 59.66, 6.91, 62.2

 

CMYK 85 / 0 / 92 / 30

HEX #1AB30F

RGB 26 179 15

HSL 115.98, 0.85%, 0.38%

LAB 63.75, -64.08, 62.04

 

CMYK 92 / 68 / 0 / 30

HEX #0F3AB3

RGB 15 58 179

HSL 224.27, 0.85%, 0.38%

LAB 30.36, 35.01, -67.22

 

CMYK 6 / 92 / 0 / 30

HEX #A80FB3

RGB 168 15 179

HSL 295.98, 0.85%, 0.38%

LAB 41.09, 71.94, -49.05

 

CMYK 0 / 24 / 92 / 29

HEX #B5890F

RGB 181 137 15

HSL 44.1, 0.85%, 0.38%

LAB 59.66, 6.91, 62.2

 

CMYK 92 / 0 / 70 / 30

HEX #0FB335

RGB 15 179 53

HSL 133.9, 0.85%, 0.38%

LAB 63.83, -62.62, 51.28

 

CMYK 92 / 68 / 0 / 30

HEX #0F3AB3

RGB 15 58 179

HSL 224.27, 0.85%, 0.38%

LAB 30.36, 35.01, -67.22

 

CMYK 0 / 92 / 21 / 30

HEX #B30F8D

RGB 179 15 141

HSL 313.9, 0.85%, 0.38%

LAB 40.97, 68.55, -26.24

 

Description

Color code: HEX #B5890F | qconv.com Color code: HEX #B5890F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 137 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 137 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 92 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 92% 29% C M Y K

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Provide designers and agencies with accurate color values.

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