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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5864B it is the complementary color #4A79B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5864B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5864B shade: #BA8646, #CB9859, #DCAA6C, #EDBC7F and #FECE92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5864B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5864B shade: #B5864B, #A47438, #936225, #825012 and #713E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5864B shade: #B5864A, #B5694A, #B54C4A and #B54A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5864B shade: #B5864A, #B5A24A, #ABB54A, #8EB54A and #71B54A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5864B shade matches the following richer shades: #B5864A, #CA8835, #DE8A21 and #F38D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5864B shade: #B5864A, #A0835F, #8C8173, #777F88 and #637C9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5864B shade: #B54C4A, #B5684A, #B5854A, #B5A14A and #ACB54A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5864B shade: #7A5A32, #98703E, #B5864A, #C19967 and #CDAD85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5864B shade: #B5864B, #65B54A and #5A4AB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5864B shade: #B5864B, #4AB585 and #854AB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5864B shade: #B5864B, #65B54A, #4A7AB5 and #9A4AB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5864B shade: #B5864B, #4AB54F, #4A7AB5 and #B54AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 59 / 29

HEX #B5864B

RGB 181 134 75

HSL 33.4, 0.42%, 0.5%

LAB 59.33, 11.35, 38.39

 

Complementary color

CMYK 59 / 33 / 0 / 29

HEX #4A79B4

RGB 74 121 180

HSL 213.4, 0.42%, 0.5%

LAB 50.01, 2.08, -36.04

 

CMYK 0 / 28 / 62 / 27

HEX #BA8646

RGB 186 134 70

HSL 33.1, 0.46%, 0.5%

LAB 59.83, 13.14, 41.69

 

CMYK 0 / 25 / 56 / 20

HEX #CB9859

RGB 203 152 89

HSL 33.16, 0.52%, 0.57%

LAB 66.42, 11.97, 40.23

 

CMYK 0 / 23 / 51 / 14

HEX #DCAA6C

RGB 220 170 108

HSL 33.21, 0.62%, 0.64%

LAB 72.92, 10.96, 38.82

 

CMYK 0 / 21 / 46 / 7

HEX #EDBC7F

RGB 237 188 127

HSL 33.27, 0.75%, 0.71%

LAB 79.33, 10.1, 37.48

 

CMYK 0 / 19 / 43 / 0

HEX #FECE92

RGB 254 206 146

HSL 33.33, 0.98%, 0.78%

LAB 85.65, 9.34, 36.21

 

CMYK 0 / 26 / 59 / 29

HEX #B5864B

RGB 181 134 75

HSL 33.4, 0.42%, 0.5%

LAB 59.33, 11.35, 38.39

 

CMYK 0 / 29 / 66 / 36

HEX #A47438

RGB 164 116 56

HSL 33.33, 0.49%, 0.43%

LAB 52.59, 12.62, 39.86

 

CMYK 0 / 33 / 75 / 42

HEX #936225

RGB 147 98 37

HSL 33.27, 0.6%, 0.36%

LAB 45.73, 14.15, 41.21

 

CMYK 0 / 38 / 86 / 49

HEX #825012

RGB 130 80 18

HSL 33.21, 0.76%, 0.29%

LAB 38.77, 16.02, 42

 

CMYK 0 / 45 / 100 / 56

HEX #713E00

RGB 113 62 0

HSL 32.92, 1%, 0.22%

LAB 31.71, 18.25, 41.89

 

CMYK 0 / 26 / 59 / 29

HEX #B5864A

RGB 181 134 74

HSL 33.64, 0.42%, 0.5%

LAB 59.31, 11.27, 38.89

 

CMYK 0 / 42 / 59 / 29

HEX #B5694A

RGB 181 105 74

HSL 17.38, 0.42%, 0.5%

LAB 52.31, 27.38, 30.38

 

CMYK 0 / 58 / 59 / 29

HEX #B54C4A

RGB 181 76 74

HSL 1.12, 0.42%, 0.5%

LAB 46.29, 42.51, 22.73

 

CMYK 0 / 59 / 59 / 29

HEX #B54A4A

RGB 181 74 74

HSL 0, 0.42%, 0.5%

LAB 45.93, 43.47, 22.26

 

CMYK 0 / 26 / 59 / 29

HEX #B5864A

RGB 181 134 74

HSL 33.64, 0.42%, 0.5%

LAB 59.31, 11.27, 38.89

 

CMYK 0 / 10 / 59 / 29

HEX #B5A24A

RGB 181 162 74

HSL 49.35, 0.42%, 0.5%

LAB 66.64, -4.04, 47.38

 

CMYK 6 / 0 / 59 / 29

HEX #ABB54A

RGB 171 181 74

HSL 65.61, 0.42%, 0.5%

LAB 71.01, -18.18, 52.03

 

CMYK 22 / 0 / 59 / 29

HEX #8EB54A

RGB 142 181 74

HSL 81.87, 0.42%, 0.5%

LAB 68.96, -29.94, 49.18

 

CMYK 38 / 0 / 59 / 29

HEX #71B54A

RGB 113 181 74

HSL 98.13, 0.42%, 0.5%

LAB 67.32, -40.61, 46.87

 

CMYK 0 / 26 / 59 / 29

HEX #B5864A

RGB 181 134 74

HSL 33.64, 0.42%, 0.5%

LAB 59.31, 11.27, 38.89

 

CMYK 0 / 33 / 74 / 21

HEX #CA8835

RGB 202 136 53

HSL 33.42, 0.58%, 0.5%

LAB 62.02, 17.97, 52.68

 

CMYK 0 / 38 / 85 / 13

HEX #DE8A21

RGB 222 138 33

HSL 33.33, 0.74%, 0.5%

LAB 64.82, 24.74, 63.72

 

CMYK 0 / 42 / 95 / 5

HEX #F38D0C

RGB 243 141 12

HSL 33.51, 0.91%, 0.5%

LAB 68.12, 31.56, 72.22

 

CMYK 0 / 26 / 59 / 29

HEX #B5864A

RGB 181 134 74

HSL 33.64, 0.42%, 0.5%

LAB 59.31, 11.27, 38.89

 

CMYK 0 / 18 / 41 / 37

HEX #A0835F

RGB 160 131 95

HSL 33.23, 0.25%, 0.5%

LAB 56.62, 5.98, 23.63

 

CMYK 0 / 8 / 18 / 45

HEX #8C8173

RGB 140 129 115

HSL 33.6, 0.1%, 0.5%

LAB 54.57, 1.7, 9.09

 

CMYK 13 / 7 / 0 / 47

HEX #777F88

RGB 119 127 136

HSL 211.76, 0.07%, 0.5%

LAB 52.82, -1.02, -5.89

 

CMYK 37 / 21 / 0 / 39

HEX #637C9C

RGB 99 124 156

HSL 213.68, 0.22%, 0.5%

LAB 51.23, -0.79, -20.09

 

CMYK 0 / 58 / 59 / 29

HEX #B54C4A

RGB 181 76 74

HSL 1.12, 0.42%, 0.5%

LAB 46.29, 42.51, 22.73

 

CMYK 0 / 43 / 59 / 29

HEX #B5684A

RGB 181 104 74

HSL 16.82, 0.42%, 0.5%

LAB 52.08, 27.93, 30.1

 

CMYK 0 / 27 / 59 / 29

HEX #B5854A

RGB 181 133 74

HSL 33.08, 0.42%, 0.5%

LAB 59.06, 11.83, 38.59

 

CMYK 0 / 11 / 59 / 29

HEX #B5A14A

RGB 181 161 74

HSL 48.79, 0.42%, 0.5%

LAB 66.37, -3.5, 47.08

 

CMYK 5 / 0 / 59 / 29

HEX #ACB54A

RGB 172 181 74

HSL 65.05, 0.42%, 0.5%

LAB 71.09, -17.76, 52.14

 

CMYK 0 / 26 / 59 / 52

HEX #7A5A32

RGB 122 90 50

HSL 33.33, 0.42%, 0.34%

LAB 40.7, 8.21, 27.98

 

CMYK 0 / 26 / 59 / 40

HEX #98703E

RGB 152 112 62

HSL 33.33, 0.42%, 0.42%

LAB 50.23, 9.99, 33.63

 

CMYK 0 / 26 / 59 / 29

HEX #B5864A

RGB 181 134 74

HSL 33.64, 0.42%, 0.5%

LAB 59.31, 11.27, 38.89

 

CMYK 0 / 21 / 47 / 24

HEX #C19967

RGB 193 153 103

HSL 33.33, 0.42%, 0.58%

LAB 65.83, 8.5, 31.89

 

CMYK 0 / 16 / 35 / 20

HEX #CDAD85

RGB 205 173 133

HSL 33.33, 0.42%, 0.66%

LAB 72.6, 5.92, 24.89

 

CMYK 0 / 26 / 59 / 29

HEX #B5864B

RGB 181 134 75

HSL 33.4, 0.42%, 0.5%

LAB 59.33, 11.35, 38.39

 

CMYK 44 / 0 / 59 / 29

HEX #65B54A

RGB 101 181 74

HSL 104.86, 0.42%, 0.5%

LAB 66.76, -44.55, 46.08

 

CMYK 50 / 59 / 0 / 29

HEX #5A4AB5

RGB 90 74 181

HSL 248.97, 0.42%, 0.5%

LAB 38.56, 35.05, -54.83

 

CMYK 0 / 26 / 59 / 29

HEX #B5864B

RGB 181 134 75

HSL 33.4, 0.42%, 0.5%

LAB 59.33, 11.35, 38.39

 

CMYK 59 / 0 / 27 / 29

HEX #4AB585

RGB 74 181 133

HSL 153.08, 0.42%, 0.5%

LAB 66.67, -42.16, 15.45

 

CMYK 27 / 59 / 0 / 29

HEX #854AB5

RGB 133 74 181

HSL 273.08, 0.42%, 0.5%

LAB 43.09, 44.96, -47.3

 

CMYK 0 / 26 / 59 / 29

HEX #B5864B

RGB 181 134 75

HSL 33.4, 0.42%, 0.5%

LAB 59.33, 11.35, 38.39

 

CMYK 44 / 0 / 59 / 29

HEX #65B54A

RGB 101 181 74

HSL 104.86, 0.42%, 0.5%

LAB 66.76, -44.55, 46.08

 

CMYK 59 / 33 / 0 / 29

HEX #4A7AB5

RGB 74 122 181

HSL 213.08, 0.42%, 0.5%

LAB 50.35, 1.81, -36.08

 

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

CMYK 0 / 26 / 59 / 29

HEX #B5864B

RGB 181 134 75

HSL 33.4, 0.42%, 0.5%

LAB 59.33, 11.35, 38.39

 

CMYK 59 / 0 / 56 / 29

HEX #4AB54F

RGB 74 181 79

HSL 122.8, 0.42%, 0.5%

LAB 65.8, -51.48, 42.37

 

CMYK 59 / 33 / 0 / 29

HEX #4A7AB5

RGB 74 122 181

HSL 213.08, 0.42%, 0.5%

LAB 50.35, 1.81, -36.08

 

CMYK 0 / 59 / 3 / 29

HEX #B54AB0

RGB 181 74 176

HSL 302.8, 0.42%, 0.5%

LAB 49.32, 56.37, -34.08

 

Description

Color code: HEX #B5864B | qconv.com Color code: HEX #B5864B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 134 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 134 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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