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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58573 it is the complementary color #4A7A8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58573. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58573 shade: #BA856E, #CB9781, #DCA994, #EDBBA7 and #FECDBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58573. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58573 shade: #B58573, #A47360, #93614D, #824F3A and #713D27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58573 shade: #B58573 and #B57373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58573 shade: #B58573, #B59773, #B5A973, #B0B573 and #9EB573

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58573 shade matches the following richer shades: #B58573, #C67D61, #D87550, #E96D3F and #FA652D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58573 shade: #B58573, #A48D84, #929595, #819CA7 and #70A4B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58573 shade: #B57384, #B57373, #B58473, #B59673 and #B5A873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58573 shade: #8C5C4A, #A76D58, #B58573, #C39C8E and #D2B4A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58573 shade: #B58573, #96B573 and #737CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58573 shade: #B58573, #73B584 and #8473B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58573 shade: #B58573, #96B573, #73A3B5 and #9273B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58573 shade: #B58573, #82B573, #73A3B5 and #A673B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

Complementary color

CMYK 47 / 13 / 0 / 45

HEX #4A7A8C

RGB 74 122 140

HSL 196.36, 0.31%, 0.42%

LAB 48.6, -11.16, -14.86

 

CMYK 0 / 28 / 41 / 27

HEX #BA856E

RGB 186 133 110

HSL 18.16, 0.36%, 0.58%

LAB 60.19, 17.41, 20.47

 

CMYK 0 / 26 / 36 / 20

HEX #CB9781

RGB 203 151 129

HSL 17.84, 0.42%, 0.65%

LAB 66.84, 16.57, 19.21

 

CMYK 0 / 23 / 33 / 14

HEX #DCA994

RGB 220 169 148

HSL 17.5, 0.51%, 0.72%

LAB 73.37, 15.84, 18.06

 

CMYK 0 / 21 / 30 / 7

HEX #EDBBA7

RGB 237 187 167

HSL 17.14, 0.66%, 0.79%

LAB 79.8, 15.18, 16.99

 

CMYK 0 / 19 / 27 / 0

HEX #FECDBA

RGB 254 205 186

HSL 16.76, 0.97%, 0.86%

LAB 86.15, 14.6, 16

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 0 / 30 / 41 / 36

HEX #A47360

RGB 164 115 96

HSL 16.76, 0.27%, 0.51%

LAB 52.95, 16.86, 18.22

 

CMYK 0 / 34 / 48 / 42

HEX #93614D

RGB 147 97 77

HSL 17.14, 0.31%, 0.44%

LAB 46.03, 17.89, 19.69

 

CMYK 0 / 39 / 55 / 49

HEX #824F3A

RGB 130 79 58

HSL 17.5, 0.38%, 0.37%

LAB 38.97, 19.1, 21.37

 

CMYK 0 / 46 / 65 / 56

HEX #713D27

RGB 113 61 39

HSL 17.84, 0.49%, 0.3%

LAB 31.79, 20.57, 23.35

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 0 / 36 / 36 / 29

HEX #B57373

RGB 181 115 115

HSL 0, 0.31%, 0.58%

LAB 55.4, 26.03, 10.9

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 0 / 17 / 36 / 29

HEX #B59773

RGB 181 151 115

HSL 32.73, 0.31%, 0.58%

LAB 64.32, 5.99, 23.15

 

CMYK 0 / 7 / 36 / 29

HEX #B5A973

RGB 181 169 115

HSL 49.09, 0.31%, 0.58%

LAB 69.07, -3.77, 29.46

 

CMYK 3 / 0 / 36 / 29

HEX #B0B573

RGB 176 181 115

HSL 64.55, 0.31%, 0.58%

LAB 71.9, -12.1, 33.07

 

CMYK 13 / 0 / 36 / 29

HEX #9EB573

RGB 158 181 115

HSL 80.91, 0.31%, 0.58%

LAB 70.56, -19.16, 31.07

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 0 / 37 / 51 / 22

HEX #C67D61

RGB 198 125 97

HSL 16.63, 0.47%, 0.58%

LAB 59.47, 25.35, 27.06

 

CMYK 0 / 46 / 63 / 15

HEX #D87550

RGB 216 117 80

HSL 16.32, 0.64%, 0.58%

LAB 59.8, 35.47, 37.34

 

CMYK 0 / 53 / 73 / 9

HEX #E96D3F

RGB 233 109 63

HSL 16.24, 0.79%, 0.58%

LAB 60.44, 45.1, 47.62

 

CMYK 0 / 60 / 82 / 2

HEX #FA652D

RGB 250 101 45

HSL 16.39, 0.95%, 0.58%

LAB 61.5, 54.35, 57.98

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 0 / 14 / 20 / 36

HEX #A48D84

RGB 164 141 132

HSL 16.88, 0.15%, 0.58%

LAB 60.43, 7.15, 7.99

 

CMYK 2 / 0 / 0 / 42

HEX #929595

RGB 146 149 149

HSL 180, 0.01%, 0.58%

LAB 61.46, -1.08, -0.39

 

CMYK 23 / 7 / 0 / 35

HEX #819CA7

RGB 129 156 167

HSL 197.37, 0.18%, 0.58%

LAB 62.7, -6.88, -8.86

 

CMYK 39 / 11 / 0 / 28

HEX #70A4B8

RGB 112 164 184

HSL 196.67, 0.34%, 0.58%

LAB 64.53, -12.02, -15.76

 

CMYK 0 / 36 / 27 / 29

HEX #B57384

RGB 181 115 132

HSL 344.55, 0.31%, 0.58%

LAB 55.84, 28.32, 1.61

 

CMYK 0 / 36 / 36 / 29

HEX #B57373

RGB 181 115 115

HSL 0, 0.31%, 0.58%

LAB 55.4, 26.03, 10.9

 

CMYK 0 / 27 / 36 / 29

HEX #B58473

RGB 181 132 115

HSL 15.45, 0.31%, 0.58%

LAB 59.49, 16.55, 16.59

 

CMYK 0 / 17 / 36 / 29

HEX #B59673

RGB 181 150 115

HSL 31.82, 0.31%, 0.58%

LAB 64.06, 6.54, 22.81

 

CMYK 0 / 7 / 36 / 29

HEX #B5A873

RGB 181 168 115

HSL 48.18, 0.31%, 0.58%

LAB 68.8, -3.24, 29.11

 

CMYK 0 / 34 / 47 / 45

HEX #8C5C4A

RGB 140 92 74

HSL 16.36, 0.31%, 0.42%

LAB 43.83, 17.47, 18.39

 

CMYK 0 / 35 / 47 / 35

HEX #A76D58

RGB 167 109 88

HSL 15.95, 0.31%, 0.5%

LAB 51.68, 20.62, 21.21

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 0 / 20 / 27 / 24

HEX #C39C8E

RGB 195 156 142

HSL 15.85, 0.31%, 0.66%

LAB 67.53, 12.4, 12.82

 

CMYK 0 / 14 / 20 / 18

HEX #D2B4A9

RGB 210 180 169

HSL 16.1, 0.31%, 0.74%

LAB 75.58, 9.05, 9.59

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 17 / 0 / 36 / 29

HEX #96B573

RGB 150 181 115

HSL 88.18, 0.31%, 0.58%

LAB 70.01, -22.21, 30.25

 

CMYK 36 / 31 / 0 / 29

HEX #737CB5

RGB 115 124 181

HSL 231.82, 0.31%, 0.58%

LAB 53.38, 10.79, -31.16

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 36 / 0 / 27 / 29

HEX #73B584

RGB 115 181 132

HSL 135.45, 0.31%, 0.58%

LAB 68.28, -31.56, 18.48

 

CMYK 27 / 36 / 0 / 29

HEX #8473B5

RGB 132 115 181

HSL 255.45, 0.31%, 0.58%

LAB 52.4, 21.14, -32.58

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 17 / 0 / 36 / 29

HEX #96B573

RGB 150 181 115

HSL 88.18, 0.31%, 0.58%

LAB 70.01, -22.21, 30.25

 

CMYK 36 / 10 / 0 / 29

HEX #73A3B5

RGB 115 163 181

HSL 196.36, 0.31%, 0.58%

LAB 64.3, -11.44, -14.41

 

CMYK 19 / 36 / 0 / 29

HEX #9273B5

RGB 146 115 181

HSL 268.18, 0.31%, 0.58%

LAB 53.72, 25.42, -30.43

 

CMYK 0 / 27 / 36 / 29

HEX #B58573

RGB 181 133 115

HSL 16.36, 0.31%, 0.58%

LAB 59.74, 15.99, 16.93

 

CMYK 28 / 0 / 36 / 29

HEX #82B573

RGB 130 181 115

HSL 106.36, 0.31%, 0.58%

LAB 68.77, -29.48, 28.39

 

CMYK 36 / 10 / 0 / 29

HEX #73A3B5

RGB 115 163 181

HSL 196.36, 0.31%, 0.58%

LAB 64.3, -11.44, -14.41

 

CMYK 8 / 36 / 0 / 29

HEX #A673B5

RGB 166 115 181

HSL 286.36, 0.31%, 0.58%

LAB 55.79, 31.73, -27.05

 

Description

Color code: HEX #B58573 | qconv.com Color code: HEX #B58573 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 133 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 133 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 36 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 36% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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