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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B583164C it is the complementary color #4A7CE94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B583164C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B583164C shade: #BA83114C, #CB95244C, #DCA7374C, #EDB94A4C and #FECB5D4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B583164C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B583164C shade: #B583164C, #A471034C, #935F004C, #824D004C and #713B004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B583164C shade: #B68416, #B65916, #B62E16 and #B61616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B583164C shade: #B68416, #B6AE16, #92B616, #67B616 and #3CB616

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B583164C shade matches the following richer shades: #B68416 and #C68A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B583164C shade: #B68416, #A57D27, #957737, #847148 and #746B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B583164C shade: #B62E16, #B65916, #B68316, #B6AE16 and #93B616

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B583164C shade: #6C4E0D, #916912, #B68416, #DA9E1B and #E6B038

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B583164C shade: #B58316, #29B616 and #4416B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B583164C shade: #B58316, #16B683 and #8316B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B583164C shade: #B58316, #29B616, #1649B6 and #A316B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B583164C shade: #B58316, #16B634, #1649B6 and #B61698

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 26 / 9

HEX #B583164C

RGBA 181 131 22 0.3

HSLA 41.13, 0.78%, 0.4%, 0.3

LABA 58.15, 10.37, 59.41, 0.3

 

Complementary color

CMYK 20 / 14 / 0 / 3

HEX #4A7CE94C

RGBA 74 124 233 0.3

HSLA 221.13, 0.78%, 0.6%, 0.3

LABA 53.77, 18.53, -60.17, 0.3

 

CMYK 0 / 9 / 27 / 8

HEX #BA83114C

RGBA 186 131 17 0.3

HSLA 40.47, 0.83%, 0.4%, 0.3

LABA 58.71, 12.52, 61.3, 0.3

 

CMYK 0 / 8 / 25 / 6

HEX #CB95244C

RGBA 203 149 36 0.3

HSLA 40.6, 0.7%, 0.47%, 0.3

LABA 65.21, 10.67, 62.21, 0.3

 

CMYK 0 / 7 / 23 / 4

HEX #DCA7374C

RGBA 220 167 55 0.3

HSLA 40.73, 0.7%, 0.54%, 0.3

LABA 71.64, 9.09, 62.03, 0.3

 

CMYK 0 / 7 / 21 / 2

HEX #EDB94A4C

RGBA 237 185 74 0.3

HSLA 40.86, 0.82%, 0.61%, 0.3

LABA 77.99, 7.73, 61.29, 0.3

 

CMYK 0 / 6 / 19 / 0

HEX #FECB5D4C

RGBA 254 203 93 0.3

HSLA 40.99, 0.99%, 0.68%, 0.3

LABA 84.26, 6.54, 60.26, 0.3

 

CMYK 0 / 8 / 26 / 9

HEX #B583164C

RGBA 181 131 22 0.3

HSLA 41.13, 0.78%, 0.4%, 0.3

LABA 58.15, 10.37, 59.41, 0.3

 

CMYK 0 / 9 / 29 / 11

HEX #A471034C

RGBA 164 113 3 0.3

HSLA 40.99, 0.96%, 0.33%, 0.3

LABA 51.51, 12.4, 57.56, 0.3

 

CMYK 0 / 11 / 30 / 13

HEX #935F004C

RGBA 147 95 0 0.3

HSLA 38.78, 1%, 0.29%, 0.3

LABA 44.78, 14.8, 52.68, 0.3

 

CMYK 0 / 12 / 30 / 15

HEX #824D004C

RGBA 130 77 0 0.3

HSLA 35.54, 1%, 0.25%, 0.3

LABA 37.94, 17.36, 47.11, 0.3

 

CMYK 0 / 14 / 30 / 17

HEX #713B004C

RGBA 113 59 0 0.3

HSLA 31.33, 1%, 0.22%, 0.3

LABA 30.97, 20.03, 41.38, 0.3

 

CMYK 0 / 27 / 88 / 29

HEX #B68416

RGB 182 132 22

HSL 41.25, 0.78%, 0.4%

LAB 58.51, 10.27, 59.76

 

CMYK 0 / 51 / 88 / 29

HEX #B65916

RGB 182 89 22

HSL 25.13, 0.78%, 0.4%

LAB 48.45, 33.83, 51.69

 

CMYK 0 / 75 / 88 / 29

HEX #B62E16

RGB 182 46 22

HSL 9, 0.78%, 0.4%

LAB 41.15, 53.1, 45.84

 

CMYK 0 / 88 / 88 / 29

HEX #B61616

RGB 182 22 22

HSL 0, 0.78%, 0.4%

LAB 38.86, 59.56, 44

 

CMYK 0 / 27 / 88 / 29

HEX #B68416

RGB 182 132 22

HSL 41.25, 0.78%, 0.4%

LAB 58.51, 10.27, 59.76

 

CMYK 0 / 4 / 88 / 29

HEX #B6AE16

RGB 182 174 22

HSL 57, 0.78%, 0.4%

LAB 69.67, -12.33, 68.7

 

CMYK 20 / 0 / 88 / 29

HEX #92B616

RGB 146 182 22

HSL 73.5, 0.78%, 0.4%

LAB 69.2, -31.7, 67.19

 

CMYK 43 / 0 / 88 / 29

HEX #67B616

RGB 103 182 22

HSL 89.63, 0.78%, 0.4%

LAB 66.82, -47.84, 64.23

 

CMYK 67 / 0 / 88 / 29

HEX #3CB616

RGB 60 182 22

HSL 105.75, 0.78%, 0.4%

LAB 65.34, -59.6, 62.37

 

CMYK 0 / 27 / 88 / 29

HEX #B68416

RGB 182 132 22

HSL 41.25, 0.78%, 0.4%

LAB 58.51, 10.27, 59.76

 

CMYK 0 / 30 / 97 / 22

HEX #C68A06

RGB 198 138 6

HSL 41.25, 0.94%, 0.4%

LAB 61.82, 13.87, 66.11

 

CMYK 0 / 27 / 88 / 29

HEX #B68416

RGB 182 132 22

HSL 41.25, 0.78%, 0.4%

LAB 58.51, 10.27, 59.76

 

CMYK 0 / 24 / 76 / 35

HEX #A57D27

RGB 165 125 39

HSL 40.95, 0.62%, 0.4%

LAB 54.88, 7.04, 50.12

 

CMYK 0 / 20 / 63 / 42

HEX #957737

RGB 149 119 55

HSL 40.85, 0.46%, 0.4%

LAB 51.68, 4.09, 38.88

 

CMYK 0 / 14 / 45 / 48

HEX #847148

RGB 132 113 72

HSL 41, 0.29%, 0.4%

LAB 48.49, 1.46, 25.47

 

CMYK 0 / 8 / 24 / 55

HEX #746B58

RGB 116 107 88

HSL 40.71, 0.14%, 0.4%

LAB 45.54, 0.18, 11.94

 

CMYK 0 / 75 / 88 / 29

HEX #B62E16

RGB 182 46 22

HSL 9, 0.78%, 0.4%

LAB 41.15, 53.1, 45.84

 

CMYK 0 / 51 / 88 / 29

HEX #B65916

RGB 182 89 22

HSL 25.13, 0.78%, 0.4%

LAB 48.45, 33.83, 51.69

 

CMYK 0 / 28 / 88 / 29

HEX #B68316

RGB 182 131 22

HSL 40.88, 0.78%, 0.4%

LAB 58.26, 10.82, 59.55

 

CMYK 0 / 4 / 88 / 29

HEX #B6AE16

RGB 182 174 22

HSL 57, 0.78%, 0.4%

LAB 69.67, -12.33, 68.7

 

CMYK 19 / 0 / 88 / 29

HEX #93B616

RGB 147 182 22

HSL 73.13, 0.78%, 0.4%

LAB 69.27, -31.29, 67.27

 

CMYK 0 / 28 / 88 / 58

HEX #6C4E0D

RGB 108 78 13

HSL 41.05, 0.79%, 0.24%

LAB 35.33, 6.48, 39.72

 

CMYK 0 / 28 / 88 / 43

HEX #916912

RGB 145 105 18

HSL 41.1, 0.78%, 0.32%

LAB 47.19, 8.43, 49.88

 

CMYK 0 / 27 / 88 / 29

HEX #B68416

RGB 182 132 22

HSL 41.25, 0.78%, 0.4%

LAB 58.51, 10.27, 59.76

 

CMYK 0 / 28 / 88 / 15

HEX #DA9E1B

RGB 218 158 27

HSL 41.15, 0.78%, 0.48%

LAB 69.07, 12.16, 68.62

 

CMYK 0 / 23 / 76 / 10

HEX #E6B038

RGB 230 176 56

HSL 41.38, 0.78%, 0.56%

LAB 74.93, 8.65, 65.17

 

CMYK 0 / 28 / 88 / 29

HEX #B58316

RGB 181 131 22

HSL 41.13, 0.78%, 0.4%

LAB 58.15, 10.37, 59.41

 

CMYK 77 / 0 / 88 / 29

HEX #29B616

RGB 41 182 22

HSL 112.88, 0.78%, 0.4%

LAB 64.95, -62.93, 61.88

 

CMYK 63 / 88 / 0 / 29

HEX #4416B6

RGB 68 22 182

HSL 257.25, 0.78%, 0.4%

LAB 27.24, 58.12, -74.06

 

CMYK 0 / 28 / 88 / 29

HEX #B58316

RGB 181 131 22

HSL 41.13, 0.78%, 0.4%

LAB 58.15, 10.37, 59.41

 

CMYK 88 / 0 / 28 / 29

HEX #16B683

RGB 22 182 131

HSL 160.88, 0.78%, 0.4%

LAB 65.95, -50.24, 15.4

 

CMYK 28 / 88 / 0 / 29

HEX #8316B6

RGB 131 22 182

HSL 280.88, 0.78%, 0.4%

LAB 35.55, 65.41, -60.09

 

CMYK 0 / 28 / 88 / 29

HEX #B58316

RGB 181 131 22

HSL 41.13, 0.78%, 0.4%

LAB 58.15, 10.37, 59.41

 

CMYK 77 / 0 / 88 / 29

HEX #29B616

RGB 41 182 22

HSL 112.88, 0.78%, 0.4%

LAB 64.95, -62.93, 61.88

 

CMYK 88 / 60 / 0 / 29

HEX #1649B6

RGB 22 73 182

HSL 220.88, 0.78%, 0.4%

LAB 34.63, 26.6, -61.99

 

CMYK 10 / 88 / 0 / 29

HEX #A316B6

RGB 163 22 182

HSL 292.88, 0.78%, 0.4%

LAB 40.8, 70.49, -51.34

 

CMYK 0 / 28 / 88 / 29

HEX #B58316

RGB 181 131 22

HSL 41.13, 0.78%, 0.4%

LAB 58.15, 10.37, 59.41

 

CMYK 88 / 0 / 71 / 29

HEX #16B634

RGB 22 182 52

HSL 131.25, 0.78%, 0.4%

LAB 64.86, -63.13, 52.77

 

CMYK 88 / 60 / 0 / 29

HEX #1649B6

RGB 22 73 182

HSL 220.88, 0.78%, 0.4%

LAB 34.63, 26.6, -61.99

 

CMYK 0 / 88 / 16 / 29

HEX #B61698

RGB 182 22 152

HSL 311.25, 0.78%, 0.4%

LAB 42.44, 69.51, -30.59

 

Description

Color code: HEX #B583164C | qconv.com Color code: HEX #B583164C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 131 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 131 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 26 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 26% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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