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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B57D2C it is the complementary color #4A82D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B57D2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B57D2C shade: #BA7D27, #CB8F3A, #DCA14D, #EDB360 and #FEC573

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B57D2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B57D2C shade: #B57D2C, #A46B19, #935906, #824700 and #713500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B57D2C shade: #B57D2C, #B5582C, #B5332C and #B52C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B57D2C shade: #B57D2C, #B5A22C, #A3B52C, #7EB52C and #59B52C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B57D2C shade matches the following richer shades: #B57D2C, #C7801A and #D98307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B57D2C shade: #B57D2C, #A2793E, #907650, #7E7362 and #6C6F74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B57D2C shade: #B5332C, #B5572C, #B57C2C, #B5A02C and #A5B52C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B57D2C shade: #724F1C, #936624, #B57D2C, #CF923A and #D7A55C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B57D2C shade: #B57D2C, #49B52C and #452CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B57D2C shade: #B57D2C, #2CB57C and #7C2CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B57D2C shade: #B57D2C, #49B52C, #2C65B5 and #972CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B57D2C shade: #B57D2C, #2CB537, #2C65B5 and #B52CA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

Complementary color

CMYK 65 / 38 / 0 / 17

HEX #4A82D3

RGB 74 130 211

HSL 215.47, 0.61%, 0.56%

LAB 54.16, 7.19, -47.19

 

CMYK 0 / 33 / 79 / 27

HEX #BA7D27

RGB 186 125 39

HSL 35.1, 0.65%, 0.44%

LAB 57.32, 16.45, 53.3

 

CMYK 0 / 30 / 71 / 20

HEX #CB8F3A

RGB 203 143 58

HSL 35.17, 0.58%, 0.51%

LAB 63.87, 14.83, 52.41

 

CMYK 0 / 27 / 65 / 14

HEX #DCA14D

RGB 220 161 77

HSL 35.24, 0.67%, 0.58%

LAB 70.34, 13.44, 51.19

 

CMYK 0 / 24 / 59 / 7

HEX #EDB360

RGB 237 179 96

HSL 35.32, 0.8%, 0.65%

LAB 76.73, 12.24, 49.86

 

CMYK 0 / 22 / 55 / 0

HEX #FEC573

RGB 254 197 115

HSL 35.4, 0.99%, 0.72%

LAB 83.04, 11.19, 48.52

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 0 / 35 / 85 / 36

HEX #A46B19

RGB 164 107 25

HSL 35.4, 0.74%, 0.37%

LAB 50.07, 16.24, 50.98

 

CMYK 0 / 39 / 96 / 42

HEX #935906

RGB 147 89 6

HSL 35.32, 0.92%, 0.3%

LAB 43.3, 18.37, 50.13

 

CMYK 0 / 45 / 100 / 49

HEX #824700

RGB 130 71 0

HSL 32.77, 1%, 0.25%

LAB 36.47, 20.86, 46.17

 

CMYK 0 / 53 / 100 / 56

HEX #713500

RGB 113 53 0

HSL 28.14, 1%, 0.22%

LAB 29.56, 23.52, 40.33

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 0 / 51 / 76 / 29

HEX #B5582C

RGB 181 88 44

HSL 19.27, 0.61%, 0.44%

LAB 48.24, 34.68, 41.87

 

CMYK 0 / 72 / 76 / 29

HEX #B5332C

RGB 181 51 44

HSL 3.07, 0.61%, 0.44%

LAB 41.8, 51.65, 34.99

 

CMYK 0 / 76 / 76 / 29

HEX #B52C2C

RGB 181 44 44

HSL 0, 0.61%, 0.44%

LAB 40.91, 54.13, 34.01

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 0 / 10 / 76 / 29

HEX #B5A22C

RGB 181 162 44

HSL 51.68, 0.61%, 0.44%

LAB 66.4, -5.79, 59.75

 

CMYK 10 / 0 / 76 / 29

HEX #A3B52C

RGB 163 181 44

HSL 67.88, 0.61%, 0.44%

LAB 70.19, -23.36, 62.76

 

CMYK 30 / 0 / 76 / 29

HEX #7EB52C

RGB 126 181 44

HSL 84.09, 0.61%, 0.44%

LAB 67.77, -38.26, 59.62

 

CMYK 51 / 0 / 76 / 29

HEX #59B52C

RGB 89 181 44

HSL 100.29, 0.61%, 0.44%

LAB 66.02, -50.8, 57.32

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 0 / 36 / 87 / 22

HEX #C7801A

RGB 199 128 26

HSL 35.38, 0.77%, 0.44%

LAB 59.58, 20.11, 60.36

 

CMYK 0 / 40 / 97 / 15

HEX #D98307

RGB 217 131 7

HSL 35.43, 0.94%, 0.44%

LAB 62.51, 25.93, 67.53

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 0 / 25 / 62 / 36

HEX #A2793E

RGB 162 121 62

HSL 35.4, 0.45%, 0.44%

LAB 53.71, 9.31, 38.01

 

CMYK 0 / 18 / 44 / 44

HEX #907650

RGB 144 118 80

HSL 35.63, 0.29%, 0.44%

LAB 51.23, 4.76, 24.71

 

CMYK 0 / 9 / 22 / 51

HEX #7E7362

RGB 126 115 98

HSL 36.43, 0.13%, 0.44%

LAB 48.98, 1.29, 10.96

 

CMYK 7 / 4 / 0 / 55

HEX #6C6F74

RGB 108 111 116

HSL 217.5, 0.04%, 0.44%

LAB 46.73, -0.08, -3.17

 

CMYK 0 / 72 / 76 / 29

HEX #B5332C

RGB 181 51 44

HSL 3.07, 0.61%, 0.44%

LAB 41.8, 51.65, 34.99

 

CMYK 0 / 52 / 76 / 29

HEX #B5572C

RGB 181 87 44

HSL 18.83, 0.61%, 0.44%

LAB 48.03, 35.2, 41.66

 

CMYK 0 / 31 / 76 / 29

HEX #B57C2C

RGB 181 124 44

HSL 35.04, 0.61%, 0.44%

LAB 56.51, 15.01, 50.25

 

CMYK 0 / 12 / 76 / 29

HEX #B5A02C

RGB 181 160 44

HSL 50.8, 0.61%, 0.44%

LAB 65.86, -4.73, 59.25

 

CMYK 9 / 0 / 76 / 29

HEX #A5B52C

RGB 165 181 44

HSL 67.01, 0.61%, 0.44%

LAB 70.34, -22.52, 62.95

 

CMYK 0 / 31 / 75 / 55

HEX #724F1C

RGB 114 79 28

HSL 35.58, 0.61%, 0.28%

LAB 36.47, 9.46, 34.69

 

CMYK 0 / 31 / 76 / 42

HEX #936624

RGB 147 102 36

HSL 35.68, 0.61%, 0.36%

LAB 46.75, 11.78, 42.7

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 0 / 29 / 72 / 19

HEX #CF923A

RGB 207 146 58

HSL 35.44, 0.61%, 0.52%

LAB 65.06, 14.92, 53.78

 

CMYK 0 / 23 / 57 / 16

HEX #D7A55C

RGB 215 165 92

HSL 35.61, 0.61%, 0.6%

LAB 70.96, 10.23, 44.46

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 60 / 0 / 76 / 29

HEX #49B52C

RGB 73 181 44

HSL 107.3, 0.61%, 0.44%

LAB 65.47, -55.14, 56.6

 

CMYK 62 / 76 / 0 / 29

HEX #452CB5

RGB 69 44 181

HSL 250.95, 0.61%, 0.44%

LAB 30.41, 48.66, -68.23

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 76 / 0 / 31 / 29

HEX #2CB57C

RGB 44 181 124

HSL 155.04, 0.61%, 0.44%

LAB 65.78, -49.26, 19

 

CMYK 31 / 76 / 0 / 29

HEX #7C2CB5

RGB 124 44 181

HSL 275.04, 0.61%, 0.44%

LAB 36.79, 57.21, -57.53

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 60 / 0 / 76 / 29

HEX #49B52C

RGB 73 181 44

HSL 107.3, 0.61%, 0.44%

LAB 65.47, -55.14, 56.6

 

CMYK 76 / 44 / 0 / 29

HEX #2C65B5

RGB 44 101 181

HSL 215.04, 0.61%, 0.44%

LAB 43.03, 9.82, -47.77

 

CMYK 17 / 76 / 0 / 29

HEX #972CB5

RGB 151 44 181

HSL 286.86, 0.61%, 0.44%

LAB 40.76, 62.35, -50.91

 

CMYK 0 / 31 / 76 / 29

HEX #B57D2C

RGB 181 125 44

HSL 35.47, 0.61%, 0.44%

LAB 56.76, 14.45, 50.49

 

CMYK 76 / 0 / 70 / 29

HEX #2CB537

RGB 44 181 55

HSL 124.82, 0.61%, 0.44%

LAB 64.85, -60.03, 51.67

 

CMYK 76 / 44 / 0 / 29

HEX #2C65B5

RGB 44 101 181

HSL 215.04, 0.61%, 0.44%

LAB 43.03, 9.82, -47.77

 

CMYK 0 / 76 / 7 / 29

HEX #B52CA9

RGB 181 44 169

HSL 305.26, 0.61%, 0.44%

LAB 44.93, 66.55, -36.87

 

Description

Color code: HEX #B57D2C | qconv.com Color code: HEX #B57D2C | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 125 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 125 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 76 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 76% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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