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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B57B56 it is the complementary color #4A84A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B57B56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B57B56 shade: #BA7B51, #CB8D64, #DC9F77, #EDB18A and #FEC39D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B57B56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B57B56 shade: #B57B56, #A46943, #935730, #82451D and #71330A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B57B56 shade: #B47A55, #B46055 and #B45555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B57B56 shade: #B47A55, #B49455, #B4AE55, #A1B455 and #88B455

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B57B56 shade matches the following richer shades: #B47A55, #C87641, #DC712D and #F06D19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B57B56 shade: #B47A55, #A17E69, #8D837C, #798790 and #658CA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B57B56 shade: #B45563, #B46055, #B47955, #B49355 and #B4AC55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B57B56 shade: #7F5338, #9C6644, #B47A55, #C19072 and #CEA78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B57B56 shade: #B57B56, #7DB455 and #5556B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B57B56 shade: #B57B56, #55B479 and #7955B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B57B56 shade: #B57B56, #7DB455, #5590B4 and #8D55B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B57B56 shade: #B57B56, #60B455, #5590B4 and #A955B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 52 / 29

HEX #B57B56

RGB 181 123 86

HSL 23.37, 0.39%, 0.52%

LAB 56.74, 18.42, 29.27

 

Complementary color

CMYK 56 / 22 / 0 / 34

HEX #4A84A9

RGB 74 132 169

HSL 203.37, 0.39%, 0.48%

LAB 52.76, -7.97, -25.4

 

CMYK 0 / 34 / 56 / 27

HEX #BA7B51

RGB 186 123 81

HSL 24, 0.43%, 0.52%

LAB 57.27, 20.09, 32.81

 

CMYK 0 / 31 / 51 / 20

HEX #CB8D64

RGB 203 141 100

HSL 23.88, 0.5%, 0.59%

LAB 63.89, 18.92, 31.24

 

CMYK 0 / 28 / 46 / 14

HEX #DC9F77

RGB 220 159 119

HSL 23.76, 0.59%, 0.66%

LAB 70.42, 17.92, 29.8

 

CMYK 0 / 25 / 42 / 7

HEX #EDB18A

RGB 237 177 138

HSL 23.64, 0.73%, 0.74%

LAB 76.85, 17.03, 28.47

 

CMYK 0 / 23 / 38 / 0

HEX #FEC39D

RGB 254 195 157

HSL 23.51, 0.98%, 0.81%

LAB 83.2, 16.25, 27.24

 

CMYK 0 / 32 / 52 / 29

HEX #B57B56

RGB 181 123 86

HSL 23.37, 0.39%, 0.52%

LAB 56.74, 18.42, 29.27

 

CMYK 0 / 36 / 59 / 36

HEX #A46943

RGB 164 105 67

HSL 23.51, 0.42%, 0.45%

LAB 49.98, 19.67, 30.92

 

CMYK 0 / 41 / 67 / 42

HEX #935730

RGB 147 87 48

HSL 23.64, 0.51%, 0.38%

LAB 43.11, 21.14, 32.73

 

CMYK 0 / 47 / 78 / 49

HEX #82451D

RGB 130 69 29

HSL 23.76, 0.64%, 0.31%

LAB 36.16, 22.88, 34.58

 

CMYK 0 / 55 / 91 / 56

HEX #71330A

RGB 113 51 10

HSL 23.88, 0.84%, 0.24%

LAB 29.16, 24.91, 35.95

 

CMYK 0 / 32 / 53 / 29

HEX #B47A55

RGB 180 122 85

HSL 23.37, 0.39%, 0.52%

LAB 56.37, 18.47, 29.32

 

CMYK 0 / 47 / 53 / 29

HEX #B46055

RGB 180 96 85

HSL 6.95, 0.39%, 0.52%

LAB 50.36, 32.78, 21.53

 

CMYK 0 / 53 / 53 / 29

HEX #B45555

RGB 180 85 85

HSL 0, 0.39%, 0.52%

LAB 48.08, 38.55, 18.48

 

CMYK 0 / 32 / 53 / 29

HEX #B47A55

RGB 180 122 85

HSL 23.37, 0.39%, 0.52%

LAB 56.37, 18.47, 29.32

 

CMYK 0 / 18 / 53 / 29

HEX #B49455

RGB 180 148 85

HSL 39.79, 0.39%, 0.52%

LAB 62.96, 4.02, 37.54

 

CMYK 0 / 3 / 53 / 29

HEX #B4AE55

RGB 180 174 85

HSL 56.21, 0.39%, 0.52%

LAB 69.92, -9.92, 45.86

 

CMYK 11 / 0 / 53 / 29

HEX #A1B455

RGB 161 180 85

HSL 72, 0.39%, 0.52%

LAB 70.09, -20.86, 45.68

 

CMYK 24 / 0 / 53 / 29

HEX #88B455

RGB 136 180 85

HSL 87.79, 0.39%, 0.52%

LAB 68.41, -30.7, 43.29

 

CMYK 0 / 32 / 53 / 29

HEX #B47A55

RGB 180 122 85

HSL 23.37, 0.39%, 0.52%

LAB 56.37, 18.47, 29.32

 

CMYK 0 / 41 / 68 / 22

HEX #C87641

RGB 200 118 65

HSL 23.56, 0.55%, 0.52%

LAB 57.67, 27.55, 42.23

 

CMYK 0 / 49 / 80 / 14

HEX #DC712D

RGB 220 113 45

HSL 23.31, 0.71%, 0.52%

LAB 59.17, 37.39, 54.17

 

CMYK 0 / 55 / 90 / 6

HEX #F06D19

RGB 240 109 25

HSL 23.44, 0.88%, 0.52%

LAB 61.25, 46.59, 64.41

 

CMYK 0 / 32 / 53 / 29

HEX #B47A55

RGB 180 122 85

HSL 23.37, 0.39%, 0.52%

LAB 56.37, 18.47, 29.32

 

CMYK 0 / 22 / 35 / 37

HEX #A17E69

RGB 161 126 105

HSL 22.5, 0.23%, 0.52%

LAB 55.6, 10.48, 16.61

 

CMYK 0 / 7 / 12 / 45

HEX #8D837C

RGB 141 131 124

HSL 24.71, 0.07%, 0.52%

LAB 55.43, 2.5, 5.13

 

CMYK 16 / 6 / 0 / 44

HEX #798790

RGB 121 135 144

HSL 203.48, 0.09%, 0.52%

LAB 55.49, -3.1, -6.55

 

CMYK 38 / 15 / 0 / 36

HEX #658CA4

RGB 101 140 164

HSL 202.86, 0.26%, 0.52%

LAB 56.29, -7.2, -16.99

 

CMYK 0 / 53 / 45 / 29

HEX #B45563

RGB 180 85 99

HSL 351.16, 0.39%, 0.52%

LAB 48.39, 39.91, 10.49

 

CMYK 0 / 47 / 53 / 29

HEX #B46055

RGB 180 96 85

HSL 6.95, 0.39%, 0.52%

LAB 50.36, 32.78, 21.53

 

CMYK 0 / 33 / 53 / 29

HEX #B47955

RGB 180 121 85

HSL 22.74, 0.39%, 0.52%

LAB 56.12, 19.03, 29.01

 

CMYK 0 / 18 / 53 / 29

HEX #B49355

RGB 180 147 85

HSL 39.16, 0.39%, 0.52%

LAB 62.7, 4.57, 37.22

 

CMYK 0 / 4 / 53 / 29

HEX #B4AC55

RGB 180 172 85

HSL 54.95, 0.39%, 0.52%

LAB 69.37, -8.87, 45.22

 

CMYK 0 / 35 / 56 / 50

HEX #7F5338

RGB 127 83 56

HSL 22.82, 0.39%, 0.36%

LAB 39.55, 15.22, 23.22

 

CMYK 0 / 35 / 56 / 39

HEX #9C6644

RGB 156 102 68

HSL 23.18, 0.39%, 0.44%

LAB 48.24, 18, 27.99

 

CMYK 0 / 32 / 53 / 29

HEX #B47A55

RGB 180 122 85

HSL 23.37, 0.39%, 0.52%

LAB 56.37, 18.47, 29.32

 

CMYK 0 / 25 / 41 / 24

HEX #C19072

RGB 193 144 114

HSL 22.78, 0.39%, 0.6%

LAB 63.75, 14.63, 23.16

 

CMYK 0 / 19 / 31 / 19

HEX #CEA78E

RGB 206 167 142

HSL 23.44, 0.4%, 0.68%

LAB 71.36, 10.69, 18.33

 

CMYK 0 / 32 / 52 / 29

HEX #B57B56

RGB 181 123 86

HSL 23.37, 0.39%, 0.52%

LAB 56.74, 18.42, 29.27

 

CMYK 31 / 0 / 53 / 29

HEX #7DB455

RGB 125 180 85

HSL 94.74, 0.39%, 0.52%

LAB 67.77, -34.76, 42.36

 

CMYK 53 / 52 / 0 / 29

HEX #5556B4

RGB 85 86 180

HSL 239.37, 0.39%, 0.52%

LAB 41.03, 26.25, -50.28

 

CMYK 0 / 32 / 52 / 29

HEX #B57B56

RGB 181 123 86

HSL 23.37, 0.39%, 0.52%

LAB 56.74, 18.42, 29.27

 

CMYK 53 / 0 / 33 / 29

HEX #55B479

RGB 85 180 121

HSL 142.74, 0.39%, 0.52%

LAB 66.48, -41.64, 21.76

 

CMYK 33 / 53 / 0 / 29

HEX #7955B4

RGB 121 85 180

HSL 262.74, 0.39%, 0.52%

LAB 44.03, 35.51, -45.3

 

CMYK 0 / 32 / 52 / 29

HEX #B57B56

RGB 181 123 86

HSL 23.37, 0.39%, 0.52%

LAB 56.74, 18.42, 29.27

 

CMYK 31 / 0 / 53 / 29

HEX #7DB455

RGB 125 180 85

HSL 94.74, 0.39%, 0.52%

LAB 67.77, -34.76, 42.36

 

CMYK 53 / 20 / 0 / 29

HEX #5590B4

RGB 85 144 180

HSL 202.74, 0.39%, 0.52%

LAB 57.24, -8.91, -24.74

 

CMYK 22 / 53 / 0 / 29

HEX #8D55B4

RGB 141 85 180

HSL 275.37, 0.39%, 0.52%

LAB 46.25, 40.85, -41.62

 

CMYK 0 / 32 / 52 / 29

HEX #B57B56

RGB 181 123 86

HSL 23.37, 0.39%, 0.52%

LAB 56.74, 18.42, 29.27

 

CMYK 47 / 0 / 53 / 29

HEX #60B455

RGB 96 180 85

HSL 113.05, 0.39%, 0.52%

LAB 66.36, -44.38, 40.33

 

CMYK 53 / 20 / 0 / 29

HEX #5590B4

RGB 85 144 180

HSL 202.74, 0.39%, 0.52%

LAB 57.24, -8.91, -24.74

 

CMYK 6 / 53 / 0 / 29

HEX #A955B4

RGB 169 85 180

HSL 293.05, 0.39%, 0.52%

LAB 49.77, 48.6, -35.83

 

Description

Color code: HEX #B57B56 | qconv.com Color code: HEX #B57B56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 123 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 123 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 52 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 52% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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