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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B57B3C it is the complementary color #4A84C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B57B3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B57B3C shade: #BA7B37, #CB8D4A, #DC9F5D, #EDB170 and #FEC383

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B57B3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B57B3C shade: #B57B3C, #A46929, #935716, #824503 and #713300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B57B3C shade: #B47A3C, #B45A3C and #B43C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B57B3C shade: #B47A3C, #B49B3C, #ADB43C, #8CB43C and #6CB43C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B57B3C shade matches the following richer shades: #B47A3C, #C77B29, #DB7C15 and #EE7D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B57B3C shade: #B47A3C, #A07A4F, #8D7963, #7A7876 and #667789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B57B3C shade: #B43C3E, #B45A3C, #B47A3C, #B49A3C and #AEB43C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B57B3C shade: #765027, #956532, #B47A3C, #C68F53 and #D0A372

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B57B3C shade: #B57B3C, #5EB43C and #4A3CB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B57B3C shade: #B57B3C, #3CB47A and #7A3CB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B57B3C shade: #B57B3C, #5EB43C, #3C76B4 and #923CB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B57B3C shade: #B57B3C, #3CB43E, #3C76B4 and #B43CB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 67 / 29

HEX #B57B3C

RGB 181 123 60

HSL 31.24, 0.5%, 0.47%

LAB 56.4, 16.42, 42.67

 

Complementary color

CMYK 62 / 32 / 0 / 24

HEX #4A84C3

RGB 74 132 195

HSL 211.24, 0.5%, 0.53%

LAB 53.92, 0.54, -38.49

 

CMYK 0 / 34 / 70 / 27

HEX #BA7B37

RGB 186 123 55

HSL 31.15, 0.54%, 0.47%

LAB 56.96, 18.3, 45.9

 

CMYK 0 / 31 / 64 / 20

HEX #CB8D4A

RGB 203 141 74

HSL 31.16, 0.55%, 0.54%

LAB 63.54, 16.86, 44.46

 

CMYK 0 / 28 / 58 / 14

HEX #DC9F5D

RGB 220 159 93

HSL 31.18, 0.64%, 0.61%

LAB 70.04, 15.61, 42.98

 

CMYK 0 / 25 / 53 / 7

HEX #EDB170

RGB 237 177 112

HSL 31.2, 0.78%, 0.68%

LAB 76.45, 14.54, 41.54

 

CMYK 0 / 23 / 48 / 0

HEX #FEC383

RGB 254 195 131

HSL 31.22, 0.98%, 0.75%

LAB 82.77, 13.6, 40.17

 

CMYK 0 / 32 / 67 / 29

HEX #B57B3C

RGB 181 123 60

HSL 31.24, 0.5%, 0.47%

LAB 56.4, 16.42, 42.67

 

CMYK 0 / 36 / 75 / 36

HEX #A46929

RGB 164 105 41

HSL 31.22, 0.6%, 0.4%

LAB 49.68, 18, 44.06

 

CMYK 0 / 41 / 85 / 42

HEX #935716

RGB 147 87 22

HSL 31.2, 0.74%, 0.33%

LAB 42.88, 19.88, 44.96

 

CMYK 0 / 47 / 98 / 49

HEX #824503

RGB 130 69 3

HSL 31.18, 0.95%, 0.26%

LAB 36, 22.08, 44.82

 

CMYK 0 / 55 / 100 / 56

HEX #713300

RGB 113 51 0

HSL 27.08, 1%, 0.22%

LAB 29.1, 24.66, 39.98

 

CMYK 0 / 32 / 67 / 29

HEX #B47A3C

RGB 180 122 60

HSL 31, 0.5%, 0.47%

LAB 56.04, 16.54, 42.23

 

CMYK 0 / 50 / 67 / 29

HEX #B45A3C

RGB 180 90 60

HSL 15, 0.5%, 0.47%

LAB 48.69, 34.07, 33.79

 

CMYK 0 / 67 / 67 / 29

HEX #B43C3C

RGB 180 60 60

HSL 0, 0.5%, 0.47%

LAB 43.15, 48.51, 27.11

 

CMYK 0 / 32 / 67 / 29

HEX #B47A3C

RGB 180 122 60

HSL 31, 0.5%, 0.47%

LAB 56.04, 16.54, 42.23

 

CMYK 0 / 14 / 67 / 29

HEX #B49B3C

RGB 180 155 60

HSL 47.5, 0.5%, 0.47%

LAB 64.54, -1.66, 51.48

 

CMYK 4 / 0 / 67 / 29

HEX #ADB43C

RGB 173 180 60

HSL 63.5, 0.5%, 0.47%

LAB 70.77, -17.79, 57.77

 

CMYK 22 / 0 / 67 / 29

HEX #8CB43C

RGB 140 180 60

HSL 80, 0.5%, 0.47%

LAB 68.42, -31.38, 54.6

 

CMYK 40 / 0 / 67 / 29

HEX #6CB43C

RGB 108 180 60

HSL 96, 0.5%, 0.47%

LAB 66.64, -43.18, 52.17

 

CMYK 0 / 32 / 67 / 29

HEX #B47A3C

RGB 180 122 60

HSL 31, 0.5%, 0.47%

LAB 56.04, 16.54, 42.23

 

CMYK 0 / 38 / 79 / 22

HEX #C77B29

RGB 199 123 41

HSL 31.14, 0.66%, 0.47%

LAB 58.48, 23.28, 54.16

 

CMYK 0 / 43 / 90 / 14

HEX #DB7C15

RGB 219 124 21

HSL 31.21, 0.83%, 0.47%

LAB 61.25, 30.66, 64.12

 

CMYK 0 / 47 / 99 / 7

HEX #EE7D02

RGB 238 125 2

HSL 31.27, 0.98%, 0.47%

LAB 64.04, 37.66, 70.68

 

CMYK 0 / 32 / 67 / 29

HEX #B47A3C

RGB 180 122 60

HSL 31, 0.5%, 0.47%

LAB 56.04, 16.54, 42.23

 

CMYK 0 / 24 / 51 / 37

HEX #A07A4F

RGB 160 122 79

HSL 31.85, 0.34%, 0.47%

LAB 53.98, 9.34, 29.15

 

CMYK 0 / 14 / 30 / 45

HEX #8D7963

RGB 141 121 99

HSL 31.43, 0.18%, 0.47%

LAB 52.11, 4.2, 14.93

 

CMYK 0 / 2 / 3 / 52

HEX #7A7876

RGB 122 120 118

HSL 30, 0.02%, 0.47%

LAB 50.54, 0.37, 1.36

 

CMYK 26 / 13 / 0 / 46

HEX #667789

RGB 102 119 137

HSL 210.86, 0.15%, 0.47%

LAB 49.28, -1.95, -11.89

 

CMYK 0 / 67 / 66 / 29

HEX #B43C3E

RGB 180 60 62

HSL 359, 0.5%, 0.47%

LAB 43.19, 48.63, 25.95

 

CMYK 0 / 50 / 67 / 29

HEX #B45A3C

RGB 180 90 60

HSL 15, 0.5%, 0.47%

LAB 48.69, 34.07, 33.79

 

CMYK 0 / 32 / 67 / 29

HEX #B47A3C

RGB 180 122 60

HSL 31, 0.5%, 0.47%

LAB 56.04, 16.54, 42.23

 

CMYK 0 / 14 / 67 / 29

HEX #B49A3C

RGB 180 154 60

HSL 47, 0.5%, 0.47%

LAB 64.27, -1.12, 51.19

 

CMYK 3 / 0 / 67 / 29

HEX #AEB43C

RGB 174 180 60

HSL 63, 0.5%, 0.47%

LAB 70.85, -17.36, 57.87

 

CMYK 0 / 32 / 67 / 54

HEX #765027

RGB 118 80 39

HSL 31.14, 0.5%, 0.31%

LAB 37.36, 11.46, 30.07

 

CMYK 0 / 32 / 66 / 42

HEX #956532

RGB 149 101 50

HSL 30.91, 0.5%, 0.39%

LAB 46.88, 14.09, 36.02

 

CMYK 0 / 32 / 67 / 29

HEX #B47A3C

RGB 180 122 60

HSL 31, 0.5%, 0.47%

LAB 56.04, 16.54, 42.23

 

CMYK 0 / 28 / 58 / 22

HEX #C68F53

RGB 198 143 83

HSL 31.3, 0.5%, 0.55%

LAB 63.57, 14.29, 39.76

 

CMYK 0 / 22 / 45 / 18

HEX #D0A372

RGB 208 163 114

HSL 31.28, 0.5%, 0.63%

LAB 70.05, 10.38, 31.76

 

CMYK 0 / 32 / 67 / 29

HEX #B57B3C

RGB 181 123 60

HSL 31.24, 0.5%, 0.47%

LAB 56.4, 16.42, 42.67

 

CMYK 48 / 0 / 67 / 29

HEX #5EB43C

RGB 94 180 60

HSL 103, 0.5%, 0.47%

LAB 66.02, -47.69, 51.32

 

CMYK 59 / 67 / 0 / 29

HEX #4A3CB4

RGB 74 60 180

HSL 247, 0.5%, 0.47%

LAB 33.95, 40.18, -61.81

 

CMYK 0 / 32 / 67 / 29

HEX #B57B3C

RGB 181 123 60

HSL 31.24, 0.5%, 0.47%

LAB 56.4, 16.42, 42.67

 

CMYK 67 / 0 / 32 / 29

HEX #3CB47A

RGB 60 180 122

HSL 151, 0.5%, 0.47%

LAB 65.76, -46.81, 20.1

 

CMYK 32 / 67 / 0 / 29

HEX #7A3CB4

RGB 122 60 180

HSL 271, 0.5%, 0.47%

LAB 39.01, 49.38, -53.35

 

CMYK 0 / 32 / 67 / 29

HEX #B57B3C

RGB 181 123 60

HSL 31.24, 0.5%, 0.47%

LAB 56.4, 16.42, 42.67

 

CMYK 48 / 0 / 67 / 29

HEX #5EB43C

RGB 94 180 60

HSL 103, 0.5%, 0.47%

LAB 66.02, -47.69, 51.32

 

CMYK 67 / 34 / 0 / 29

HEX #3C76B4

RGB 60 118 180

HSL 211, 0.5%, 0.47%

LAB 48.53, 1.24, -38.41

 

CMYK 19 / 67 / 0 / 29

HEX #923CB4

RGB 146 60 180

HSL 283, 0.5%, 0.47%

LAB 42.21, 54.71, -48.03

 

CMYK 0 / 32 / 67 / 29

HEX #B57B3C

RGB 181 123 60

HSL 31.24, 0.5%, 0.47%

LAB 56.4, 16.42, 42.67

 

CMYK 67 / 0 / 66 / 29

HEX #3CB43E

RGB 60 180 62

HSL 121, 0.5%, 0.47%

LAB 64.92, -56.18, 48.97

 

CMYK 67 / 34 / 0 / 29

HEX #3C76B4

RGB 60 118 180

HSL 211, 0.5%, 0.47%

LAB 48.53, 1.24, -38.41

 

CMYK 0 / 67 / 1 / 29

HEX #B43CB2

RGB 180 60 178

HSL 301, 0.5%, 0.47%

LAB 47.17, 62.28, -38.65

 

Description

Color code: HEX #B57B3C | qconv.com Color code: HEX #B57B3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 123 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 123 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 67 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 67% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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