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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5795B it is the complementary color #4A86A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5795B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5795B shade: #BA7956, #CB8B69, #DC9D7C, #EDAF8F and #FEC1A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5795B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5795B shade: #B5795B, #A46748, #935535, #824322 and #71310F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5795B shade: #B5785A, #B55F5A and #B55A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5795B shade: #B5785A, #B5915A, #B5A95A, #A8B55A and #8FB55A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5795B shade matches the following richer shades: #B5785A, #C87246, #DB6B33 and #EF651F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5795B shade: #B5785A, #A17E6D, #8E8580, #7B8B94 and #6792A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5795B shade: #B55A6C, #B5605A, #B5785A, #B5905A and #B5A95A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5795B shade: #82523A, #9E6447, #B5785A, #C18F76 and #CEA693

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5795B shade: #B5795B, #84B55A and #5A60B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5795B shade: #B5795B, #5AB578 and #785AB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5795B shade: #B5795B, #84B55A, #5A96B5 and #8A5AB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5795B shade: #B5795B, #69B55A, #5A96B5 and #A65AB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 50 / 29

HEX #B5795B

RGB 181 121 91

HSL 20, 0.38%, 0.53%

LAB 56.34, 20.01, 25.95

 

Complementary color

CMYK 55 / 18 / 0 / 36

HEX #4A86A4

RGB 74 134 164

HSL 200, 0.38%, 0.47%

LAB 53.15, -10.68, -21.9

 

CMYK 0 / 35 / 54 / 27

HEX #BA7956

RGB 186 121 86

HSL 21, 0.42%, 0.53%

LAB 56.87, 21.62, 29.55

 

CMYK 0 / 32 / 48 / 20

HEX #CB8B69

RGB 203 139 105

HSL 20.82, 0.49%, 0.6%

LAB 63.49, 20.49, 27.99

 

CMYK 0 / 29 / 44 / 14

HEX #DC9D7C

RGB 220 157 124

HSL 20.63, 0.58%, 0.67%

LAB 70.02, 19.51, 26.58

 

CMYK 0 / 26 / 40 / 7

HEX #EDAF8F

RGB 237 175 143

HSL 20.43, 0.72%, 0.75%

LAB 76.47, 18.64, 25.28

 

CMYK 0 / 24 / 36 / 0

HEX #FEC1A2

RGB 254 193 162

HSL 20.22, 0.98%, 0.82%

LAB 82.82, 17.86, 24.08

 

CMYK 0 / 33 / 50 / 29

HEX #B5795B

RGB 181 121 91

HSL 20, 0.38%, 0.53%

LAB 56.34, 20.01, 25.95

 

CMYK 0 / 37 / 56 / 36

HEX #A46748

RGB 164 103 72

HSL 20.22, 0.39%, 0.46%

LAB 49.57, 21.22, 27.6

 

CMYK 0 / 42 / 64 / 42

HEX #935535

RGB 147 85 53

HSL 20.43, 0.47%, 0.39%

LAB 42.7, 22.63, 29.44

 

CMYK 0 / 48 / 74 / 49

HEX #824322

RGB 130 67 34

HSL 20.63, 0.59%, 0.32%

LAB 35.74, 24.28, 31.47

 

CMYK 0 / 57 / 87 / 56

HEX #71310F

RGB 113 49 15

HSL 20.82, 0.77%, 0.25%

LAB 28.75, 26.18, 33.42

 

CMYK 0 / 34 / 50 / 29

HEX #B5785A

RGB 181 120 90

HSL 19.78, 0.38%, 0.53%

LAB 56.08, 20.47, 26.18

 

CMYK 0 / 48 / 50 / 29

HEX #B55F5A

RGB 181 95 90

HSL 3.3, 0.38%, 0.53%

LAB 50.39, 34.17, 18.64

 

CMYK 0 / 50 / 50 / 29

HEX #B55A5A

RGB 181 90 90

HSL 0, 0.38%, 0.53%

LAB 49.34, 36.81, 17.23

 

CMYK 0 / 34 / 50 / 29

HEX #B5785A

RGB 181 120 90

HSL 19.78, 0.38%, 0.53%

LAB 56.08, 20.47, 26.18

 

CMYK 0 / 20 / 50 / 29

HEX #B5915A

RGB 181 145 90

HSL 36.26, 0.38%, 0.53%

LAB 62.35, 6.56, 34.18

 

CMYK 0 / 7 / 50 / 29

HEX #B5A95A

RGB 181 169 90

HSL 52.09, 0.38%, 0.53%

LAB 68.71, -6.43, 41.98

 

CMYK 7 / 0 / 50 / 29

HEX #A8B55A

RGB 168 181 90

HSL 68.57, 0.38%, 0.53%

LAB 70.95, -18.04, 44.41

 

CMYK 21 / 0 / 50 / 29

HEX #8FB55A

RGB 143 181 90

HSL 85.05, 0.38%, 0.53%

LAB 69.2, -27.97, 41.9

 

CMYK 0 / 34 / 50 / 29

HEX #B5785A

RGB 181 120 90

HSL 19.78, 0.38%, 0.53%

LAB 56.08, 20.47, 26.18

 

CMYK 0 / 43 / 65 / 22

HEX #C87246

RGB 200 114 70

HSL 20.31, 0.54%, 0.53%

LAB 56.84, 30.01, 38.65

 

CMYK 0 / 51 / 77 / 14

HEX #DB6B33

RGB 219 107 51

HSL 20, 0.7%, 0.53%

LAB 57.86, 40.25, 50.13

 

CMYK 0 / 58 / 87 / 6

HEX #EF651F

RGB 239 101 31

HSL 20.19, 0.87%, 0.53%

LAB 59.67, 50.08, 61.22

 

CMYK 0 / 34 / 50 / 29

HEX #B5785A

RGB 181 120 90

HSL 19.78, 0.38%, 0.53%

LAB 56.08, 20.47, 26.18

 

CMYK 0 / 22 / 32 / 37

HEX #A17E6D

RGB 161 126 109

HSL 19.62, 0.22%, 0.53%

LAB 55.69, 11.01, 14.43

 

CMYK 0 / 6 / 10 / 44

HEX #8E8580

RGB 142 133 128

HSL 21.43, 0.06%, 0.53%

LAB 56.17, 2.46, 3.9

 

CMYK 17 / 6 / 0 / 42

HEX #7B8B94

RGB 123 139 148

HSL 201.6, 0.1%, 0.53%

LAB 56.89, -3.77, -6.75

 

CMYK 38 / 13 / 0 / 35

HEX #6792A7

RGB 103 146 167

HSL 199.69, 0.27%, 0.53%

LAB 58.26, -9.18, -15.71

 

CMYK 0 / 50 / 40 / 29

HEX #B55A6C

RGB 181 90 108

HSL 348.13, 0.38%, 0.53%

LAB 49.76, 38.69, 7.05

 

CMYK 0 / 47 / 50 / 29

HEX #B5605A

RGB 181 96 90

HSL 3.96, 0.38%, 0.53%

LAB 50.6, 33.64, 18.93

 

CMYK 0 / 34 / 50 / 29

HEX #B5785A

RGB 181 120 90

HSL 19.78, 0.38%, 0.53%

LAB 56.08, 20.47, 26.18

 

CMYK 0 / 20 / 50 / 29

HEX #B5905A

RGB 181 144 90

HSL 35.6, 0.38%, 0.53%

LAB 62.09, 7.11, 33.85

 

CMYK 0 / 7 / 50 / 29

HEX #B5A95A

RGB 181 169 90

HSL 52.09, 0.38%, 0.53%

LAB 68.71, -6.43, 41.98

 

CMYK 0 / 37 / 55 / 49

HEX #82523A

RGB 130 82 58

HSL 20, 0.38%, 0.37%

LAB 39.72, 17.34, 22.33

 

CMYK 0 / 37 / 55 / 38

HEX #9E6447

RGB 158 100 71

HSL 20, 0.38%, 0.45%

LAB 48.06, 20.27, 26.09

 

CMYK 0 / 34 / 50 / 29

HEX #B5785A

RGB 181 120 90

HSL 19.78, 0.38%, 0.53%

LAB 56.08, 20.47, 26.18

 

CMYK 0 / 26 / 39 / 24

HEX #C18F76

RGB 193 143 118

HSL 20, 0.38%, 0.61%

LAB 63.58, 15.64, 20.71

 

CMYK 0 / 19 / 29 / 19

HEX #CEA693

RGB 206 166 147

HSL 19.32, 0.38%, 0.69%

LAB 71.21, 11.9, 15.39

 

CMYK 0 / 33 / 50 / 29

HEX #B5795B

RGB 181 121 91

HSL 20, 0.38%, 0.53%

LAB 56.34, 20.01, 25.95

 

CMYK 27 / 0 / 50 / 29

HEX #84B55A

RGB 132 181 90

HSL 92.31, 0.38%, 0.53%

LAB 68.53, -32.1, 40.92

 

CMYK 50 / 47 / 0 / 29

HEX #5A60B5

RGB 90 96 181

HSL 236.04, 0.38%, 0.53%

LAB 44.05, 21.41, -46

 

CMYK 0 / 33 / 50 / 29

HEX #B5795B

RGB 181 121 91

HSL 20, 0.38%, 0.53%

LAB 56.34, 20.01, 25.95

 

CMYK 50 / 0 / 34 / 29

HEX #5AB578

RGB 90 181 120

HSL 139.78, 0.38%, 0.53%

LAB 66.96, -40.98, 22.97

 

CMYK 34 / 50 / 0 / 29

HEX #785AB5

RGB 120 90 181

HSL 259.78, 0.38%, 0.53%

LAB 45.14, 32.58, -44.11

 

CMYK 0 / 33 / 50 / 29

HEX #B5795B

RGB 181 121 91

HSL 20, 0.38%, 0.53%

LAB 56.34, 20.01, 25.95

 

CMYK 27 / 0 / 50 / 29

HEX #84B55A

RGB 132 181 90

HSL 92.31, 0.38%, 0.53%

LAB 68.53, -32.1, 40.92

 

CMYK 50 / 17 / 0 / 29

HEX #5A96B5

RGB 90 150 181

HSL 200.44, 0.38%, 0.53%

LAB 59.27, -10.79, -22.17

 

CMYK 24 / 50 / 0 / 29

HEX #8A5AB5

RGB 138 90 181

HSL 271.65, 0.38%, 0.53%

LAB 47.04, 37.47, -40.97

 

CMYK 0 / 33 / 50 / 29

HEX #B5795B

RGB 181 121 91

HSL 20, 0.38%, 0.53%

LAB 56.34, 20.01, 25.95

 

CMYK 42 / 0 / 50 / 29

HEX #69B55A

RGB 105 181 90

HSL 110.11, 0.38%, 0.53%

LAB 67.12, -41.39, 38.88

 

CMYK 50 / 17 / 0 / 29

HEX #5A96B5

RGB 90 150 181

HSL 200.44, 0.38%, 0.53%

LAB 59.27, -10.79, -22.17

 

CMYK 8 / 50 / 0 / 29

HEX #A65AB5

RGB 166 90 181

HSL 290.11, 0.38%, 0.53%

LAB 50.4, 45.38, -35.45

 

Description

Color code: HEX #B5795B | qconv.com Color code: HEX #B5795B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 121 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 121 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 50 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 50% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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