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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B57729 it is the complementary color #4A88D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B57729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B57729 shade: #BA7724, #CB8937, #DC9B4A, #EDAD5D and #FEBF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B57729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B57729 shade: #B57729, #A46516, #935303, #824100 and #712F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B57729 shade: #B7782A, #B7522A, #B72C2A and #B72A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B57729 shade: #B7782A, #B79E2A, #A9B72A, #83B72A and #5DB72A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B57729 shade matches the following richer shades: #B7782A, #C97A17 and #DB7C05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B57729 shade: #B7782A, #A5763C, #93744E, #807260 and #6E7072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B57729 shade: #B72C2A, #B7522A, #B7772A, #B79D2A and #ABB72A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B57729 shade: #744C1A, #956222, #B7782A, #D28E38 and #D9A159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B57729 shade: #B57729, #4DB72A and #3F2AB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B57729 shade: #B57729, #2AB777 and #772AB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B57729 shade: #B57729, #4DB72A, #2A69B7 and #942AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B57729 shade: #B57729, #2AB731, #2A69B7 and #B72AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 77 / 29

HEX #B57729

RGB 181 119 41

HSL 33.43, 0.63%, 0.44%

LAB 55.25, 17.66, 50.3

 

Complementary color

CMYK 65 / 36 / 0 / 16

HEX #4A88D6

RGB 74 136 214

HSL 213.43, 0.63%, 0.56%

LAB 56.01, 4.62, -45.95

 

CMYK 0 / 36 / 81 / 27

HEX #BA7724

RGB 186 119 36

HSL 33.2, 0.68%, 0.44%

LAB 55.85, 19.67, 53.11

 

CMYK 0 / 33 / 73 / 20

HEX #CB8937

RGB 203 137 55

HSL 33.24, 0.59%, 0.51%

LAB 62.39, 17.95, 52.22

 

CMYK 0 / 30 / 66 / 14

HEX #DC9B4A

RGB 220 155 74

HSL 33.29, 0.68%, 0.58%

LAB 68.86, 16.48, 50.97

 

CMYK 0 / 27 / 61 / 7

HEX #EDAD5D

RGB 237 173 93

HSL 33.33, 0.8%, 0.65%

LAB 75.25, 15.2, 49.6

 

CMYK 0 / 25 / 56 / 0

HEX #FEBF70

RGB 254 191 112

HSL 33.38, 0.99%, 0.72%

LAB 81.57, 14.08, 48.21

 

CMYK 0 / 34 / 77 / 29

HEX #B57729

RGB 181 119 41

HSL 33.43, 0.63%, 0.44%

LAB 55.25, 17.66, 50.3

 

CMYK 0 / 38 / 87 / 36

HEX #A46516

RGB 164 101 22

HSL 33.38, 0.76%, 0.36%

LAB 48.58, 19.56, 50.74

 

CMYK 0 / 44 / 98 / 42

HEX #935303

RGB 147 83 3

HSL 33.33, 0.96%, 0.29%

LAB 41.84, 21.75, 49.92

 

CMYK 0 / 50 / 100 / 49

HEX #824100

RGB 130 65 0

HSL 30, 1%, 0.25%

LAB 35.06, 24.3, 45.31

 

CMYK 0 / 58 / 100 / 56

HEX #712F00

RGB 113 47 0

HSL 24.96, 1%, 0.22%

LAB 28.23, 26.88, 39.27

 

CMYK 0 / 34 / 77 / 28

HEX #B7782A

RGB 183 120 42

HSL 33.19, 0.63%, 0.44%

LAB 55.75, 18.03, 50.44

 

CMYK 0 / 55 / 77 / 28

HEX #B7522A

RGB 183 82 42

HSL 17.02, 0.63%, 0.44%

LAB 47.33, 38.46, 42.04

 

CMYK 0 / 76 / 77 / 28

HEX #B72C2A

RGB 183 44 42

HSL 0.85, 0.63%, 0.44%

LAB 41.27, 54.67, 35.67

 

CMYK 0 / 77 / 77 / 28

HEX #B72A2A

RGB 183 42 42

HSL 0, 0.63%, 0.44%

LAB 41.04, 55.32, 35.43

 

CMYK 0 / 34 / 77 / 28

HEX #B7782A

RGB 183 120 42

HSL 33.19, 0.63%, 0.44%

LAB 55.75, 18.03, 50.44

 

CMYK 0 / 14 / 77 / 28

HEX #B79E2A

RGB 183 158 42

HSL 49.36, 0.63%, 0.44%

LAB 65.51, -2.85, 59.69

 

CMYK 8 / 0 / 77 / 28

HEX #A9B72A

RGB 169 183 42

HSL 65.96, 0.63%, 0.44%

LAB 71.19, -21.9, 64.49

 

CMYK 28 / 0 / 77 / 28

HEX #83B72A

RGB 131 183 42

HSL 82.13, 0.63%, 0.44%

LAB 68.65, -37.36, 61.2

 

CMYK 49 / 0 / 77 / 28

HEX #5DB72A

RGB 93 183 42

HSL 98.3, 0.63%, 0.44%

LAB 66.8, -50.51, 58.79

 

CMYK 0 / 34 / 77 / 28

HEX #B7782A

RGB 183 120 42

HSL 33.19, 0.63%, 0.44%

LAB 55.75, 18.03, 50.44

 

CMYK 0 / 39 / 89 / 21

HEX #C97A17

RGB 201 122 23

HSL 33.37, 0.79%, 0.44%

LAB 58.41, 24.17, 60.39

 

CMYK 0 / 43 / 98 / 14

HEX #DB7C05

RGB 219 124 5

HSL 33.36, 0.96%, 0.44%

LAB 61.21, 30.46, 67.11

 

CMYK 0 / 34 / 77 / 28

HEX #B7782A

RGB 183 120 42

HSL 33.19, 0.63%, 0.44%

LAB 55.75, 18.03, 50.44

 

CMYK 0 / 28 / 64 / 35

HEX #A5763C

RGB 165 118 60

HSL 33.14, 0.47%, 0.44%

LAB 53.26, 12.2, 38.61

 

CMYK 0 / 21 / 47 / 42

HEX #93744E

RGB 147 116 78

HSL 33.04, 0.31%, 0.44%

LAB 50.97, 7, 25.58

 

CMYK 0 / 11 / 25 / 50

HEX #807260

RGB 128 114 96

HSL 33.75, 0.14%, 0.44%

LAB 48.84, 2.38, 11.97

 

CMYK 4 / 2 / 0 / 55

HEX #6E7072

RGB 110 112 114

HSL 210, 0.02%, 0.44%

LAB 47.13, -0.34, -1.38

 

CMYK 0 / 76 / 77 / 28

HEX #B72C2A

RGB 183 44 42

HSL 0.85, 0.63%, 0.44%

LAB 41.27, 54.67, 35.67

 

CMYK 0 / 55 / 77 / 28

HEX #B7522A

RGB 183 82 42

HSL 17.02, 0.63%, 0.44%

LAB 47.33, 38.46, 42.04

 

CMYK 0 / 35 / 77 / 28

HEX #B7772A

RGB 183 119 42

HSL 32.77, 0.63%, 0.44%

LAB 55.51, 18.58, 50.21

 

CMYK 0 / 14 / 77 / 28

HEX #B79D2A

RGB 183 157 42

HSL 48.94, 0.63%, 0.44%

LAB 65.24, -2.32, 59.44

 

CMYK 7 / 0 / 77 / 28

HEX #ABB72A

RGB 171 183 42

HSL 65.11, 0.63%, 0.44%

LAB 71.35, -21.05, 64.68

 

CMYK 0 / 34 / 78 / 55

HEX #744C1A

RGB 116 76 26

HSL 33.33, 0.63%, 0.28%

LAB 35.9, 12.12, 35.17

 

CMYK 0 / 34 / 77 / 42

HEX #956222

RGB 149 98 34

HSL 33.39, 0.63%, 0.36%

LAB 45.96, 14.92, 42.9

 

CMYK 0 / 34 / 77 / 28

HEX #B7782A

RGB 183 120 42

HSL 33.19, 0.63%, 0.44%

LAB 55.75, 18.03, 50.44

 

CMYK 0 / 32 / 73 / 18

HEX #D28E38

RGB 210 142 56

HSL 33.51, 0.63%, 0.52%

LAB 64.43, 18.29, 54.12

 

CMYK 0 / 26 / 59 / 15

HEX #D9A159

RGB 217 161 89

HSL 33.75, 0.63%, 0.6%

LAB 70.15, 12.99, 45.05

 

CMYK 0 / 34 / 77 / 29

HEX #B57729

RGB 181 119 41

HSL 33.43, 0.63%, 0.44%

LAB 55.25, 17.66, 50.3

 

CMYK 58 / 0 / 77 / 28

HEX #4DB72A

RGB 77 183 42

HSL 105.11, 0.63%, 0.44%

LAB 66.22, -54.98, 58.04

 

CMYK 66 / 77 / 0 / 28

HEX #3F2AB7

RGB 63 42 183

HSL 248.94, 0.63%, 0.44%

LAB 29.74, 49.6, -70.53

 

CMYK 0 / 34 / 77 / 29

HEX #B57729

RGB 181 119 41

HSL 33.43, 0.63%, 0.44%

LAB 55.25, 17.66, 50.3

 

CMYK 77 / 0 / 35 / 28

HEX #2AB777

RGB 42 183 119

HSL 152.77, 0.63%, 0.44%

LAB 66.28, -51.35, 22.37

 

CMYK 35 / 77 / 0 / 28

HEX #772AB7

RGB 119 42 183

HSL 272.77, 0.63%, 0.44%

LAB 35.98, 57.58, -60.06

 

CMYK 0 / 34 / 77 / 29

HEX #B57729

RGB 181 119 41

HSL 33.43, 0.63%, 0.44%

LAB 55.25, 17.66, 50.3

 

CMYK 58 / 0 / 77 / 28

HEX #4DB72A

RGB 77 183 42

HSL 105.11, 0.63%, 0.44%

LAB 66.22, -54.98, 58.04

 

CMYK 77 / 43 / 0 / 28

HEX #2A69B7

RGB 42 105 183

HSL 213.19, 0.63%, 0.44%

LAB 44.25, 7.78, -46.98

 

CMYK 19 / 77 / 0 / 28

HEX #942AB7

RGB 148 42 183

HSL 285.11, 0.63%, 0.44%

LAB 40.2, 62.83, -53.02

 

CMYK 0 / 34 / 77 / 29

HEX #B57729

RGB 181 119 41

HSL 33.43, 0.63%, 0.44%

LAB 55.25, 17.66, 50.3

 

CMYK 77 / 0 / 73 / 28

HEX #2AB731

RGB 42 183 49

HSL 122.98, 0.63%, 0.44%

LAB 65.42, -61.49, 54.54

 

CMYK 77 / 43 / 0 / 28

HEX #2A69B7

RGB 42 105 183

HSL 213.19, 0.63%, 0.44%

LAB 44.25, 7.78, -46.98

 

CMYK 0 / 77 / 4 / 28

HEX #B72AB0

RGB 183 42 176

HSL 302.98, 0.63%, 0.44%

LAB 45.44, 68.63, -40.18

 

Description

Color code: HEX #B57729 | qconv.com Color code: HEX #B57729 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 119 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 119 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 77 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 77% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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