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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5734D it is the complementary color #4A8CB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5734D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5734D shade: #BA7348, #CB855B, #DC976E, #EDA981 and #FEBB94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5734D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5734D shade: #B5734D, #A4613A, #934F27, #823D14 and #712B01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5734D shade: #B5744F, #B5594F and #B54F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5734D shade: #B5744F, #B5904F, #B5AC4F, #A3B54F and #88B54F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5734D shade matches the following richer shades: #B5744F, #C96F3B, #DE6926 and #F26412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5734D shade: #B5744F, #A17A63, #8D7F77, #79858B and #648AA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5734D shade: #B54F62, #B5574F, #B5734F, #B58E4F and #B5A94F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5734D shade: #7D4F34, #9A6141, #B5744F, #C18B6C and #CEA289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5734D shade: #B5734D, #7DB54F and #4F54B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5734D shade: #B5734D, #4FB573 and #734FB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5734D shade: #B5734D, #7DB54F, #4F91B5 and #874FB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5734D shade: #B5734D, #5EB54F, #4F91B5 and #A64FB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 57 / 29

HEX #B5734D

RGB 181 115 77

HSL 21.92, 0.41%, 0.51%

LAB 54.68, 22.1, 31.66

 

Complementary color

CMYK 58 / 21 / 0 / 30

HEX #4A8CB2

RGB 74 140 178

HSL 201.92, 0.41%, 0.49%

LAB 55.51, -9.66, -26.32

 

CMYK 0 / 38 / 61 / 27

HEX #BA7348

RGB 186 115 72

HSL 22.63, 0.45%, 0.51%

LAB 55.25, 23.81, 35.23

 

CMYK 0 / 34 / 55 / 20

HEX #CB855B

RGB 203 133 91

HSL 22.5, 0.52%, 0.58%

LAB 61.85, 22.5, 33.54

 

CMYK 0 / 31 / 50 / 14

HEX #DC976E

RGB 220 151 110

HSL 22.36, 0.61%, 0.65%

LAB 68.37, 21.35, 31.98

 

CMYK 0 / 29 / 46 / 7

HEX #EDA981

RGB 237 169 129

HSL 22.22, 0.75%, 0.72%

LAB 74.8, 20.35, 30.55

 

CMYK 0 / 26 / 42 / 0

HEX #FEBB94

RGB 254 187 148

HSL 22.08, 0.98%, 0.79%

LAB 81.15, 19.45, 29.23

 

CMYK 0 / 36 / 57 / 29

HEX #B5734D

RGB 181 115 77

HSL 21.92, 0.41%, 0.51%

LAB 54.68, 22.1, 31.66

 

CMYK 0 / 41 / 65 / 36

HEX #A4613A

RGB 164 97 58

HSL 22.08, 0.48%, 0.44%

LAB 47.94, 23.51, 33.45

 

CMYK 0 / 46 / 73 / 42

HEX #934F27

RGB 147 79 39

HSL 22.22, 0.58%, 0.36%

LAB 41.12, 25.15, 35.36

 

CMYK 0 / 53 / 85 / 49

HEX #823D14

RGB 130 61 20

HSL 22.36, 0.73%, 0.29%

LAB 34.26, 27.03, 37.14

 

CMYK 0 / 62 / 99 / 56

HEX #712B01

RGB 113 43 1

HSL 22.5, 0.98%, 0.22%

LAB 27.41, 29.04, 38.17

 

CMYK 0 / 36 / 56 / 29

HEX #B5744F

RGB 181 116 79

HSL 21.76, 0.41%, 0.51%

LAB 54.95, 21.71, 30.88

 

CMYK 0 / 51 / 56 / 29

HEX #B5594F

RGB 181 89 79

HSL 5.88, 0.41%, 0.51%

LAB 48.92, 36.36, 23.19

 

CMYK 0 / 56 / 56 / 29

HEX #B54F4F

RGB 181 79 79

HSL 0, 0.41%, 0.51%

LAB 46.95, 41.43, 20.59

 

CMYK 0 / 36 / 56 / 29

HEX #B5744F

RGB 181 116 79

HSL 21.76, 0.41%, 0.51%

LAB 54.95, 21.71, 30.88

 

CMYK 0 / 20 / 56 / 29

HEX #B5904F

RGB 181 144 79

HSL 38.24, 0.41%, 0.51%

LAB 61.94, 6.13, 39.44

 

CMYK 0 / 5 / 56 / 29

HEX #B5AC4F

RGB 181 172 79

HSL 54.71, 0.41%, 0.51%

LAB 69.39, -8.94, 48.14

 

CMYK 10 / 0 / 56 / 29

HEX #A3B54F

RGB 163 181 79

HSL 70.59, 0.41%, 0.51%

LAB 70.45, -21.09, 48.97

 

CMYK 25 / 0 / 56 / 29

HEX #88B54F

RGB 136 181 79

HSL 86.47, 0.41%, 0.51%

LAB 68.64, -31.78, 46.41

 

CMYK 0 / 36 / 56 / 29

HEX #B5744F

RGB 181 116 79

HSL 21.76, 0.41%, 0.51%

LAB 54.95, 21.71, 30.88

 

CMYK 0 / 45 / 71 / 21

HEX #C96F3B

RGB 201 111 59

HSL 21.97, 0.57%, 0.51%

LAB 56.19, 31.38, 43.67

 

CMYK 0 / 53 / 83 / 13

HEX #DE6926

RGB 222 105 38

HSL 21.85, 0.74%, 0.51%

LAB 57.82, 41.97, 55.96

 

CMYK 0 / 59 / 93 / 5

HEX #F26412

RGB 242 100 18

HSL 21.96, 0.9%, 0.51%

LAB 59.92, 51.42, 65.49

 

CMYK 0 / 36 / 56 / 29

HEX #B5744F

RGB 181 116 79

HSL 21.76, 0.41%, 0.51%

LAB 54.95, 21.71, 30.88

 

CMYK 0 / 24 / 39 / 37

HEX #A17A63

RGB 161 122 99

HSL 22.26, 0.25%, 0.51%

LAB 54.45, 11.99, 18.47

 

CMYK 0 / 10 / 16 / 45

HEX #8D7F77

RGB 141 127 119

HSL 21.82, 0.09%, 0.51%

LAB 54.21, 3.91, 6.28

 

CMYK 13 / 4 / 0 / 45

HEX #79858B

RGB 121 133 139

HSL 200, 0.07%, 0.51%

LAB 54.77, -3.08, -4.72

 

CMYK 38 / 14 / 0 / 37

HEX #648AA0

RGB 100 138 160

HSL 202, 0.24%, 0.51%

LAB 55.51, -7.45, -15.89

 

CMYK 0 / 56 / 46 / 29

HEX #B54F62

RGB 181 79 98

HSL 348.82, 0.41%, 0.51%

LAB 47.36, 43.16, 9.68

 

CMYK 0 / 52 / 56 / 29

HEX #B5574F

RGB 181 87 79

HSL 4.71, 0.41%, 0.51%

LAB 48.52, 37.39, 22.66

 

CMYK 0 / 36 / 56 / 29

HEX #B5734F

RGB 181 115 79

HSL 21.18, 0.41%, 0.51%

LAB 54.71, 22.26, 30.59

 

CMYK 0 / 22 / 56 / 29

HEX #B58E4F

RGB 181 142 79

HSL 37.06, 0.41%, 0.51%

LAB 61.42, 7.24, 38.82

 

CMYK 0 / 7 / 56 / 29

HEX #B5A94F

RGB 181 169 79

HSL 52.94, 0.41%, 0.51%

LAB 68.58, -7.37, 47.21

 

CMYK 0 / 37 / 58 / 51

HEX #7D4F34

RGB 125 79 52

HSL 22.19, 0.41%, 0.35%

LAB 38.2, 16.33, 23.83

 

CMYK 0 / 37 / 58 / 40

HEX #9A6141

RGB 154 97 65

HSL 21.57, 0.41%, 0.43%

LAB 46.71, 19.74, 27.73

 

CMYK 0 / 36 / 56 / 29

HEX #B5744F

RGB 181 116 79

HSL 21.76, 0.41%, 0.51%

LAB 54.95, 21.71, 30.88

 

CMYK 0 / 28 / 44 / 24

HEX #C18B6C

RGB 193 139 108

HSL 21.88, 0.41%, 0.59%

LAB 62.41, 16.72, 24.7

 

CMYK 0 / 21 / 33 / 19

HEX #CEA289

RGB 206 162 137

HSL 21.74, 0.41%, 0.67%

LAB 70.01, 12.76, 19.21

 

CMYK 0 / 36 / 57 / 29

HEX #B5734D

RGB 181 115 77

HSL 21.92, 0.41%, 0.51%

LAB 54.68, 22.1, 31.66

 

CMYK 31 / 0 / 56 / 29

HEX #7DB54F

RGB 125 181 79

HSL 92.94, 0.41%, 0.51%

LAB 68, -35.87, 45.51

 

CMYK 56 / 54 / 0 / 29

HEX #4F54B5

RGB 79 84 181

HSL 237.06, 0.41%, 0.51%

LAB 40.15, 26.59, -52.31

 

CMYK 0 / 36 / 57 / 29

HEX #B5734D

RGB 181 115 77

HSL 21.92, 0.41%, 0.51%

LAB 54.68, 22.1, 31.66

 

CMYK 56 / 0 / 36 / 29

HEX #4FB573

RGB 79 181 115

HSL 141.18, 0.41%, 0.51%

LAB 66.48, -44.65, 24.93

 

CMYK 36 / 56 / 0 / 29

HEX #734FB5

RGB 115 79 181

HSL 261.18, 0.41%, 0.51%

LAB 42.11, 37.74, -48.98

 

CMYK 0 / 36 / 57 / 29

HEX #B5734D

RGB 181 115 77

HSL 21.92, 0.41%, 0.51%

LAB 54.68, 22.1, 31.66

 

CMYK 31 / 0 / 56 / 29

HEX #7DB54F

RGB 125 181 79

HSL 92.94, 0.41%, 0.51%

LAB 68, -35.87, 45.51

 

CMYK 56 / 20 / 0 / 29

HEX #4F91B5

RGB 79 145 181

HSL 201.18, 0.41%, 0.51%

LAB 57.32, -10.48, -25.22

 

CMYK 25 / 56 / 0 / 29

HEX #874FB5

RGB 135 79 181

HSL 272.94, 0.41%, 0.51%

LAB 44.35, 42.77, -45.28

 

CMYK 0 / 36 / 57 / 29

HEX #B5734D

RGB 181 115 77

HSL 21.92, 0.41%, 0.51%

LAB 54.68, 22.1, 31.66

 

CMYK 48 / 0 / 56 / 29

HEX #5EB54F

RGB 94 181 79

HSL 111.18, 0.41%, 0.51%

LAB 66.51, -46.12, 43.39

 

CMYK 56 / 20 / 0 / 29

HEX #4F91B5

RGB 79 145 181

HSL 201.18, 0.41%, 0.51%

LAB 57.32, -10.48, -25.22

 

CMYK 8 / 56 / 0 / 29

HEX #A64FB5

RGB 166 79 181

HSL 291.18, 0.41%, 0.51%

LAB 48.3, 50.95, -38.75

 

Description

Color code: HEX #B5734D | qconv.com Color code: HEX #B5734D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 115 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 115 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 57 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 57% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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