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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B564CE it is the complementary color #4A9B31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B564CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B564CE shade: #BA64C9, #CB76DC, #DC88EF, #ED9AFF and #FEACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B564CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B564CE shade: #B564CE, #A452BB, #9340A8, #822E95 and #711C82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B564CE shade: #B564CE, #CE64CA, #CE64AE, #CE6491 and #CE6475

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B564CE shade: #B564CE, #9864CE, #7C64CE and #6464CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B564CE shade matches the following richer shades: #B564CE, #BE53DF and #C643EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B564CE shade: #B564CE, #AC74BE, #A485AD, #9B959D and #92A68C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B564CE shade: #7B64CE, #9764CE, #B464CE, #CE64CC and #CE64B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B564CE shade: #8E36AA, #A645C4, #B564CE, #C483D8 and #D3A3E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B564CE shade: #B564CE, #CE6469 and #64CE89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B564CE shade: #B564CE, #CEB464 and #64CEB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B564CE shade: #B564CE, #CE6469, #7ECE64 and #64CEC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B564CE shade: #B564CE, #CE7E64, #7ECE64 and #64B4CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

Complementary color

CMYK 52 / 0 / 68 / 39

HEX #4A9B31

RGB 74 155 49

HSL 105.85, 0.52%, 0.4%

LAB 57.19, -44.69, 46.23

 

CMYK 7 / 50 / 0 / 21

HEX #BA64C9

RGB 186 100 201

HSL 291.09, 0.48%, 0.59%

LAB 55.86, 49.84, -38.22

 

CMYK 8 / 46 / 0 / 14

HEX #CB76DC

RGB 203 118 220

HSL 290, 0.59%, 0.66%

LAB 62.36, 49.12, -38.61

 

CMYK 8 / 43 / 0 / 6

HEX #DC88EF

RGB 220 136 239

HSL 288.93, 0.76%, 0.74%

LAB 68.79, 48.38, -38.94

 

CMYK 7 / 40 / 0 / 0

HEX #ED9AFF

RGB 237 154 255

HSL 289.31, 1%, 0.8%

LAB 75.04, 47.06, -37.79

 

CMYK 0 / 33 / 0 / 0

HEX #FEACFF

RGB 254 172 255

HSL 299.28, 1%, 0.84%

LAB 80.63, 42.81, -29.02

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 12 / 56 / 0 / 27

HEX #A452BB

RGB 164 82 187

HSL 286.86, 0.44%, 0.53%

LAB 48.9, 50.13, -41.32

 

CMYK 13 / 62 / 0 / 34

HEX #9340A8

RGB 147 64 168

HSL 287.88, 0.45%, 0.45%

LAB 42.3, 50.65, -40.77

 

CMYK 13 / 69 / 0 / 42

HEX #822E95

RGB 130 46 149

HSL 288.93, 0.53%, 0.38%

LAB 35.73, 50.82, -39.96

 

CMYK 13 / 78 / 0 / 49

HEX #711C82

RGB 113 28 130

HSL 290, 0.65%, 0.31%

LAB 29.29, 50.3, -38.69

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 0 / 51 / 2 / 19

HEX #CE64CA

RGB 206 100 202

HSL 302.26, 0.52%, 0.6%

LAB 58.51, 55.62, -34.45

 

CMYK 0 / 51 / 16 / 19

HEX #CE64AE

RGB 206 100 174

HSL 318.11, 0.52%, 0.6%

LAB 57.36, 51.01, -20.19

 

CMYK 0 / 51 / 30 / 19

HEX #CE6491

RGB 206 100 145

HSL 334.53, 0.52%, 0.6%

LAB 56.37, 46.87, -4.82

 

CMYK 0 / 51 / 43 / 19

HEX #CE6475

RGB 206 100 117

HSL 350.38, 0.52%, 0.6%

LAB 55.6, 43.57, 10.49

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 26 / 51 / 0 / 19

HEX #9864CE

RGB 152 100 206

HSL 269.43, 0.52%, 0.6%

LAB 52.11, 41.64, -47.25

 

CMYK 40 / 51 / 0 / 19

HEX #7C64CE

RGB 124 100 206

HSL 253.58, 0.52%, 0.6%

LAB 49.32, 34.52, -51.87

 

CMYK 51 / 51 / 0 / 19

HEX #6464CE

RGB 100 100 206

HSL 240, 0.52%, 0.6%

LAB 47.34, 29.03, -55.15

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 15 / 63 / 0 / 13

HEX #BE53DF

RGB 190 83 223

HSL 285.86, 0.69%, 0.6%

LAB 54.51, 63.26, -52.8

 

CMYK 17 / 72 / 0 / 6

HEX #C643EF

RGB 198 67 239

HSL 285.7, 0.84%, 0.6%

LAB 54.29, 74.42, -62.09

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 9 / 39 / 0 / 25

HEX #AC74BE

RGB 172 116 190

HSL 285.41, 0.36%, 0.6%

LAB 57.06, 34.93, -30.19

 

CMYK 5 / 23 / 0 / 32

HEX #A485AD

RGB 164 133 173

HSL 286.5, 0.2%, 0.6%

LAB 59.6, 19.19, -16.65

 

CMYK 1 / 5 / 0 / 38

HEX #9B959D

RGB 155 149 157

HSL 285, 0.04%, 0.6%

LAB 62.42, 3.73, -3.42

 

CMYK 12 / 0 / 16 / 35

HEX #92A68C

RGB 146 166 140

HSL 106.15, 0.13%, 0.6%

LAB 65.96, -12.01, 11.14

 

CMYK 40 / 51 / 0 / 19

HEX #7B64CE

RGB 123 100 206

HSL 253.02, 0.52%, 0.6%

LAB 49.23, 34.28, -52.02

 

CMYK 27 / 51 / 0 / 19

HEX #9764CE

RGB 151 100 206

HSL 268.87, 0.52%, 0.6%

LAB 52.01, 41.38, -47.43

 

CMYK 13 / 51 / 0 / 19

HEX #B464CE

RGB 180 100 206

HSL 285.28, 0.52%, 0.6%

LAB 55.35, 49.18, -41.91

 

CMYK 0 / 51 / 1 / 19

HEX #CE64CC

RGB 206 100 204

HSL 301.13, 0.52%, 0.6%

LAB 58.6, 55.97, -35.45

 

CMYK 0 / 51 / 15 / 19

HEX #CE64B0

RGB 206 100 176

HSL 316.98, 0.52%, 0.6%

LAB 57.43, 51.32, -21.23

 

CMYK 16 / 68 / 0 / 33

HEX #8E36AA

RGB 142 54 170

HSL 285.52, 0.52%, 0.44%

LAB 40.07, 54.38, -45.57

 

CMYK 15 / 65 / 0 / 23

HEX #A645C4

RGB 166 69 196

HSL 285.83, 0.52%, 0.52%

LAB 47.43, 58.57, -48.87

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 9 / 39 / 0 / 15

HEX #C483D8

RGB 196 131 216

HSL 285.88, 0.52%, 0.68%

LAB 64.1, 39.39, -33.72

 

CMYK 7 / 28 / 0 / 11

HEX #D3A3E2

RGB 211 163 226

HSL 285.71, 0.52%, 0.76%

LAB 73.24, 28.65, -25.02

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 0 / 51 / 49 / 19

HEX #CE6469

RGB 206 100 105

HSL 357.17, 0.52%, 0.6%

LAB 55.34, 42.38, 17.15

 

CMYK 51 / 0 / 33 / 19

HEX #64CE89

RGB 100 206 137

HSL 140.94, 0.52%, 0.6%

LAB 75.24, -46.01, 25.2

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 0 / 13 / 51 / 19

HEX #CEB464

RGB 206 180 100

HSL 45.28, 0.52%, 0.6%

LAB 73.99, -0.87, 43.89

 

CMYK 51 / 0 / 13 / 19

HEX #64CEB4

RGB 100 206 180

HSL 165.28, 0.52%, 0.6%

LAB 76.16, -36.94, 3.59

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 0 / 51 / 49 / 19

HEX #CE6469

RGB 206 100 105

HSL 357.17, 0.52%, 0.6%

LAB 55.34, 42.38, 17.15

 

CMYK 39 / 0 / 51 / 19

HEX #7ECE64

RGB 126 206 100

HSL 105.28, 0.52%, 0.6%

LAB 75.76, -44.18, 44.76

 

CMYK 51 / 0 / 2 / 19

HEX #64CEC9

RGB 100 206 201

HSL 177.17, 0.52%, 0.6%

LAB 76.72, -31.74, -6.9

 

CMYK 12 / 51 / 0 / 19

HEX #B564CE

RGB 181 100 206

HSL 285.85, 0.52%, 0.6%

LAB 55.48, 49.45, -41.71

 

CMYK 0 / 39 / 51 / 19

HEX #CE7E64

RGB 206 126 100

HSL 14.72, 0.52%, 0.6%

LAB 60.75, 28.3, 27.25

 

CMYK 39 / 0 / 51 / 19

HEX #7ECE64

RGB 126 206 100

HSL 105.28, 0.52%, 0.6%

LAB 75.76, -44.18, 44.76

 

CMYK 51 / 13 / 0 / 19

HEX #64B4CE

RGB 100 180 206

HSL 194.72, 0.52%, 0.6%

LAB 69.33, -17.4, -20.72

 

Description

Color code: HEX #B564CE | qconv.com Color code: HEX #B564CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 100 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 100 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 51 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 51% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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