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Color name
HEX #B55914

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B55914 it is the complementary color #4AA6EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B55914. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B55914 shade: #BA590F, #CB6B22, #DC7D35, #ED8F48 and #FEA15B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B55914. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B55914 shade: #B55914, #A44701, #933500, #822300 and #711100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B55914 shade: #B35814, #B32D14 and #B31414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B55914 shade: #B35814, #B38314, #B3AE14, #8DB314 and #62B314

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B55914 shade matches the following richer shades: #B35814 and #C35604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B55914 shade: #B35814, #A35A24, #935D34, #835F44 and #736154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B55914 shade: #B31426, #B32C14, #B35614, #B38114 and #B3AB14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B55914 shade: #69340C, #8E4610, #B35814, #D86A18 and #E88031

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B55914 shade: #B55914, #51B314 and #1714B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B55914 shade: #B55914, #14B356 and #5614B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B55914 shade: #B55914, #51B314, #1471B3 and #7614B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B55914 shade: #B55914, #21B314, #1471B3 and #A614B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 89 / 29

HEX #B55914

RGB 181 89 20

HSL 25.71, 0.8%, 0.39%

LAB 48.28, 33.38, 52.17

 

Complementary color

CMYK 69 / 29 / 0 / 8

HEX #4AA6EB

RGB 74 166 235

HSL 205.71, 0.8%, 0.61%

LAB 65.54, -5.59, -42.59

 

CMYK 0 / 52 / 92 / 27

HEX #BA590F

RGB 186 89 15

HSL 25.96, 0.85%, 0.39%

LAB 49.03, 35.33, 54.58

 

CMYK 0 / 47 / 83 / 20

HEX #CB6B22

RGB 203 107 34

HSL 25.92, 0.71%, 0.46%

LAB 55.41, 33.3, 54.35

 

CMYK 0 / 43 / 76 / 14

HEX #DC7D35

RGB 220 125 53

HSL 25.87, 0.7%, 0.54%

LAB 61.77, 31.46, 53.18

 

CMYK 0 / 40 / 70 / 7

HEX #ED8F48

RGB 237 143 72

HSL 25.82, 0.82%, 0.61%

LAB 68.11, 29.8, 51.67

 

CMYK 0 / 37 / 64 / 0

HEX #FEA15B

RGB 254 161 91

HSL 25.77, 0.99%, 0.68%

LAB 74.39, 28.31, 50.08

 

CMYK 0 / 51 / 89 / 29

HEX #B55914

RGB 181 89 20

HSL 25.71, 0.8%, 0.39%

LAB 48.28, 33.38, 52.17

 

CMYK 0 / 57 / 99 / 36

HEX #A44701

RGB 164 71 1

HSL 25.77, 0.99%, 0.32%

LAB 41.85, 35.48, 51.83

 

CMYK 0 / 64 / 100 / 42

HEX #933500

RGB 147 53 0

HSL 21.63, 1%, 0.29%

LAB 35.5, 37.65, 47.08

 

CMYK 0 / 73 / 100 / 49

HEX #822300

RGB 130 35 0

HSL 16.15, 1%, 0.25%

LAB 29.28, 39.34, 41.46

 

CMYK 0 / 85 / 100 / 56

HEX #711100

RGB 113 17 0

HSL 9.03, 1%, 0.22%

LAB 23.38, 39.96, 34.79

 

CMYK 0 / 51 / 89 / 30

HEX #B35814

RGB 179 88 20

HSL 25.66, 0.8%, 0.39%

LAB 47.77, 33.08, 51.64

 

CMYK 0 / 75 / 89 / 30

HEX #B32D14

RGB 179 45 20

HSL 9.43, 0.8%, 0.39%

LAB 40.43, 52.45, 45.89

 

CMYK 0 / 89 / 89 / 30

HEX #B31414

RGB 179 20 20

HSL 0, 0.8%, 0.39%

LAB 38.08, 59.07, 44.07

 

CMYK 0 / 51 / 89 / 30

HEX #B35814

RGB 179 88 20

HSL 25.66, 0.8%, 0.39%

LAB 47.77, 33.08, 51.64

 

CMYK 0 / 27 / 89 / 30

HEX #B38314

RGB 179 131 20

HSL 41.89, 0.8%, 0.39%

LAB 57.91, 9.43, 59.64

 

CMYK 0 / 3 / 89 / 30

HEX #B3AE14

RGB 179 174 20

HSL 58.11, 0.8%, 0.39%

LAB 69.4, -13.69, 68.76

 

CMYK 21 / 0 / 89 / 30

HEX #8DB314

RGB 141 179 20

HSL 74.34, 0.8%, 0.39%

LAB 67.99, -32.39, 66.43

 

CMYK 45 / 0 / 89 / 30

HEX #62B314

RGB 98 179 20

HSL 90.57, 0.8%, 0.39%

LAB 65.66, -48.36, 63.55

 

CMYK 0 / 51 / 89 / 30

HEX #B35814

RGB 179 88 20

HSL 25.66, 0.8%, 0.39%

LAB 47.77, 33.08, 51.64

 

CMYK 0 / 56 / 98 / 24

HEX #C35604

RGB 195 86 4

HSL 25.76, 0.96%, 0.39%

LAB 49.82, 40.28, 58.37

 

CMYK 0 / 51 / 89 / 30

HEX #B35814

RGB 179 88 20

HSL 25.66, 0.8%, 0.39%

LAB 47.77, 33.08, 51.64

 

CMYK 0 / 45 / 78 / 36

HEX #A35A24

RGB 163 90 36

HSL 25.51, 0.64%, 0.39%

LAB 45.94, 25.76, 42.59

 

CMYK 0 / 37 / 65 / 42

HEX #935D34

RGB 147 93 52

HSL 25.89, 0.48%, 0.39%

LAB 44.63, 17.96, 32.29

 

CMYK 0 / 27 / 48 / 49

HEX #835F44

RGB 131 95 68

HSL 25.71, 0.32%, 0.39%

LAB 43.4, 11.1, 21.18

 

CMYK 0 / 16 / 27 / 55

HEX #736154

RGB 115 97 84

HSL 25.16, 0.16%, 0.39%

LAB 42.51, 5.04, 10.1

 

CMYK 0 / 89 / 79 / 30

HEX #B31426

RGB 179 20 38

HSL 353.21, 0.8%, 0.39%

LAB 38.24, 59.53, 34.52

 

CMYK 0 / 75 / 89 / 30

HEX #B32C14

RGB 179 44 20

HSL 9.06, 0.8%, 0.39%

LAB 40.3, 52.79, 45.8

 

CMYK 0 / 52 / 89 / 30

HEX #B35614

RGB 179 86 20

HSL 24.91, 0.8%, 0.39%

LAB 47.35, 34.13, 51.31

 

CMYK 0 / 28 / 89 / 30

HEX #B38114

RGB 179 129 20

HSL 41.13, 0.8%, 0.39%

LAB 57.4, 10.54, 59.24

 

CMYK 0 / 4 / 89 / 30

HEX #B3AB14

RGB 179 171 20

HSL 56.98, 0.8%, 0.39%

LAB 68.58, -12.15, 68.1

 

CMYK 0 / 50 / 89 / 59

HEX #69340C

RGB 105 52 12

HSL 25.81, 0.79%, 0.23%

LAB 28.08, 20.79, 33.68

 

CMYK 0 / 51 / 89 / 44

HEX #8E4610

RGB 142 70 16

HSL 25.71, 0.8%, 0.31%

LAB 38.14, 27.11, 42.93

 

CMYK 0 / 51 / 89 / 30

HEX #B35814

RGB 179 88 20

HSL 25.66, 0.8%, 0.39%

LAB 47.77, 33.08, 51.64

 

CMYK 0 / 51 / 89 / 15

HEX #D86A18

RGB 216 106 24

HSL 25.63, 0.8%, 0.47%

LAB 57.05, 38.8, 59.95

 

CMYK 0 / 45 / 79 / 9

HEX #E88031

RGB 232 128 49

HSL 25.9, 0.8%, 0.55%

LAB 64.01, 34.6, 57.64

 

CMYK 0 / 51 / 89 / 29

HEX #B55914

RGB 181 89 20

HSL 25.71, 0.8%, 0.39%

LAB 48.28, 33.38, 52.17

 

CMYK 55 / 0 / 89 / 30

HEX #51B314

RGB 81 179 20

HSL 96.98, 0.8%, 0.39%

LAB 64.99, -53.52, 62.71

 

CMYK 87 / 89 / 0 / 30

HEX #1714B3

RGB 23 20 179

HSL 241.13, 0.8%, 0.39%

LAB 23.46, 55.59, -78.64

 

CMYK 0 / 51 / 89 / 29

HEX #B55914

RGB 181 89 20

HSL 25.71, 0.8%, 0.39%

LAB 48.28, 33.38, 52.17

 

CMYK 89 / 0 / 52 / 30

HEX #14B356

RGB 20 179 86

HSL 144.91, 0.8%, 0.39%

LAB 64.21, -58.13, 36.79

 

CMYK 52 / 89 / 0 / 30

HEX #5614B3

RGB 86 20 179

HSL 264.91, 0.8%, 0.39%

LAB 28.73, 59.59, -69.74

 

CMYK 0 / 51 / 89 / 29

HEX #B55914

RGB 181 89 20

HSL 25.71, 0.8%, 0.39%

LAB 48.28, 33.38, 52.17

 

CMYK 55 / 0 / 89 / 30

HEX #51B314

RGB 81 179 20

HSL 96.98, 0.8%, 0.39%

LAB 64.99, -53.52, 62.71

 

CMYK 89 / 37 / 0 / 30

HEX #1471B3

RGB 20 113 179

HSL 204.91, 0.8%, 0.39%

LAB 45.93, -0.8, -42.02

 

CMYK 34 / 89 / 0 / 30

HEX #7614B3

RGB 118 20 179

HSL 276.98, 0.8%, 0.39%

LAB 33.15, 63.41, -62.31

 

CMYK 0 / 51 / 89 / 29

HEX #B55914

RGB 181 89 20

HSL 25.71, 0.8%, 0.39%

LAB 48.28, 33.38, 52.17

 

CMYK 82 / 0 / 89 / 30

HEX #21B314

RGB 33 179 20

HSL 115.09, 0.8%, 0.39%

LAB 63.85, -63.16, 61.28

 

CMYK 89 / 37 / 0 / 30

HEX #1471B3

RGB 20 113 179

HSL 204.91, 0.8%, 0.39%

LAB 45.93, -0.8, -42.02

 

CMYK 7 / 89 / 0 / 30

HEX #A614B3

RGB 166 20 179

HSL 295.09, 0.8%, 0.39%

LAB 41, 70.85, -49.22

 

Description

Color code: HEX #B55914 | qconv.com Color code: HEX #B55914 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 89 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 89 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 89 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 89% 29% C M Y K

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