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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B55371 it is the complementary color #4AAC8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B55371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B55371 shade: #BA536C, #CB657F, #DC7792, #ED89A5 and #FE9BB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B55371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B55371 shade: #B55371, #A4415E, #932F4B, #821D38 and #710B25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B55371 shade: #B65472, #B65457 and #B65454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B55371 shade: #B65472, #B6548C, #B654A6, #AA54B6 and #9054B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B55371 shade matches the following richer shades: #B65472, #C9406A, #DD2C62 and #F1185B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B55371 shade: #B65472, #A26779, #8E7B81, #7A8F89 and #66A390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B55371 shade: #B654A7, #B6548D, #B65473, #B65459 and #B66954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B55371 shade: #80374D, #9D435F, #B65472, #C27189 and #CE8DA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B55371 shade: #B55371, #B6AA54 and #549AB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B55371 shade: #B55371, #73B654 and #5473B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B55371 shade: #B55371, #B6AA54, #54B697 and #545FB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B55371 shade: #B55371, #A4B654, #54B697 and #6654B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 38 / 29

HEX #B55371

RGB 181 83 113

HSL 341.63, 0.4%, 0.52%

LAB 48.51, 42.83, 2.25

 

Complementary color

CMYK 57 / 0 / 17 / 33

HEX #4AAC8E

RGB 74 172 142

HSL 161.63, 0.4%, 0.48%

LAB 64.09, -36.1, 6.86

 

CMYK 0 / 55 / 42 / 27

HEX #BA536C

RGB 186 83 108

HSL 345.44, 0.43%, 0.53%

LAB 49.14, 44, 6.26

 

CMYK 0 / 50 / 37 / 20

HEX #CB657F

RGB 203 101 127

HSL 344.71, 0.5%, 0.6%

LAB 55.62, 43.11, 4.59

 

CMYK 0 / 46 / 34 / 14

HEX #DC7792

RGB 220 119 146

HSL 343.96, 0.59%, 0.66%

LAB 62.07, 42.2, 3.17

 

CMYK 0 / 42 / 30 / 7

HEX #ED89A5

RGB 237 137 165

HSL 343.2, 0.74%, 0.73%

LAB 68.47, 41.31, 1.95

 

CMYK 0 / 39 / 28 / 0

HEX #FE9BB8

RGB 254 155 184

HSL 342.42, 0.98%, 0.8%

LAB 74.81, 40.45, 0.86

 

CMYK 0 / 54 / 38 / 29

HEX #B55371

RGB 181 83 113

HSL 341.63, 0.4%, 0.52%

LAB 48.51, 42.83, 2.25

 

CMYK 0 / 60 / 43 / 36

HEX #A4415E

RGB 164 65 94

HSL 342.42, 0.43%, 0.45%

LAB 41.97, 43.61, 4.1

 

CMYK 0 / 68 / 49 / 42

HEX #932F4B

RGB 147 47 75

HSL 343.2, 0.52%, 0.38%

LAB 35.49, 44.12, 6.46

 

CMYK 0 / 78 / 57 / 49

HEX #821D38

RGB 130 29 56

HSL 343.96, 0.64%, 0.31%

LAB 29.18, 44.07, 9.61

 

CMYK 0 / 90 / 67 / 56

HEX #710B25

RGB 113 11 37

HSL 344.71, 0.82%, 0.24%

LAB 23.28, 42.86, 13.95

 

CMYK 0 / 54 / 37 / 29

HEX #B65472

RGB 182 84 114

HSL 341.63, 0.4%, 0.52%

LAB 48.88, 42.8, 2.2

 

CMYK 0 / 54 / 52 / 29

HEX #B65457

RGB 182 84 87

HSL 358.16, 0.4%, 0.52%

LAB 48.23, 39.99, 17.54

 

CMYK 0 / 54 / 54 / 29

HEX #B65454

RGB 182 84 84

HSL 0, 0.4%, 0.52%

LAB 48.17, 39.72, 19.25

 

CMYK 0 / 54 / 37 / 29

HEX #B65472

RGB 182 84 114

HSL 341.63, 0.4%, 0.52%

LAB 48.88, 42.8, 2.2

 

CMYK 0 / 54 / 23 / 29

HEX #B6548C

RGB 182 84 140

HSL 325.71, 0.4%, 0.52%

LAB 49.71, 46.23, -12.18

 

CMYK 0 / 54 / 9 / 29

HEX #B654A6

RGB 182 84 166

HSL 309.8, 0.4%, 0.52%

LAB 50.73, 50.29, -26.01

 

CMYK 7 / 54 / 0 / 29

HEX #AA54B6

RGB 170 84 182

HSL 292.65, 0.4%, 0.52%

LAB 49.81, 49.76, -36.92

 

CMYK 21 / 54 / 0 / 29

HEX #9054B6

RGB 144 84 182

HSL 276.73, 0.4%, 0.52%

LAB 46.51, 42.67, -42.36

 

CMYK 0 / 54 / 37 / 29

HEX #B65472

RGB 182 84 114

HSL 341.63, 0.4%, 0.52%

LAB 48.88, 42.8, 2.2

 

CMYK 0 / 68 / 47 / 21

HEX #C9406A

RGB 201 64 106

HSL 341.61, 0.56%, 0.52%

LAB 48.42, 57.09, 6.77

 

CMYK 0 / 80 / 56 / 13

HEX #DD2C62

RGB 221 44 98

HSL 341.69, 0.72%, 0.52%

LAB 49.56, 68.55, 13.79

 

CMYK 0 / 90 / 62 / 5

HEX #F1185B

RGB 241 24 91

HSL 341.47, 0.89%, 0.52%

LAB 51.96, 76.99, 21.95

 

CMYK 0 / 54 / 37 / 29

HEX #B65472

RGB 182 84 114

HSL 341.63, 0.4%, 0.52%

LAB 48.88, 42.8, 2.2

 

CMYK 0 / 36 / 25 / 36

HEX #A26779

RGB 162 103 121

HSL 341.69, 0.24%, 0.52%

LAB 50.41, 26.24, -0.11

 

CMYK 0 / 13 / 9 / 44

HEX #8E7B81

RGB 142 123 129

HSL 341.05, 0.08%, 0.52%

LAB 53.49, 8.38, -0.57

 

CMYK 15 / 0 / 4 / 44

HEX #7A8F89

RGB 122 143 137

HSL 162.86, 0.09%, 0.52%

LAB 57.64, -8.75, 0.66

 

CMYK 37 / 0 / 12 / 36

HEX #66A390

RGB 102 163 144

HSL 161.31, 0.25%, 0.52%

LAB 62.54, -24.2, 3.65

 

CMYK 0 / 54 / 8 / 29

HEX #B654A7

RGB 182 84 167

HSL 309.18, 0.4%, 0.52%

LAB 50.78, 50.46, -26.53

 

CMYK 0 / 54 / 23 / 29

HEX #B6548D

RGB 182 84 141

HSL 325.1, 0.4%, 0.52%

LAB 49.75, 46.38, -12.72

 

CMYK 0 / 54 / 37 / 29

HEX #B65473

RGB 182 84 115

HSL 341.02, 0.4%, 0.52%

LAB 48.91, 42.92, 1.64

 

CMYK 0 / 54 / 51 / 29

HEX #B65459

RGB 182 84 89

HSL 356.94, 0.4%, 0.52%

LAB 48.27, 40.17, 16.39

 

CMYK 0 / 42 / 54 / 29

HEX #B66954

RGB 182 105 84

HSL 12.86, 0.4%, 0.52%

LAB 52.61, 28.62, 25.1

 

CMYK 0 / 57 / 40 / 50

HEX #80374D

RGB 128 55 77

HSL 341.92, 0.4%, 0.36%

LAB 33.68, 33.91, 2.15

 

CMYK 0 / 57 / 39 / 38

HEX #9D435F

RGB 157 67 95

HSL 341.33, 0.4%, 0.44%

LAB 41.23, 40.33, 2.26

 

CMYK 0 / 54 / 37 / 29

HEX #B65472

RGB 182 84 114

HSL 341.63, 0.4%, 0.52%

LAB 48.88, 42.8, 2.2

 

CMYK 0 / 42 / 29 / 24

HEX #C27189

RGB 194 113 137

HSL 342.22, 0.4%, 0.6%

LAB 57.16, 34.9, 0.82

 

CMYK 0 / 32 / 22 / 19

HEX #CE8DA1

RGB 206 141 161

HSL 341.54, 0.4%, 0.68%

LAB 65.55, 27.54, -0.51

 

CMYK 0 / 54 / 38 / 29

HEX #B55371

RGB 181 83 113

HSL 341.63, 0.4%, 0.52%

LAB 48.51, 42.83, 2.25

 

CMYK 0 / 7 / 54 / 29

HEX #B6AA54

RGB 182 170 84

HSL 52.65, 0.4%, 0.52%

LAB 68.99, -7.06, 45.3

 

CMYK 54 / 15 / 0 / 29

HEX #549AB6

RGB 84 154 182

HSL 197.14, 0.4%, 0.52%

LAB 60.22, -14.05, -21.3

 

CMYK 0 / 54 / 38 / 29

HEX #B55371

RGB 181 83 113

HSL 341.63, 0.4%, 0.52%

LAB 48.51, 42.83, 2.25

 

CMYK 37 / 0 / 54 / 29

HEX #73B654

RGB 115 182 84

HSL 101.02, 0.4%, 0.52%

LAB 67.83, -39.28, 42.79

 

CMYK 54 / 37 / 0 / 29

HEX #5473B6

RGB 84 115 182

HSL 221.02, 0.4%, 0.52%

LAB 48.91, 8.55, -38.88

 

CMYK 0 / 54 / 38 / 29

HEX #B55371

RGB 181 83 113

HSL 341.63, 0.4%, 0.52%

LAB 48.51, 42.83, 2.25

 

CMYK 0 / 7 / 54 / 29

HEX #B6AA54

RGB 182 170 84

HSL 52.65, 0.4%, 0.52%

LAB 68.99, -7.06, 45.3

 

CMYK 54 / 0 / 17 / 29

HEX #54B697

RGB 84 182 151

HSL 161.02, 0.4%, 0.52%

LAB 67.71, -36.35, 7.11

 

CMYK 54 / 48 / 0 / 29

HEX #545FB6

RGB 84 95 182

HSL 233.27, 0.4%, 0.52%

LAB 43.43, 21.02, -47.61

 

CMYK 0 / 54 / 38 / 29

HEX #B55371

RGB 181 83 113

HSL 341.63, 0.4%, 0.52%

LAB 48.51, 42.83, 2.25

 

CMYK 10 / 0 / 54 / 29

HEX #A4B654

RGB 164 182 84

HSL 71.02, 0.4%, 0.52%

LAB 70.86, -20.74, 47.12

 

CMYK 54 / 0 / 17 / 29

HEX #54B697

RGB 84 182 151

HSL 161.02, 0.4%, 0.52%

LAB 67.71, -36.35, 7.11

 

CMYK 44 / 54 / 0 / 29

HEX #6654B6

RGB 102 84 182

HSL 251.02, 0.4%, 0.52%

LAB 42.07, 31.94, -49.71

 

Description

Color code: HEX #B55371 | qconv.com Color code: HEX #B55371 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 83 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 83 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 38 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 38% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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