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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B552B3 it is the complementary color #4AAD4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B552B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B552B3 shade: #BA52AE, #CB64C1, #DC76D4, #ED88E7 and #FE9AFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B552B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B552B3 shade: #B552B3, #A440A0, #932E8D, #821C7A and #710A67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B552B3 shade: #B654B4, #B65499, #B6547F, #B65464 and #B65454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B552B3 shade: #B654B4, #9D54B6, #8354B6, #6854B6 and #5454B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B552B3 shade matches the following richer shades: #B654B4, #C940C7, #DD2CDA and #F118ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B552B3 shade: #B654B4, #A267A1, #8E7B8E, #7A8F7B and #66A368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B552B3 shade: #8354B6, #9D54B6, #B654B4, #B6549A and #B65480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B552B3 shade: #80377E, #9D439B, #B654B4, #C271C0 and #CE8DCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B552B3 shade: #B552B3, #B66954 and #54B690

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B552B3 shade: #B552B3, #B4B654 and #54B4B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B552B3 shade: #B552B3, #B66954, #54B655 and #54A0B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B552B3 shade: #B552B3, #B68654, #54B655 and #5483B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 1 / 29

HEX #B552B3

RGB 181 82 179

HSL 301.21, 0.4%, 0.52%

LAB 50.82, 53.21, -33.49

 

Complementary color

CMYK 57 / 0 / 56 / 32

HEX #4AAD4C

RGB 74 173 76

HSL 121.21, 0.4%, 0.48%

LAB 63.23, -48.79, 40.76

 

CMYK 0 / 56 / 6 / 27

HEX #BA52AE

RGB 186 82 174

HSL 306.92, 0.43%, 0.53%

LAB 51.3, 53.74, -29.77

 

CMYK 0 / 51 / 5 / 20

HEX #CB64C1

RGB 203 100 193

HSL 305.83, 0.5%, 0.59%

LAB 57.71, 53.21, -30.59

 

CMYK 0 / 46 / 4 / 14

HEX #DC76D4

RGB 220 118 212

HSL 304.71, 0.59%, 0.66%

LAB 64.1, 52.57, -31.26

 

CMYK 0 / 43 / 3 / 7

HEX #ED88E7

RGB 237 136 231

HSL 303.56, 0.74%, 0.73%

LAB 70.44, 51.87, -31.82

 

CMYK 0 / 39 / 2 / 0

HEX #FE9AFA

RGB 254 154 250

HSL 302.4, 0.98%, 0.8%

LAB 76.73, 51.15, -32.32

 

CMYK 0 / 55 / 1 / 29

HEX #B552B3

RGB 181 82 179

HSL 301.21, 0.4%, 0.52%

LAB 50.82, 53.21, -33.49

 

CMYK 0 / 61 / 2 / 36

HEX #A440A0

RGB 164 64 160

HSL 302.4, 0.44%, 0.45%

LAB 44.37, 53.54, -32.57

 

CMYK 0 / 69 / 4 / 42

HEX #932E8D

RGB 147 46 141

HSL 303.56, 0.52%, 0.38%

LAB 37.99, 53.46, -31.33

 

CMYK 0 / 78 / 6 / 49

HEX #821C7A

RGB 130 28 122

HSL 304.71, 0.65%, 0.31%

LAB 31.76, 52.62, -29.54

 

CMYK 0 / 91 / 9 / 56

HEX #710A67

RGB 113 10 103

HSL 305.83, 0.84%, 0.24%

LAB 25.88, 50.42, -26.89

 

CMYK 0 / 54 / 1 / 29

HEX #B654B4

RGB 182 84 180

HSL 301.22, 0.4%, 0.52%

LAB 51.36, 52.71, -33.21

 

CMYK 0 / 54 / 16 / 29

HEX #B65499

RGB 182 84 153

HSL 317.76, 0.4%, 0.52%

LAB 50.2, 48.19, -19.16

 

CMYK 0 / 54 / 30 / 29

HEX #B6547F

RGB 182 84 127

HSL 333.67, 0.4%, 0.52%

LAB 49.27, 44.43, -5.05

 

CMYK 0 / 54 / 45 / 29

HEX #B65464

RGB 182 84 100

HSL 350.2, 0.4%, 0.52%

LAB 48.52, 41.24, 10.12

 

CMYK 0 / 54 / 54 / 29

HEX #B65454

RGB 182 84 84

HSL 0, 0.4%, 0.52%

LAB 48.17, 39.72, 19.25

 

CMYK 0 / 54 / 1 / 29

HEX #B654B4

RGB 182 84 180

HSL 301.22, 0.4%, 0.52%

LAB 51.36, 52.71, -33.21

 

CMYK 14 / 54 / 0 / 29

HEX #9D54B6

RGB 157 84 182

HSL 284.69, 0.4%, 0.52%

LAB 48.12, 46.2, -39.71

 

CMYK 28 / 54 / 0 / 29

HEX #8354B6

RGB 131 84 182

HSL 268.78, 0.4%, 0.52%

LAB 45, 39.21, -44.85

 

CMYK 43 / 54 / 0 / 29

HEX #6854B6

RGB 104 84 182

HSL 252.24, 0.4%, 0.52%

LAB 42.25, 32.42, -49.41

 

CMYK 54 / 54 / 0 / 29

HEX #5454B6

RGB 84 84 182

HSL 240, 0.4%, 0.52%

LAB 40.58, 27.94, -52.19

 

CMYK 0 / 54 / 1 / 29

HEX #B654B4

RGB 182 84 180

HSL 301.22, 0.4%, 0.52%

LAB 51.36, 52.71, -33.21

 

CMYK 0 / 68 / 1 / 21

HEX #C940C7

RGB 201 64 199

HSL 300.88, 0.56%, 0.52%

LAB 52.07, 69.12, -42.9

 

CMYK 0 / 80 / 1 / 13

HEX #DD2CDA

RGB 221 44 218

HSL 301.02, 0.72%, 0.52%

LAB 54.28, 82.03, -50.07

 

CMYK 0 / 90 / 2 / 5

HEX #F118ED

RGB 241 24 237

HSL 301.11, 0.89%, 0.52%

LAB 57.53, 91.71, -55.41

 

CMYK 0 / 54 / 1 / 29

HEX #B654B4

RGB 182 84 180

HSL 301.22, 0.4%, 0.52%

LAB 51.36, 52.71, -33.21

 

CMYK 0 / 36 / 1 / 36

HEX #A267A1

RGB 162 103 161

HSL 301.02, 0.24%, 0.52%

LAB 51.79, 33.15, -21.67

 

CMYK 0 / 13 / 0 / 44

HEX #8E7B8E

RGB 142 123 142

HSL 300, 0.08%, 0.52%

LAB 53.89, 10.88, -7.58

 

CMYK 15 / 0 / 14 / 44

HEX #7A8F7B

RGB 122 143 123

HSL 122.86, 0.09%, 0.52%

LAB 57.28, -11.58, 8.15

 

CMYK 37 / 0 / 36 / 36

HEX #66A368

RGB 102 163 104

HSL 121.97, 0.25%, 0.52%

LAB 61.67, -32.15, 24.6

 

CMYK 28 / 54 / 0 / 29

HEX #8354B6

RGB 131 84 182

HSL 268.78, 0.4%, 0.52%

LAB 45, 39.21, -44.85

 

CMYK 14 / 54 / 0 / 29

HEX #9D54B6

RGB 157 84 182

HSL 284.69, 0.4%, 0.52%

LAB 48.12, 46.2, -39.71

 

CMYK 0 / 54 / 1 / 29

HEX #B654B4

RGB 182 84 180

HSL 301.22, 0.4%, 0.52%

LAB 51.36, 52.71, -33.21

 

CMYK 0 / 54 / 15 / 29

HEX #B6549A

RGB 182 84 154

HSL 317.14, 0.4%, 0.52%

LAB 50.24, 48.35, -19.7

 

CMYK 0 / 54 / 30 / 29

HEX #B65480

RGB 182 84 128

HSL 333.06, 0.4%, 0.52%

LAB 49.31, 44.56, -5.6

 

CMYK 0 / 57 / 2 / 50

HEX #80377E

RGB 128 55 126

HSL 301.64, 0.4%, 0.36%

LAB 35.65, 41.64, -25.95

 

CMYK 0 / 57 / 1 / 38

HEX #9D439B

RGB 157 67 155

HSL 301.33, 0.4%, 0.44%

LAB 43.58, 49.39, -30.9

 

CMYK 0 / 54 / 1 / 29

HEX #B654B4

RGB 182 84 180

HSL 301.22, 0.4%, 0.52%

LAB 51.36, 52.71, -33.21

 

CMYK 0 / 42 / 1 / 24

HEX #C271C0

RGB 194 113 192

HSL 301.48, 0.4%, 0.6%

LAB 59.05, 43.76, -28.03

 

CMYK 0 / 32 / 0 / 19

HEX #CE8DCD

RGB 206 141 205

HSL 300.92, 0.4%, 0.68%

LAB 66.96, 34.97, -23.09

 

CMYK 0 / 55 / 1 / 29

HEX #B552B3

RGB 181 82 179

HSL 301.21, 0.4%, 0.52%

LAB 50.82, 53.21, -33.49

 

CMYK 0 / 42 / 54 / 29

HEX #B66954

RGB 182 105 84

HSL 12.86, 0.4%, 0.52%

LAB 52.61, 28.62, 25.1

 

CMYK 54 / 0 / 21 / 29

HEX #54B690

RGB 84 182 144

HSL 156.73, 0.4%, 0.52%

LAB 67.54, -37.96, 10.71

 

CMYK 0 / 55 / 1 / 29

HEX #B552B3

RGB 181 82 179

HSL 301.21, 0.4%, 0.52%

LAB 50.82, 53.21, -33.49

 

CMYK 1 / 0 / 54 / 29

HEX #B4B654

RGB 180 182 84

HSL 61.22, 0.4%, 0.52%

LAB 72.09, -14.14, 48.86

 

CMYK 54 / 1 / 0 / 29

HEX #54B4B6

RGB 84 180 182

HSL 181.22, 0.4%, 0.52%

LAB 67.95, -27.5, -9.63

 

CMYK 0 / 55 / 1 / 29

HEX #B552B3

RGB 181 82 179

HSL 301.21, 0.4%, 0.52%

LAB 50.82, 53.21, -33.49

 

CMYK 0 / 42 / 54 / 29

HEX #B66954

RGB 182 105 84

HSL 12.86, 0.4%, 0.52%

LAB 52.61, 28.62, 25.1

 

CMYK 54 / 0 / 53 / 29

HEX #54B655

RGB 84 182 85

HSL 120.61, 0.4%, 0.52%

LAB 66.52, -48.57, 40.42

 

CMYK 54 / 12 / 0 / 29

HEX #54A0B6

RGB 84 160 182

HSL 193.47, 0.4%, 0.52%

LAB 62, -17.27, -18.6

 

CMYK 0 / 55 / 1 / 29

HEX #B552B3

RGB 181 82 179

HSL 301.21, 0.4%, 0.52%

LAB 50.82, 53.21, -33.49

 

CMYK 0 / 26 / 54 / 29

HEX #B68654

RGB 182 134 84

HSL 30.61, 0.4%, 0.52%

LAB 59.56, 12.53, 33.93

 

CMYK 54 / 0 / 53 / 29

HEX #54B655

RGB 84 182 85

HSL 120.61, 0.4%, 0.52%

LAB 66.52, -48.57, 40.42

 

CMYK 54 / 28 / 0 / 29

HEX #5483B6

RGB 84 131 182

HSL 211.22, 0.4%, 0.52%

LAB 53.49, -1.05, -31.71

 

Description

Color code: HEX #B552B3 | qconv.com Color code: HEX #B552B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 82 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 82 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 1 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 1% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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