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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B552B1 it is the complementary color #4AAD4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B552B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B552B1 shade: #BA52AC, #CB64BF, #DC76D2, #ED88E5 and #FE9AF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B552B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B552B1 shade: #B552B1, #A4409E, #932E8B, #821C78 and #710A65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B552B1 shade: #B654B2, #B65497, #B6547D, #B65462 and #B65454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B552B1 shade: #B654B2, #9F54B6, #8554B6, #6A54B6 and #5454B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B552B1 shade matches the following richer shades: #B654B2, #C940C4, #DD2CD6 and #F118E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B552B1 shade: #B654B2, #A2679F, #8E7B8D, #7A8F7B and #66A369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B552B1 shade: #8554B6, #9F54B6, #B654B2, #B65498 and #B6547E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B552B1 shade: #80377D, #9D4399, #B654B2, #C271BF and #CE8DCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B552B1 shade: #B552B1, #B66A54 and #54B692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B552B1 shade: #B552B1, #B2B654 and #54B2B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B552B1 shade: #B552B1, #B66A54, #54B657 and #549FB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B552B1 shade: #B552B1, #B68854, #54B657 and #5481B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 2 / 29

HEX #B552B1

RGB 181 82 177

HSL 302.42, 0.4%, 0.52%

LAB 50.73, 52.86, -32.47

 

Complementary color

CMYK 57 / 0 / 55 / 32

HEX #4AAD4E

RGB 74 173 78

HSL 122.42, 0.4%, 0.48%

LAB 63.25, -48.53, 39.82

 

CMYK 0 / 56 / 8 / 27

HEX #BA52AC

RGB 186 82 172

HSL 308.08, 0.43%, 0.53%

LAB 51.21, 53.4, -28.73

 

CMYK 0 / 51 / 6 / 20

HEX #CB64BF

RGB 203 100 191

HSL 306.99, 0.5%, 0.59%

LAB 57.63, 52.87, -29.58

 

CMYK 0 / 46 / 5 / 14

HEX #DC76D2

RGB 220 118 210

HSL 305.88, 0.59%, 0.66%

LAB 64.02, 52.23, -30.26

 

CMYK 0 / 43 / 3 / 7

HEX #ED88E5

RGB 237 136 229

HSL 304.75, 0.74%, 0.73%

LAB 70.36, 51.52, -30.84

 

CMYK 0 / 39 / 2 / 0

HEX #FE9AF8

RGB 254 154 248

HSL 303.6, 0.98%, 0.8%

LAB 76.65, 50.81, -31.35

 

CMYK 0 / 55 / 2 / 29

HEX #B552B1

RGB 181 82 177

HSL 302.42, 0.4%, 0.52%

LAB 50.73, 52.86, -32.47

 

CMYK 0 / 61 / 4 / 36

HEX #A4409E

RGB 164 64 158

HSL 303.6, 0.44%, 0.45%

LAB 44.27, 53.2, -31.54

 

CMYK 0 / 69 / 5 / 42

HEX #932E8B

RGB 147 46 139

HSL 304.75, 0.52%, 0.38%

LAB 37.88, 53.12, -30.27

 

CMYK 0 / 78 / 8 / 49

HEX #821C78

RGB 130 28 120

HSL 305.88, 0.65%, 0.31%

LAB 31.65, 52.29, -28.46

 

CMYK 0 / 91 / 11 / 56

HEX #710A65

RGB 113 10 101

HSL 306.99, 0.84%, 0.24%

LAB 25.77, 50.11, -25.77

 

CMYK 0 / 54 / 2 / 29

HEX #B654B2

RGB 182 84 178

HSL 302.45, 0.4%, 0.52%

LAB 51.27, 52.36, -32.19

 

CMYK 0 / 54 / 17 / 29

HEX #B65497

RGB 182 84 151

HSL 318.98, 0.4%, 0.52%

LAB 50.12, 47.88, -18.1

 

CMYK 0 / 54 / 31 / 29

HEX #B6547D

RGB 182 84 125

HSL 334.9, 0.4%, 0.52%

LAB 49.21, 44.17, -3.94

 

CMYK 0 / 54 / 46 / 29

HEX #B65462

RGB 182 84 98

HSL 351.43, 0.4%, 0.52%

LAB 48.47, 41.04, 11.26

 

CMYK 0 / 54 / 54 / 29

HEX #B65454

RGB 182 84 84

HSL 0, 0.4%, 0.52%

LAB 48.17, 39.72, 19.25

 

CMYK 0 / 54 / 2 / 29

HEX #B654B2

RGB 182 84 178

HSL 302.45, 0.4%, 0.52%

LAB 51.27, 52.36, -32.19

 

CMYK 13 / 54 / 0 / 29

HEX #9F54B6

RGB 159 84 182

HSL 285.92, 0.4%, 0.52%

LAB 48.37, 46.74, -39.29

 

CMYK 27 / 54 / 0 / 29

HEX #8554B6

RGB 133 84 182

HSL 270, 0.4%, 0.52%

LAB 45.23, 39.73, -44.48

 

CMYK 42 / 54 / 0 / 29

HEX #6A54B6

RGB 106 84 182

HSL 253.47, 0.4%, 0.52%

LAB 42.43, 32.89, -49.1

 

CMYK 54 / 54 / 0 / 29

HEX #5454B6

RGB 84 84 182

HSL 240, 0.4%, 0.52%

LAB 40.58, 27.94, -52.19

 

CMYK 0 / 54 / 2 / 29

HEX #B654B2

RGB 182 84 178

HSL 302.45, 0.4%, 0.52%

LAB 51.27, 52.36, -32.19

 

CMYK 0 / 68 / 2 / 21

HEX #C940C4

RGB 201 64 196

HSL 302.19, 0.56%, 0.52%

LAB 51.92, 68.63, -41.42

 

CMYK 0 / 80 / 3 / 13

HEX #DD2CD6

RGB 221 44 214

HSL 302.37, 0.72%, 0.52%

LAB 54.06, 81.44, -48.14

 

CMYK 0 / 90 / 4 / 5

HEX #F118E8

RGB 241 24 232

HSL 302.49, 0.89%, 0.52%

LAB 57.25, 91.01, -53.05

 

CMYK 0 / 54 / 2 / 29

HEX #B654B2

RGB 182 84 178

HSL 302.45, 0.4%, 0.52%

LAB 51.27, 52.36, -32.19

 

CMYK 0 / 36 / 2 / 36

HEX #A2679F

RGB 162 103 159

HSL 303.05, 0.24%, 0.52%

LAB 51.71, 32.77, -20.62

 

CMYK 0 / 13 / 1 / 44

HEX #8E7B8D

RGB 142 123 141

HSL 303.16, 0.08%, 0.52%

LAB 53.86, 10.68, -7.04

 

CMYK 15 / 0 / 14 / 44

HEX #7A8F7B

RGB 122 143 123

HSL 122.86, 0.09%, 0.52%

LAB 57.28, -11.58, 8.15

 

CMYK 37 / 0 / 36 / 36

HEX #66A369

RGB 102 163 105

HSL 122.95, 0.25%, 0.52%

LAB 61.69, -31.98, 24.08

 

CMYK 27 / 54 / 0 / 29

HEX #8554B6

RGB 133 84 182

HSL 270, 0.4%, 0.52%

LAB 45.23, 39.73, -44.48

 

CMYK 13 / 54 / 0 / 29

HEX #9F54B6

RGB 159 84 182

HSL 285.92, 0.4%, 0.52%

LAB 48.37, 46.74, -39.29

 

CMYK 0 / 54 / 2 / 29

HEX #B654B2

RGB 182 84 178

HSL 302.45, 0.4%, 0.52%

LAB 51.27, 52.36, -32.19

 

CMYK 0 / 54 / 16 / 29

HEX #B65498

RGB 182 84 152

HSL 318.37, 0.4%, 0.52%

LAB 50.16, 48.03, -18.63

 

CMYK 0 / 54 / 31 / 29

HEX #B6547E

RGB 182 84 126

HSL 334.29, 0.4%, 0.52%

LAB 49.24, 44.3, -4.5

 

CMYK 0 / 57 / 2 / 50

HEX #80377D

RGB 128 55 125

HSL 302.47, 0.4%, 0.36%

LAB 35.6, 41.45, -25.41

 

CMYK 0 / 57 / 3 / 38

HEX #9D4399

RGB 157 67 153

HSL 302.67, 0.4%, 0.44%

LAB 43.48, 49.03, -29.86

 

CMYK 0 / 54 / 2 / 29

HEX #B654B2

RGB 182 84 178

HSL 302.45, 0.4%, 0.52%

LAB 51.27, 52.36, -32.19

 

CMYK 0 / 42 / 2 / 24

HEX #C271BF

RGB 194 113 191

HSL 302.22, 0.4%, 0.6%

LAB 59.01, 43.58, -27.53

 

CMYK 0 / 32 / 1 / 19

HEX #CE8DCC

RGB 206 141 204

HSL 301.85, 0.4%, 0.68%

LAB 66.92, 34.78, -22.58

 

CMYK 0 / 55 / 2 / 29

HEX #B552B1

RGB 181 82 177

HSL 302.42, 0.4%, 0.52%

LAB 50.73, 52.86, -32.47

 

CMYK 0 / 42 / 54 / 29

HEX #B66A54

RGB 182 106 84

HSL 13.47, 0.4%, 0.52%

LAB 52.83, 28.07, 25.39

 

CMYK 54 / 0 / 20 / 29

HEX #54B692

RGB 84 182 146

HSL 157.96, 0.4%, 0.52%

LAB 67.59, -37.51, 9.68

 

CMYK 0 / 55 / 2 / 29

HEX #B552B1

RGB 181 82 177

HSL 302.42, 0.4%, 0.52%

LAB 50.73, 52.86, -32.47

 

CMYK 2 / 0 / 54 / 29

HEX #B2B654

RGB 178 182 84

HSL 62.45, 0.4%, 0.52%

LAB 71.93, -14.97, 48.63

 

CMYK 54 / 2 / 0 / 29

HEX #54B2B6

RGB 84 178 182

HSL 182.45, 0.4%, 0.52%

LAB 67.35, -26.51, -10.53

 

CMYK 0 / 55 / 2 / 29

HEX #B552B1

RGB 181 82 177

HSL 302.42, 0.4%, 0.52%

LAB 50.73, 52.86, -32.47

 

CMYK 0 / 42 / 54 / 29

HEX #B66A54

RGB 182 106 84

HSL 13.47, 0.4%, 0.52%

LAB 52.83, 28.07, 25.39

 

CMYK 54 / 0 / 52 / 29

HEX #54B657

RGB 84 182 87

HSL 121.84, 0.4%, 0.52%

LAB 66.54, -48.3, 39.47

 

CMYK 54 / 13 / 0 / 29

HEX #549FB6

RGB 84 159 182

HSL 194.08, 0.4%, 0.52%

LAB 61.7, -16.73, -19.05

 

CMYK 0 / 55 / 2 / 29

HEX #B552B1

RGB 181 82 177

HSL 302.42, 0.4%, 0.52%

LAB 50.73, 52.86, -32.47

 

CMYK 0 / 25 / 54 / 29

HEX #B68854

RGB 182 136 84

HSL 31.84, 0.4%, 0.52%

LAB 60.06, 11.42, 34.56

 

CMYK 54 / 0 / 52 / 29

HEX #54B657

RGB 84 182 87

HSL 121.84, 0.4%, 0.52%

LAB 66.54, -48.3, 39.47

 

CMYK 54 / 29 / 0 / 29

HEX #5481B6

RGB 84 129 182

HSL 212.45, 0.4%, 0.52%

LAB 52.91, 0.13, -32.61

 

Description

Color code: HEX #B552B1 | qconv.com Color code: HEX #B552B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 82 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 82 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 2 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 2% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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