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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B54ED2 it is the complementary color #4AB12D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B54ED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B54ED2 shade: #BA4ECD, #CB60E0, #DC72F3, #ED84FF and #FE96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B54ED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B54ED2 shade: #B54ED2, #A43CBF, #932AAC, #821899 and #710686

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B54ED2 shade: #B44DD1, #D14DCA, #D14DA7, #D14D83 and #D14D5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B54ED2 shade: #B44DD1, #904DD1, #6D4DD1 and #4D4DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B54ED2 shade matches the following richer shades: #B44DD1, #BE3AE3 and #C828F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B54ED2 shade: #B44DD1, #AA5FBF, #A071AD, #95839B and #8B9588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B54ED2 shade: #6B4DD1, #8F4DD1, #B24DD1, #D14DCD and #D14DA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B54ED2 shade: #872AA1, #A332C2, #B44DD1, #C26DD9 and #D08EE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B54ED2 shade: #B54ED2, #D14D51 and #4DD17D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B54ED2 shade: #B54ED2, #D1B24D and #4DD1B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B54ED2 shade: #B54ED2, #D14D51, #6BD14D and #4DD1CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B54ED2 shade: #B54ED2, #D1704D, #6BD14D and #4DAED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 63 / 0 / 18

HEX #B54ED2

RGB 181 78 210

HSL 286.82, 0.59%, 0.56%

LAB 51.75, 60.84, -49.89

 

Complementary color

CMYK 58 / 0 / 75 / 31

HEX #4AB12D

RGB 74 177 45

HSL 106.82, 0.59%, 0.44%

LAB 64.23, -53.38, 55.03

 

CMYK 9 / 62 / 0 / 20

HEX #BA4ECD

RGB 186 78 205

HSL 291.02, 0.56%, 0.55%

LAB 52.17, 61.08, -46.33

 

CMYK 9 / 57 / 0 / 12

HEX #CB60E0

RGB 203 96 224

HSL 290.16, 0.67%, 0.63%

LAB 58.46, 60.71, -46.99

 

CMYK 9 / 53 / 0 / 5

HEX #DC72F3

RGB 220 114 243

HSL 289.3, 0.84%, 0.7%

LAB 64.74, 60.16, -47.49

 

CMYK 7 / 48 / 0 / 0

HEX #ED84FF

RGB 237 132 255

HSL 291.22, 1%, 0.76%

LAB 70.68, 58.19, -44.59

 

CMYK 0 / 41 / 0 / 0

HEX #FE96FF

RGB 254 150 255

HSL 299.43, 1%, 0.79%

LAB 76.13, 54.04, -35.94

 

CMYK 14 / 63 / 0 / 18

HEX #B54ED2

RGB 181 78 210

HSL 286.82, 0.59%, 0.56%

LAB 51.75, 60.84, -49.89

 

CMYK 14 / 69 / 0 / 25

HEX #A43CBF

RGB 164 60 191

HSL 287.63, 0.52%, 0.49%

LAB 45.48, 60.95, -49.1

 

CMYK 15 / 76 / 0 / 33

HEX #932AAC

RGB 147 42 172

HSL 288.46, 0.61%, 0.42%

LAB 39.31, 60.52, -47.95

 

CMYK 15 / 84 / 0 / 40

HEX #821899

RGB 130 24 153

HSL 289.3, 0.73%, 0.35%

LAB 33.35, 59.18, -46.23

 

CMYK 16 / 96 / 0 / 47

HEX #710686

RGB 113 6 134

HSL 290.16, 0.91%, 0.27%

LAB 27.74, 56.43, -43.69

 

CMYK 14 / 63 / 0 / 18

HEX #B44DD1

RGB 180 77 209

HSL 286.82, 0.59%, 0.56%

LAB 51.4, 60.86, -49.89

 

CMYK 0 / 63 / 3 / 18

HEX #D14DCA

RGB 209 77 202

HSL 303.18, 0.59%, 0.56%

LAB 55.2, 66.56, -39.6

 

CMYK 0 / 63 / 20 / 18

HEX #D14DA7

RGB 209 77 167

HSL 319.09, 0.59%, 0.56%

LAB 53.66, 61.26, -21.75

 

CMYK 0 / 63 / 37 / 18

HEX #D14D83

RGB 209 77 131

HSL 335.45, 0.59%, 0.56%

LAB 52.4, 56.75, -2.36

 

CMYK 0 / 63 / 55 / 18

HEX #D14D5F

RGB 209 77 95

HSL 351.82, 0.59%, 0.56%

LAB 51.48, 53.35, 17.89

 

CMYK 14 / 63 / 0 / 18

HEX #B44DD1

RGB 180 77 209

HSL 286.82, 0.59%, 0.56%

LAB 51.4, 60.86, -49.89

 

CMYK 31 / 63 / 0 / 18

HEX #904DD1

RGB 144 77 209

HSL 270.45, 0.59%, 0.56%

LAB 46.76, 52.63, -57.58

 

CMYK 48 / 63 / 0 / 18

HEX #6D4DD1

RGB 109 77 209

HSL 254.55, 0.59%, 0.56%

LAB 43.01, 45.36, -63.84

 

CMYK 63 / 63 / 0 / 18

HEX #4D4DD1

RGB 77 77 209

HSL 240, 0.59%, 0.56%

LAB 40.39, 39.87, -68.21

 

CMYK 14 / 63 / 0 / 18

HEX #B44DD1

RGB 180 77 209

HSL 286.82, 0.59%, 0.56%

LAB 51.4, 60.86, -49.89

 

CMYK 16 / 74 / 0 / 11

HEX #BE3AE3

RGB 190 58 227

HSL 286.86, 0.75%, 0.56%

LAB 51.29, 73.77, -60.23

 

CMYK 18 / 84 / 0 / 4

HEX #C828F5

RGB 200 40 245

HSL 286.83, 0.91%, 0.56%

LAB 52.27, 83.69, -68.69

 

CMYK 14 / 63 / 0 / 18

HEX #B44DD1

RGB 180 77 209

HSL 286.82, 0.59%, 0.56%

LAB 51.4, 60.86, -49.89

 

CMYK 11 / 50 / 0 / 25

HEX #AA5FBF

RGB 170 95 191

HSL 286.88, 0.43%, 0.56%

LAB 52.39, 45.93, -38.08

 

CMYK 8 / 35 / 0 / 32

HEX #A071AD

RGB 160 113 173

HSL 287, 0.27%, 0.56%

LAB 54.34, 29.26, -24.73

 

CMYK 4 / 15 / 0 / 39

HEX #95839B

RGB 149 131 155

HSL 285, 0.11%, 0.56%

LAB 57.06, 11.41, -10.3

 

CMYK 7 / 0 / 9 / 42

HEX #8B9588

RGB 139 149 136

HSL 106.15, 0.06%, 0.56%

LAB 60.57, -6.14, 5.62

 

CMYK 49 / 63 / 0 / 18

HEX #6B4DD1

RGB 107 77 209

HSL 253.64, 0.59%, 0.56%

LAB 42.82, 44.98, -64.16

 

CMYK 32 / 63 / 0 / 18

HEX #8F4DD1

RGB 143 77 209

HSL 270, 0.59%, 0.56%

LAB 46.65, 52.41, -57.78

 

CMYK 15 / 63 / 0 / 18

HEX #B24DD1

RGB 178 77 209

HSL 285.91, 0.59%, 0.56%

LAB 51.12, 60.39, -50.35

 

CMYK 0 / 63 / 2 / 18

HEX #D14DCD

RGB 209 77 205

HSL 301.82, 0.59%, 0.56%

LAB 55.35, 67.05, -41.08

 

CMYK 0 / 63 / 19 / 18

HEX #D14DA9

RGB 209 77 169

HSL 318.18, 0.59%, 0.56%

LAB 53.74, 61.54, -22.8

 

CMYK 16 / 74 / 0 / 37

HEX #872AA1

RGB 135 42 161

HSL 286.89, 0.59%, 0.4%

LAB 36.71, 55.92, -45.63

 

CMYK 16 / 74 / 0 / 24

HEX #A332C2

RGB 163 50 194

HSL 287.08, 0.59%, 0.48%

LAB 44.18, 65.11, -52.94

 

CMYK 14 / 63 / 0 / 18

HEX #B44DD1

RGB 180 77 209

HSL 286.82, 0.59%, 0.56%

LAB 51.4, 60.86, -49.89

 

CMYK 11 / 50 / 0 / 15

HEX #C26DD9

RGB 194 109 217

HSL 287.22, 0.59%, 0.64%

LAB 59.36, 50.63, -41.71

 

CMYK 8 / 37 / 0 / 11

HEX #D08EE2

RGB 208 142 226

HSL 287.14, 0.59%, 0.72%

LAB 68.2, 39.1, -32.8

 

CMYK 14 / 63 / 0 / 18

HEX #B54ED2

RGB 181 78 210

HSL 286.82, 0.59%, 0.56%

LAB 51.75, 60.84, -49.89

 

CMYK 0 / 63 / 61 / 18

HEX #D14D51

RGB 209 77 81

HSL 358.18, 0.59%, 0.56%

LAB 51.22, 52.33, 25.85

 

CMYK 63 / 0 / 40 / 18

HEX #4DD17D

RGB 77 209 125

HSL 141.82, 0.59%, 0.56%

LAB 75.24, -54.5, 31.29

 

CMYK 14 / 63 / 0 / 18

HEX #B54ED2

RGB 181 78 210

HSL 286.82, 0.59%, 0.56%

LAB 51.75, 60.84, -49.89

 

CMYK 0 / 15 / 63 / 18

HEX #D1B24D

RGB 209 178 77

HSL 45.91, 0.59%, 0.56%

LAB 73.5, -0.3, 54.36

 

CMYK 63 / 0 / 15 / 18

HEX #4DD1B2

RGB 77 209 178

HSL 165.91, 0.59%, 0.56%

LAB 76.31, -43.31, 4.79

 

CMYK 14 / 63 / 0 / 18

HEX #B54ED2

RGB 181 78 210

HSL 286.82, 0.59%, 0.56%

LAB 51.75, 60.84, -49.89

 

CMYK 0 / 63 / 61 / 18

HEX #D14D51

RGB 209 77 81

HSL 358.18, 0.59%, 0.56%

LAB 51.22, 52.33, 25.85

 

CMYK 49 / 0 / 63 / 18

HEX #6BD14D

RGB 107 209 77

HSL 106.36, 0.59%, 0.56%

LAB 75.61, -53.69, 54.8

 

CMYK 63 / 0 / 2 / 18

HEX #4DD1CD

RGB 77 209 205

HSL 178.18, 0.59%, 0.56%

LAB 77.03, -36.31, -8.66

 

CMYK 14 / 63 / 0 / 18

HEX #B54ED2

RGB 181 78 210

HSL 286.82, 0.59%, 0.56%

LAB 51.75, 60.84, -49.89

 

CMYK 0 / 46 / 63 / 18

HEX #D1704D

RGB 209 112 77

HSL 15.91, 0.59%, 0.56%

LAB 57.73, 35.13, 36.24

 

CMYK 49 / 0 / 63 / 18

HEX #6BD14D

RGB 107 209 77

HSL 106.36, 0.59%, 0.56%

LAB 75.61, -53.69, 54.8

 

CMYK 63 / 17 / 0 / 18

HEX #4DAED1

RGB 77 174 209

HSL 195.91, 0.59%, 0.56%

LAB 66.86, -17.86, -26.21

 

Description

Color code: HEX #B54ED2 | qconv.com Color code: HEX #B54ED2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 78 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 78 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 63 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 63% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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