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Color name
HEX #B54C48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B54C48 it is the complementary color #4AB3B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B54C48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B54C48 shade: #BA4C43, #CB5E56, #DC7069, #ED827C and #FE948F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B54C48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B54C48 shade: #B54C48, #A43A35, #932822, #82160F and #710400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B54C48 shade: #B64D49 and #B64949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B54C48 shade: #B64D49, #B66A49, #B68849, #B6A549 and #AAB649

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B54C48 shade matches the following richer shades: #B64D49, #CB3A34, #E0261F and #F4130B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B54C48 shade: #B64D49, #A2605D, #8D7372, #788687 and #64999B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B54C48 shade: #B64980, #B64962, #B64C49, #B66A49 and #B68749

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B54C48 shade: #7B3431, #99403D, #B64D49, #C26A66 and #CE8684

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B54C48 shade: #B54C48, #9DB649 and #4971B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B54C48 shade: #B54C48, #49B64C and #4C49B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B54C48 shade: #B54C48, #9DB649, #49B3B6 and #6249B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B54C48 shade: #B54C48, #7CB649, #49B3B6 and #8349B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 60 / 29

HEX #B54C48

RGB 181 76 72

HSL 2.2, 0.43%, 0.5%

LAB 46.26, 42.36, 23.88

 

Complementary color

CMYK 60 / 2 / 0 / 28

HEX #4AB3B7

RGB 74 179 183

HSL 182.2, 0.43%, 0.5%

LAB 67.36, -28.66, -11.1

 

CMYK 0 / 59 / 64 / 27

HEX #BA4C43

RGB 186 76 67

HSL 4.54, 0.47%, 0.5%

LAB 46.99, 43.84, 27.94

 

CMYK 0 / 54 / 58 / 20

HEX #CB5E56

RGB 203 94 86

HSL 4.1, 0.53%, 0.57%

LAB 53.36, 42.66, 25.5

 

CMYK 0 / 49 / 52 / 14

HEX #DC7069

RGB 220 112 105

HSL 3.65, 0.62%, 0.64%

LAB 59.73, 41.47, 23.43

 

CMYK 0 / 45 / 48 / 7

HEX #ED827C

RGB 237 130 124

HSL 3.19, 0.76%, 0.71%

LAB 66.08, 40.32, 21.63

 

CMYK 0 / 42 / 44 / 0

HEX #FE948F

RGB 254 148 143

HSL 2.7, 0.98%, 0.78%

LAB 72.38, 39.25, 20.04

 

CMYK 0 / 58 / 60 / 29

HEX #B54C48

RGB 181 76 72

HSL 2.2, 0.43%, 0.5%

LAB 46.26, 42.36, 23.88

 

CMYK 0 / 65 / 68 / 36

HEX #A43A35

RGB 164 58 53

HSL 2.7, 0.51%, 0.43%

LAB 39.87, 43.42, 26.66

 

CMYK 0 / 73 / 77 / 42

HEX #932822

RGB 147 40 34

HSL 3.19, 0.62%, 0.35%

LAB 33.64, 44.18, 30.01

 

CMYK 0 / 83 / 88 / 49

HEX #82160F

RGB 130 22 15

HSL 3.65, 0.79%, 0.28%

LAB 27.72, 44.23, 33.77

 

CMYK 0 / 96 / 100 / 56

HEX #710400

RGB 113 4 0

HSL 2.12, 1%, 0.22%

LAB 22.29, 43.05, 33.67

 

CMYK 0 / 58 / 60 / 29

HEX #B64D49

RGB 182 77 73

HSL 2.2, 0.43%, 0.5%

LAB 46.62, 42.32, 23.79

 

CMYK 0 / 60 / 60 / 29

HEX #B64949

RGB 182 73 73

HSL 0, 0.43%, 0.5%

LAB 45.89, 44.23, 22.84

 

CMYK 0 / 58 / 60 / 29

HEX #B64D49

RGB 182 77 73

HSL 2.2, 0.43%, 0.5%

LAB 46.62, 42.32, 23.79

 

CMYK 0 / 42 / 60 / 29

HEX #B66A49

RGB 182 106 73

HSL 18.17, 0.43%, 0.5%

LAB 52.66, 27.17, 31.4

 

CMYK 0 / 25 / 60 / 29

HEX #B68849

RGB 182 136 73

HSL 34.68, 0.43%, 0.5%

LAB 59.92, 10.52, 40.15

 

CMYK 0 / 9 / 60 / 29

HEX #B6A549

RGB 182 165 73

HSL 50.64, 0.43%, 0.5%

LAB 67.53, -5.28, 48.88

 

CMYK 7 / 0 / 60 / 29

HEX #AAB649

RGB 170 182 73

HSL 66.61, 0.43%, 0.5%

LAB 71.2, -19.18, 52.67

 

CMYK 0 / 58 / 60 / 29

HEX #B64D49

RGB 182 77 73

HSL 2.2, 0.43%, 0.5%

LAB 46.62, 42.32, 23.79

 

CMYK 0 / 71 / 74 / 20

HEX #CB3A34

RGB 203 58 52

HSL 2.38, 0.59%, 0.5%

LAB 46.94, 56.44, 37.27

 

CMYK 0 / 83 / 86 / 12

HEX #E0261F

RGB 224 38 31

HSL 2.18, 0.76%, 0.5%

LAB 48.68, 67.9, 51.29

 

CMYK 0 / 92 / 95 / 4

HEX #F4130B

RGB 244 19 11

HSL 2.06, 0.91%, 0.5%

LAB 51.52, 76, 62.43

 

CMYK 0 / 58 / 60 / 29

HEX #B64D49

RGB 182 77 73

HSL 2.2, 0.43%, 0.5%

LAB 46.62, 42.32, 23.79

 

CMYK 0 / 41 / 43 / 36

HEX #A2605D

RGB 162 96 93

HSL 2.61, 0.27%, 0.5%

LAB 48.05, 26.46, 13.25

 

CMYK 0 / 18 / 19 / 45

HEX #8D7372

RGB 141 115 114

HSL 2.22, 0.11%, 0.5%

LAB 50.85, 10, 4.38

 

CMYK 11 / 1 / 0 / 47

HEX #788687

RGB 120 134 135

HSL 184, 0.06%, 0.5%

LAB 54.86, -4.87, -2.28

 

CMYK 35 / 1 / 0 / 39

HEX #64999B

RGB 100 153 155

HSL 182.18, 0.22%, 0.5%

LAB 59.76, -16.96, -6.64

 

CMYK 0 / 60 / 30 / 29

HEX #B64980

RGB 182 73 128

HSL 329.72, 0.43%, 0.5%

LAB 47.33, 49.82, -8.56

 

CMYK 0 / 60 / 46 / 29

HEX #B64962

RGB 182 73 98

HSL 346.24, 0.43%, 0.5%

LAB 46.43, 46.38, 8.4

 

CMYK 0 / 58 / 60 / 29

HEX #B64C49

RGB 182 76 73

HSL 1.65, 0.43%, 0.5%

LAB 46.44, 42.8, 23.55

 

CMYK 0 / 42 / 60 / 29

HEX #B66A49

RGB 182 106 73

HSL 18.17, 0.43%, 0.5%

LAB 52.66, 27.17, 31.4

 

CMYK 0 / 26 / 60 / 29

HEX #B68749

RGB 182 135 73

HSL 34.13, 0.43%, 0.5%

LAB 59.67, 11.07, 39.85

 

CMYK 0 / 58 / 60 / 52

HEX #7B3431

RGB 123 52 49

HSL 2.43, 0.43%, 0.34%

LAB 31.55, 30.69, 17.14

 

CMYK 0 / 58 / 60 / 40

HEX #99403D

RGB 153 64 61

HSL 1.96, 0.43%, 0.42%

LAB 39.2, 37.06, 20.53

 

CMYK 0 / 58 / 60 / 29

HEX #B64D49

RGB 182 77 73

HSL 2.2, 0.43%, 0.5%

LAB 46.62, 42.32, 23.79

 

CMYK 0 / 45 / 47 / 24

HEX #C26A66

RGB 194 106 102

HSL 2.61, 0.43%, 0.58%

LAB 54.8, 34.5, 17.89

 

CMYK 0 / 35 / 36 / 19

HEX #CE8684

RGB 206 134 132

HSL 1.62, 0.43%, 0.66%

LAB 63.21, 27.39, 12.54

 

CMYK 0 / 58 / 60 / 29

HEX #B54C48

RGB 181 76 72

HSL 2.2, 0.43%, 0.5%

LAB 46.26, 42.36, 23.88

 

CMYK 14 / 0 / 60 / 29

HEX #9DB649

RGB 157 182 73

HSL 73.76, 0.43%, 0.5%

LAB 70.25, -24.53, 51.35

 

CMYK 60 / 38 / 0 / 29

HEX #4971B6

RGB 73 113 182

HSL 217.98, 0.43%, 0.5%

LAB 47.76, 7.43, -40.75

 

CMYK 0 / 58 / 60 / 29

HEX #B54C48

RGB 181 76 72

HSL 2.2, 0.43%, 0.5%

LAB 46.26, 42.36, 23.88

 

CMYK 60 / 0 / 58 / 29

HEX #49B64C

RGB 73 182 76

HSL 121.65, 0.43%, 0.5%

LAB 66.05, -52.47, 44.08

 

CMYK 58 / 60 / 0 / 29

HEX #4C49B6

RGB 76 73 182

HSL 241.65, 0.43%, 0.5%

LAB 37.26, 33.27, -57.58

 

CMYK 0 / 58 / 60 / 29

HEX #B54C48

RGB 181 76 72

HSL 2.2, 0.43%, 0.5%

LAB 46.26, 42.36, 23.88

 

CMYK 14 / 0 / 60 / 29

HEX #9DB649

RGB 157 182 73

HSL 73.76, 0.43%, 0.5%

LAB 70.25, -24.53, 51.35

 

CMYK 60 / 2 / 0 / 29

HEX #49B3B6

RGB 73 179 182

HSL 181.65, 0.43%, 0.5%

LAB 67.3, -29.12, -10.64

 

CMYK 46 / 60 / 0 / 29

HEX #6249B6

RGB 98 73 182

HSL 253.76, 0.43%, 0.5%

LAB 39.14, 37.63, -54.45

 

CMYK 0 / 58 / 60 / 29

HEX #B54C48

RGB 181 76 72

HSL 2.2, 0.43%, 0.5%

LAB 46.26, 42.36, 23.88

 

CMYK 32 / 0 / 60 / 29

HEX #7CB649

RGB 124 182 73

HSL 91.93, 0.43%, 0.5%

LAB 68.18, -37.28, 48.47

 

CMYK 60 / 2 / 0 / 29

HEX #49B3B6

RGB 73 179 182

HSL 181.65, 0.43%, 0.5%

LAB 67.3, -29.12, -10.64

 

CMYK 28 / 60 / 0 / 29

HEX #8349B6

RGB 131 73 182

HSL 271.93, 0.43%, 0.5%

LAB 42.71, 45.23, -48.51

 

Description

Color code: HEX #B54C48 | qconv.com Color code: HEX #B54C48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 76 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 76 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 60 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 60% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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