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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B54BD9 it is the complementary color #4AB426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B54BD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B54BD9 shade: #BA4BD4, #CB5DE7, #DC6FFA, #ED81FF and #FE93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B54BD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B54BD9 shade: #B54BD9, #A439C6, #9327B3, #8215A0 and #71038D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B54BD9 shade: #B44AD9, #D94AD6, #D94AB0, #D94A89 and #D94A63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B54BD9 shade: #B44AD9, #8E4AD9, #684AD9 and #4A4AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B54BD9 shade matches the following richer shades: #B44AD9, #BD38EA and #C627FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B54BD9 shade: #B44AD9, #AC5CC7, #A36EB5, #9A7FA3 and #929192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B54BD9 shade: #674AD9, #8D4AD9, #B34AD9, #D94AD9 and #D94AB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B54BD9 shade: #8924AC, #A52CCE, #B44AD9, #C36CE0 and #D18EE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B54BD9 shade: #B54BD9, #D94A54 and #4AD97A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B54BD9 shade: #B54BD9, #D9B34A and #4AD9B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B54BD9 shade: #B54BD9, #D94A54, #70D94A and #4AD9CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B54BD9 shade: #B54BD9, #D96B4A, #70D94A and #4AB7D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 65 / 0 / 15

HEX #B54BD9

RGB 181 75 217

HSL 284.79, 0.65%, 0.57%

LAB 51.68, 63.53, -53.99

 

Complementary color

CMYK 59 / 0 / 79 / 29

HEX #4AB426

RGB 74 180 38

HSL 104.79, 0.65%, 0.43%

LAB 65.15, -54.92, 58.24

 

CMYK 12 / 65 / 0 / 17

HEX #BA4BD4

RGB 186 75 212

HSL 288.61, 0.61%, 0.56%

LAB 52.09, 63.69, -50.45

 

CMYK 12 / 60 / 0 / 9

HEX #CB5DE7

RGB 203 93 231

HSL 287.83, 0.74%, 0.64%

LAB 58.32, 63.41, -51.14

 

CMYK 12 / 56 / 0 / 2

HEX #DC6FFA

RGB 220 111 250

HSL 287.05, 0.93%, 0.71%

LAB 64.55, 62.92, -51.65

 

CMYK 7 / 49 / 0 / 0

HEX #ED81FF

RGB 237 129 255

HSL 291.43, 1%, 0.75%

LAB 70.12, 59.65, -45.46

 

CMYK 0 / 42 / 0 / 0

HEX #FE93FF

RGB 254 147 255

HSL 299.44, 1%, 0.79%

LAB 75.55, 55.54, -36.85

 

CMYK 17 / 65 / 0 / 15

HEX #B54BD9

RGB 181 75 217

HSL 284.79, 0.65%, 0.57%

LAB 51.68, 63.53, -53.99

 

CMYK 17 / 71 / 0 / 22

HEX #A439C6

RGB 164 57 198

HSL 285.53, 0.55%, 0.5%

LAB 45.49, 63.5, -53.15

 

CMYK 18 / 78 / 0 / 30

HEX #9327B3

RGB 147 39 179

HSL 286.29, 0.64%, 0.43%

LAB 39.43, 62.86, -51.91

 

CMYK 19 / 87 / 0 / 37

HEX #8215A0

RGB 130 21 160

HSL 287.05, 0.77%, 0.35%

LAB 33.61, 61.22, -50.07

 

CMYK 20 / 98 / 0 / 45

HEX #71038D

RGB 113 3 141

HSL 287.83, 0.96%, 0.28%

LAB 28.11, 58.24, -47.46

 

CMYK 17 / 66 / 0 / 15

HEX #B44AD9

RGB 180 74 217

HSL 284.48, 0.65%, 0.57%

LAB 51.39, 63.73, -54.46

 

CMYK 0 / 66 / 1 / 15

HEX #D94AD6

RGB 217 74 214

HSL 301.26, 0.65%, 0.57%

LAB 56.59, 71.55, -44.17

 

CMYK 0 / 66 / 19 / 15

HEX #D94AB0

RGB 217 74 176

HSL 317.2, 0.65%, 0.57%

LAB 54.85, 65.85, -25.06

 

CMYK 0 / 66 / 37 / 15

HEX #D94A89

RGB 217 74 137

HSL 333.57, 0.65%, 0.57%

LAB 53.44, 61.02, -4.24

 

CMYK 0 / 66 / 54 / 15

HEX #D94A63

RGB 217 74 99

HSL 349.51, 0.65%, 0.57%

LAB 52.45, 57.48, 17.04

 

CMYK 17 / 66 / 0 / 15

HEX #B44AD9

RGB 180 74 217

HSL 284.48, 0.65%, 0.57%

LAB 51.39, 63.73, -54.46

 

CMYK 35 / 66 / 0 / 15

HEX #8E4AD9

RGB 142 74 217

HSL 268.53, 0.65%, 0.57%

LAB 46.52, 55.61, -62.56

 

CMYK 52 / 66 / 0 / 15

HEX #684AD9

RGB 104 74 217

HSL 252.59, 0.65%, 0.57%

LAB 42.54, 48.42, -69.22

 

CMYK 66 / 66 / 0 / 15

HEX #4A4AD9

RGB 74 74 217

HSL 240, 0.65%, 0.57%

LAB 40.19, 43.87, -73.16

 

CMYK 17 / 66 / 0 / 15

HEX #B44AD9

RGB 180 74 217

HSL 284.48, 0.65%, 0.57%

LAB 51.39, 63.73, -54.46

 

CMYK 19 / 76 / 0 / 8

HEX #BD38EA

RGB 189 56 234

HSL 284.83, 0.81%, 0.57%

LAB 51.37, 75.53, -64.06

 

CMYK 21 / 85 / 0 / 1

HEX #C627FC

RGB 198 39 252

HSL 284.79, 0.97%, 0.57%

LAB 52.38, 84.83, -72.44

 

CMYK 17 / 66 / 0 / 15

HEX #B44AD9

RGB 180 74 217

HSL 284.48, 0.65%, 0.57%

LAB 51.39, 63.73, -54.46

 

CMYK 14 / 54 / 0 / 22

HEX #AC5CC7

RGB 172 92 199

HSL 284.86, 0.49%, 0.57%

LAB 52.45, 49.67, -42.56

 

CMYK 10 / 39 / 0 / 29

HEX #A36EB5

RGB 163 110 181

HSL 284.79, 0.32%, 0.57%

LAB 54.32, 33.6, -29.36

 

CMYK 6 / 22 / 0 / 36

HEX #9A7FA3

RGB 154 127 163

HSL 285, 0.16%, 0.57%

LAB 56.78, 17.12, -15.29

 

CMYK 0 / 1 / 0 / 43

HEX #929192

RGB 146 145 146

HSL 300, 0%, 0.57%

LAB 60.28, 0.56, -0.41

 

CMYK 53 / 66 / 0 / 15

HEX #674AD9

RGB 103 74 217

HSL 252.17, 0.65%, 0.57%

LAB 42.45, 48.25, -69.37

 

CMYK 35 / 66 / 0 / 15

HEX #8D4AD9

RGB 141 74 217

HSL 268.11, 0.65%, 0.57%

LAB 46.41, 55.41, -62.76

 

CMYK 18 / 66 / 0 / 15

HEX #B34AD9

RGB 179 74 217

HSL 284.06, 0.65%, 0.57%

LAB 51.26, 63.51, -54.69

 

CMYK 0 / 66 / 0 / 15

HEX #D94AD9

RGB 217 74 217

HSL 300, 0.65%, 0.57%

LAB 56.74, 72.04, -45.63

 

CMYK 0 / 66 / 18 / 15

HEX #D94AB3

RGB 217 74 179

HSL 315.94, 0.65%, 0.57%

LAB 54.97, 66.26, -26.61

 

CMYK 20 / 79 / 0 / 33

HEX #8924AC

RGB 137 36 172

HSL 284.56, 0.65%, 0.41%

LAB 37.04, 60.6, -51.68

 

CMYK 20 / 79 / 0 / 19

HEX #A52CCE

RGB 165 44 206

HSL 284.81, 0.65%, 0.49%

LAB 44.6, 69.73, -59.21

 

CMYK 17 / 66 / 0 / 15

HEX #B44AD9

RGB 180 74 217

HSL 284.48, 0.65%, 0.57%

LAB 51.39, 63.73, -54.46

 

CMYK 13 / 52 / 0 / 12

HEX #C36CE0

RGB 195 108 224

HSL 285, 0.65%, 0.65%

LAB 59.62, 52.81, -45.21

 

CMYK 10 / 39 / 0 / 9

HEX #D18EE7

RGB 209 142 231

HSL 285.17, 0.65%, 0.73%

LAB 68.51, 40.4, -35.07

 

CMYK 17 / 65 / 0 / 15

HEX #B54BD9

RGB 181 75 217

HSL 284.79, 0.65%, 0.57%

LAB 51.68, 63.53, -53.99

 

CMYK 0 / 66 / 61 / 15

HEX #D94A54

RGB 217 74 84

HSL 355.8, 0.65%, 0.57%

LAB 52.16, 56.42, 25.57

 

CMYK 66 / 0 / 44 / 15

HEX #4AD97A

RGB 74 217 122

HSL 140.14, 0.65%, 0.57%

LAB 77.57, -58.6, 35.83

 

CMYK 17 / 65 / 0 / 15

HEX #B54BD9

RGB 181 75 217

HSL 284.79, 0.65%, 0.57%

LAB 51.68, 63.53, -53.99

 

CMYK 0 / 18 / 66 / 15

HEX #D9B34A

RGB 217 179 74

HSL 44.06, 0.65%, 0.57%

LAB 74.5, 2.4, 57

 

CMYK 66 / 0 / 18 / 15

HEX #4AD9B3

RGB 74 217 179

HSL 164.06, 0.65%, 0.57%

LAB 78.66, -47, 7.63

 

CMYK 17 / 65 / 0 / 15

HEX #B54BD9

RGB 181 75 217

HSL 284.79, 0.65%, 0.57%

LAB 51.68, 63.53, -53.99

 

CMYK 0 / 66 / 61 / 15

HEX #D94A54

RGB 217 74 84

HSL 355.8, 0.65%, 0.57%

LAB 52.16, 56.42, 25.57

 

CMYK 48 / 0 / 66 / 15

HEX #70D94A

RGB 112 217 74

HSL 104.06, 0.65%, 0.57%

LAB 78.21, -55.6, 58.92

 

CMYK 66 / 0 / 5 / 15

HEX #4AD9CF

RGB 74 217 207

HSL 175.8, 0.65%, 0.57%

LAB 79.38, -39.89, -6.27

 

CMYK 17 / 65 / 0 / 15

HEX #B54BD9

RGB 181 75 217

HSL 284.79, 0.65%, 0.57%

LAB 51.68, 63.53, -53.99

 

CMYK 0 / 51 / 66 / 15

HEX #D96B4A

RGB 217 107 74

HSL 13.85, 0.65%, 0.57%

LAB 57.81, 40.61, 38.24

 

CMYK 48 / 0 / 66 / 15

HEX #70D94A

RGB 112 217 74

HSL 104.06, 0.65%, 0.57%

LAB 78.21, -55.6, 58.92

 

CMYK 66 / 16 / 0 / 15

HEX #4AB7D9

RGB 74 183 217

HSL 194.27, 0.65%, 0.57%

LAB 69.71, -20.57, -26.26

 

Description

Color code: HEX #B54BD9 | qconv.com Color code: HEX #B54BD9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 75 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 75 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 65 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 65% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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