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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5478E it is the complementary color #4AB871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5478E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5478E shade: #BA4789, #CB599C, #DC6BAF, #ED7DC2 and #FE8FD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5478E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5478E shade: #B5478E, #A4357B, #932368, #821155 and #710042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5478E shade: #B4468D, #B4466F, #B44652 and #B44646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5478E shade: #B4468D, #B446AB, #A046B4, #8246B4 and #6446B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5478E shade matches the following richer shades: #B4468D, #C83293, #DC1E99 and #F1099F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5478E shade: #B4468D, #A05A87, #8B6E81, #77837B and #639775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5478E shade: #A046B4, #B446AB, #B4468D, #B44670 and #B44653

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5478E shade: #792F5E, #963A76, #B4468D, #C261A0 and #CD7FB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5478E shade: #B5478E, #B48246 and #46B4AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5478E shade: #B5478E, #8DB446 and #468DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5478E shade: #B5478E, #B48246, #46B46C and #4677B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5478E shade: #B5478E, #B4A346, #46B46C and #4656B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 22 / 29

HEX #B5478E

RGB 181 71 142

HSL 321.27, 0.44%, 0.49%

LAB 47.34, 52.34, -16.98

 

Complementary color

CMYK 60 / 0 / 39 / 28

HEX #4AB871

RGB 74 184 113

HSL 141.27, 0.44%, 0.51%

LAB 67.22, -47.39, 26.95

 

CMYK 0 / 62 / 26 / 27

HEX #BA4789

RGB 186 71 137

HSL 325.57, 0.45%, 0.5%

LAB 47.95, 53.13, -12.99

 

CMYK 0 / 56 / 23 / 20

HEX #CB599C

RGB 203 89 156

HSL 324.74, 0.52%, 0.57%

LAB 54.28, 52.7, -14.43

 

CMYK 0 / 51 / 20 / 14

HEX #DC6BAF

RGB 220 107 175

HSL 323.89, 0.62%, 0.64%

LAB 60.63, 52.08, -15.61

 

CMYK 0 / 47 / 18 / 7

HEX #ED7DC2

RGB 237 125 194

HSL 323.04, 0.76%, 0.71%

LAB 66.95, 51.38, -16.61

 

CMYK 0 / 44 / 16 / 0

HEX #FE8FD5

RGB 254 143 213

HSL 322.16, 0.98%, 0.78%

LAB 73.23, 50.65, -17.47

 

CMYK 0 / 61 / 22 / 29

HEX #B5478E

RGB 181 71 142

HSL 321.27, 0.44%, 0.49%

LAB 47.34, 52.34, -16.98

 

CMYK 0 / 68 / 25 / 36

HEX #A4357B

RGB 164 53 123

HSL 322.16, 0.51%, 0.43%

LAB 41.01, 52.46, -15.34

 

CMYK 0 / 76 / 29 / 42

HEX #932368

RGB 147 35 104

HSL 323.04, 0.62%, 0.36%

LAB 34.81, 51.98, -13.15

 

CMYK 0 / 87 / 35 / 49

HEX #821155

RGB 130 17 85

HSL 323.89, 0.77%, 0.29%

LAB 28.91, 50.43, -10.12

 

CMYK 0 / 100 / 42 / 56

HEX #710042

RGB 113 0 66

HSL 324.96, 1%, 0.22%

LAB 23.35, 47.6, -6.07

 

CMYK 0 / 61 / 22 / 29

HEX #B4468D

RGB 180 70 141

HSL 321.27, 0.44%, 0.49%

LAB 46.98, 52.35, -16.95

 

CMYK 0 / 61 / 38 / 29

HEX #B4466F

RGB 180 70 111

HSL 337.64, 0.44%, 0.49%

LAB 45.95, 48.49, -0.29

 

CMYK 0 / 61 / 54 / 29

HEX #B44652

RGB 180 70 82

HSL 353.45, 0.44%, 0.49%

LAB 45.21, 45.63, 16.42

 

CMYK 0 / 61 / 61 / 29

HEX #B44646

RGB 180 70 70

HSL 0, 0.44%, 0.49%

LAB 44.98, 44.71, 23.4

 

CMYK 0 / 61 / 22 / 29

HEX #B4468D

RGB 180 70 141

HSL 321.27, 0.44%, 0.49%

LAB 46.98, 52.35, -16.95

 

CMYK 0 / 61 / 5 / 29

HEX #B446AB

RGB 180 70 171

HSL 304.91, 0.44%, 0.49%

LAB 48.29, 57.01, -32.77

 

CMYK 11 / 61 / 0 / 29

HEX #A046B4

RGB 160 70 180

HSL 289.09, 0.44%, 0.49%

LAB 45.84, 53.5, -42.13

 

CMYK 28 / 61 / 0 / 29

HEX #8246B4

RGB 130 70 180

HSL 272.73, 0.44%, 0.49%

LAB 41.88, 46.1, -48.68

 

CMYK 44 / 61 / 0 / 29

HEX #6446B4

RGB 100 70 180

HSL 256.36, 0.44%, 0.49%

LAB 38.52, 39.23, -54.26

 

CMYK 0 / 61 / 22 / 29

HEX #B4468D

RGB 180 70 141

HSL 321.27, 0.44%, 0.49%

LAB 46.98, 52.35, -16.95

 

CMYK 0 / 75 / 27 / 22

HEX #C83293

RGB 200 50 147

HSL 321.2, 0.6%, 0.49%

LAB 47.84, 66.12, -18.95

 

CMYK 0 / 86 / 30 / 14

HEX #DC1E99

RGB 220 30 153

HSL 321.16, 0.76%, 0.49%

LAB 50.03, 76.24, -18.87

 

CMYK 0 / 96 / 34 / 5

HEX #F1099F

RGB 241 9 159

HSL 321.21, 0.93%, 0.49%

LAB 53.38, 83.67, -16.96

 

CMYK 0 / 61 / 22 / 29

HEX #B4468D

RGB 180 70 141

HSL 321.27, 0.44%, 0.49%

LAB 46.98, 52.35, -16.95

 

CMYK 0 / 44 / 16 / 37

HEX #A05A87

RGB 160 90 135

HSL 321.43, 0.28%, 0.49%

LAB 47.67, 34.99, -12.57

 

CMYK 0 / 21 / 7 / 45

HEX #8B6E81

RGB 139 110 129

HSL 320.69, 0.12%, 0.49%

LAB 49.77, 14.83, -6.1

 

CMYK 9 / 0 / 6 / 49

HEX #77837B

RGB 119 131 123

HSL 140, 0.05%, 0.49%

LAB 53.58, -6.05, 2.81

 

CMYK 34 / 0 / 23 / 41

HEX #639775

RGB 99 151 117

HSL 140.77, 0.21%, 0.49%

LAB 58.1, -24.9, 12.51

 

CMYK 11 / 61 / 0 / 29

HEX #A046B4

RGB 160 70 180

HSL 289.09, 0.44%, 0.49%

LAB 45.84, 53.5, -42.13

 

CMYK 0 / 61 / 5 / 29

HEX #B446AB

RGB 180 70 171

HSL 304.91, 0.44%, 0.49%

LAB 48.29, 57.01, -32.77

 

CMYK 0 / 61 / 22 / 29

HEX #B4468D

RGB 180 70 141

HSL 321.27, 0.44%, 0.49%

LAB 46.98, 52.35, -16.95

 

CMYK 0 / 61 / 38 / 29

HEX #B44670

RGB 180 70 112

HSL 337.09, 0.44%, 0.49%

LAB 45.98, 48.6, -0.86

 

CMYK 0 / 61 / 54 / 29

HEX #B44653

RGB 180 70 83

HSL 352.91, 0.44%, 0.49%

LAB 45.23, 45.71, 15.84

 

CMYK 0 / 61 / 22 / 53

HEX #792F5E

RGB 121 47 94

HSL 321.89, 0.44%, 0.33%

LAB 31.59, 37.95, -12.06

 

CMYK 0 / 61 / 21 / 41

HEX #963A76

RGB 150 58 118

HSL 320.87, 0.44%, 0.41%

LAB 39.27, 45.45, -15.1

 

CMYK 0 / 61 / 22 / 29

HEX #B4468D

RGB 180 70 141

HSL 321.27, 0.44%, 0.49%

LAB 46.98, 52.35, -16.95

 

CMYK 0 / 50 / 18 / 24

HEX #C261A0

RGB 194 97 160

HSL 321.03, 0.44%, 0.57%

LAB 54.61, 46.59, -16.4

 

CMYK 0 / 38 / 13 / 20

HEX #CD7FB2

RGB 205 127 178

HSL 320.77, 0.44%, 0.65%

LAB 62.82, 37.44, -14.2

 

CMYK 0 / 61 / 22 / 29

HEX #B5478E

RGB 181 71 142

HSL 321.27, 0.44%, 0.49%

LAB 47.34, 52.34, -16.98

 

CMYK 0 / 28 / 61 / 29

HEX #B48246

RGB 180 130 70

HSL 32.73, 0.44%, 0.49%

LAB 58.14, 12.76, 39.55

 

CMYK 61 / 0 / 3 / 29

HEX #46B4AE

RGB 70 180 174

HSL 176.73, 0.44%, 0.49%

LAB 67.28, -32.37, -6.26

 

CMYK 0 / 61 / 22 / 29

HEX #B5478E

RGB 181 71 142

HSL 321.27, 0.44%, 0.49%

LAB 47.34, 52.34, -16.98

 

CMYK 22 / 0 / 61 / 29

HEX #8DB446

RGB 141 180 70

HSL 81.27, 0.44%, 0.49%

LAB 68.57, -30.2, 50.52

 

CMYK 61 / 22 / 0 / 29

HEX #468DB4

RGB 70 141 180

HSL 201.27, 0.44%, 0.49%

LAB 55.73, -10.37, -27.12

 

CMYK 0 / 61 / 22 / 29

HEX #B5478E

RGB 181 71 142

HSL 321.27, 0.44%, 0.49%

LAB 47.34, 52.34, -16.98

 

CMYK 0 / 28 / 61 / 29

HEX #B48246

RGB 180 130 70

HSL 32.73, 0.44%, 0.49%

LAB 58.14, 12.76, 39.55

 

CMYK 61 / 0 / 40 / 29

HEX #46B46C

RGB 70 180 108

HSL 140.73, 0.44%, 0.49%

LAB 65.77, -47.55, 27.65

 

CMYK 61 / 34 / 0 / 29

HEX #4677B4

RGB 70 119 180

HSL 213.27, 0.44%, 0.49%

LAB 49.24, 2.48, -37.26

 

CMYK 0 / 61 / 22 / 29

HEX #B5478E

RGB 181 71 142

HSL 321.27, 0.44%, 0.49%

LAB 47.34, 52.34, -16.98

 

CMYK 0 / 9 / 61 / 29

HEX #B4A346

RGB 180 163 70

HSL 50.73, 0.44%, 0.49%

LAB 66.78, -5.29, 49.38

 

CMYK 61 / 0 / 40 / 29

HEX #46B46C

RGB 70 180 108

HSL 140.73, 0.44%, 0.49%

LAB 65.77, -47.55, 27.65

 

CMYK 61 / 52 / 0 / 29

HEX #4656B4

RGB 70 86 180

HSL 231.27, 0.44%, 0.49%

LAB 40, 23.24, -51.99

 

Description

Color code: HEX #B5478E | qconv.com Color code: HEX #B5478E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 71 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 71 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 22 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 22% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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