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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B54423 it is the complementary color #4ABBDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B54423. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B54423 shade: #BA441E, #CB5631, #DC6844, #ED7A57 and #FE8C6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B54423. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B54423 shade: #B54423, #A43210, #932000, #820E00 and #710000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B54423 shade: #B44322 and #B42222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B54423 shade: #B44322, #B46A22, #B49222, #AFB422 and #88B422

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B54423 shade matches the following richer shades: #B44322 and #C53A11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B54423 shade: #B44322, #A34D34, #915645, #806056 and #6F6968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B54423 shade: #B42250, #B4222A, #B44222, #B46922 and #B49022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B54423 shade: #6F2915, #91361C, #B44322, #D65029 and #DD6D4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B54423 shade: #B54423, #77B422 and #223DB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B54423 shade: #B54423, #22B442 and #4222B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B54423 shade: #B54423, #77B422, #2294B4 and #5F22B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B54423 shade: #B54423, #4CB422, #2294B4 and #8B22B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 81 / 29

HEX #B54423

RGB 181 68 35

HSL 13.56, 0.68%, 0.42%

LAB 44.35, 44.19, 42.46

 

Complementary color

CMYK 66 / 15 / 0 / 14

HEX #4ABBDC

RGB 74 187 220

HSL 193.56, 0.68%, 0.58%

LAB 70.98, -21.7, -25.93

 

CMYK 0 / 63 / 84 / 27

HEX #BA441E

RGB 186 68 30

HSL 14.62, 0.72%, 0.42%

LAB 45.17, 45.85, 45.95

 

CMYK 0 / 58 / 76 / 20

HEX #CB5631

RGB 203 86 49

HSL 14.42, 0.61%, 0.49%

LAB 51.35, 44.39, 43.65

 

CMYK 0 / 53 / 69 / 14

HEX #DC6844

RGB 220 104 68

HSL 14.21, 0.68%, 0.56%

LAB 57.59, 42.91, 41.32

 

CMYK 0 / 49 / 63 / 7

HEX #ED7A57

RGB 237 122 87

HSL 14, 0.81%, 0.64%

LAB 63.85, 41.47, 39.15

 

CMYK 0 / 45 / 58 / 0

HEX #FE8C6A

RGB 254 140 106

HSL 13.78, 0.99%, 0.71%

LAB 70.08, 40.11, 37.17

 

CMYK 0 / 62 / 81 / 29

HEX #B54423

RGB 181 68 35

HSL 13.56, 0.68%, 0.42%

LAB 44.35, 44.19, 42.46

 

CMYK 0 / 70 / 90 / 36

HEX #A43210

RGB 164 50 16

HSL 13.78, 0.82%, 0.35%

LAB 38.22, 45.47, 44.6

 

CMYK 0 / 78 / 100 / 42

HEX #932000

RGB 147 32 0

HSL 13.06, 1%, 0.29%

LAB 32.34, 46.25, 45.24

 

CMYK 0 / 89 / 100 / 49

HEX #820E00

RGB 130 14 0

HSL 6.46, 1%, 0.25%

LAB 26.9, 45.99, 39.48

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 63 / 81 / 29

HEX #B44322

RGB 180 67 34

HSL 13.56, 0.68%, 0.42%

LAB 43.99, 44.25, 42.56

 

CMYK 0 / 81 / 81 / 29

HEX #B42222

RGB 180 34 34

HSL 0, 0.68%, 0.42%

LAB 39.52, 56.52, 38.19

 

CMYK 0 / 63 / 81 / 29

HEX #B44322

RGB 180 67 34

HSL 13.56, 0.68%, 0.42%

LAB 43.99, 44.25, 42.56

 

CMYK 0 / 41 / 81 / 29

HEX #B46A22

RGB 180 106 34

HSL 29.59, 0.68%, 0.42%

LAB 51.98, 24.17, 50.07

 

CMYK 0 / 19 / 81 / 29

HEX #B49222

RGB 180 146 34

HSL 46.03, 0.68%, 0.42%

LAB 61.98, 2, 59.07

 

CMYK 3 / 0 / 81 / 29

HEX #AFB422

RGB 175 180 34

HSL 62.05, 0.68%, 0.42%

LAB 70.78, -18.12, 66.6

 

CMYK 24 / 0 / 81 / 29

HEX #88B422

RGB 136 180 34

HSL 78.08, 0.68%, 0.42%

LAB 68.01, -34.41, 63.1

 

CMYK 0 / 63 / 81 / 29

HEX #B44322

RGB 180 67 34

HSL 13.56, 0.68%, 0.42%

LAB 43.99, 44.25, 42.56

 

CMYK 0 / 71 / 91 / 23

HEX #C53A11

RGB 197 58 17

HSL 13.67, 0.84%, 0.42%

LAB 45.55, 53.52, 52.36

 

CMYK 0 / 63 / 81 / 29

HEX #B44322

RGB 180 67 34

HSL 13.56, 0.68%, 0.42%

LAB 43.99, 44.25, 42.56

 

CMYK 0 / 53 / 68 / 36

HEX #A34D34

RGB 163 77 52

HSL 13.51, 0.52%, 0.42%

LAB 43.27, 33.63, 31.27

 

CMYK 0 / 41 / 52 / 43

HEX #915645

RGB 145 86 69

HSL 13.42, 0.36%, 0.42%

LAB 42.92, 22.56, 20.29

 

CMYK 0 / 25 / 33 / 50

HEX #806056

RGB 128 96 86

HSL 14.29, 0.2%, 0.42%

LAB 43.69, 11.48, 10.75

 

CMYK 0 / 5 / 6 / 56

HEX #6F6968

RGB 111 105 104

HSL 8.57, 0.03%, 0.42%

LAB 44.92, 2.15, 1.39

 

CMYK 0 / 81 / 56 / 29

HEX #B42250

RGB 180 34 80

HSL 341.1, 0.68%, 0.42%

LAB 40.29, 58.88, 10.92

 

CMYK 0 / 81 / 77 / 29

HEX #B4222A

RGB 180 34 42

HSL 356.71, 0.68%, 0.42%

LAB 39.6, 56.79, 33.69

 

CMYK 0 / 63 / 81 / 29

HEX #B44222

RGB 180 66 34

HSL 13.15, 0.68%, 0.42%

LAB 43.82, 44.7, 42.4

 

CMYK 0 / 42 / 81 / 29

HEX #B46922

RGB 180 105 34

HSL 29.18, 0.68%, 0.42%

LAB 51.75, 24.72, 49.85

 

CMYK 0 / 20 / 81 / 29

HEX #B49022

RGB 180 144 34

HSL 45.21, 0.68%, 0.42%

LAB 61.45, 3.09, 58.61

 

CMYK 0 / 63 / 81 / 56

HEX #6F2915

RGB 111 41 21

HSL 13.33, 0.68%, 0.26%

LAB 26.79, 29.86, 28.25

 

CMYK 0 / 63 / 81 / 43

HEX #91361C

RGB 145 54 28

HSL 13.33, 0.68%, 0.34%

LAB 35.48, 37.06, 35.21

 

CMYK 0 / 63 / 81 / 29

HEX #B44322

RGB 180 67 34

HSL 13.56, 0.68%, 0.42%

LAB 43.99, 44.25, 42.56

 

CMYK 0 / 63 / 81 / 16

HEX #D65029

RGB 214 80 41

HSL 13.53, 0.68%, 0.5%

LAB 52.06, 50.83, 48.9

 

CMYK 0 / 51 / 66 / 13

HEX #DD6D4C

RGB 221 109 76

HSL 13.66, 0.68%, 0.58%

LAB 58.82, 41.25, 38.5

 

CMYK 0 / 62 / 81 / 29

HEX #B54423

RGB 181 68 35

HSL 13.56, 0.68%, 0.42%

LAB 44.35, 44.19, 42.46

 

CMYK 34 / 0 / 81 / 29

HEX #77B422

RGB 119 180 34

HSL 85.07, 0.68%, 0.42%

LAB 67.04, -40.93, 61.85

 

CMYK 81 / 66 / 0 / 29

HEX #223DB4

RGB 34 61 180

HSL 228.9, 0.68%, 0.42%

LAB 31.75, 34.62, -65.51

 

CMYK 0 / 62 / 81 / 29

HEX #B54423

RGB 181 68 35

HSL 13.56, 0.68%, 0.42%

LAB 44.35, 44.19, 42.46

 

CMYK 81 / 0 / 63 / 29

HEX #22B442

RGB 34 180 66

HSL 133.15, 0.68%, 0.42%

LAB 64.46, -59.89, 46.58

 

CMYK 63 / 81 / 0 / 29

HEX #4222B4

RGB 66 34 180

HSL 253.15, 0.68%, 0.42%

LAB 28.37, 52.82, -71

 

CMYK 0 / 62 / 81 / 29

HEX #B54423

RGB 181 68 35

HSL 13.56, 0.68%, 0.42%

LAB 44.35, 44.19, 42.46

 

CMYK 34 / 0 / 81 / 29

HEX #77B422

RGB 119 180 34

HSL 85.07, 0.68%, 0.42%

LAB 67.04, -40.93, 61.85

 

CMYK 81 / 18 / 0 / 29

HEX #2294B4

RGB 34 148 180

HSL 193.15, 0.68%, 0.42%

LAB 56.89, -19.37, -25.41

 

CMYK 47 / 81 / 0 / 29

HEX #5F22B4

RGB 95 34 180

HSL 265.07, 0.68%, 0.42%

LAB 31.51, 56.26, -65.71

 

CMYK 0 / 62 / 81 / 29

HEX #B54423

RGB 181 68 35

HSL 13.56, 0.68%, 0.42%

LAB 44.35, 44.19, 42.46

 

CMYK 58 / 0 / 81 / 29

HEX #4CB422

RGB 76 180 34

HSL 102.74, 0.68%, 0.42%

LAB 65.2, -54.63, 59.49

 

CMYK 81 / 18 / 0 / 29

HEX #2294B4

RGB 34 148 180

HSL 193.15, 0.68%, 0.42%

LAB 56.89, -19.37, -25.41

 

CMYK 23 / 81 / 0 / 29

HEX #8B22B4

RGB 139 34 180

HSL 283.15, 0.68%, 0.42%

LAB 37.71, 63.16, -55.33

 

Description

Color code: HEX #B54423 | qconv.com Color code: HEX #B54423 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 68 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 68 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 81 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 81% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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