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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B53F94 it is the complementary color #4AC06B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B53F94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B53F94 shade: #BA3F8F, #CB51A2, #DC63B5, #ED75C8 and #FE87DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B53F94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B53F94 shade: #B53F94, #A42D81, #931B6E, #82095B and #710048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B53F94 shade: #B54094, #B54075, #B54055 and #B54040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B53F94 shade: #B54094, #B540B4, #9740B5, #7740B5 and #5740B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B53F94 shade matches the following richer shades: #B54094, #C92C9D, #DD18A6 and #F104AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B53F94 shade: #B54094, #A1538C, #8E6783, #7A7B7A and #668F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B53F94 shade: #9640B5, #B540B5, #B54096, #B54076 and #B54057

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B53F94 shade: #782A62, #97357B, #B54094, #C559A7 and #D078B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B53F94 shade: #B53F94, #B57640 and #40B5A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B53F94 shade: #B53F94, #96B540 and #4096B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B53F94 shade: #B53F94, #B57640, #40B55F and #407EB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B53F94 shade: #B53F94, #B59A40, #40B55F and #405BB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 18 / 29

HEX #B53F94

RGB 181 63 148

HSL 316.78, 0.48%, 0.48%

LAB 46.33, 56.64, -22.14

 

Complementary color

CMYK 61 / 0 / 44 / 25

HEX #4AC06B

RGB 74 192 107

HSL 136.78, 0.48%, 0.52%

LAB 69.62, -51.61, 33.2

 

CMYK 0 / 66 / 23 / 27

HEX #BA3F8F

RGB 186 63 143

HSL 320.98, 0.49%, 0.49%

LAB 46.94, 57.31, -18.12

 

CMYK 0 / 60 / 20 / 20

HEX #CB51A2

RGB 203 81 162

HSL 320.16, 0.54%, 0.56%

LAB 53.16, 57.17, -19.67

 

CMYK 0 / 55 / 18 / 14

HEX #DC63B5

RGB 220 99 181

HSL 319.34, 0.63%, 0.63%

LAB 59.41, 56.74, -20.9

 

CMYK 0 / 51 / 16 / 7

HEX #ED75C8

RGB 237 117 200

HSL 318.5, 0.77%, 0.69%

LAB 65.67, 56.16, -21.93

 

CMYK 0 / 47 / 14 / 0

HEX #FE87DB

RGB 254 135 219

HSL 317.65, 0.98%, 0.76%

LAB 71.9, 55.5, -22.79

 

CMYK 0 / 65 / 18 / 29

HEX #B53F94

RGB 181 63 148

HSL 316.78, 0.48%, 0.48%

LAB 46.33, 56.64, -22.14

 

CMYK 0 / 73 / 21 / 36

HEX #A42D81

RGB 164 45 129

HSL 317.65, 0.57%, 0.41%

LAB 40.17, 56.32, -20.33

 

CMYK 0 / 82 / 25 / 42

HEX #931B6E

RGB 147 27 110

HSL 318.5, 0.69%, 0.34%

LAB 34.22, 55.18, -17.88

 

CMYK 0 / 93 / 30 / 49

HEX #82095B

RGB 130 9 91

HSL 319.34, 0.87%, 0.27%

LAB 28.63, 52.69, -14.49

 

CMYK 0 / 100 / 36 / 56

HEX #710048

RGB 113 0 72

HSL 321.77, 1%, 0.22%

LAB 23.6, 48.25, -9.8

 

CMYK 0 / 65 / 18 / 29

HEX #B54094

RGB 181 64 148

HSL 316.92, 0.48%, 0.48%

LAB 46.48, 56.22, -21.9

 

CMYK 0 / 65 / 35 / 29

HEX #B54075

RGB 181 64 117

HSL 332.82, 0.48%, 0.48%

LAB 45.32, 52.14, -4.86

 

CMYK 0 / 65 / 53 / 29

HEX #B54055

RGB 181 64 85

HSL 349.23, 0.48%, 0.48%

LAB 44.44, 48.91, 13.56

 

CMYK 0 / 65 / 65 / 29

HEX #B54040

RGB 181 64 64

HSL 0, 0.48%, 0.48%

LAB 44.03, 47.37, 25.84

 

CMYK 0 / 65 / 18 / 29

HEX #B54094

RGB 181 64 148

HSL 316.92, 0.48%, 0.48%

LAB 46.48, 56.22, -21.9

 

CMYK 0 / 65 / 1 / 29

HEX #B540B4

RGB 181 64 180

HSL 300.51, 0.48%, 0.48%

LAB 47.99, 61.29, -38.52

 

CMYK 17 / 65 / 0 / 29

HEX #9740B5

RGB 151 64 181

HSL 284.62, 0.48%, 0.48%

LAB 43.63, 54.27, -46.31

 

CMYK 34 / 65 / 0 / 29

HEX #7740B5

RGB 119 64 181

HSL 268.21, 0.48%, 0.48%

LAB 39.45, 46.94, -53.24

 

CMYK 52 / 65 / 0 / 29

HEX #5740B5

RGB 87 64 181

HSL 251.79, 0.48%, 0.48%

LAB 36.04, 40.4, -58.94

 

CMYK 0 / 65 / 18 / 29

HEX #B54094

RGB 181 64 148

HSL 316.92, 0.48%, 0.48%

LAB 46.48, 56.22, -21.9

 

CMYK 0 / 78 / 22 / 21

HEX #C92C9D

RGB 201 44 157

HSL 316.82, 0.64%, 0.48%

LAB 47.82, 69.36, -24.95

 

CMYK 0 / 89 / 25 / 13

HEX #DD18A6

RGB 221 24 166

HSL 316.75, 0.8%, 0.48%

LAB 50.43, 78.85, -25.97

 

CMYK 0 / 98 / 28 / 5

HEX #F104AE

RGB 241 4 174

HSL 316.96, 0.97%, 0.48%

LAB 53.86, 85.55, -25.07

 

CMYK 0 / 65 / 18 / 29

HEX #B54094

RGB 181 64 148

HSL 316.92, 0.48%, 0.48%

LAB 46.48, 56.22, -21.9

 

CMYK 0 / 48 / 13 / 37

HEX #A1538C

RGB 161 83 140

HSL 316.15, 0.32%, 0.48%

LAB 46.52, 39.93, -17.3

 

CMYK 0 / 27 / 8 / 44

HEX #8E6783

RGB 142 103 131

HSL 316.92, 0.16%, 0.48%

LAB 48.37, 20.43, -9.34

 

CMYK 1 / 0 / 1 / 52

HEX #7A7B7A

RGB 122 123 122

HSL 120, 0%, 0.48%

LAB 51.51, -0.57, 0.41

 

CMYK 29 / 0 / 21 / 44

HEX #668F71

RGB 102 143 113

HSL 136.1, 0.17%, 0.48%

LAB 55.75, -20.63, 11.5

 

CMYK 17 / 65 / 0 / 29

HEX #9640B5

RGB 150 64 181

HSL 284.1, 0.48%, 0.48%

LAB 43.49, 54.04, -46.54

 

CMYK 0 / 65 / 0 / 29

HEX #B540B5

RGB 181 64 181

HSL 300, 0.48%, 0.48%

LAB 48.04, 61.46, -39.03

 

CMYK 0 / 65 / 17 / 29

HEX #B54096

RGB 181 64 150

HSL 315.9, 0.48%, 0.48%

LAB 46.57, 56.52, -22.97

 

CMYK 0 / 65 / 35 / 29

HEX #B54076

RGB 181 64 118

HSL 332.31, 0.48%, 0.48%

LAB 45.36, 52.26, -5.43

 

CMYK 0 / 65 / 52 / 29

HEX #B54057

RGB 181 64 87

HSL 348.21, 0.48%, 0.48%

LAB 44.49, 49.08, 12.4

 

CMYK 0 / 65 / 18 / 53

HEX #782A62

RGB 120 42 98

HSL 316.92, 0.48%, 0.32%

LAB 30.71, 40.66, -16

 

CMYK 0 / 65 / 19 / 41

HEX #97357B

RGB 151 53 123

HSL 317.14, 0.48%, 0.4%

LAB 38.82, 48.75, -18.88

 

CMYK 0 / 65 / 18 / 29

HEX #B54094

RGB 181 64 148

HSL 316.92, 0.48%, 0.48%

LAB 46.48, 56.22, -21.9

 

CMYK 0 / 55 / 15 / 23

HEX #C559A7

RGB 197 89 167

HSL 316.67, 0.48%, 0.56%

LAB 53.82, 52.5, -21.66

 

CMYK 0 / 42 / 12 / 18

HEX #D078B7

RGB 208 120 183

HSL 317.05, 0.48%, 0.64%

LAB 61.88, 42.95, -18.43

 

CMYK 0 / 65 / 18 / 29

HEX #B53F94

RGB 181 63 148

HSL 316.78, 0.48%, 0.48%

LAB 46.33, 56.64, -22.14

 

CMYK 0 / 35 / 65 / 29

HEX #B57640

RGB 181 118 64

HSL 27.69, 0.48%, 0.48%

LAB 55.23, 19.46, 39.3

 

CMYK 65 / 0 / 9 / 29

HEX #40B5A5

RGB 64 181 165

HSL 171.79, 0.48%, 0.48%

LAB 67.17, -36.3, -1.46

 

CMYK 0 / 65 / 18 / 29

HEX #B53F94

RGB 181 63 148

HSL 316.78, 0.48%, 0.48%

LAB 46.33, 56.64, -22.14

 

CMYK 17 / 0 / 65 / 29

HEX #96B540

RGB 150 181 64

HSL 75.9, 0.48%, 0.48%

LAB 69.4, -27.57, 54.18

 

CMYK 65 / 17 / 0 / 29

HEX #4096B5

RGB 64 150 181

HSL 195.9, 0.48%, 0.48%

LAB 58.26, -16.11, -23.81

 

CMYK 0 / 65 / 18 / 29

HEX #B53F94

RGB 181 63 148

HSL 316.78, 0.48%, 0.48%

LAB 46.33, 56.64, -22.14

 

CMYK 0 / 35 / 65 / 29

HEX #B57640

RGB 181 118 64

HSL 27.69, 0.48%, 0.48%

LAB 55.23, 19.46, 39.3

 

CMYK 65 / 0 / 48 / 29

HEX #40B55F

RGB 64 181 95

HSL 135.9, 0.48%, 0.48%

LAB 65.72, -51.4, 34.3

 

CMYK 65 / 30 / 0 / 29

HEX #407EB5

RGB 64 126 181

HSL 208.21, 0.48%, 0.48%

LAB 51.09, -2.51, -34.94

 

CMYK 0 / 65 / 18 / 29

HEX #B53F94

RGB 181 63 148

HSL 316.78, 0.48%, 0.48%

LAB 46.33, 56.64, -22.14

 

CMYK 0 / 15 / 65 / 29

HEX #B59A40

RGB 181 154 64

HSL 46.15, 0.48%, 0.48%

LAB 64.41, -0.43, 49.57

 

CMYK 65 / 0 / 48 / 29

HEX #40B55F

RGB 64 181 95

HSL 135.9, 0.48%, 0.48%

LAB 65.72, -51.4, 34.3

 

CMYK 65 / 50 / 0 / 29

HEX #405BB5

RGB 64 91 181

HSL 226.15, 0.48%, 0.48%

LAB 41.07, 19.29, -50.87

 

Description

Color code: HEX #B53F94 | qconv.com Color code: HEX #B53F94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 63 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 63 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 18 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 18% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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