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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B536B3 it is the complementary color #4AC94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B536B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B536B3 shade: #BA36AE, #CB48C1, #DC5AD4, #ED6CE7 and #FE7EFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B536B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B536B3 shade: #B536B3, #A424A0, #93128D, #82007A and #710067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B536B3 shade: #B536B3, #B53690, #B5366E, #B5364C and #B53636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B536B3 shade: #B536B3, #9436B5, #7236B5, #5036B5 and #3636B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B536B3 shade matches the following richer shades: #B536B3, #C823C5 and #DB10D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B536B3 shade: #B536B3, #A249A0, #8F5C8E, #7C6F7C and #698269

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B536B3 shade: #7136B5, #9336B5, #B536B5, #B53693 and #B53671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B536B3 shade: #752374, #952C93, #B536B3, #C94BC7 and #D36AD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B536B3 shade: #B536B3, #B54F36 and #36B582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B536B3 shade: #B536B3, #B5B536 and #36B5B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B536B3 shade: #B536B3, #B54F36, #36B536 and #369BB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B536B3 shade: #B536B3, #B57536, #36B536 and #3675B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

Complementary color

CMYK 63 / 0 / 62 / 21

HEX #4AC94C

RGB 74 201 76

HSL 120.94, 0.54%, 0.54%

LAB 72.06, -59.15, 50.97

 

CMYK 0 / 71 / 6 / 27

HEX #BA36AE

RGB 186 54 174

HSL 305.45, 0.55%, 0.47%

LAB 47.15, 65.22, -36.27

 

CMYK 0 / 65 / 5 / 20

HEX #CB48C1

RGB 203 72 193

HSL 304.58, 0.56%, 0.54%

LAB 53.15, 65.62, -37.72

 

CMYK 0 / 59 / 4 / 14

HEX #DC5AD4

RGB 220 90 212

HSL 303.69, 0.65%, 0.61%

LAB 59.23, 65.57, -38.84

 

CMYK 0 / 54 / 3 / 7

HEX #ED6CE7

RGB 237 108 231

HSL 302.79, 0.78%, 0.68%

LAB 65.36, 65.25, -39.73

 

CMYK 0 / 50 / 2 / 0

HEX #FE7EFA

RGB 254 126 250

HSL 301.88, 0.98%, 0.75%

LAB 71.48, 64.76, -40.45

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 78 / 2 / 36

HEX #A424A0

RGB 164 36 160

HSL 301.88, 0.64%, 0.39%

LAB 40.72, 63.82, -38.34

 

CMYK 0 / 88 / 4 / 42

HEX #93128D

RGB 147 18 141

HSL 302.79, 0.78%, 0.32%

LAB 35.12, 61.68, -35.87

 

CMYK 0 / 100 / 6 / 49

HEX #82007A

RGB 130 0 122

HSL 303.69, 1%, 0.25%

LAB 29.79, 58.37, -32.67

 

CMYK 0 / 100 / 9 / 56

HEX #710067

RGB 113 0 103

HSL 305.31, 1%, 0.22%

LAB 25.23, 52.34, -27.93

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 70 / 20 / 29

HEX #B53690

RGB 181 54 144

HSL 317.48, 0.54%, 0.46%

LAB 44.91, 59.57, -21.93

 

CMYK 0 / 70 / 39 / 29

HEX #B5366E

RGB 181 54 110

HSL 333.54, 0.54%, 0.46%

LAB 43.64, 55.38, -3.05

 

CMYK 0 / 70 / 58 / 29

HEX #B5364C

RGB 181 54 76

HSL 349.61, 0.54%, 0.46%

LAB 42.74, 52.31, 16.81

 

CMYK 0 / 70 / 70 / 29

HEX #B53636

RGB 181 54 54

HSL 0, 0.54%, 0.46%

LAB 42.35, 50.95, 29.77

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 18 / 70 / 0 / 29

HEX #9436B5

RGB 148 54 181

HSL 284.41, 0.54%, 0.46%

LAB 41.64, 57.94, -49.52

 

CMYK 37 / 70 / 0 / 29

HEX #7236B5

RGB 114 54 181

HSL 268.35, 0.54%, 0.46%

LAB 37.03, 50.92, -57.2

 

CMYK 56 / 70 / 0 / 29

HEX #5036B5

RGB 80 54 181

HSL 252.28, 0.54%, 0.46%

LAB 33.31, 44.87, -63.43

 

CMYK 70 / 70 / 0 / 29

HEX #3636B5

RGB 54 54 181

HSL 240, 0.54%, 0.46%

LAB 31.25, 41.32, -66.88

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 83 / 1 / 22

HEX #C823C5

RGB 200 35 197

HSL 301.09, 0.7%, 0.46%

LAB 48.9, 76.92, -46.79

 

CMYK 0 / 93 / 2 / 14

HEX #DB10D7

RGB 219 16 215

HSL 301.18, 0.86%, 0.46%

LAB 52.22, 85.79, -51.66

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 55 / 1 / 36

HEX #A249A0

RGB 162 73 160

HSL 301.35, 0.38%, 0.46%

LAB 45.61, 48.81, -30.65

 

CMYK 0 / 36 / 1 / 44

HEX #8F5C8E

RGB 143 92 142

HSL 301.18, 0.22%, 0.46%

LAB 46.24, 29.3, -19.14

 

CMYK 0 / 10 / 0 / 51

HEX #7C6F7C

RGB 124 111 124

HSL 300, 0.06%, 0.46%

LAB 48.4, 7.6, -5.33

 

CMYK 19 / 0 / 19 / 49

HEX #698269

RGB 105 130 105

HSL 120, 0.11%, 0.46%

LAB 51.82, -14.22, 10.61

 

CMYK 38 / 70 / 0 / 29

HEX #7136B5

RGB 113 54 181

HSL 267.87, 0.54%, 0.46%

LAB 36.9, 50.73, -57.41

 

CMYK 19 / 70 / 0 / 29

HEX #9336B5

RGB 147 54 181

HSL 283.94, 0.54%, 0.46%

LAB 41.5, 57.73, -49.76

 

CMYK 0 / 70 / 0 / 29

HEX #B536B5

RGB 181 54 181

HSL 300, 0.54%, 0.46%

LAB 46.71, 65.21, -41.13

 

CMYK 0 / 70 / 19 / 29

HEX #B53693

RGB 181 54 147

HSL 316.06, 0.54%, 0.46%

LAB 45.04, 59.98, -23.54

 

CMYK 0 / 70 / 38 / 29

HEX #B53671

RGB 181 54 113

HSL 332.13, 0.54%, 0.46%

LAB 43.73, 55.71, -4.76

 

CMYK 0 / 70 / 1 / 54

HEX #752374

RGB 117 35 116

HSL 300.73, 0.54%, 0.3%

LAB 30.02, 45.95, -28.65

 

CMYK 0 / 70 / 1 / 42

HEX #952C93

RGB 149 44 147

HSL 301.14, 0.54%, 0.38%

LAB 38.37, 55.73, -34.36

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 63 / 1 / 21

HEX #C94BC7

RGB 201 75 199

HSL 300.95, 0.54%, 0.54%

LAB 53.57, 64.92, -40.53

 

CMYK 0 / 50 / 1 / 17

HEX #D36AD1

RGB 211 106 209

HSL 301.14, 0.54%, 0.62%

LAB 60.57, 55.36, -35.15

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 56 / 70 / 29

HEX #B54F36

RGB 181 79 54

HSL 11.81, 0.54%, 0.46%

LAB 46.55, 39.75, 34.69

 

CMYK 70 / 0 / 28 / 29

HEX #36B582

RGB 54 181 130

HSL 155.91, 0.54%, 0.46%

LAB 66.09, -46.51, 16.2

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 0 / 70 / 29

HEX #B5B536

RGB 181 181 54

HSL 60, 0.54%, 0.46%

LAB 71.65, -15.21, 61.17

 

CMYK 70 / 0 / 0 / 29

HEX #36B5B5

RGB 54 181 181

HSL 180, 0.54%, 0.46%

LAB 67.4, -33.32, -9.99

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 56 / 70 / 29

HEX #B54F36

RGB 181 79 54

HSL 11.81, 0.54%, 0.46%

LAB 46.55, 39.75, 34.69

 

CMYK 70 / 0 / 70 / 29

HEX #36B536

RGB 54 181 54

HSL 120, 0.54%, 0.46%

LAB 65.04, -58.45, 52.33

 

CMYK 70 / 14 / 0 / 29

HEX #369BB5

RGB 54 155 181

HSL 192.28, 0.54%, 0.46%

LAB 59.49, -20.35, -21.95

 

CMYK 0 / 70 / 1 / 29

HEX #B536B3

RGB 181 54 179

HSL 300.94, 0.54%, 0.46%

LAB 46.6, 64.88, -40.13

 

CMYK 0 / 35 / 70 / 29

HEX #B57536

RGB 181 117 54

HSL 29.76, 0.54%, 0.46%

LAB 54.88, 19.41, 43.97

 

CMYK 70 / 0 / 70 / 29

HEX #36B536

RGB 54 181 54

HSL 120, 0.54%, 0.46%

LAB 65.04, -58.45, 52.33

 

CMYK 70 / 35 / 0 / 29

HEX #3675B5

RGB 54 117 181

HSL 210.24, 0.54%, 0.46%

LAB 48.06, 1.23, -39.74

 

Description

Color code: HEX #B536B3 | qconv.com Color code: HEX #B536B3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 54 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 54 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 1 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 1% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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