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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B52E74 it is the complementary color #4AD18B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B52E74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B52E74 shade: #BA2E6F, #CB4082, #DC5295, #ED64A8 and #FE76BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B52E74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B52E74 shade: #B52E74, #A41C61, #930A4E, #82003B and #710028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B52E74 shade: #B62F75, #B62F51 and #B62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B52E74 shade: #B62F75, #B62F9A, #AF2FB6, #8A2FB6 and #662FB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B52E74 shade matches the following richer shades: #B62F75, #C91C76 and #DC0A77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B52E74 shade: #B62F75, #A44275, #915474, #7F6773 and #6C7973

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B52E74 shade: #AD2FB6, #B62F9B, #B62F77, #B62F53 and #B62F2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B52E74 shade: #751E4B, #962760, #B62F75, #CE418A and #D6629E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B52E74 shade: #B52E74, #B6892F and #2FADB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B52E74 shade: #B52E74, #77B62F and #2F77B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B52E74 shade: #B52E74, #B6892F, #2FB66E and #2F5CB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B52E74 shade: #B52E74, #B6B22F, #2FB66E and #2F34B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 36 / 29

HEX #B52E74

RGB 181 46 116

HSL 328.89, 0.59%, 0.45%

LAB 42.82, 58.87, -7.98

 

Complementary color

CMYK 65 / 0 / 33 / 18

HEX #4AD18B

RGB 74 209 139

HSL 148.89, 0.59%, 0.55%

LAB 75.4, -52.47, 24.24

 

CMYK 0 / 75 / 40 / 27

HEX #BA2E6F

RGB 186 46 111

HSL 332.14, 0.6%, 0.45%

LAB 43.57, 59.7, -3.67

 

CMYK 0 / 68 / 36 / 20

HEX #CB4082

RGB 203 64 130

HSL 331.51, 0.57%, 0.52%

LAB 49.47, 60.1, -6.21

 

CMYK 0 / 63 / 32 / 14

HEX #DC5295

RGB 220 82 149

HSL 330.87, 0.66%, 0.59%

LAB 55.5, 60, -8.23

 

CMYK 0 / 58 / 29 / 7

HEX #ED64A8

RGB 237 100 168

HSL 330.22, 0.79%, 0.66%

LAB 61.61, 59.61, -9.88

 

CMYK 0 / 54 / 26 / 0

HEX #FE76BB

RGB 254 118 187

HSL 329.56, 0.99%, 0.73%

LAB 67.74, 59.03, -11.26

 

CMYK 0 / 75 / 36 / 29

HEX #B52E74

RGB 181 46 116

HSL 328.89, 0.59%, 0.45%

LAB 42.82, 58.87, -7.98

 

CMYK 0 / 83 / 41 / 36

HEX #A41C61

RGB 164 28 97

HSL 329.56, 0.71%, 0.38%

LAB 37.09, 57.67, -4.93

 

CMYK 0 / 93 / 47 / 42

HEX #930A4E

RGB 147 10 78

HSL 330.22, 0.87%, 0.31%

LAB 31.74, 55.21, -0.9

 

CMYK 0 / 100 / 55 / 49

HEX #82003B

RGB 130 0 59

HSL 332.77, 1%, 0.25%

LAB 26.91, 51.05, 4.39

 

CMYK 0 / 100 / 65 / 56

HEX #710028

RGB 113 0 40

HSL 338.76, 1%, 0.22%

LAB 22.53, 45.42, 10.86

 

CMYK 0 / 74 / 36 / 29

HEX #B62F75

RGB 182 47 117

HSL 328.89, 0.59%, 0.45%

LAB 43.16, 58.92, -8.08

 

CMYK 0 / 74 / 55 / 29

HEX #B62F51

RGB 182 47 81

HSL 344.89, 0.59%, 0.45%

LAB 42.11, 55.55, 12.87

 

CMYK 0 / 74 / 74 / 29

HEX #B62F2F

RGB 182 47 47

HSL 0, 0.59%, 0.45%

LAB 41.51, 53.54, 32.98

 

CMYK 0 / 74 / 36 / 29

HEX #B62F75

RGB 182 47 117

HSL 328.89, 0.59%, 0.45%

LAB 43.16, 58.92, -8.08

 

CMYK 0 / 74 / 15 / 29

HEX #B62F9A

RGB 182 47 154

HSL 312.44, 0.59%, 0.45%

LAB 44.68, 63.62, -28.3

 

CMYK 4 / 74 / 0 / 29

HEX #AF2FB6

RGB 175 47 182

HSL 296.89, 0.59%, 0.45%

LAB 44.98, 66.42, -44.54

 

CMYK 24 / 74 / 0 / 29

HEX #8A2FB6

RGB 138 47 182

HSL 280.44, 0.59%, 0.45%

LAB 39.26, 58.89, -54.01

 

CMYK 44 / 74 / 0 / 29

HEX #662FB6

RGB 102 47 182

HSL 264.44, 0.59%, 0.45%

LAB 34.47, 52.3, -62.03

 

CMYK 0 / 74 / 36 / 29

HEX #B62F75

RGB 182 47 117

HSL 328.89, 0.59%, 0.45%

LAB 43.16, 58.92, -8.08

 

CMYK 0 / 86 / 41 / 21

HEX #C91C76

RGB 201 28 118

HSL 328.79, 0.76%, 0.45%

LAB 45.02, 68.77, -5.54

 

CMYK 0 / 95 / 46 / 14

HEX #DC0A77

RGB 220 10 119

HSL 328.86, 0.91%, 0.45%

LAB 47.96, 75.56, -1.39

 

CMYK 0 / 74 / 36 / 29

HEX #B62F75

RGB 182 47 117

HSL 328.89, 0.59%, 0.45%

LAB 43.16, 58.92, -8.08

 

CMYK 0 / 60 / 29 / 36

HEX #A44275

RGB 164 66 117

HSL 328.78, 0.43%, 0.45%

LAB 42.87, 45.94, -8.81

 

CMYK 0 / 42 / 20 / 43

HEX #915474

RGB 145 84 116

HSL 328.52, 0.27%, 0.45%

LAB 43.68, 29.87, -7.27

 

CMYK 0 / 19 / 9 / 50

HEX #7F6773

RGB 127 103 115

HSL 330, 0.1%, 0.45%

LAB 46.24, 11.73, -3.1

 

CMYK 11 / 0 / 5 / 53

HEX #6C7973

RGB 108 121 115

HSL 152.31, 0.06%, 0.45%

LAB 49.62, -6.09, 1.64

 

CMYK 5 / 74 / 0 / 29

HEX #AD2FB6

RGB 173 47 182

HSL 296, 0.59%, 0.45%

LAB 44.65, 66, -45.07

 

CMYK 0 / 74 / 15 / 29

HEX #B62F9B

RGB 182 47 155

HSL 312, 0.59%, 0.45%

LAB 44.72, 63.77, -28.82

 

CMYK 0 / 74 / 35 / 29

HEX #B62F77

RGB 182 47 119

HSL 328, 0.59%, 0.45%

LAB 43.23, 59.14, -9.21

 

CMYK 0 / 74 / 54 / 29

HEX #B62F53

RGB 182 47 83

HSL 344, 0.59%, 0.45%

LAB 42.16, 55.7, 11.68

 

CMYK 0 / 74 / 74 / 29

HEX #B62F2F

RGB 182 47 47

HSL 0, 0.59%, 0.45%

LAB 41.51, 53.54, 32.98

 

CMYK 0 / 74 / 36 / 54

HEX #751E4B

RGB 117 30 75

HSL 328.97, 0.59%, 0.29%

LAB 27.35, 41.64, -6.08

 

CMYK 0 / 74 / 36 / 41

HEX #962760

RGB 150 39 96

HSL 329.19, 0.59%, 0.37%

LAB 35.56, 50.44, -6.86

 

CMYK 0 / 74 / 36 / 29

HEX #B62F75

RGB 182 47 117

HSL 328.89, 0.59%, 0.45%

LAB 43.16, 58.92, -8.08

 

CMYK 0 / 68 / 33 / 19

HEX #CE418A

RGB 206 65 138

HSL 328.94, 0.59%, 0.53%

LAB 50.38, 61.47, -9.6

 

CMYK 0 / 54 / 26 / 16

HEX #D6629E

RGB 214 98 158

HSL 328.97, 0.59%, 0.61%

LAB 57.56, 52.15, -10.51

 

CMYK 0 / 75 / 36 / 29

HEX #B52E74

RGB 181 46 116

HSL 328.89, 0.59%, 0.45%

LAB 42.82, 58.87, -7.98

 

CMYK 0 / 25 / 74 / 29

HEX #B6892F

RGB 182 137 47

HSL 40, 0.59%, 0.45%

LAB 59.93, 8.37, 52.4

 

CMYK 74 / 5 / 0 / 29

HEX #2FADB6

RGB 47 173 182

HSL 184, 0.59%, 0.45%

LAB 64.86, -30.06, -14.37

 

CMYK 0 / 75 / 36 / 29

HEX #B52E74

RGB 181 46 116

HSL 328.89, 0.59%, 0.45%

LAB 42.82, 58.87, -7.98

 

CMYK 35 / 0 / 74 / 29

HEX #77B62F

RGB 119 182 47

HSL 88, 0.59%, 0.45%

LAB 67.71, -41.12, 58.41

 

CMYK 74 / 35 / 0 / 29

HEX #2F77B6

RGB 47 119 182

HSL 208, 0.59%, 0.45%

LAB 48.48, -0.64, -39.67

 

CMYK 0 / 75 / 36 / 29

HEX #B52E74

RGB 181 46 116

HSL 328.89, 0.59%, 0.45%

LAB 42.82, 58.87, -7.98

 

CMYK 0 / 25 / 74 / 29

HEX #B6892F

RGB 182 137 47

HSL 40, 0.59%, 0.45%

LAB 59.93, 8.37, 52.4

 

CMYK 74 / 0 / 40 / 29

HEX #2FB66E

RGB 47 182 110

HSL 148, 0.59%, 0.45%

LAB 65.89, -52.09, 26.66

 

CMYK 74 / 49 / 0 / 29

HEX #2F5CB6

RGB 47 92 182

HSL 220, 0.59%, 0.45%

LAB 40.63, 16.41, -52.2

 

CMYK 0 / 75 / 36 / 29

HEX #B52E74

RGB 181 46 116

HSL 328.89, 0.59%, 0.45%

LAB 42.82, 58.87, -7.98

 

CMYK 0 / 2 / 74 / 29

HEX #B6B22F

RGB 182 178 47

HSL 58.22, 0.59%, 0.45%

LAB 70.86, -13.58, 62.93

 

CMYK 74 / 0 / 40 / 29

HEX #2FB66E

RGB 47 182 110

HSL 148, 0.59%, 0.45%

LAB 65.89, -52.09, 26.66

 

CMYK 74 / 71 / 0 / 29

HEX #2F34B6

RGB 47 52 182

HSL 237.78, 0.59%, 0.45%

LAB 30.49, 42.11, -68.74

 

Description

Color code: HEX #B52E74 | qconv.com Color code: HEX #B52E74 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 46 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 46 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 36 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 36% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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