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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B52DA6 it is the complementary color #4AD259. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B52DA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B52DA6 shade: #BA2DA1, #CB3FB4, #DC51C7, #ED63DA and #FE75ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B52DA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B52DA6 shade: #B52DA6, #A41B93, #930980, #82006D and #71005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B52DA6 shade: #B42DA5, #B42D80, #B42D5C, #B42D38 and #B42D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B52DA6 shade: #B42DA5, #9E2DB4, #7A2DB4, #552DB4 and #312DB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B52DA6 shade matches the following richer shades: #B42DA5, #C61BB3 and #D809C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B52DA6 shade: #B42DA5, #A13F97, #8F5188, #7D637A and #6B756C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B52DA6 shade: #792DB4, #9D2DB4, #B42DA6, #B42D82 and #B42D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B52DA6 shade: #721C68, #932586, #B42DA5, #CE3CBE and #D65DC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B52DA6 shade: #B52DA6, #B4552D and #2DB48B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B52DA6 shade: #B52DA6, #A6B42D and #2DA6B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B52DA6 shade: #B52DA6, #B4552D, #2DB43A and #2D8BB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B52DA6 shade: #B52DA6, #B47E2D, #2DB43A and #2D63B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 8 / 29

HEX #B52DA6

RGB 181 45 166

HSL 306.62, 0.6%, 0.44%

LAB 44.88, 65.79, -35.17

 

Complementary color

CMYK 65 / 0 / 58 / 18

HEX #4AD259

RGB 74 210 89

HSL 126.62, 0.6%, 0.56%

LAB 75, -60.82, 48.54

 

CMYK 0 / 76 / 13 / 27

HEX #BA2DA1

RGB 186 45 161

HSL 310.64, 0.61%, 0.45%

LAB 45.48, 66.18, -31.18

 

CMYK 0 / 69 / 11 / 20

HEX #CB3FB4

RGB 203 63 180

HSL 309.86, 0.57%, 0.52%

LAB 51.32, 66.99, -33.04

 

CMYK 0 / 63 / 10 / 14

HEX #DC51C7

RGB 220 81 199

HSL 309.06, 0.67%, 0.59%

LAB 57.29, 67.22, -34.49

 

CMYK 0 / 58 / 8 / 7

HEX #ED63DA

RGB 237 99 218

HSL 308.26, 0.79%, 0.66%

LAB 63.33, 67.09, -35.63

 

CMYK 0 / 54 / 7 / 0

HEX #FE75ED

RGB 254 117 237

HSL 307.45, 0.99%, 0.73%

LAB 69.4, 66.72, -36.57

 

CMYK 0 / 75 / 8 / 29

HEX #B52DA6

RGB 181 45 166

HSL 306.62, 0.6%, 0.44%

LAB 44.88, 65.79, -35.17

 

CMYK 0 / 84 / 10 / 36

HEX #A41B93

RGB 164 27 147

HSL 307.45, 0.72%, 0.37%

LAB 39.21, 64.13, -32.86

 

CMYK 0 / 94 / 13 / 42

HEX #930980

RGB 147 9 128

HSL 308.26, 0.88%, 0.31%

LAB 33.89, 61.17, -29.74

 

CMYK 0 / 100 / 16 / 49

HEX #82006D

RGB 130 0 109

HSL 309.69, 1%, 0.25%

LAB 29.03, 56.5, -25.58

 

CMYK 0 / 100 / 20 / 56

HEX #71005A

RGB 113 0 90

HSL 312.21, 1%, 0.22%

LAB 24.48, 50.48, -20.56

 

CMYK 0 / 75 / 8 / 29

HEX #B42DA5

RGB 180 45 165

HSL 306.67, 0.6%, 0.44%

LAB 44.66, 65.41, -34.93

 

CMYK 0 / 75 / 29 / 29

HEX #B42D80

RGB 180 45 128

HSL 323.11, 0.6%, 0.44%

LAB 42.97, 60.33, -15.17

 

CMYK 0 / 75 / 49 / 29

HEX #B42D5C

RGB 180 45 92

HSL 339.11, 0.6%, 0.44%

LAB 41.77, 56.54, 5.44

 

CMYK 0 / 75 / 69 / 29

HEX #B42D38

RGB 180 45 56

HSL 355.11, 0.6%, 0.44%

LAB 41, 54.03, 26.89

 

CMYK 0 / 75 / 75 / 29

HEX #B42D2D

RGB 180 45 45

HSL 0, 0.6%, 0.44%

LAB 40.85, 53.52, 33.3

 

CMYK 0 / 75 / 8 / 29

HEX #B42DA5

RGB 180 45 165

HSL 306.67, 0.6%, 0.44%

LAB 44.66, 65.41, -34.93

 

CMYK 12 / 75 / 0 / 29

HEX #9E2DB4

RGB 158 45 180

HSL 290.22, 0.6%, 0.44%

LAB 41.91, 63.22, -48.42

 

CMYK 32 / 75 / 0 / 29

HEX #7A2DB4

RGB 122 45 180

HSL 274.22, 0.6%, 0.44%

LAB 36.57, 56.22, -57.3

 

CMYK 53 / 75 / 0 / 29

HEX #552DB4

RGB 85 45 180

HSL 257.78, 0.6%, 0.44%

LAB 32.04, 50.03, -64.89

 

CMYK 73 / 75 / 0 / 29

HEX #312DB4

RGB 49 45 180

HSL 241.78, 0.6%, 0.44%

LAB 28.97, 45.66, -70.06

 

CMYK 0 / 75 / 8 / 29

HEX #B42DA5

RGB 180 45 165

HSL 306.67, 0.6%, 0.44%

LAB 44.66, 65.41, -34.93

 

CMYK 0 / 86 / 10 / 22

HEX #C61BB3

RGB 198 27 179

HSL 306.67, 0.76%, 0.44%

LAB 47.03, 75.48, -39.26

 

CMYK 0 / 96 / 11 / 15

HEX #D809C1

RGB 216 9 193

HSL 306.67, 0.92%, 0.44%

LAB 50.27, 82.84, -42.12

 

CMYK 0 / 75 / 8 / 29

HEX #B42DA5

RGB 180 45 165

HSL 306.67, 0.6%, 0.44%

LAB 44.66, 65.41, -34.93

 

CMYK 0 / 61 / 6 / 37

HEX #A13F97

RGB 161 63 151

HSL 306.12, 0.44%, 0.44%

LAB 43.31, 51.63, -28.88

 

CMYK 0 / 43 / 5 / 44

HEX #8F5188

RGB 143 81 136

HSL 306.77, 0.28%, 0.44%

LAB 43.51, 34.37, -19.72

 

CMYK 0 / 21 / 2 / 51

HEX #7D637A

RGB 125 99 122

HSL 306.92, 0.12%, 0.44%

LAB 45.2, 14.73, -8.88

 

CMYK 9 / 0 / 8 / 54

HEX #6B756C

RGB 107 117 108

HSL 126, 0.04%, 0.44%

LAB 48.17, -5.62, 3.68

 

CMYK 33 / 75 / 0 / 29

HEX #792DB4

RGB 121 45 180

HSL 273.78, 0.6%, 0.44%

LAB 36.44, 56.03, -57.53

 

CMYK 13 / 75 / 0 / 29

HEX #9D2DB4

RGB 157 45 180

HSL 289.78, 0.6%, 0.44%

LAB 41.75, 63.01, -48.68

 

CMYK 0 / 75 / 8 / 29

HEX #B42DA6

RGB 180 45 166

HSL 306.22, 0.6%, 0.44%

LAB 44.71, 65.56, -35.45

 

CMYK 0 / 75 / 28 / 29

HEX #B42D82

RGB 180 45 130

HSL 322.22, 0.6%, 0.44%

LAB 43.05, 60.58, -16.27

 

CMYK 0 / 75 / 48 / 29

HEX #B42D5E

RGB 180 45 94

HSL 338.22, 0.6%, 0.44%

LAB 41.83, 56.72, 4.26

 

CMYK 0 / 75 / 9 / 55

HEX #721C68

RGB 114 28 104

HSL 306.98, 0.61%, 0.28%

LAB 27.87, 45.81, -24.4

 

CMYK 0 / 75 / 9 / 42

HEX #932586

RGB 147 37 134

HSL 307.09, 0.6%, 0.36%

LAB 36.46, 55.59, -29.43

 

CMYK 0 / 75 / 8 / 29

HEX #B42DA5

RGB 180 45 165

HSL 306.67, 0.6%, 0.44%

LAB 44.66, 65.41, -34.93

 

CMYK 0 / 71 / 8 / 19

HEX #CE3CBE

RGB 206 60 190

HSL 306.58, 0.6%, 0.52%

LAB 51.92, 70.23, -37.89

 

CMYK 0 / 57 / 6 / 16

HEX #D65DC9

RGB 214 93 201

HSL 306.45, 0.6%, 0.6%

LAB 58.36, 60.89, -34.03

 

CMYK 0 / 75 / 8 / 29

HEX #B52DA6

RGB 181 45 166

HSL 306.62, 0.6%, 0.44%

LAB 44.88, 65.79, -35.17

 

CMYK 0 / 53 / 75 / 29

HEX #B4552D

RGB 180 85 45

HSL 17.78, 0.6%, 0.44%

LAB 47.48, 35.88, 40.52

 

CMYK 75 / 0 / 23 / 29

HEX #2DB48B

RGB 45 180 139

HSL 161.78, 0.6%, 0.44%

LAB 65.8, -45.29, 10.85

 

CMYK 0 / 75 / 8 / 29

HEX #B52DA6

RGB 181 45 166

HSL 306.62, 0.6%, 0.44%

LAB 44.88, 65.79, -35.17

 

CMYK 8 / 0 / 75 / 29

HEX #A6B42D

RGB 166 180 45

HSL 66.22, 0.6%, 0.44%

LAB 70.13, -21.55, 62.46

 

CMYK 75 / 8 / 0 / 29

HEX #2DA6B4

RGB 45 166 180

HSL 186.22, 0.6%, 0.44%

LAB 62.61, -27.47, -16.65

 

CMYK 0 / 75 / 8 / 29

HEX #B52DA6

RGB 181 45 166

HSL 306.62, 0.6%, 0.44%

LAB 44.88, 65.79, -35.17

 

CMYK 0 / 53 / 75 / 29

HEX #B4552D

RGB 180 85 45

HSL 17.78, 0.6%, 0.44%

LAB 47.48, 35.88, 40.52

 

CMYK 75 / 0 / 68 / 29

HEX #2DB43A

RGB 45 180 58

HSL 125.78, 0.6%, 0.44%

LAB 64.57, -59.26, 50.17

 

CMYK 75 / 23 / 0 / 29

HEX #2D8BB4

RGB 45 139 180

HSL 198.22, 0.6%, 0.44%

LAB 54.36, -13.25, -29.31

 

CMYK 0 / 75 / 8 / 29

HEX #B52DA6

RGB 181 45 166

HSL 306.62, 0.6%, 0.44%

LAB 44.88, 65.79, -35.17

 

CMYK 0 / 30 / 75 / 29

HEX #B47E2D

RGB 180 126 45

HSL 36, 0.6%, 0.44%

LAB 56.89, 13.5, 50.16

 

CMYK 75 / 0 / 68 / 29

HEX #2DB43A

RGB 45 180 58

HSL 125.78, 0.6%, 0.44%

LAB 64.57, -59.26, 50.17

 

CMYK 75 / 45 / 0 / 29

HEX #2D63B4

RGB 45 99 180

HSL 216, 0.6%, 0.44%

LAB 42.43, 10.85, -48.15

 

Description

Color code: HEX #B52DA6 | qconv.com Color code: HEX #B52DA6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 45 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 45 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 8 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 8% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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