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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B52C3D it is the complementary color #4AD3C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B52C3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B52C3D shade: #BA2C38, #CB3E4B, #DC505E, #ED6271 and #FE7484

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B52C3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B52C3D shade: #B52C3D, #A41A2A, #930817, #820004 and #710000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B52C3D shade: #B52C3D and #B52C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B52C3D shade: #B52C3D, #B52C62, #B52C87, #B52CAB and #992CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B52C3D shade matches the following richer shades: #B52C3D, #C71A2F and #D90721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B52C3D shade: #B52C3D, #A23E4A, #905058, #7E6266 and #6C7473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B52C3D shade: #B52C87, #B52C63, #B52C3E, #B53E2C and #B5632C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B52C3D shade: #721C26, #932432, #B52C3D, #CF3A4D and #D75C6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B52C3D shade: #B52C3D, #ACB52C and #2C75B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B52C3D shade: #B52C3D, #3EB52C and #2C3EB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B52C3D shade: #B52C3D, #ACB52C, #2CB5A2 and #352CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B52C3D shade: #B52C3D, #82B52C, #2CB5A2 and #5E2CB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

Complementary color

CMYK 65 / 0 / 8 / 17

HEX #4AD3C2

RGB 74 211 194

HSL 172.55, 0.61%, 0.56%

LAB 77.24, -40.64, -2.45

 

CMYK 0 / 76 / 70 / 27

HEX #BA2C38

RGB 186 44 56

HSL 354.93, 0.62%, 0.45%

LAB 42.04, 56.19, 28.42

 

CMYK 0 / 69 / 63 / 20

HEX #CB3E4B

RGB 203 62 75

HSL 354.47, 0.58%, 0.52%

LAB 47.82, 56.12, 24.84

 

CMYK 0 / 64 / 57 / 14

HEX #DC505E

RGB 220 80 94

HSL 354, 0.67%, 0.59%

LAB 53.77, 55.59, 21.87

 

CMYK 0 / 59 / 52 / 7

HEX #ED6271

RGB 237 98 113

HSL 353.53, 0.79%, 0.66%

LAB 59.83, 54.82, 19.4

 

CMYK 0 / 54 / 48 / 0

HEX #FE7484

RGB 254 116 132

HSL 353.04, 0.99%, 0.73%

LAB 65.93, 53.92, 17.29

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 0 / 84 / 74 / 36

HEX #A41A2A

RGB 164 26 42

HSL 353.04, 0.73%, 0.37%

LAB 35.59, 54.25, 28.28

 

CMYK 0 / 95 / 84 / 42

HEX #930817

RGB 147 8 23

HSL 353.53, 0.9%, 0.3%

LAB 30.49, 52.33, 33.23

 

CMYK 0 / 100 / 97 / 49

HEX #820004

RGB 130 0 4

HSL 358.15, 1%, 0.25%

LAB 26.02, 48.67, 37.06

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 0 / 76 / 76 / 29

HEX #B52C2C

RGB 181 44 44

HSL 0, 0.61%, 0.44%

LAB 40.91, 54.13, 34.01

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 0 / 76 / 46 / 29

HEX #B52C62

RGB 181 44 98

HSL 336.35, 0.61%, 0.44%

LAB 42.01, 57.7, 2.04

 

CMYK 0 / 76 / 25 / 29

HEX #B52C87

RGB 181 44 135

HSL 320.15, 0.61%, 0.44%

LAB 43.32, 61.77, -18.9

 

CMYK 0 / 76 / 6 / 29

HEX #B52CAB

RGB 181 44 171

HSL 304.38, 0.61%, 0.44%

LAB 45.03, 66.85, -37.89

 

CMYK 15 / 76 / 0 / 29

HEX #992CB5

RGB 153 44 181

HSL 287.74, 0.61%, 0.44%

LAB 41.07, 62.74, -50.39

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 0 / 87 / 76 / 22

HEX #C71A2F

RGB 199 26 47

HSL 352.72, 0.77%, 0.44%

LAB 42.89, 64.08, 35.46

 

CMYK 0 / 97 / 85 / 15

HEX #D90721

RGB 217 7 33

HSL 352.57, 0.94%, 0.44%

LAB 45.65, 70.73, 47.19

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 0 / 62 / 54 / 36

HEX #A23E4A

RGB 162 62 74

HSL 352.8, 0.45%, 0.44%

LAB 40.61, 42.38, 14.61

 

CMYK 0 / 44 / 39 / 44

HEX #905058

RGB 144 80 88

HSL 352.5, 0.29%, 0.44%

LAB 41.8, 27.69, 7.16

 

CMYK 0 / 22 / 19 / 51

HEX #7E6266

RGB 126 98 102

HSL 351.43, 0.13%, 0.44%

LAB 44.42, 11.98, 2.07

 

CMYK 7 / 0 / 1 / 55

HEX #6C7473

RGB 108 116 115

HSL 172.5, 0.04%, 0.44%

LAB 48.15, -3.22, -0.49

 

CMYK 0 / 76 / 25 / 29

HEX #B52C87

RGB 181 44 135

HSL 320.15, 0.61%, 0.44%

LAB 43.32, 61.77, -18.9

 

CMYK 0 / 76 / 45 / 29

HEX #B52C63

RGB 181 44 99

HSL 335.91, 0.61%, 0.44%

LAB 42.04, 57.79, 1.46

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3E

RGB 181 44 62

HSL 352.12, 0.61%, 0.44%

LAB 41.17, 55, 23.45

 

CMYK 0 / 66 / 76 / 29

HEX #B53E2C

RGB 181 62 44

HSL 7.88, 0.61%, 0.44%

LAB 43.43, 47.2, 36.77

 

CMYK 0 / 45 / 76 / 29

HEX #B5632C

RGB 181 99 44

HSL 24.09, 0.61%, 0.44%

LAB 50.6, 28.82, 44.32

 

CMYK 0 / 75 / 67 / 55

HEX #721C26

RGB 114 28 38

HSL 353.02, 0.61%, 0.28%

LAB 25.41, 37.92, 16.06

 

CMYK 0 / 76 / 66 / 42

HEX #932432

RGB 147 36 50

HSL 352.43, 0.61%, 0.36%

LAB 33.34, 46.52, 19.68

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 0 / 72 / 63 / 19

HEX #CF3A4D

RGB 207 58 77

HSL 352.35, 0.61%, 0.52%

LAB 48.04, 58.95, 24.07

 

CMYK 0 / 57 / 50 / 16

HEX #D75C6B

RGB 215 92 107

HSL 352.68, 0.61%, 0.6%

LAB 55.24, 49.62, 16.07

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 5 / 0 / 76 / 29

HEX #ACB52C

RGB 172 181 44

HSL 63.94, 0.61%, 0.44%

LAB 70.87, -19.54, 63.64

 

CMYK 76 / 35 / 0 / 29

HEX #2C75B5

RGB 44 117 181

HSL 208.03, 0.61%, 0.44%

LAB 47.74, -0.19, -40.26

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 66 / 0 / 76 / 29

HEX #3EB52C

RGB 62 181 44

HSL 112.12, 0.61%, 0.44%

LAB 65.16, -57.67, 56.19

 

CMYK 76 / 66 / 0 / 29

HEX #2C3EB5

RGB 44 62 181

HSL 232.12, 0.61%, 0.44%

LAB 32.52, 35.28, -64.82

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 5 / 0 / 76 / 29

HEX #ACB52C

RGB 172 181 44

HSL 63.94, 0.61%, 0.44%

LAB 70.87, -19.54, 63.64

 

CMYK 76 / 0 / 10 / 29

HEX #2CB5A2

RGB 44 181 162

HSL 171.68, 0.61%, 0.44%

LAB 66.67, -39.92, -0.59

 

CMYK 71 / 76 / 0 / 29

HEX #352CB5

RGB 53 44 181

HSL 243.94, 0.61%, 0.44%

LAB 29.14, 46.91, -70.35

 

CMYK 0 / 76 / 66 / 29

HEX #B52C3D

RGB 181 44 61

HSL 352.55, 0.61%, 0.44%

LAB 41.16, 54.94, 24.05

 

CMYK 28 / 0 / 76 / 29

HEX #82B52C

RGB 130 181 44

HSL 82.34, 0.61%, 0.44%

LAB 68, -36.74, 59.92

 

CMYK 76 / 0 / 10 / 29

HEX #2CB5A2

RGB 44 181 162

HSL 171.68, 0.61%, 0.44%

LAB 66.67, -39.92, -0.59

 

CMYK 48 / 76 / 0 / 29

HEX #5E2CB5

RGB 94 44 181

HSL 261.9, 0.61%, 0.44%

LAB 32.96, 52.14, -63.94

 

Description

Color code: HEX #B52C3D | qconv.com Color code: HEX #B52C3D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 44 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 44 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 66 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 66% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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