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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5266F it is the complementary color #4AD990. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5266F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5266F shade: #BA266A, #CB387D, #DC4A90, #ED5CA3 and #FE6EB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5266F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5266F shade: #B5266F, #A4145C, #930249, #820036 and #710023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5266F shade: #B5266F, #B52649 and #B52626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5266F shade: #B5266F, #B52696, #AE26B5, #8726B5 and #6126B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5266F shade matches the following richer shades: #B5266F, #C71570 and #D80370

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5266F shade: #B5266F, #A3386F, #914A6E, #805C6E and #6E6D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5266F shade: #AE26B5, #B52696, #B52670, #B5264A and #B52926

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5266F shade: #711845, #931F5A, #B5266F, #D33184 and #DB5398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5266F shade: #B5266F, #B58826 and #26A9B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5266F shade: #B5266F, #70B526 and #2670B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5266F shade: #B5266F, #B58826, #26B56B and #2654B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5266F shade: #B5266F, #B5B326, #26B56B and #2629B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

Complementary color

CMYK 66 / 0 / 34 / 15

HEX #4AD990

RGB 74 217 144

HSL 149.37, 0.65%, 0.57%

LAB 77.93, -54.63, 25.06

 

CMYK 0 / 80 / 43 / 27

HEX #BA266A

RGB 186 38 106

HSL 332.43, 0.66%, 0.44%

LAB 42.56, 61.6, -2.05

 

CMYK 0 / 72 / 38 / 20

HEX #CB387D

RGB 203 56 125

HSL 331.84, 0.59%, 0.51%

LAB 48.27, 62.45, -4.96

 

CMYK 0 / 66 / 35 / 14

HEX #DC4A90

RGB 220 74 144

HSL 331.23, 0.68%, 0.58%

LAB 54.16, 62.66, -7.28

 

CMYK 0 / 61 / 31 / 7

HEX #ED5CA3

RGB 237 92 163

HSL 330.62, 0.8%, 0.65%

LAB 60.16, 62.46, -9.15

 

CMYK 0 / 57 / 28 / 0

HEX #FE6EB6

RGB 254 110 182

HSL 330, 0.99%, 0.71%

LAB 66.21, 62.02, -10.72

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 88 / 44 / 36

HEX #A4145C

RGB 164 20 92

HSL 330, 0.78%, 0.36%

LAB 36.3, 58.97, -2.9

 

CMYK 0 / 99 / 50 / 42

HEX #930249

RGB 147 2 73

HSL 330.62, 0.97%, 0.29%

LAB 31.18, 55.95, 1.59

 

CMYK 0 / 100 / 58 / 49

HEX #820036

RGB 130 0 54

HSL 335.08, 1%, 0.25%

LAB 26.77, 50.68, 7.6

 

CMYK 0 / 100 / 69 / 56

HEX #710023

RGB 113 0 35

HSL 341.42, 1%, 0.22%

LAB 22.42, 45.12, 14.21

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 79 / 60 / 29

HEX #B52649

RGB 181 38 73

HSL 345.31, 0.65%, 0.43%

LAB 40.72, 57.55, 15.97

 

CMYK 0 / 79 / 79 / 29

HEX #B52626

RGB 181 38 38

HSL 0, 0.65%, 0.43%

LAB 40.16, 55.8, 36.66

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 79 / 17 / 29

HEX #B52696

RGB 181 38 150

HSL 313.01, 0.65%, 0.43%

LAB 43.38, 65.5, -27.93

 

CMYK 4 / 79 / 0 / 29

HEX #AE26B5

RGB 174 38 181

HSL 297.06, 0.65%, 0.43%

LAB 43.83, 68.71, -45.78

 

CMYK 25 / 79 / 0 / 29

HEX #8726B5

RGB 135 38 181

HSL 280.7, 0.65%, 0.43%

LAB 37.61, 61.39, -56.12

 

CMYK 46 / 79 / 0 / 29

HEX #6126B5

RGB 97 38 181

HSL 264.76, 0.65%, 0.43%

LAB 32.4, 55.21, -64.84

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 89 / 44 / 22

HEX #C71570

RGB 199 21 112

HSL 329.33, 0.81%, 0.43%

LAB 44.01, 68.97, -3.35

 

CMYK 0 / 99 / 48 / 15

HEX #D80370

RGB 216 3 112

HSL 329.3, 0.97%, 0.43%

LAB 46.76, 74.69, 1.06

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 66 / 32 / 36

HEX #A3386F

RGB 163 56 111

HSL 329.16, 0.49%, 0.43%

LAB 40.84, 49.34, -8.17

 

CMYK 0 / 49 / 24 / 43

HEX #914A6E

RGB 145 74 110

HSL 329.58, 0.32%, 0.43%

LAB 41.28, 34.47, -7.18

 

CMYK 0 / 28 / 14 / 50

HEX #805C6E

RGB 128 92 110

HSL 330, 0.16%, 0.43%

LAB 43.31, 17.76, -4.39

 

CMYK 0 / 1 / 0 / 57

HEX #6E6D6E

RGB 110 109 110

HSL 300, 0%, 0.43%

LAB 46.15, 0.59, -0.43

 

CMYK 4 / 79 / 0 / 29

HEX #AE26B5

RGB 174 38 181

HSL 297.06, 0.65%, 0.43%

LAB 43.83, 68.71, -45.78

 

CMYK 0 / 79 / 17 / 29

HEX #B52696

RGB 181 38 150

HSL 313.01, 0.65%, 0.43%

LAB 43.38, 65.5, -27.93

 

CMYK 0 / 79 / 38 / 29

HEX #B52670

RGB 181 38 112

HSL 328.95, 0.65%, 0.43%

LAB 41.81, 60.9, -7

 

CMYK 0 / 79 / 59 / 29

HEX #B5264A

RGB 181 38 74

HSL 344.9, 0.65%, 0.43%

LAB 40.74, 57.62, 15.37

 

CMYK 0 / 77 / 79 / 29

HEX #B52926

RGB 181 41 38

HSL 1.26, 0.65%, 0.43%

LAB 40.49, 54.88, 37

 

CMYK 0 / 79 / 39 / 56

HEX #711845

RGB 113 24 69

HSL 329.66, 0.65%, 0.27%

LAB 25.54, 41.96, -4.83

 

CMYK 0 / 79 / 39 / 42

HEX #931F5A

RGB 147 31 90

HSL 329.48, 0.65%, 0.35%

LAB 33.82, 51.62, -5.66

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 77 / 37 / 17

HEX #D33184

RGB 211 49 132

HSL 329.26, 0.65%, 0.51%

LAB 49.14, 67.5, -7.74

 

CMYK 0 / 62 / 31 / 14

HEX #DB5398

RGB 219 83 152

HSL 329.56, 0.65%, 0.59%

LAB 55.6, 59.65, -9.86

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 25 / 79 / 29

HEX #B58826

RGB 181 136 38

HSL 41.12, 0.65%, 0.43%

LAB 59.5, 8.09, 55.49

 

CMYK 79 / 7 / 0 / 29

HEX #26A9B5

RGB 38 169 181

HSL 185.03, 0.65%, 0.43%

LAB 63.45, -29.39, -15.96

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 38 / 0 / 79 / 29

HEX #70B526

RGB 112 181 38

HSL 88.95, 0.65%, 0.43%

LAB 67, -43.69, 60.53

 

CMYK 79 / 38 / 0 / 29

HEX #2670B5

RGB 38 112 181

HSL 208.95, 0.65%, 0.43%

LAB 46.09, 2.17, -42.9

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 25 / 79 / 29

HEX #B58826

RGB 181 136 38

HSL 41.12, 0.65%, 0.43%

LAB 59.5, 8.09, 55.49

 

CMYK 79 / 0 / 41 / 29

HEX #26B56B

RGB 38 181 107

HSL 148.95, 0.65%, 0.43%

LAB 65.37, -53.47, 27.53

 

CMYK 79 / 54 / 0 / 29

HEX #2654B5

RGB 38 84 181

HSL 220.7, 0.65%, 0.43%

LAB 38, 20.21, -55.89

 

CMYK 0 / 79 / 39 / 29

HEX #B5266F

RGB 181 38 111

HSL 329.37, 0.65%, 0.43%

LAB 41.78, 60.8, -6.43

 

CMYK 0 / 1 / 79 / 29

HEX #B5B326

RGB 181 179 38

HSL 59.16, 0.65%, 0.43%

LAB 71.01, -14.88, 65.88

 

CMYK 79 / 0 / 41 / 29

HEX #26B56B

RGB 38 181 107

HSL 148.95, 0.65%, 0.43%

LAB 65.37, -53.47, 27.53

 

CMYK 79 / 77 / 0 / 29

HEX #2629B5

RGB 38 41 181

HSL 238.74, 0.65%, 0.43%

LAB 27.67, 47.3, -72.83

 

Description

Color code: HEX #B5266F | qconv.com Color code: HEX #B5266F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 38 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 38 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 39 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 39% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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