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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B51AC7 it is the complementary color #4AE538. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B51AC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B51AC7 shade: #BA1AC2, #CB2CD5, #DC3EE8, #ED50FB and #FE62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B51AC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B51AC7 shade: #B51AC7, #A408B4, #9300A1, #82008E and #71007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B51AC7 shade: #B51AC7, #C71AAA, #C71A7B, #C71A4D and #C71A1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B51AC7 shade: #B51AC7, #861AC7, #571AC7, #291AC7 and #1A1AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B51AC7 shade matches the following richer shades: #B51AC7 and #C308D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B51AC7 shade: #B51AC7, #A62CB4, #983EA2, #895090 and #7B627E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B51AC7 shade: #561AC7, #841AC7, #B21AC7, #C71AAD and #C71A7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B51AC7 shade: #72107E, #9315A2, #B51AC7, #CF27E3 and #D74BE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B51AC7 shade: #B51AC7, #C7281A and #1AC76D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B51AC7 shade: #B51AC7, #C7B21A and #1AC7B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B51AC7 shade: #B51AC7, #C7281A, #2EC71A and #1AB8C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B51AC7 shade: #B51AC7, #C75C1A, #2EC71A and #1A84C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

Complementary color

CMYK 68 / 0 / 76 / 10

HEX #4AE538

RGB 74 229 56

HSL 113.76, 0.77%, 0.56%

LAB 80.62, -70.23, 67.52

 

CMYK 4 / 87 / 0 / 24

HEX #BA1AC2

RGB 186 26 194

HSL 297.14, 0.76%, 0.43%

LAB 45.73, 75.68, -50.24

 

CMYK 5 / 79 / 0 / 16

HEX #CB2CD5

RGB 203 44 213

HSL 296.45, 0.67%, 0.5%

LAB 51.04, 77.89, -52.56

 

CMYK 5 / 73 / 0 / 9

HEX #DC3EE8

RGB 220 62 232

HSL 295.76, 0.79%, 0.58%

LAB 56.57, 79.19, -54.33

 

CMYK 6 / 68 / 0 / 2

HEX #ED50FB

RGB 237 80 251

HSL 295.09, 0.96%, 0.65%

LAB 62.26, 79.85, -55.7

 

CMYK 0 / 62 / 0 / 0

HEX #FE62FF

RGB 254 98 255

HSL 299.62, 1%, 0.69%

LAB 67.3, 77.58, -49.76

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 9 / 96 / 0 / 29

HEX #A408B4

RGB 164 8 180

HSL 294.42, 0.91%, 0.37%

LAB 40.18, 72.25, -51.14

 

CMYK 9 / 100 / 0 / 37

HEX #9300A1

RGB 147 0 161

HSL 294.78, 1%, 0.32%

LAB 35.55, 67.39, -47.39

 

CMYK 8 / 100 / 0 / 44

HEX #82008E

RGB 130 0 142

HSL 294.93, 1%, 0.28%

LAB 31.11, 61.55, -43.08

 

CMYK 8 / 100 / 0 / 52

HEX #71007B

RGB 113 0 123

HSL 295.12, 1%, 0.24%

LAB 26.57, 55.56, -38.66

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 0 / 87 / 15 / 22

HEX #C71AAA

RGB 199 26 170

HSL 310.06, 0.77%, 0.44%

LAB 46.69, 74.62, -34.48

 

CMYK 0 / 87 / 38 / 22

HEX #C71A7B

RGB 199 26 123

HSL 326.36, 0.77%, 0.44%

LAB 44.68, 69.16, -9.17

 

CMYK 0 / 87 / 61 / 22

HEX #C71A4D

RGB 199 26 77

HSL 342.31, 0.77%, 0.44%

LAB 43.38, 65.51, 17.66

 

CMYK 0 / 87 / 85 / 22

HEX #C71A1E

RGB 199 26 30

HSL 358.61, 0.77%, 0.44%

LAB 42.73, 63.59, 44.71

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 33 / 87 / 0 / 22

HEX #861AC7

RGB 134 26 199

HSL 277.46, 0.77%, 0.44%

LAB 37.72, 68.36, -66.54

 

CMYK 56 / 87 / 0 / 22

HEX #571AC7

RGB 87 26 199

HSL 261.16, 0.77%, 0.44%

LAB 31.55, 62.87, -76.9

 

CMYK 79 / 87 / 0 / 22

HEX #291AC7

RGB 41 26 199

HSL 245.2, 0.77%, 0.44%

LAB 27.67, 59.75, -83.46

 

CMYK 87 / 87 / 0 / 22

HEX #1A1AC7

RGB 26 26 199

HSL 240, 0.77%, 0.44%

LAB 26.97, 59.23, -84.65

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 10 / 96 / 0 / 15

HEX #C308D9

RGB 195 8 217

HSL 293.68, 0.93%, 0.44%

LAB 47.99, 82.97, -59.82

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 8 / 76 / 0 / 29

HEX #A62CB4

RGB 166 44 180

HSL 293.82, 0.61%, 0.44%

LAB 43.07, 65.18, -46.49

 

CMYK 6 / 62 / 0 / 36

HEX #983EA2

RGB 152 62 162

HSL 294, 0.45%, 0.44%

LAB 42.35, 51.68, -37.07

 

CMYK 5 / 44 / 0 / 44

HEX #895090

RGB 137 80 144

HSL 293.44, 0.29%, 0.44%

LAB 42.87, 34.55, -25.61

 

CMYK 2 / 22 / 0 / 51

HEX #7B627E

RGB 123 98 126

HSL 293.57, 0.13%, 0.44%

LAB 44.88, 15.41, -11.81

 

CMYK 57 / 87 / 0 / 22

HEX #561AC7

RGB 86 26 199

HSL 260.81, 0.77%, 0.44%

LAB 31.44, 62.77, -77.09

 

CMYK 34 / 87 / 0 / 22

HEX #841AC7

RGB 132 26 199

HSL 276.76, 0.77%, 0.44%

LAB 37.42, 68.08, -67.03

 

CMYK 11 / 87 / 0 / 22

HEX #B21AC7

RGB 178 26 199

HSL 292.72, 0.77%, 0.44%

LAB 44.7, 75.12, -54.89

 

CMYK 0 / 87 / 13 / 22

HEX #C71AAD

RGB 199 26 173

HSL 309.02, 0.77%, 0.44%

LAB 46.84, 75.02, -36.01

 

CMYK 0 / 87 / 36 / 22

HEX #C71A7F

RGB 199 26 127

HSL 324.97, 0.77%, 0.44%

LAB 44.82, 69.56, -11.42

 

CMYK 10 / 87 / 0 / 51

HEX #72107E

RGB 114 16 126

HSL 293.45, 0.77%, 0.28%

LAB 27.99, 53.23, -38.25

 

CMYK 9 / 87 / 0 / 36

HEX #9315A2

RGB 147 21 162

HSL 293.62, 0.77%, 0.36%

LAB 36.65, 64.52, -46.23

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 9 / 83 / 0 / 11

HEX #CF27E3

RGB 207 39 227

HSL 293.62, 0.77%, 0.52%

LAB 52.13, 82.02, -58.73

 

CMYK 7 / 68 / 0 / 9

HEX #D74BE8

RGB 215 75 232

HSL 293.5, 0.77%, 0.6%

LAB 57.37, 73.75, -53.1

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 0 / 80 / 87 / 22

HEX #C7281A

RGB 199 40 26

HSL 4.86, 0.77%, 0.44%

LAB 43.85, 60.23, 47.61

 

CMYK 87 / 0 / 45 / 22

HEX #1AC76D

RGB 26 199 109

HSL 148.79, 0.77%, 0.44%

LAB 70.99, -60.64, 33.76

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 0 / 11 / 87 / 22

HEX #C7B21A

RGB 199 178 26

HSL 52.72, 0.77%, 0.44%

LAB 72.27, -6.83, 70.6

 

CMYK 87 / 0 / 11 / 22

HEX #1AC7B2

RGB 26 199 178

HSL 172.72, 0.77%, 0.44%

LAB 72.42, -44.94, -0.97

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 0 / 80 / 87 / 22

HEX #C7281A

RGB 199 40 26

HSL 4.86, 0.77%, 0.44%

LAB 43.85, 60.23, 47.61

 

CMYK 77 / 0 / 87 / 22

HEX #2EC71A

RGB 46 199 26

HSL 113.06, 0.77%, 0.44%

LAB 70.53, -67.19, 65.97

 

CMYK 87 / 8 / 0 / 22

HEX #1AB8C7

RGB 26 184 199

HSL 185.2, 0.77%, 0.44%

LAB 68.48, -31.93, -18.33

 

CMYK 9 / 87 / 0 / 22

HEX #B51AC7

RGB 181 26 199

HSL 293.76, 0.77%, 0.44%

LAB 45.2, 75.63, -54.05

 

CMYK 0 / 54 / 87 / 22

HEX #C75C1A

RGB 199 92 26

HSL 22.89, 0.77%, 0.44%

LAB 51.69, 39.2, 53.98

 

CMYK 77 / 0 / 87 / 22

HEX #2EC71A

RGB 46 199 26

HSL 113.06, 0.77%, 0.44%

LAB 70.53, -67.19, 65.97

 

CMYK 87 / 34 / 0 / 22

HEX #1A84C7

RGB 26 132 199

HSL 203.24, 0.77%, 0.44%

LAB 52.78, -4.18, -42.65

 

Description

Color code: HEX #B51AC7 | qconv.com Color code: HEX #B51AC7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 26 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 26 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 87 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 87% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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