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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B501BD it is the complementary color #4AFE42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B501BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B501BD shade: #BA01B8, #CB13CB, #DC25DE, #ED37F1 and #FE49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B501BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B501BD shade: #B501BD, #A400AA, #930097, #820084 and #710071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B501BD shade: #B401BC, #BC0191, #BC015F, #BC012D and #BC0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B501BD shade: #B401BC, #8101BC, #4F01BC, #1D01BC and #0101BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B501BD shade matches the following richer shades: #B401BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B501BD shade: #B401BC, #A610AC, #981F9D, #8A2F8E and #7C3E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B501BD shade: #4F01BC, #8101BC, #B201BC, #BC0193 and #BC0161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B501BD shade: #65016A, #8D0193, #B401BC, #DB01E5 and #F411FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B501BD shade: #B501BD, #BC1D01 and #01BC68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B501BD shade: #B501BD, #BCB201 and #01BCB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B501BD shade: #B501BD, #BC1D01, #0ABC01 and #01A0BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B501BD shade: #B501BD, #BC5501, #0ABC01 and #0168BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 99 / 0 / 26

HEX #B501BD

RGB 181 1 189

HSL 297.45, 0.99%, 0.37%

LAB 43.54, 77.07, -50.89

 

Complementary color

CMYK 71 / 0 / 74 / 0

HEX #4AFE42

RGB 74 254 66

HSL 117.45, 0.99%, 0.63%

LAB 88.32, -77.32, 71.91

 

CMYK 0 / 99 / 1 / 27

HEX #BA01B8

RGB 186 1 184

HSL 300.65, 0.99%, 0.37%

LAB 44.12, 77.13, -46.97

 

CMYK 0 / 91 / 0 / 20

HEX #CB13CB

RGB 203 19 203

HSL 300, 0.83%, 0.44%

LAB 48.85, 81.02, -50.31

 

CMYK 1 / 83 / 0 / 13

HEX #DC25DE

RGB 220 37 222

HSL 299.35, 0.74%, 0.51%

LAB 53.83, 83.93, -53.07

 

CMYK 2 / 77 / 0 / 5

HEX #ED37F1

RGB 237 55 241

HSL 298.71, 0.87%, 0.58%

LAB 59.06, 85.86, -55.25

 

CMYK 0 / 71 / 0 / 0

HEX #FE49FF

RGB 254 73 255

HSL 299.67, 1%, 0.64%

LAB 64.21, 86.29, -54.66

 

CMYK 4 / 99 / 0 / 26

HEX #B501BD

RGB 181 1 189

HSL 297.45, 0.99%, 0.37%

LAB 43.54, 77.07, -50.89

 

CMYK 4 / 100 / 0 / 33

HEX #A400AA

RGB 164 0 170

HSL 297.88, 1%, 0.33%

LAB 39.23, 71.53, -46.72

 

CMYK 3 / 100 / 0 / 41

HEX #930097

RGB 147 0 151

HSL 298.41, 1%, 0.3%

LAB 34.88, 65.79, -42.39

 

CMYK 2 / 100 / 0 / 48

HEX #820084

RGB 130 0 132

HSL 299.09, 1%, 0.26%

LAB 30.43, 59.92, -37.95

 

CMYK 0 / 100 / 0 / 56

HEX #710071

RGB 113 0 113

HSL 300, 1%, 0.22%

LAB 25.87, 53.9, -33.38

 

CMYK 4 / 99 / 0 / 26

HEX #B401BC

RGB 180 1 188

HSL 297.43, 0.99%, 0.37%

LAB 43.29, 76.76, -50.7

 

CMYK 0 / 99 / 23 / 26

HEX #BC0191

RGB 188 1 145

HSL 313.8, 0.99%, 0.37%

LAB 42.4, 72.29, -26.33

 

CMYK 0 / 99 / 49 / 26

HEX #BC015F

RGB 188 1 95

HSL 329.84, 0.99%, 0.37%

LAB 40.47, 67.32, 1.88

 

CMYK 0 / 99 / 76 / 26

HEX #BC012D

RGB 188 1 45

HSL 345.88, 0.99%, 0.37%

LAB 39.42, 64.48, 32.14

 

CMYK 0 / 99 / 99 / 26

HEX #BC0101

RGB 188 1 1

HSL 0, 0.99%, 0.37%

LAB 39.1, 63.61, 53.07

 

CMYK 4 / 99 / 0 / 26

HEX #B401BC

RGB 180 1 188

HSL 297.43, 0.99%, 0.37%

LAB 43.29, 76.76, -50.7

 

CMYK 31 / 99 / 0 / 26

HEX #8101BC

RGB 129 1 188

HSL 281.07, 0.99%, 0.37%

LAB 34.64, 69.61, -65.14

 

CMYK 58 / 99 / 0 / 26

HEX #4F01BC

RGB 79 1 188

HSL 265.03, 0.99%, 0.37%

LAB 27.61, 65, -76.97

 

CMYK 85 / 99 / 0 / 26

HEX #1D01BC

RGB 29 1 188

HSL 248.98, 0.99%, 0.37%

LAB 23.38, 63.05, -84.13

 

CMYK 99 / 99 / 0 / 26

HEX #0101BC

RGB 1 1 188

HSL 240, 0.99%, 0.37%

LAB 22.51, 62.75, -85.61

 

CMYK 4 / 99 / 0 / 26

HEX #B401BC

RGB 180 1 188

HSL 297.43, 0.99%, 0.37%

LAB 43.29, 76.76, -50.7

 

CMYK 4 / 99 / 0 / 26

HEX #B401BC

RGB 180 1 188

HSL 297.43, 0.99%, 0.37%

LAB 43.29, 76.76, -50.7

 

CMYK 3 / 91 / 0 / 33

HEX #A610AC

RGB 166 16 172

HSL 297.69, 0.83%, 0.37%

LAB 40.34, 70.35, -46.12

 

CMYK 3 / 80 / 0 / 38

HEX #981F9D

RGB 152 31 157

HSL 297.62, 0.67%, 0.37%

LAB 38, 62.25, -40.99

 

CMYK 3 / 67 / 0 / 44

HEX #8A2F8E

RGB 138 47 142

HSL 297.47, 0.5%, 0.37%

LAB 36.72, 50.99, -34.03

 

CMYK 2 / 51 / 0 / 50

HEX #7C3E7F

RGB 124 62 127

HSL 297.23, 0.34%, 0.37%

LAB 36.49, 36.98, -25.31

 

CMYK 58 / 99 / 0 / 26

HEX #4F01BC

RGB 79 1 188

HSL 265.03, 0.99%, 0.37%

LAB 27.61, 65, -76.97

 

CMYK 31 / 99 / 0 / 26

HEX #8101BC

RGB 129 1 188

HSL 281.07, 0.99%, 0.37%

LAB 34.64, 69.61, -65.14

 

CMYK 5 / 99 / 0 / 26

HEX #B201BC

RGB 178 1 188

HSL 296.79, 0.99%, 0.37%

LAB 42.94, 76.44, -51.29

 

CMYK 0 / 99 / 22 / 26

HEX #BC0193

RGB 188 1 147

HSL 313.16, 0.99%, 0.37%

LAB 42.49, 72.53, -27.4

 

CMYK 0 / 99 / 48 / 26

HEX #BC0161

RGB 188 1 97

HSL 329.2, 0.99%, 0.37%

LAB 40.53, 67.48, 0.7

 

CMYK 5 / 99 / 0 / 58

HEX #65016A

RGB 101 1 106

HSL 297.14, 0.98%, 0.21%

LAB 23.1, 50.41, -33.42

 

CMYK 4 / 99 / 0 / 42

HEX #8D0193

RGB 141 1 147

HSL 297.53, 0.99%, 0.29%

LAB 33.54, 64.02, -42.14

 

CMYK 4 / 99 / 0 / 26

HEX #B401BC

RGB 180 1 188

HSL 297.43, 0.99%, 0.37%

LAB 43.29, 76.76, -50.7

 

CMYK 4 / 100 / 0 / 10

HEX #DB01E5

RGB 219 1 229

HSL 297.37, 0.99%, 0.45%

LAB 52.66, 88.97, -58.91

 

CMYK 4 / 93 / 0 / 0

HEX #F411FE

RGB 244 17 254

HSL 297.47, 0.99%, 0.53%

LAB 58.78, 95.34, -62.86

 

CMYK 4 / 99 / 0 / 26

HEX #B501BD

RGB 181 1 189

HSL 297.45, 0.99%, 0.37%

LAB 43.54, 77.07, -50.89

 

CMYK 0 / 85 / 99 / 26

HEX #BC1D01

RGB 188 29 1

HSL 8.98, 0.99%, 0.37%

LAB 40.53, 59.5, 53.63

 

CMYK 99 / 0 / 45 / 26

HEX #01BC68

RGB 1 188 104

HSL 153.05, 0.99%, 0.37%

LAB 67.26, -59.04, 31.48

 

CMYK 4 / 99 / 0 / 26

HEX #B501BD

RGB 181 1 189

HSL 297.45, 0.99%, 0.37%

LAB 43.54, 77.07, -50.89

 

CMYK 0 / 5 / 99 / 26

HEX #BCB201

RGB 188 178 1

HSL 56.79, 0.99%, 0.37%

LAB 71.24, -12.05, 73.03

 

CMYK 99 / 0 / 5 / 26

HEX #01BCB2

RGB 1 188 178

HSL 176.79, 0.99%, 0.37%

LAB 68.89, -41.18, -6.19

 

CMYK 4 / 99 / 0 / 26

HEX #B501BD

RGB 181 1 189

HSL 297.45, 0.99%, 0.37%

LAB 43.54, 77.07, -50.89

 

CMYK 0 / 85 / 99 / 26

HEX #BC1D01

RGB 188 29 1

HSL 8.98, 0.99%, 0.37%

LAB 40.53, 59.5, 53.63

 

CMYK 95 / 0 / 99 / 26

HEX #0ABC01

RGB 10 188 1

HSL 117.11, 0.99%, 0.37%

LAB 66.55, -68.06, 66.09

 

CMYK 99 / 15 / 0 / 26

HEX #01A0BC

RGB 1 160 188

HSL 188.98, 0.99%, 0.37%

LAB 60.59, -24.7, -24.28

 

CMYK 4 / 99 / 0 / 26

HEX #B501BD

RGB 181 1 189

HSL 297.45, 0.99%, 0.37%

LAB 43.54, 77.07, -50.89

 

CMYK 0 / 55 / 99 / 26

HEX #BC5501

RGB 188 85 1

HSL 26.95, 0.99%, 0.37%

LAB 48.5, 37.98, 57.72

 

CMYK 95 / 0 / 99 / 26

HEX #0ABC01

RGB 10 188 1

HSL 117.11, 0.99%, 0.37%

LAB 66.55, -68.06, 66.09

 

CMYK 99 / 45 / 0 / 26

HEX #0168BC

RGB 1 104 188

HSL 206.95, 0.99%, 0.37%

LAB 43.56, 7.57, -51.04

 

Description

Color code: HEX #B501BD | qconv.com Color code: HEX #B501BD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 1 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 1 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 99 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 99% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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