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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4FD8E it is the complementary color #4B0271. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4FD8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4FD8E shade: #B9FD89, #CAFF9C, #DBFFAF, #ECFFC2 and #FDFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4FD8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4FD8E shade: #B4FD8E, #A3EB7B, #92D968, #81C755 and #70B542

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4FD8E shade: #B2FD8B, #D1FD8B, #F0FD8B, #FDEC8B and #FDCD8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4FD8E shade: #B2FD8B, #94FD8B, #8BFDA2, #8BFDC1 and #8BFDDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4FD8E shade matches the following richer shades: #B2FD8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4FD8E shade: #B2FD8B, #B5F495, #B8EA9E, #BBE1A8 and #BED7B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4FD8E shade: #F0FD8B, #D2FD8B, #B3FD8B, #95FD8B and #8BFDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4FD8E shade: #7DFC3A, #97FD63, #B2FD8B, #CDFEB4 and #E8FEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4FD8E shade: #B4FD8E, #8BFDEC and #FD8BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4FD8E shade: #B4FD8E, #8BB3FD and #FD8BB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4FD8E shade: #B4FD8E, #8BFDEC, #D58BFD and #FD8B9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4FD8E shade: #B4FD8E, #8BECFD, #D58BFD and #FD9D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 44 / 1

HEX #B4FD8E

RGB 180 253 142

HSL 99.46, 0.97%, 0.77%

LAB 92.53, -41.71, 45.95

 

Complementary color

CMYK 34 / 98 / 0 / 56

HEX #4B0271

RGB 75 2 113

HSL 279.46, 0.97%, 0.23%

LAB 18.93, 47.44, -44.95

 

CMYK 27 / 0 / 46 / 1

HEX #B9FD89

RGB 185 253 137

HSL 95.17, 0.97%, 0.76%

LAB 92.74, -40.62, 48.64

 

CMYK 21 / 0 / 39 / 0

HEX #CAFF9C

RGB 202 255 156

HSL 92.12, 1%, 0.81%

LAB 94.52, -33.33, 41.95

 

CMYK 14 / 0 / 31 / 0

HEX #DBFFAF

RGB 219 255 175

HSL 87, 1%, 0.84%

LAB 95.86, -24.87, 34.52

 

CMYK 7 / 0 / 24 / 0

HEX #ECFFC2

RGB 236 255 194

HSL 78.69, 1%, 0.88%

LAB 97.33, -16.22, 27.15

 

CMYK 1 / 0 / 16 / 0

HEX #FDFFD5

RGB 253 255 213

HSL 62.86, 1%, 0.92%

LAB 98.91, -7.46, 19.89

 

CMYK 29 / 0 / 44 / 1

HEX #B4FD8E

RGB 180 253 142

HSL 99.46, 0.97%, 0.77%

LAB 92.53, -41.71, 45.95

 

CMYK 31 / 0 / 48 / 8

HEX #A3EB7B

RGB 163 235 123

HSL 98.57, 0.74%, 0.7%

LAB 86.32, -41.8, 47.1

 

CMYK 33 / 0 / 52 / 15

HEX #92D968

RGB 146 217 104

HSL 97.7, 0.6%, 0.63%

LAB 80.03, -41.86, 48.24

 

CMYK 35 / 0 / 57 / 22

HEX #81C755

RGB 129 199 85

HSL 96.84, 0.5%, 0.56%

LAB 73.66, -41.84, 49.33

 

CMYK 38 / 0 / 64 / 29

HEX #70B542

RGB 112 181 66

HSL 96, 0.47%, 0.48%

LAB 67.19, -41.72, 50.29

 

CMYK 30 / 0 / 45 / 1

HEX #B2FD8B

RGB 178 253 139

HSL 99.47, 0.97%, 0.77%

LAB 92.39, -42.74, 47.18

 

CMYK 17 / 0 / 45 / 1

HEX #D1FD8B

RGB 209 253 139

HSL 83.16, 0.97%, 0.77%

LAB 94.17, -31.93, 49.78

 

CMYK 5 / 0 / 45 / 1

HEX #F0FD8B

RGB 240 253 139

HSL 66.84, 0.97%, 0.77%

LAB 96.26, -20.37, 52.83

 

CMYK 0 / 7 / 45 / 1

HEX #FDEC8B

RGB 253 236 139

HSL 51.05, 0.97%, 0.77%

LAB 92.9, -7.02, 48.91

 

CMYK 0 / 19 / 45 / 1

HEX #FDCD8B

RGB 253 205 139

HSL 34.74, 0.97%, 0.77%

LAB 85.2, 8.76, 39.19

 

CMYK 30 / 0 / 45 / 1

HEX #B2FD8B

RGB 178 253 139

HSL 99.47, 0.97%, 0.77%

LAB 92.39, -42.74, 47.18

 

CMYK 42 / 0 / 45 / 1

HEX #94FD8B

RGB 148 253 139

HSL 115.26, 0.97%, 0.77%

LAB 90.97, -52.13, 45.09

 

CMYK 45 / 0 / 36 / 1

HEX #8BFDA2

RGB 139 253 162

HSL 132.11, 0.97%, 0.77%

LAB 90.94, -51.23, 33.71

 

CMYK 45 / 0 / 24 / 1

HEX #8BFDC1

RGB 139 253 193

HSL 148.42, 0.97%, 0.77%

LAB 91.5, -45.7, 18.78

 

CMYK 45 / 0 / 12 / 1

HEX #8BFDDF

RGB 139 253 223

HSL 164.21, 0.97%, 0.77%

LAB 92.16, -39.47, 4.27

 

CMYK 30 / 0 / 45 / 1

HEX #B2FD8B

RGB 178 253 139

HSL 99.47, 0.97%, 0.77%

LAB 92.39, -42.74, 47.18

 

CMYK 30 / 0 / 45 / 1

HEX #B2FD8B

RGB 178 253 139

HSL 99.47, 0.97%, 0.77%

LAB 92.39, -42.74, 47.18

 

CMYK 26 / 0 / 39 / 4

HEX #B5F495

RGB 181 244 149

HSL 99.79, 0.81%, 0.77%

LAB 90.18, -36.45, 39.54

 

CMYK 21 / 0 / 32 / 8

HEX #B8EA9E

RGB 184 234 158

HSL 99.47, 0.64%, 0.77%

LAB 87.73, -29.54, 31.85

 

CMYK 17 / 0 / 25 / 12

HEX #BBE1A8

RGB 187 225 168

HSL 100, 0.49%, 0.77%

LAB 85.63, -22.69, 23.9

 

CMYK 12 / 0 / 18 / 16

HEX #BED7B1

RGB 190 215 177

HSL 99.47, 0.32%, 0.77%

LAB 83.3, -15.24, 16

 

CMYK 5 / 0 / 45 / 1

HEX #F0FD8B

RGB 240 253 139

HSL 66.84, 0.97%, 0.77%

LAB 96.26, -20.37, 52.83

 

CMYK 17 / 0 / 45 / 1

HEX #D2FD8B

RGB 210 253 139

HSL 82.63, 0.97%, 0.77%

LAB 94.23, -31.57, 49.88

 

CMYK 29 / 0 / 45 / 1

HEX #B3FD8B

RGB 179 253 139

HSL 98.95, 0.97%, 0.77%

LAB 92.44, -42.41, 47.25

 

CMYK 41 / 0 / 45 / 1

HEX #95FD8B

RGB 149 253 139

HSL 114.74, 0.97%, 0.77%

LAB 91.01, -51.84, 45.15

 

CMYK 45 / 0 / 37 / 1

HEX #8BFDA0

RGB 139 253 160

HSL 131.05, 0.97%, 0.77%

LAB 90.91, -51.56, 34.67

 

CMYK 50 / 0 / 77 / 1

HEX #7DFC3A

RGB 125 252 58

HSL 99.28, 0.97%, 0.61%

LAB 89.06, -65.95, 75.55

 

CMYK 40 / 0 / 61 / 1

HEX #97FD63

RGB 151 253 99

HSL 99.74, 0.97%, 0.69%

LAB 90.66, -55.72, 62.8

 

CMYK 30 / 0 / 45 / 1

HEX #B2FD8B

RGB 178 253 139

HSL 99.47, 0.97%, 0.77%

LAB 92.39, -42.74, 47.18

 

CMYK 19 / 0 / 29 / 0

HEX #CDFEB4

RGB 205 254 180

HSL 99.73, 0.97%, 0.85%

LAB 94.81, -28.55, 30.45

 

CMYK 9 / 0 / 13 / 0

HEX #E8FEDD

RGB 232 254 221

HSL 100, 0.94%, 0.93%

LAB 97.33, -12.96, 13.37

 

CMYK 29 / 0 / 44 / 1

HEX #B4FD8E

RGB 180 253 142

HSL 99.46, 0.97%, 0.77%

LAB 92.53, -41.71, 45.95

 

CMYK 45 / 0 / 7 / 1

HEX #8BFDEC

RGB 139 253 236

HSL 171.05, 0.97%, 0.77%

LAB 92.48, -36.52, -1.99

 

CMYK 0 / 45 / 11 / 1

HEX #FD8BE1

RGB 253 139 225

HSL 314.74, 0.97%, 0.77%

LAB 72.75, 54.17, -24.81

 

CMYK 29 / 0 / 44 / 1

HEX #B4FD8E

RGB 180 253 142

HSL 99.46, 0.97%, 0.77%

LAB 92.53, -41.71, 45.95

 

CMYK 45 / 29 / 0 / 1

HEX #8BB3FD

RGB 139 179 253

HSL 218.95, 0.97%, 0.77%

LAB 72.77, 5.59, -40.85

 

CMYK 0 / 45 / 29 / 1

HEX #FD8BB3

RGB 253 139 179

HSL 338.95, 0.97%, 0.77%

LAB 71.28, 47.57, -1.53

 

CMYK 29 / 0 / 44 / 1

HEX #B4FD8E

RGB 180 253 142

HSL 99.46, 0.97%, 0.77%

LAB 92.53, -41.71, 45.95

 

CMYK 45 / 0 / 7 / 1

HEX #8BFDEC

RGB 139 253 236

HSL 171.05, 0.97%, 0.77%

LAB 92.48, -36.52, -1.99

 

CMYK 16 / 45 / 0 / 1

HEX #D58BFD

RGB 213 139 253

HSL 278.95, 0.97%, 0.77%

LAB 69.26, 47.65, -45.92

 

CMYK 0 / 45 / 38 / 1

HEX #FD8B9D

RGB 253 139 157

HSL 350.53, 0.97%, 0.77%

LAB 70.72, 44.94, 9.93

 

CMYK 29 / 0 / 44 / 1

HEX #B4FD8E

RGB 180 253 142

HSL 99.46, 0.97%, 0.77%

LAB 92.53, -41.71, 45.95

 

CMYK 45 / 7 / 0 / 1

HEX #8BECFD

RGB 139 236 253

HSL 188.95, 0.97%, 0.77%

LAB 88.24, -24.32, -17.15

 

CMYK 16 / 45 / 0 / 1

HEX #D58BFD

RGB 213 139 253

HSL 278.95, 0.97%, 0.77%

LAB 69.26, 47.65, -45.92

 

CMYK 0 / 38 / 45 / 1

HEX #FD9D8B

RGB 253 157 139

HSL 9.47, 0.97%, 0.77%

LAB 74.1, 33.84, 24.55

 

Description

Color code: HEX #B4FD8E | qconv.com Color code: HEX #B4FD8E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 253 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 253 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 44 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 44% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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