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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4F474 it is the complementary color #4B0B8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4F474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4F474 shade: #B9F46F, #CAFF82, #DBFF95, #ECFFA8 and #FDFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4F474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4F474 shade: #B4F474, #A3E261, #92D04E, #81BE3B and #70AC28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4F474 shade: #B5F476, #D7F476, #F4EF76, #F4CD76 and #F4AB76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4F474 shade: #B5F476, #93F476, #76F47B, #76F49D and #76F4BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4F474 shade matches the following richer shades: #B5F476

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4F474 shade: #B5F476, #B5E882, #B5DC8E, #B5D09A and #B5C4A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4F474 shade: #F4F076, #D7F476, #B5F476, #94F476 and #76F47A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4F474 shade: #8CEE2A, #A0F150, #B5F476, #CAF79C and #DEFAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4F474 shade: #B4F474, #76F4CE and #F476E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4F474 shade: #B4F474, #76B5F4 and #F476B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4F474 shade: #B4F474, #76F4CE, #B576F4 and #F4769C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4F474 shade: #B4F474, #76F4F4, #B576F4 and #F47676

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 52 / 4

HEX #B4F474

RGB 180 244 116

HSL 90, 0.85%, 0.71%

LAB 89.7, -40.67, 54.67

 

Complementary color

CMYK 46 / 92 / 0 / 45

HEX #4B0B8B

RGB 75 11 139

HSL 270, 0.85%, 0.29%

LAB 22.3, 51.09, -55.97

 

CMYK 24 / 0 / 55 / 4

HEX #B9F46F

RGB 185 244 111

HSL 86.62, 0.86%, 0.7%

LAB 89.94, -39.39, 57.26

 

CMYK 21 / 0 / 49 / 0

HEX #CAFF82

RGB 202 255 130

HSL 85.44, 1%, 0.75%

LAB 94.18, -36.33, 53.91

 

CMYK 14 / 0 / 42 / 0

HEX #DBFF95

RGB 219 255 149

HSL 80.38, 1%, 0.79%

LAB 95.48, -28.11, 46.78

 

CMYK 7 / 0 / 34 / 0

HEX #ECFFA8

RGB 236 255 168

HSL 73.1, 1%, 0.83%

LAB 96.89, -19.66, 39.57

 

CMYK 1 / 0 / 27 / 0

HEX #FDFFBB

RGB 253 255 187

HSL 61.76, 1%, 0.87%

LAB 98.43, -11.06, 32.37

 

CMYK 26 / 0 / 52 / 4

HEX #B4F474

RGB 180 244 116

HSL 90, 0.85%, 0.71%

LAB 89.7, -40.67, 54.67

 

CMYK 28 / 0 / 57 / 11

HEX #A3E261

RGB 163 226 97

HSL 89.3, 0.69%, 0.63%

LAB 83.46, -40.6, 55.69

 

CMYK 30 / 0 / 63 / 18

HEX #92D04E

RGB 146 208 78

HSL 88.62, 0.58%, 0.56%

LAB 77.14, -40.44, 56.58

 

CMYK 32 / 0 / 69 / 25

HEX #81BE3B

RGB 129 190 59

HSL 87.94, 0.53%, 0.49%

LAB 70.74, -40.17, 57.2

 

CMYK 35 / 0 / 77 / 33

HEX #70AC28

RGB 112 172 40

HSL 87.27, 0.62%, 0.42%

LAB 64.24, -39.74, 57.3

 

CMYK 26 / 0 / 52 / 4

HEX #B5F476

RGB 181 244 118

HSL 90, 0.85%, 0.71%

LAB 89.78, -40.12, 53.86

 

CMYK 12 / 0 / 52 / 4

HEX #D7F476

RGB 215 244 118

HSL 73.81, 0.85%, 0.71%

LAB 91.89, -27.61, 56.87

 

CMYK 0 / 2 / 52 / 4

HEX #F4EF76

RGB 244 239 118

HSL 57.62, 0.85%, 0.71%

LAB 92.7, -13.9, 58.35

 

CMYK 0 / 16 / 52 / 4

HEX #F4CD76

RGB 244 205 118

HSL 41.43, 0.85%, 0.71%

LAB 84.07, 3.24, 48.07

 

CMYK 0 / 30 / 52 / 4

HEX #F4AB76

RGB 244 171 118

HSL 25.24, 0.85%, 0.71%

LAB 75.86, 21.05, 37.88

 

CMYK 26 / 0 / 52 / 4

HEX #B5F476

RGB 181 244 118

HSL 90, 0.85%, 0.71%

LAB 89.78, -40.12, 53.86

 

CMYK 40 / 0 / 52 / 4

HEX #93F476

RGB 147 244 118

HSL 106.19, 0.85%, 0.71%

LAB 88.07, -51.37, 51.4

 

CMYK 52 / 0 / 50 / 4

HEX #76F47B

RGB 118 244 123

HSL 122.38, 0.85%, 0.71%

LAB 86.99, -58.9, 47.48

 

CMYK 52 / 0 / 36 / 4

HEX #76F49D

RGB 118 244 157

HSL 138.57, 0.85%, 0.71%

LAB 87.48, -53.73, 31.47

 

CMYK 52 / 0 / 22 / 4

HEX #76F4BF

RGB 118 244 191

HSL 154.76, 0.85%, 0.71%

LAB 88.12, -47.26, 14.95

 

CMYK 26 / 0 / 52 / 4

HEX #B5F476

RGB 181 244 118

HSL 90, 0.85%, 0.71%

LAB 89.78, -40.12, 53.86

 

CMYK 26 / 0 / 52 / 4

HEX #B5F476

RGB 181 244 118

HSL 90, 0.85%, 0.71%

LAB 89.78, -40.12, 53.86

 

CMYK 22 / 0 / 44 / 9

HEX #B5E882

RGB 181 232 130

HSL 90, 0.69%, 0.71%

LAB 86.58, -33.36, 44.26

 

CMYK 18 / 0 / 35 / 14

HEX #B5DC8E

RGB 181 220 142

HSL 90, 0.53%, 0.71%

LAB 83.42, -26.18, 34.24

 

CMYK 13 / 0 / 26 / 18

HEX #B5D09A

RGB 181 208 154

HSL 90, 0.36%, 0.71%

LAB 80.33, -18.59, 23.9

 

CMYK 8 / 0 / 15 / 23

HEX #B5C4A6

RGB 181 196 166

HSL 90, 0.2%, 0.71%

LAB 77.31, -10.57, 13.34

 

CMYK 0 / 2 / 52 / 4

HEX #F4F076

RGB 244 240 118

HSL 58.1, 0.85%, 0.71%

LAB 92.95, -14.39, 58.65

 

CMYK 12 / 0 / 52 / 4

HEX #D7F476

RGB 215 244 118

HSL 73.81, 0.85%, 0.71%

LAB 91.89, -27.61, 56.87

 

CMYK 26 / 0 / 52 / 4

HEX #B5F476

RGB 181 244 118

HSL 90, 0.85%, 0.71%

LAB 89.78, -40.12, 53.86

 

CMYK 39 / 0 / 52 / 4

HEX #94F476

RGB 148 244 118

HSL 105.71, 0.85%, 0.71%

LAB 88.12, -51.06, 51.46

 

CMYK 52 / 0 / 50 / 4

HEX #76F47A

RGB 118 244 122

HSL 121.9, 0.85%, 0.71%

LAB 86.98, -59.03, 47.94

 

CMYK 41 / 0 / 82 / 7

HEX #8CEE2A

RGB 140 238 42

HSL 90, 0.85%, 0.55%

LAB 85.45, -57.03, 76.69

 

CMYK 34 / 0 / 67 / 5

HEX #A0F150

RGB 160 241 80

HSL 90.19, 0.85%, 0.63%

LAB 87.47, -49.47, 67.05

 

CMYK 26 / 0 / 52 / 4

HEX #B5F476

RGB 181 244 118

HSL 90, 0.85%, 0.71%

LAB 89.78, -40.12, 53.86

 

CMYK 18 / 0 / 37 / 3

HEX #CAF79C

RGB 202 247 156

HSL 89.67, 0.85%, 0.79%

LAB 92.34, -29.63, 39.13

 

CMYK 11 / 0 / 22 / 2

HEX #DEFAC3

RGB 222 250 195

HSL 90.55, 0.85%, 0.87%

LAB 95.09, -18.55, 23.42

 

CMYK 26 / 0 / 52 / 4

HEX #B4F474

RGB 180 244 116

HSL 90, 0.85%, 0.71%

LAB 89.7, -40.67, 54.67

 

CMYK 52 / 0 / 16 / 4

HEX #76F4CE

RGB 118 244 206

HSL 161.9, 0.85%, 0.71%

LAB 88.45, -44.02, 7.64

 

CMYK 0 / 52 / 5 / 4

HEX #F476E7

RGB 244 118 231

HSL 306.19, 0.85%, 0.71%

LAB 67.99, 62.58, -35.55

 

CMYK 26 / 0 / 52 / 4

HEX #B4F474

RGB 180 244 116

HSL 90, 0.85%, 0.71%

LAB 89.7, -40.67, 54.67

 

CMYK 52 / 26 / 0 / 4

HEX #76B5F4

RGB 118 181 244

HSL 210, 0.85%, 0.71%

LAB 71.85, -2.94, -37.51

 

CMYK 0 / 52 / 26 / 4

HEX #F476B5

RGB 244 118 181

HSL 330, 0.85%, 0.71%

LAB 66.16, 55.15, -10.38

 

CMYK 26 / 0 / 52 / 4

HEX #B4F474

RGB 180 244 116

HSL 90, 0.85%, 0.71%

LAB 89.7, -40.67, 54.67

 

CMYK 52 / 0 / 16 / 4

HEX #76F4CE

RGB 118 244 206

HSL 161.9, 0.85%, 0.71%

LAB 88.45, -44.02, 7.64

 

CMYK 26 / 52 / 0 / 4

HEX #B576F4

RGB 181 118 244

HSL 270, 0.85%, 0.71%

LAB 61.06, 48.29, -54.17

 

CMYK 0 / 52 / 36 / 4

HEX #F4769C

RGB 244 118 156

HSL 341.9, 0.85%, 0.71%

LAB 65.43, 52.07, 2.73

 

CMYK 26 / 0 / 52 / 4

HEX #B4F474

RGB 180 244 116

HSL 90, 0.85%, 0.71%

LAB 89.7, -40.67, 54.67

 

CMYK 52 / 0 / 0 / 4

HEX #76F4F4

RGB 118 244 244

HSL 180, 0.85%, 0.71%

LAB 89.43, -34.91, -10.74

 

CMYK 26 / 52 / 0 / 4

HEX #B576F4

RGB 181 118 244

HSL 270, 0.85%, 0.71%

LAB 61.06, 48.29, -54.17

 

CMYK 0 / 52 / 52 / 4

HEX #F47676

RGB 244 118 118

HSL 0, 0.85%, 0.71%

LAB 64.56, 48.3, 23.12

 

Description

Color code: HEX #B4F474 | qconv.com Color code: HEX #B4F474 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 244 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 244 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 52 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 52% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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