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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4F14A it is the complementary color #4B0EB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4F14A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4F14A shade: #B9F145, #CAFF58, #DBFF6B, #ECFF7E and #FDFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4F14A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4F14A shade: #B4F14A, #A3DF37, #92CD24, #81BB11 and #70A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4F14A shade: #B5F14B, #E1F14B, #F1D44B, #F1A74B and #F17B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4F14A shade: #B5F14B, #88F14B, #5BF14B, #4BF168 and #4BF195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4F14A shade matches the following richer shades: #B5F14B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4F14A shade: #B5F14B, #B0E25A, #ACD26A, #A8C27A and #A4B389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4F14A shade: #F1D34B, #E4F14B, #B7F14B, #8BF14B and #5EF14B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4F14A shade: #90D910, #A5EF24, #B5F14B, #C4F471 and #D4F798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4F14A shade: #B4F14A, #4BF1A6 and #E94BF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4F14A shade: #B4F14A, #4BB7F1 and #F14BB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4F14A shade: #B4F14A, #4BF1A6, #854BF1 and #F14B96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4F14A shade: #B4F14A, #4BF1D8, #854BF1 and #F14B64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 69 / 5

HEX #B4F14A

RGB 180 241 74

HSL 81.92, 0.86%, 0.62%

LAB 88.5, -42.77, 70.66

 

Complementary color

CMYK 59 / 92 / 0 / 29

HEX #4B0EB5

RGB 75 14 181

HSL 261.92, 0.86%, 0.38%

LAB 27.15, 60.6, -73.59

 

CMYK 23 / 0 / 71 / 5

HEX #B9F145

RGB 185 241 69

HSL 79.53, 0.86%, 0.61%

LAB 88.76, -41.21, 72.76

 

CMYK 21 / 0 / 65 / 0

HEX #CAFF58

RGB 202 255 88

HSL 79.04, 1%, 0.67%

LAB 93.79, -39.88, 71.34

 

CMYK 14 / 0 / 58 / 0

HEX #DBFF6B

RGB 219 255 107

HSL 74.59, 1%, 0.71%

LAB 95.01, -32.12, 65.34

 

CMYK 7 / 0 / 51 / 0

HEX #ECFF7E

RGB 236 255 126

HSL 68.84, 1%, 0.75%

LAB 96.35, -24.06, 58.87

 

CMYK 1 / 0 / 43 / 0

HEX #FDFF91

RGB 253 255 145

HSL 61.09, 1%, 0.78%

LAB 97.81, -15.79, 52.12

 

CMYK 25 / 0 / 69 / 5

HEX #B4F14A

RGB 180 241 74

HSL 81.92, 0.86%, 0.62%

LAB 88.5, -42.77, 70.66

 

CMYK 27 / 0 / 75 / 13

HEX #A3DF37

RGB 163 223 55

HSL 81.43, 0.72%, 0.55%

LAB 82.29, -42.28, 70.65

 

CMYK 29 / 0 / 82 / 20

HEX #92CD24

RGB 146 205 36

HSL 80.95, 0.7%, 0.47%

LAB 76.01, -41.64, 69.9

 

CMYK 31 / 0 / 91 / 27

HEX #81BB11

RGB 129 187 17

HSL 80.47, 0.83%, 0.4%

LAB 69.65, -40.79, 68.01

 

CMYK 34 / 0 / 100 / 34

HEX #70A900

RGB 112 169 0

HSL 80.24, 1%, 0.33%

LAB 63.19, -39.71, 64.72

 

CMYK 25 / 0 / 69 / 5

HEX #B5F14B

RGB 181 241 75

HSL 81.69, 0.86%, 0.62%

LAB 88.56, -42.34, 70.38

 

CMYK 7 / 0 / 69 / 5

HEX #E1F14B

RGB 225 241 75

HSL 65.78, 0.86%, 0.62%

LAB 91.43, -25.31, 74.19

 

CMYK 0 / 12 / 69 / 5

HEX #F1D44B

RGB 241 212 75

HSL 49.52, 0.86%, 0.62%

LAB 85.15, -4.48, 68.34

 

CMYK 0 / 31 / 69 / 5

HEX #F1A74B

RGB 241 167 75

HSL 33.25, 0.86%, 0.62%

LAB 74.09, 18.94, 56.87

 

CMYK 0 / 49 / 69 / 5

HEX #F17B4B

RGB 241 123 75

HSL 17.35, 0.86%, 0.62%

LAB 64.46, 41.8, 46.3

 

CMYK 25 / 0 / 69 / 5

HEX #B5F14B

RGB 181 241 75

HSL 81.69, 0.86%, 0.62%

LAB 88.56, -42.34, 70.38

 

CMYK 44 / 0 / 69 / 5

HEX #88F14B

RGB 136 241 75

HSL 97.95, 0.86%, 0.62%

LAB 86.33, -57.61, 67.39

 

CMYK 62 / 0 / 69 / 5

HEX #5BF14B

RGB 91 241 75

HSL 114.22, 0.86%, 0.62%

LAB 84.81, -69.33, 65.34

 

CMYK 69 / 0 / 57 / 5

HEX #4BF168

RGB 75 241 104

HSL 130.48, 0.86%, 0.62%

LAB 84.69, -69.41, 53.17

 

CMYK 69 / 0 / 38 / 5

HEX #4BF195

RGB 75 241 149

HSL 146.75, 0.86%, 0.62%

LAB 85.29, -62.58, 32.37

 

CMYK 25 / 0 / 69 / 5

HEX #B5F14B

RGB 181 241 75

HSL 81.69, 0.86%, 0.62%

LAB 88.56, -42.34, 70.38

 

CMYK 25 / 0 / 69 / 5

HEX #B5F14B

RGB 181 241 75

HSL 81.69, 0.86%, 0.62%

LAB 88.56, -42.34, 70.38

 

CMYK 22 / 0 / 60 / 11

HEX #B0E25A

RGB 176 226 90

HSL 82.06, 0.7%, 0.62%

LAB 84.15, -36.46, 59.71

 

CMYK 18 / 0 / 50 / 18

HEX #ACD26A

RGB 172 210 106

HSL 81.92, 0.54%, 0.62%

LAB 79.56, -29.07, 47.08

 

CMYK 13 / 0 / 37 / 24

HEX #A8C27A

RGB 168 194 122

HSL 81.67, 0.37%, 0.62%

LAB 75.02, -20.94, 33.36

 

CMYK 8 / 0 / 23 / 30

HEX #A4B389

RGB 164 179 137

HSL 81.43, 0.22%, 0.62%

LAB 70.83, -12.68, 19.75

 

CMYK 0 / 12 / 69 / 5

HEX #F1D34B

RGB 241 211 75

HSL 49.16, 0.86%, 0.62%

LAB 84.89, -3.97, 68.08

 

CMYK 5 / 0 / 69 / 5

HEX #E4F14B

RGB 228 241 75

HSL 64.7, 0.86%, 0.62%

LAB 91.65, -24.11, 74.48

 

CMYK 24 / 0 / 69 / 5

HEX #B7F14B

RGB 183 241 75

HSL 80.96, 0.86%, 0.62%

LAB 88.68, -41.6, 70.54

 

CMYK 42 / 0 / 69 / 5

HEX #8BF14B

RGB 139 241 75

HSL 96.87, 0.86%, 0.62%

LAB 86.46, -56.69, 67.56

 

CMYK 61 / 0 / 69 / 5

HEX #5EF14B

RGB 94 241 75

HSL 113.13, 0.86%, 0.62%

LAB 84.89, -68.68, 65.44

 

CMYK 34 / 0 / 93 / 15

HEX #90D910

RGB 144 217 16

HSL 81.79, 0.86%, 0.46%

LAB 79.38, -48, 76.37

 

CMYK 31 / 0 / 85 / 6

HEX #A5EF24

RGB 165 239 36

HSL 81.87, 0.86%, 0.54%

LAB 86.93, -49.1, 79.76

 

CMYK 25 / 0 / 69 / 5

HEX #B5F14B

RGB 181 241 75

HSL 81.69, 0.86%, 0.62%

LAB 88.56, -42.34, 70.38

 

CMYK 20 / 0 / 54 / 4

HEX #C4F471

RGB 196 244 113

HSL 81.98, 0.86%, 0.7%

LAB 90.61, -35.2, 57.32

 

CMYK 14 / 0 / 38 / 3

HEX #D4F798

RGB 212 247 152

HSL 82.11, 0.86%, 0.78%

LAB 92.92, -26.54, 41.97

 

CMYK 25 / 0 / 69 / 5

HEX #B4F14A

RGB 180 241 74

HSL 81.92, 0.86%, 0.62%

LAB 88.5, -42.77, 70.66

 

CMYK 69 / 0 / 31 / 5

HEX #4BF1A6

RGB 75 241 166

HSL 152.89, 0.86%, 0.62%

LAB 85.58, -59.34, 24.14

 

CMYK 3 / 69 / 0 / 5

HEX #E94BF1

RGB 233 75 241

HSL 297.11, 0.86%, 0.62%

LAB 60.52, 79.1, -52.95

 

CMYK 25 / 0 / 69 / 5

HEX #B4F14A

RGB 180 241 74

HSL 81.92, 0.86%, 0.62%

LAB 88.5, -42.77, 70.66

 

CMYK 69 / 24 / 0 / 5

HEX #4BB7F1

RGB 75 183 241

HSL 200.96, 0.86%, 0.62%

LAB 70.67, -12.79, -37.83

 

CMYK 0 / 69 / 24 / 5

HEX #F14BB7

RGB 241 75 183

HSL 320.96, 0.86%, 0.62%

LAB 59.11, 72.57, -22.23

 

CMYK 25 / 0 / 69 / 5

HEX #B4F14A

RGB 180 241 74

HSL 81.92, 0.86%, 0.62%

LAB 88.5, -42.77, 70.66

 

CMYK 69 / 0 / 31 / 5

HEX #4BF1A6

RGB 75 241 166

HSL 152.89, 0.86%, 0.62%

LAB 85.58, -59.34, 24.14

 

CMYK 45 / 69 / 0 / 5

HEX #854BF1

RGB 133 75 241

HSL 260.96, 0.86%, 0.62%

LAB 47.46, 59.44, -74.68

 

CMYK 0 / 69 / 38 / 5

HEX #F14B96

RGB 241 75 150

HSL 332.89, 0.86%, 0.62%

LAB 57.98, 68.8, -4.77

 

CMYK 25 / 0 / 69 / 5

HEX #B4F14A

RGB 180 241 74

HSL 81.92, 0.86%, 0.62%

LAB 88.5, -42.77, 70.66

 

CMYK 69 / 0 / 10 / 5

HEX #4BF1D8

RGB 75 241 216

HSL 170.96, 0.86%, 0.62%

LAB 86.68, -47.91, -0.28

 

CMYK 45 / 69 / 0 / 5

HEX #854BF1

RGB 133 75 241

HSL 260.96, 0.86%, 0.62%

LAB 47.46, 59.44, -74.68

 

CMYK 0 / 69 / 59 / 5

HEX #F14B64

RGB 241 75 100

HSL 350.96, 0.86%, 0.62%

LAB 56.74, 64.56, 22.92

 

Description

Color code: HEX #B4F14A | qconv.com Color code: HEX #B4F14A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 241 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 241 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 69 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 69% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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