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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4DD43 it is the complementary color #4B22BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4DD43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4DD43 shade: #B9DD3E, #CAEF51, #DBFF64, #ECFF77 and #FDFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4DD43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4DD43 shade: #B4DD43, #A3CB30, #92B91D, #81A70A and #709500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4DD43 shade: #B3DC41, #DCDC41, #DCB241, #DC8841 and #DC5E41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4DD43 shade: #B3DC41, #89DC41, #5FDC41, #41DC4D and #41DC77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4DD43 shade matches the following richer shades: #B3DC41 and #BBEE2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4DD43 shade: #B3DC41, #ABCA54, #A2B866, #9AA678 and #91948A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4DD43 shade: #DCB041, #DCDA41, #B6DC41, #8CDC41 and #63DC41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4DD43 shade: #86AC1F, #A2CE26, #B3DC41, #C1E364 and #CFE987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4DD43 shade: #B4DD43, #41DC87 and #C541DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4DD43 shade: #B4DD43, #41B6DC and #DC41B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4DD43 shade: #B4DD43, #41DC87, #6841DC and #DC4197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4DD43 shade: #B4DD43, #41DCB6, #6841DC and #DC4168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 70 / 13

HEX #B4DD43

RGB 180 221 67

HSL 75.97, 0.69%, 0.56%

LAB 82.82, -34.26, 67.46

 

Complementary color

CMYK 60 / 82 / 0 / 26

HEX #4B22BC

RGB 75 34 188

HSL 255.97, 0.69%, 0.44%

LAB 30.09, 55.97, -72.89

 

CMYK 16 / 0 / 72 / 13

HEX #B9DD3E

RGB 185 221 62

HSL 73.58, 0.7%, 0.55%

LAB 83.11, -32.57, 69.62

 

CMYK 15 / 0 / 66 / 6

HEX #CAEF51

RGB 202 239 81

HSL 74.05, 0.83%, 0.63%

LAB 89.34, -33.12, 69.37

 

CMYK 14 / 0 / 61 / 0

HEX #DBFF64

RGB 219 255 100

HSL 73.94, 1%, 0.7%

LAB 94.95, -32.64, 68.18

 

CMYK 7 / 0 / 53 / 0

HEX #ECFF77

RGB 236 255 119

HSL 68.38, 1%, 0.73%

LAB 96.28, -24.65, 61.91

 

CMYK 1 / 0 / 46 / 0

HEX #FDFF8A

RGB 253 255 138

HSL 61.03, 1%, 0.77%

LAB 97.73, -16.44, 55.3

 

CMYK 19 / 0 / 70 / 13

HEX #B4DD43

RGB 180 221 67

HSL 75.97, 0.69%, 0.56%

LAB 82.82, -34.26, 67.46

 

CMYK 20 / 0 / 76 / 20

HEX #A3CB30

RGB 163 203 48

HSL 75.48, 0.62%, 0.49%

LAB 76.5, -33.66, 67.38

 

CMYK 21 / 0 / 84 / 27

HEX #92B91D

RGB 146 185 29

HSL 75, 0.73%, 0.42%

LAB 70.1, -32.9, 66.45

 

CMYK 23 / 0 / 94 / 35

HEX #81A70A

RGB 129 167 10

HSL 74.52, 0.89%, 0.35%

LAB 63.61, -31.91, 64.15

 

CMYK 25 / 0 / 100 / 42

HEX #709500

RGB 112 149 0

HSL 74.9, 1%, 0.29%

LAB 57.02, -30.66, 59.99

 

CMYK 19 / 0 / 70 / 14

HEX #B3DC41

RGB 179 220 65

HSL 75.87, 0.69%, 0.56%

LAB 82.46, -34.3, 67.8

 

CMYK 0 / 0 / 70 / 14

HEX #DCDC41

RGB 220 220 65

HSL 60, 0.69%, 0.56%

LAB 85.39, -17.72, 71.67

 

CMYK 0 / 19 / 70 / 14

HEX #DCB241

RGB 220 178 65

HSL 43.74, 0.69%, 0.56%

LAB 74.47, 3.72, 60.86

 

CMYK 0 / 38 / 70 / 14

HEX #DC8841

RGB 220 136 65

HSL 27.48, 0.69%, 0.56%

LAB 64.33, 26.17, 50.29

 

CMYK 0 / 57 / 70 / 14

HEX #DC5E41

RGB 220 94 65

HSL 11.23, 0.69%, 0.56%

LAB 55.69, 47.57, 40.75

 

CMYK 19 / 0 / 70 / 14

HEX #B3DC41

RGB 179 220 65

HSL 75.87, 0.69%, 0.56%

LAB 82.46, -34.3, 67.8

 

CMYK 38 / 0 / 70 / 14

HEX #89DC41

RGB 137 220 65

HSL 92.13, 0.69%, 0.56%

LAB 80.12, -49.66, 64.68

 

CMYK 57 / 0 / 70 / 14

HEX #5FDC41

RGB 95 220 65

HSL 108.39, 0.69%, 0.56%

LAB 78.46, -62.01, 62.46

 

CMYK 70 / 0 / 65 / 14

HEX #41DC4D

RGB 65 220 77

HSL 124.65, 0.69%, 0.56%

LAB 77.78, -67.2, 56.85

 

CMYK 70 / 0 / 46 / 14

HEX #41DC77

RGB 65 220 119

HSL 140.9, 0.69%, 0.56%

LAB 78.25, -61.71, 38.16

 

CMYK 19 / 0 / 70 / 14

HEX #B3DC41

RGB 179 220 65

HSL 75.87, 0.69%, 0.56%

LAB 82.46, -34.3, 67.8

 

CMYK 21 / 0 / 80 / 7

HEX #BBEE2F

RGB 187 238 47

HSL 76.02, 0.85%, 0.56%

LAB 87.93, -40.13, 78.6

 

CMYK 19 / 0 / 70 / 14

HEX #B3DC41

RGB 179 220 65

HSL 75.87, 0.69%, 0.56%

LAB 82.46, -34.3, 67.8

 

CMYK 15 / 0 / 58 / 21

HEX #ABCA54

RGB 171 202 84

HSL 75.76, 0.53%, 0.56%

LAB 77, -27.71, 54.26

 

CMYK 12 / 0 / 45 / 28

HEX #A2B866

RGB 162 184 102

HSL 76.1, 0.37%, 0.56%

LAB 71.5, -20.71, 39.02

 

CMYK 7 / 0 / 28 / 35

HEX #9AA678

RGB 154 166 120

HSL 75.65, 0.21%, 0.56%

LAB 66.13, -12.27, 22.46

 

CMYK 2 / 0 / 7 / 42

HEX #91948A

RGB 145 148 138

HSL 78, 0.04%, 0.56%

LAB 60.81, -2.99, 4.9

 

CMYK 0 / 20 / 70 / 14

HEX #DCB041

RGB 220 176 65

HSL 42.97, 0.69%, 0.56%

LAB 73.96, 4.77, 60.35

 

CMYK 0 / 1 / 70 / 14

HEX #DCDA41

RGB 220 218 65

HSL 59.23, 0.69%, 0.56%

LAB 84.86, -16.74, 71.16

 

CMYK 17 / 0 / 70 / 14

HEX #B6DC41

RGB 182 220 65

HSL 74.71, 0.69%, 0.56%

LAB 82.65, -33.13, 68.06

 

CMYK 36 / 0 / 70 / 14

HEX #8CDC41

RGB 140 220 65

HSL 90.97, 0.69%, 0.56%

LAB 80.26, -48.64, 64.87

 

CMYK 55 / 0 / 70 / 14

HEX #63DC41

RGB 99 220 65

HSL 106.84, 0.69%, 0.56%

LAB 78.59, -61, 62.63

 

CMYK 22 / 0 / 82 / 33

HEX #86AC1F

RGB 134 172 31

HSL 76.17, 0.69%, 0.4%

LAB 65.49, -31.62, 61.62

 

CMYK 21 / 0 / 82 / 19

HEX #A2CE26

RGB 162 206 38

HSL 75.71, 0.69%, 0.48%

LAB 77.26, -35.84, 70.87

 

CMYK 19 / 0 / 70 / 14

HEX #B3DC41

RGB 179 220 65

HSL 75.87, 0.69%, 0.56%

LAB 82.46, -34.3, 67.8

 

CMYK 15 / 0 / 56 / 11

HEX #C1E364

RGB 193 227 100

HSL 76.06, 0.69%, 0.64%

LAB 85.6, -29.63, 57.29

 

CMYK 11 / 0 / 42 / 9

HEX #CFE987

RGB 207 233 135

HSL 75.92, 0.69%, 0.72%

LAB 88.59, -23.7, 44.71

 

CMYK 19 / 0 / 70 / 13

HEX #B4DD43

RGB 180 221 67

HSL 75.97, 0.69%, 0.56%

LAB 82.82, -34.26, 67.46

 

CMYK 70 / 0 / 39 / 14

HEX #41DC87

RGB 65 220 135

HSL 147.1, 0.69%, 0.56%

LAB 78.5, -58.95, 30.42

 

CMYK 10 / 70 / 0 / 14

HEX #C541DC

RGB 197 65 220

HSL 291.1, 0.69%, 0.56%

LAB 52.75, 71.47, -53.86

 

CMYK 19 / 0 / 70 / 13

HEX #B4DD43

RGB 180 221 67

HSL 75.97, 0.69%, 0.56%

LAB 82.82, -34.26, 67.46

 

CMYK 70 / 17 / 0 / 14

HEX #41B6DC

RGB 65 182 220

HSL 194.71, 0.69%, 0.56%

LAB 69.29, -20.42, -28.56

 

CMYK 0 / 70 / 17 / 14

HEX #DC41B6

RGB 220 65 182

HSL 314.71, 0.69%, 0.56%

LAB 54.42, 70.68, -29.17

 

CMYK 19 / 0 / 70 / 13

HEX #B4DD43

RGB 180 221 67

HSL 75.97, 0.69%, 0.56%

LAB 82.82, -34.26, 67.46

 

CMYK 70 / 0 / 39 / 14

HEX #41DC87

RGB 65 220 135

HSL 147.1, 0.69%, 0.56%

LAB 78.5, -58.95, 30.42

 

CMYK 53 / 70 / 0 / 14

HEX #6841DC

RGB 104 65 220

HSL 255.1, 0.69%, 0.56%

LAB 41.04, 54.07, -73.38

 

CMYK 0 / 70 / 31 / 14

HEX #DC4197

RGB 220 65 151

HSL 326.71, 0.69%, 0.56%

LAB 53.2, 66.77, -12.86

 

CMYK 19 / 0 / 70 / 13

HEX #B4DD43

RGB 180 221 67

HSL 75.97, 0.69%, 0.56%

LAB 82.82, -34.26, 67.46

 

CMYK 70 / 0 / 17 / 14

HEX #41DCB6

RGB 65 220 182

HSL 165.29, 0.69%, 0.56%

LAB 79.44, -48.87, 7.12

 

CMYK 53 / 70 / 0 / 14

HEX #6841DC

RGB 104 65 220

HSL 255.1, 0.69%, 0.56%

LAB 41.04, 54.07, -73.38

 

CMYK 0 / 70 / 53 / 14

HEX #DC4168

RGB 220 65 104

HSL 344.9, 0.69%, 0.56%

LAB 51.83, 62.22, 13.27

 

Description

Color code: HEX #B4DD43 | qconv.com Color code: HEX #B4DD43 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 221 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 221 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 70 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 70% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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