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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4DAF700 it is the complementary color #4B250800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4DAF700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4DAF700 shade: #B9DAF200, #CAECFF00, #DBFEFF00, #ECFFFF00 and #FDFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4DAF700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4DAF700 shade: #B4DAF700, #A3C8E400, #92B6D100, #81A4BE00 and #7092AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4DAF700 shade: #B5DBF7, #B5C9F7, #B5B7F7, #C5B5F7 and #D7B5F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4DAF700 shade: #B5DBF7, #B5C9F7, #B5B7F7 and #B5B5F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4DAF700 shade matches the following richer shades: #B5DBF7 and #AFDCFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4DAF700 shade: #B5DBF7, #BCDAF1, #C2D9EA, #C9D8E3 and #D0D7DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4DAF700 shade: #B5F7F0, #B5EDF7, #B5DCF7, #B5CAF7 and #B5B8F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4DAF700 shade: #6AB6EF, #90C8F3, #B5DBF7, #DAEDFB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4DAF700 shade: #B4DAF7, #DEB5F7 and #F6F7B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4DAF700 shade: #B4DAF7, #F7B5DC and #DCF7B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4DAF700 shade: #B4DAF7, #DEB5F7, #F7D1B5 and #CEF7B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4DAF700 shade: #B4DAF7, #F2B5F7, #F7D1B5 and #BBF7B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #B4DAF700

RGBA 180 218 247 0

HSLA 205.97, 0.81%, 0.84%, 0

LABA 85.28, -6.02, -18.24, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #4B250800

RGBA 75 37 8 0

HSLA 25.97, 0.81%, 0.16%, 0

LABA 19.38, 15.54, 25.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B9DAF200

RGBA 185 218 242 0

HSLA 205.26, 0.69%, 0.84%, 0

LABA 85.44, -5.69, -15.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CAECFF00

RGBA 202 236 255 0

HSLA 201.51, 1%, 0.9%, 0

LABA 91.58, -7.07, -12.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DBFEFF00

RGBA 219 254 255 0

HSLA 181.67, 1%, 0.93%, 0

LABA 97.29, -10.99, -4.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ECFFFF00

RGBA 236 255 255 0

HSLA 180, 1%, 0.96%, 0

LABA 98.66, -6.16, -2.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FDFFFF00

RGBA 253 255 255 0

HSLA 180, 1%, 1%, 0

LABA 99.85, -0.65, -0.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4DAF700

RGBA 180 218 247 0

HSLA 205.97, 0.81%, 0.84%, 0

LABA 85.28, -6.02, -18.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3C8E400

RGBA 163 200 228 0

HSLA 205.85, 0.55%, 0.77%, 0

LABA 78.87, -5.92, -17.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #92B6D100

RGBA 146 182 209 0

HSLA 205.71, 0.41%, 0.7%, 0

LABA 72.34, -5.81, -17.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #81A4BE00

RGBA 129 164 190 0

HSLA 205.57, 0.32%, 0.63%, 0

LABA 65.7, -5.69, -17.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7092AB00

RGBA 112 146 171 0

HSLA 205.42, 0.26%, 0.55%, 0

LABA 58.92, -5.55, -16.93, 0

 

CMYK 27 / 11 / 0 / 3

HEX #B5DBF7

RGB 181 219 247

HSL 205.45, 0.8%, 0.84%

LAB 85.61, -6.25, -17.75

 

CMYK 27 / 19 / 0 / 3

HEX #B5C9F7

RGB 181 201 247

HSL 221.82, 0.8%, 0.84%

LAB 80.91, 3.26, -24.86

 

CMYK 27 / 26 / 0 / 3

HEX #B5B7F7

RGB 181 183 247

HSL 238.18, 0.8%, 0.84%

LAB 76.32, 13.05, -31.9

 

CMYK 20 / 27 / 0 / 3

HEX #C5B5F7

RGB 197 181 247

HSL 254.55, 0.8%, 0.84%

LAB 77.06, 18.88, -30.66

 

CMYK 13 / 27 / 0 / 3

HEX #D7B5F7

RGB 215 181 247

HSL 270.91, 0.8%, 0.84%

LAB 78.58, 24.39, -28.19

 

CMYK 27 / 11 / 0 / 3

HEX #B5DBF7

RGB 181 219 247

HSL 205.45, 0.8%, 0.84%

LAB 85.61, -6.25, -17.75

 

CMYK 27 / 19 / 0 / 3

HEX #B5C9F7

RGB 181 201 247

HSL 221.82, 0.8%, 0.84%

LAB 80.91, 3.26, -24.86

 

CMYK 27 / 26 / 0 / 3

HEX #B5B7F7

RGB 181 183 247

HSL 238.18, 0.8%, 0.84%

LAB 76.32, 13.05, -31.9

 

CMYK 27 / 27 / 0 / 3

HEX #B5B5F7

RGB 181 181 247

HSL 240, 0.8%, 0.84%

LAB 75.82, 14.15, -32.68

 

CMYK 27 / 11 / 0 / 3

HEX #B5DBF7

RGB 181 219 247

HSL 205.45, 0.8%, 0.84%

LAB 85.61, -6.25, -17.75

 

CMYK 31 / 13 / 0 / 0

HEX #AFDCFE

RGB 175 220 254

HSL 205.82, 0.98%, 0.84%

LAB 85.73, -6.84, -21.28

 

CMYK 27 / 11 / 0 / 3

HEX #B5DBF7

RGB 181 219 247

HSL 205.45, 0.8%, 0.84%

LAB 85.61, -6.25, -17.75

 

CMYK 22 / 10 / 0 / 5

HEX #BCDAF1

RGB 188 218 241

HSL 206.04, 0.65%, 0.84%

LAB 85.6, -5.02, -14.55

 

CMYK 17 / 7 / 0 / 8

HEX #C2D9EA

RGB 194 217 234

HSL 205.5, 0.49%, 0.84%

LAB 85.52, -4.17, -10.92

 

CMYK 11 / 5 / 0 / 11

HEX #C9D8E3

RGB 201 216 227

HSL 205.38, 0.32%, 0.84%

LAB 85.54, -2.87, -7.13

 

CMYK 6 / 3 / 0 / 13

HEX #D0D7DD

RGB 208 215 221

HSL 207.69, 0.16%, 0.84%

LAB 85.62, -1.23, -3.78

 

CMYK 27 / 0 / 3 / 3

HEX #B5F7F0

RGB 181 247 240

HSL 173.64, 0.8%, 0.84%

LAB 92.86, -21.91, -3.3

 

CMYK 27 / 4 / 0 / 3

HEX #B5EDF7

RGB 181 237 247

HSL 189.09, 0.8%, 0.84%

LAB 90.37, -15.44, -10.61

 

CMYK 27 / 11 / 0 / 3

HEX #B5DCF7

RGB 181 220 247

HSL 204.55, 0.8%, 0.84%

LAB 85.87, -6.77, -17.35

 

CMYK 27 / 18 / 0 / 3

HEX #B5CAF7

RGB 181 202 247

HSL 220.91, 0.8%, 0.84%

LAB 81.17, 2.72, -24.47

 

CMYK 27 / 26 / 0 / 3

HEX #B5B8F7

RGB 181 184 247

HSL 237.27, 0.8%, 0.84%

LAB 76.57, 12.5, -31.52

 

CMYK 56 / 24 / 0 / 6

HEX #6AB6EF

RGB 106 182 239

HSL 205.71, 0.81%, 0.68%

LAB 71.39, -7.51, -35.56

 

CMYK 41 / 18 / 0 / 5

HEX #90C8F3

RGB 144 200 243

HSL 206.06, 0.8%, 0.76%

LAB 78.29, -7.34, -26.92

 

CMYK 27 / 11 / 0 / 3

HEX #B5DBF7

RGB 181 219 247

HSL 205.45, 0.8%, 0.84%

LAB 85.61, -6.25, -17.75

 

CMYK 13 / 6 / 0 / 2

HEX #DAEDFB

RGB 218 237 251

HSL 205.45, 0.8%, 0.92%

LAB 92.77, -3.51, -8.89

 

CMYK 27 / 12 / 0 / 3

HEX #B4DAF7

RGB 180 218 247

HSL 205.97, 0.81%, 0.84%

LAB 85.28, -6.02, -18.24

 

CMYK 10 / 27 / 0 / 3

HEX #DEB5F7

RGB 222 181 247

HSL 277.27, 0.8%, 0.84%

LAB 79.21, 26.57, -27.17

 

CMYK 0 / 0 / 27 / 3

HEX #F6F7B5

RGB 246 247 181

HSL 60.91, 0.8%, 0.84%

LAB 95.77, -10.45, 31.72

 

CMYK 27 / 12 / 0 / 3

HEX #B4DAF7

RGB 180 218 247

HSL 205.97, 0.81%, 0.84%

LAB 85.28, -6.02, -18.24

 

CMYK 0 / 27 / 11 / 3

HEX #F7B5DC

RGB 247 181 220

HSL 324.55, 0.8%, 0.84%

LAB 80.73, 29.8, -10.11

 

CMYK 11 / 0 / 27 / 3

HEX #DCF7B5

RGB 220 247 181

HSL 84.55, 0.8%, 0.84%

LAB 93.91, -19.85, 28.9

 

CMYK 27 / 12 / 0 / 3

HEX #B4DAF7

RGB 180 218 247

HSL 205.97, 0.81%, 0.84%

LAB 85.28, -6.02, -18.24

 

CMYK 10 / 27 / 0 / 3

HEX #DEB5F7

RGB 222 181 247

HSL 277.27, 0.8%, 0.84%

LAB 79.21, 26.57, -27.17

 

CMYK 0 / 15 / 27 / 3

HEX #F7D1B5

RGB 247 209 181

HSL 25.45, 0.8%, 0.84%

LAB 86.36, 9.24, 18.85

 

CMYK 17 / 0 / 27 / 3

HEX #CEF7B5

RGB 206 247 181

HSL 97.27, 0.8%, 0.84%

LAB 93.01, -24.74, 27.51

 

CMYK 27 / 12 / 0 / 3

HEX #B4DAF7

RGB 180 218 247

HSL 205.97, 0.81%, 0.84%

LAB 85.28, -6.02, -18.24

 

CMYK 2 / 27 / 0 / 3

HEX #F2B5F7

RGB 242 181 247

HSL 295.45, 0.8%, 0.84%

LAB 81.09, 32.88, -24.13

 

CMYK 0 / 15 / 27 / 3

HEX #F7D1B5

RGB 247 209 181

HSL 25.45, 0.8%, 0.84%

LAB 86.36, 9.24, 18.85

 

CMYK 24 / 0 / 27 / 3

HEX #BBF7B5

RGB 187 247 181

HSL 114.55, 0.8%, 0.84%

LAB 91.87, -31.12, 25.78

 

Description

Color code: HEX #B4DAF700 | qconv.com Color code: HEX #B4DAF700 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 218 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 218 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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