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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4C48100 it is the complementary color #4B3B7E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4C48100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4C48100 shade: #B9C47C00, #CAD68F00, #DBE8A200, #ECFAB500 and #FDFFC800

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4C48100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4C48100 shade: #B4C48100, #A3B26E00, #92A05B00, #818E4800 and #707C3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4C48100 shade: #B4C482, #C4C282, #C4B082, #C49F82 and #C48D82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4C48100 shade: #B4C482, #A3C482, #91C482, #82C485 and #82C497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4C48100 shade matches the following richer shades: #B4C482, #BCD373, #C4E264 and #CCF156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4C48100 shade: #B4C482, #ADB591, #A5A7A0, #9D98AF and #9589BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4C48100 shade: #C4B082, #C4C282, #B5C482, #A3C482 and #92C482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4C48100 shade: #91A64E, #A4B766, #B4C482, #C5D19E and #D6DFBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4C48100 shade: #B4C481, #82C49F and #B982C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4C48100 shade: #B4C481, #82B5C4 and #C482B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4C48100 shade: #B4C481, #82C49F, #9282C4 and #C482A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4C48100 shade: #B4C481, #82C4B3, #9282C4 and #C48294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #B4C48100

RGBA 180 196 129 0

HSLA 74.33, 0.36%, 0.64%, 0

LABA 76.54, -16.45, 31.87, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #4B3B7E00

RGBA 75 59 126 0

HSLA 254.33, 0.36%, 0.36%, 0

LABA 29.74, 24.07, -35.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B9C47C00

RGBA 185 196 124 0

HSLA 69.17, 0.38%, 0.63%, 0

LABA 76.83, -15.15, 34.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CAD68F00

RGBA 202 214 143 0

HSLA 70.14, 0.46%, 0.7%, 0

LABA 83.25, -15.32, 33.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DBE8A200

RGBA 219 232 162 0

HSLA 71.14, 0.6%, 0.77%, 0

LABA 89.57, -15.46, 32.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ECFAB500

RGBA 236 250 181 0

HSLA 72.17, 0.87%, 0.85%, 0

LABA 95.81, -15.57, 31.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FDFFC800

RGBA 253 255 200 0

HSLA 62.18, 1%, 0.89%, 0

LABA 98.66, -9.32, 26.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4C48100

RGBA 180 196 129 0

HSLA 74.33, 0.36%, 0.64%, 0

LABA 76.54, -16.45, 31.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3B26E00

RGBA 163 178 110 0

HSLA 73.24, 0.31%, 0.56%, 0

LABA 70, -16.33, 33.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #92A05B00

RGBA 146 160 91 0

HSLA 72.17, 0.27%, 0.49%, 0

LABA 63.35, -16.15, 34.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #818E4800

RGBA 129 142 72 0

HSLA 71.14, 0.33%, 0.42%, 0

LABA 56.57, -15.91, 35.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #707C3500

RGBA 112 124 53 0

HSLA 70.14, 0.4%, 0.35%, 0

LABA 49.64, -15.56, 36.64, 0

 

CMYK 8 / 0 / 34 / 23

HEX #B4C482

RGB 180 196 130

HSL 74.55, 0.36%, 0.64%

LAB 76.55, -16.32, 31.37

 

CMYK 0 / 1 / 34 / 23

HEX #C4C282

RGB 196 194 130

HSL 58.18, 0.36%, 0.64%

LAB 77.24, -9.09, 32.5

 

CMYK 0 / 10 / 34 / 23

HEX #C4B082

RGB 196 176 130

HSL 41.82, 0.36%, 0.64%

LAB 72.49, 0.36, 26.22

 

CMYK 0 / 19 / 34 / 23

HEX #C49F82

RGB 196 159 130

HSL 26.36, 0.36%, 0.64%

LAB 68.13, 9.54, 20.31

 

CMYK 0 / 28 / 34 / 23

HEX #C48D82

RGB 196 141 130

HSL 10, 0.36%, 0.64%

LAB 63.67, 19.42, 14.15

 

CMYK 8 / 0 / 34 / 23

HEX #B4C482

RGB 180 196 130

HSL 74.55, 0.36%, 0.64%

LAB 76.55, -16.32, 31.37

 

CMYK 17 / 0 / 34 / 23

HEX #A3C482

RGB 163 196 130

HSL 90, 0.36%, 0.64%

LAB 75.38, -22.72, 29.6

 

CMYK 26 / 0 / 34 / 23

HEX #91C482

RGB 145 196 130

HSL 106.36, 0.36%, 0.64%

LAB 74.26, -29.16, 27.92

 

CMYK 34 / 0 / 32 / 23

HEX #82C485

RGB 130 196 133

HSL 122.73, 0.36%, 0.64%

LAB 73.49, -33.69, 25.17

 

CMYK 34 / 0 / 23 / 23

HEX #82C497

RGB 130 196 151

HSL 139.09, 0.36%, 0.64%

LAB 73.84, -30.48, 16.06

 

CMYK 8 / 0 / 34 / 23

HEX #B4C482

RGB 180 196 130

HSL 74.55, 0.36%, 0.64%

LAB 76.55, -16.32, 31.37

 

CMYK 11 / 0 / 45 / 17

HEX #BCD373

RGB 188 211 115

HSL 74.38, 0.52%, 0.64%

LAB 81.03, -22.47, 44.77

 

CMYK 13 / 0 / 56 / 11

HEX #C4E264

RGB 196 226 100

HSL 74.29, 0.68%, 0.64%

LAB 85.53, -28, 57.26

 

CMYK 15 / 0 / 64 / 5

HEX #CCF156

RGB 204 241 86

HSL 74.32, 0.85%, 0.64%

LAB 90.05, -32.94, 68.23

 

CMYK 8 / 0 / 34 / 23

HEX #B4C482

RGB 180 196 130

HSL 74.55, 0.36%, 0.64%

LAB 76.55, -16.32, 31.37

 

CMYK 4 / 0 / 20 / 29

HEX #ADB591

RGB 173 181 145

HSL 73.33, 0.2%, 0.64%

LAB 72.21, -9.1, 17.44

 

CMYK 1 / 0 / 4 / 35

HEX #A5A7A0

RGB 165 167 160

HSL 77.14, 0.04%, 0.64%

LAB 68.15, -2.02, 3.36

 

CMYK 10 / 13 / 0 / 31

HEX #9D98AF

RGB 157 152 175

HSL 253.04, 0.13%, 0.64%

LAB 63.93, 6.42, -11.31

 

CMYK 22 / 28 / 0 / 25

HEX #9589BE

RGB 149 137 190

HSL 253.58, 0.29%, 0.64%

LAB 59.89, 15.71, -25.99

 

CMYK 0 / 10 / 34 / 23

HEX #C4B082

RGB 196 176 130

HSL 41.82, 0.36%, 0.64%

LAB 72.49, 0.36, 26.22

 

CMYK 0 / 1 / 34 / 23

HEX #C4C282

RGB 196 194 130

HSL 58.18, 0.36%, 0.64%

LAB 77.24, -9.09, 32.5

 

CMYK 8 / 0 / 34 / 23

HEX #B5C482

RGB 181 196 130

HSL 73.64, 0.36%, 0.64%

LAB 76.63, -15.94, 31.48

 

CMYK 17 / 0 / 34 / 23

HEX #A3C482

RGB 163 196 130

HSL 90, 0.36%, 0.64%

LAB 75.38, -22.72, 29.6

 

CMYK 26 / 0 / 34 / 23

HEX #92C482

RGB 146 196 130

HSL 105.45, 0.36%, 0.64%

LAB 74.32, -28.81, 28.01

 

CMYK 13 / 0 / 53 / 35

HEX #91A64E

RGB 145 166 78

HSL 74.32, 0.36%, 0.48%

LAB 64.84, -21.02, 42.61

 

CMYK 10 / 0 / 44 / 28

HEX #A4B766

RGB 164 183 102

HSL 74.07, 0.36%, 0.56%

LAB 71.36, -19.41, 38.88

 

CMYK 8 / 0 / 34 / 23

HEX #B4C482

RGB 180 196 130

HSL 74.55, 0.36%, 0.64%

LAB 76.55, -16.32, 31.37

 

CMYK 6 / 0 / 24 / 18

HEX #C5D19E

RGB 197 209 158

HSL 74.12, 0.36%, 0.72%

LAB 81.81, -12.64, 24

 

CMYK 4 / 0 / 17 / 13

HEX #D6DFBA

RGB 214 223 186

HSL 74.59, 0.37%, 0.8%

LAB 87.3, -9.34, 17.13

 

CMYK 8 / 0 / 34 / 23

HEX #B4C481

RGB 180 196 129

HSL 74.33, 0.36%, 0.64%

LAB 76.54, -16.45, 31.87

 

CMYK 34 / 0 / 19 / 23

HEX #82C49F

RGB 130 196 159

HSL 146.36, 0.36%, 0.64%

LAB 74.02, -28.92, 12

 

CMYK 6 / 34 / 0 / 23

HEX #B982C4

RGB 185 130 196

HSL 290, 0.36%, 0.64%

LAB 61.88, 32.49, -26.02

 

CMYK 8 / 0 / 34 / 23

HEX #B4C481

RGB 180 196 129

HSL 74.33, 0.36%, 0.64%

LAB 76.54, -16.45, 31.87

 

CMYK 34 / 8 / 0 / 23

HEX #82B5C4

RGB 130 181 196

HSL 193.64, 0.36%, 0.64%

LAB 70.72, -13.05, -12.99

 

CMYK 0 / 34 / 8 / 23

HEX #C482B5

RGB 196 130 181

HSL 313.64, 0.36%, 0.64%

LAB 62.54, 33.29, -16.43

 

CMYK 8 / 0 / 34 / 23

HEX #B4C481

RGB 180 196 129

HSL 74.33, 0.36%, 0.64%

LAB 76.54, -16.45, 31.87

 

CMYK 34 / 0 / 19 / 23

HEX #82C49F

RGB 130 196 159

HSL 146.36, 0.36%, 0.64%

LAB 74.02, -28.92, 12

 

CMYK 26 / 34 / 0 / 23

HEX #9282C4

RGB 146 130 196

HSL 254.55, 0.36%, 0.64%

LAB 58.1, 20.3, -32.19

 

CMYK 0 / 34 / 14 / 23

HEX #C482A8

RGB 196 130 168

HSL 325.45, 0.36%, 0.64%

LAB 62.11, 31.08, -9.69

 

CMYK 8 / 0 / 34 / 23

HEX #B4C481

RGB 180 196 129

HSL 74.33, 0.36%, 0.64%

LAB 76.54, -16.45, 31.87

 

CMYK 34 / 0 / 9 / 23

HEX #82C4B3

RGB 130 196 179

HSL 164.55, 0.36%, 0.64%

LAB 74.5, -24.72, 1.87

 

CMYK 26 / 34 / 0 / 23

HEX #9282C4

RGB 146 130 196

HSL 254.55, 0.36%, 0.64%

LAB 58.1, 20.3, -32.19

 

CMYK 0 / 34 / 24 / 23

HEX #C48294

RGB 196 130 148

HSL 343.64, 0.36%, 0.64%

LAB 61.52, 27.96, 0.85

 

Description

Color code: HEX #B4C48100 | qconv.com Color code: HEX #B4C48100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 196 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 196 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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