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Color name
HEX #B4C248

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4C248 it is the complementary color #4B3DB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4C248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4C248 shade: #B9C243, #CAD456, #DBE669, #ECF87C and #FDFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4C248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4C248 shade: #B4C248, #A3B035, #929E22, #818C0F and #707A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4C248 shade: #B4C247, #C2AF47, #C28E47, #C26D47 and #C24C47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4C248 shade: #B4C247, #93C247, #72C247, #51C247 and #47C25F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4C248 shade matches the following richer shades: #B4C247, #C3D634, #D2E920 and #E2FD0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4C248 shade: #B4C247, #A4AE5B, #959A6F, #868683 and #777397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4C248 shade: #C28D47, #C2AD47, #B6C247, #95C247 and #74C247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4C248 shade: #7F892E, #9BA838, #B4C247, #C0CC66 and #CDD685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4C248 shade: #B4C248, #47C26C and #9D47C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4C248 shade: #B4C248, #47B6C2 and #C247B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4C248 shade: #B4C248, #47C26C, #5447C2 and #C2479D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4C248 shade: #B4C248, #47C291, #5447C2 and #C24778

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 63 / 24

HEX #B4C248

RGB 180 194 72

HSL 66.89, 0.5%, 0.52%

LAB 75.3, -21.08, 57.75

 

Complementary color

CMYK 59 / 67 / 0 / 28

HEX #4B3DB7

RGB 75 61 183

HSL 246.89, 0.5%, 0.48%

LAB 34.5, 40.71, -62.67

 

CMYK 5 / 0 / 65 / 24

HEX #B9C243

RGB 185 194 67

HSL 64.25, 0.51%, 0.51%

LAB 75.64, -19.33, 60.28

 

CMYK 5 / 0 / 59 / 17

HEX #CAD456

RGB 202 212 86

HSL 64.76, 0.59%, 0.58%

LAB 82.01, -19.96, 59.56

 

CMYK 5 / 0 / 54 / 10

HEX #DBE669

RGB 219 230 105

HSL 65.28, 0.71%, 0.66%

LAB 88.29, -20.47, 58.62

 

CMYK 5 / 0 / 50 / 3

HEX #ECF87C

RGB 236 248 124

HSL 65.81, 0.9%, 0.73%

LAB 94.49, -20.9, 57.58

 

CMYK 1 / 0 / 44 / 0

HEX #FDFF8F

RGB 253 255 143

HSL 61.07, 1%, 0.78%

LAB 97.79, -15.98, 53.04

 

CMYK 7 / 0 / 63 / 24

HEX #B4C248

RGB 180 194 72

HSL 66.89, 0.5%, 0.52%

LAB 75.3, -21.08, 57.75

 

CMYK 7 / 0 / 70 / 31

HEX #A3B035

RGB 163 176 53

HSL 66.34, 0.54%, 0.45%

LAB 68.82, -20.42, 58.27

 

CMYK 8 / 0 / 78 / 38

HEX #929E22

RGB 146 158 34

HSL 65.81, 0.65%, 0.38%

LAB 62.24, -19.58, 58.15

 

CMYK 8 / 0 / 89 / 45

HEX #818C0F

RGB 129 140 15

HSL 65.28, 0.81%, 0.3%

LAB 55.54, -18.51, 56.84

 

CMYK 8 / 0 / 100 / 52

HEX #707A00

RGB 112 122 0

HSL 64.92, 1%, 0.24%

LAB 48.72, -17.16, 53.75

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 0 / 10 / 63 / 24

HEX #C2AF47

RGB 194 175 71

HSL 50.73, 0.5%, 0.52%

LAB 71.27, -5.53, 54.21

 

CMYK 0 / 27 / 63 / 24

HEX #C28E47

RGB 194 142 71

HSL 34.63, 0.5%, 0.52%

LAB 62.74, 12.25, 44.76

 

CMYK 0 / 44 / 63 / 24

HEX #C26D47

RGB 194 109 71

HSL 18.54, 0.5%, 0.52%

LAB 54.93, 30.31, 35.65

 

CMYK 0 / 61 / 63 / 24

HEX #C24C47

RGB 194 76 71

HSL 2.44, 0.5%, 0.52%

LAB 48.38, 46.96, 27.61

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 24 / 0 / 63 / 24

HEX #93C247

RGB 147 194 71

HSL 82.93, 0.5%, 0.52%

LAB 73.05, -34.34, 55.1

 

CMYK 41 / 0 / 63 / 24

HEX #72C247

RGB 114 194 71

HSL 99.02, 0.5%, 0.52%

LAB 71.29, -46.09, 52.67

 

CMYK 58 / 0 / 63 / 24

HEX #51C247

RGB 81 194 71

HSL 115.12, 0.5%, 0.52%

LAB 70.03, -55.56, 50.92

 

CMYK 63 / 0 / 51 / 24

HEX #47C25F

RGB 71 194 95

HSL 131.71, 0.5%, 0.52%

LAB 70, -54.85, 39.68

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 9 / 0 / 76 / 16

HEX #C3D634

RGB 195 214 52

HSL 67.04, 0.66%, 0.52%

LAB 81.81, -25.71, 71.87

 

CMYK 10 / 0 / 86 / 9

HEX #D2E920

RGB 210 233 32

HSL 66.87, 0.82%, 0.52%

LAB 88.01, -29.2, 82.57

 

CMYK 11 / 0 / 95 / 1

HEX #E2FD0C

RGB 226 253 12

HSL 66.72, 0.98%, 0.52%

LAB 94.5, -32.3, 90.73

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 6 / 0 / 48 / 32

HEX #A4AE5B

RGB 164 174 91

HSL 67.23, 0.34%, 0.52%

LAB 68.69, -16.01, 41.13

 

CMYK 3 / 0 / 28 / 40

HEX #959A6F

RGB 149 154 111

HSL 66.98, 0.18%, 0.52%

LAB 62.21, -9.16, 22.03

 

CMYK 0 / 0 / 2 / 47

HEX #868683

RGB 134 134 131

HSL 60, 0.01%, 0.52%

LAB 55.84, -0.58, 1.61

 

CMYK 21 / 24 / 0 / 41

HEX #777397

RGB 119 115 151

HSL 246.67, 0.15%, 0.52%

LAB 50, 9.53, -18.92

 

CMYK 0 / 27 / 63 / 24

HEX #C28D47

RGB 194 141 71

HSL 34.15, 0.5%, 0.52%

LAB 62.49, 12.8, 44.47

 

CMYK 0 / 11 / 63 / 24

HEX #C2AD47

RGB 194 173 71

HSL 49.76, 0.5%, 0.52%

LAB 70.74, -4.48, 53.63

 

CMYK 6 / 0 / 63 / 24

HEX #B6C247

RGB 182 194 71

HSL 65.85, 0.5%, 0.52%

LAB 75.44, -20.32, 58.37

 

CMYK 23 / 0 / 63 / 24

HEX #95C247

RGB 149 194 71

HSL 81.95, 0.5%, 0.52%

LAB 73.17, -33.57, 55.26

 

CMYK 40 / 0 / 63 / 24

HEX #74C247

RGB 116 194 71

HSL 98.05, 0.5%, 0.52%

LAB 71.39, -45.44, 52.8

 

CMYK 7 / 0 / 66 / 46

HEX #7F892E

RGB 127 137 46

HSL 66.59, 0.5%, 0.36%

LAB 54.66, -16.42, 45.77

 

CMYK 8 / 0 / 67 / 34

HEX #9BA838

RGB 155 168 56

HSL 66.96, 0.5%, 0.44%

LAB 65.95, -19.62, 53.98

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 6 / 0 / 50 / 20

HEX #C0CC66

RGB 192 204 102

HSL 67.06, 0.5%, 0.6%

LAB 79.24, -18.74, 48.95

 

CMYK 4 / 0 / 38 / 16

HEX #CDD685

RGB 205 214 133

HSL 66.67, 0.5%, 0.68%

LAB 83.32, -15.38, 38.98

 

CMYK 7 / 0 / 63 / 24

HEX #B4C248

RGB 180 194 72

HSL 66.89, 0.5%, 0.52%

LAB 75.3, -21.08, 57.75

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 19 / 63 / 0 / 24

HEX #9D47C2

RGB 157 71 194

HSL 281.95, 0.5%, 0.52%

LAB 46.4, 55.15, -49.41

 

CMYK 7 / 0 / 63 / 24

HEX #B4C248

RGB 180 194 72

HSL 66.89, 0.5%, 0.52%

LAB 75.3, -21.08, 57.75

 

CMYK 63 / 6 / 0 / 24

HEX #47B6C2

RGB 71 182 194

HSL 185.85, 0.5%, 0.52%

LAB 68.53, -27.48, -15.43

 

CMYK 0 / 63 / 6 / 24

HEX #C247B6

RGB 194 71 182

HSL 305.85, 0.5%, 0.52%

LAB 51.1, 62.01, -34.66

 

CMYK 7 / 0 / 63 / 24

HEX #B4C248

RGB 180 194 72

HSL 66.89, 0.5%, 0.52%

LAB 75.3, -21.08, 57.75

 

CMYK 63 / 0 / 44 / 24

HEX #47C26C

RGB 71 194 108

HSL 138.05, 0.5%, 0.52%

LAB 70.18, -52.84, 33.39

 

CMYK 57 / 63 / 0 / 24

HEX #5447C2

RGB 84 71 194

HSL 246.34, 0.5%, 0.52%

LAB 38.35, 39.76, -62.82

 

CMYK 0 / 63 / 19 / 24

HEX #C2479D

RGB 194 71 157

HSL 318.05, 0.5%, 0.52%

LAB 49.99, 58.2, -21.7

 

CMYK 7 / 0 / 63 / 24

HEX #B4C248

RGB 180 194 72

HSL 66.89, 0.5%, 0.52%

LAB 75.3, -21.08, 57.75

 

CMYK 63 / 0 / 25 / 24

HEX #47C291

RGB 71 194 145

HSL 156.1, 0.5%, 0.52%

LAB 70.85, -45.66, 14.77

 

CMYK 57 / 63 / 0 / 24

HEX #5447C2

RGB 84 71 194

HSL 246.34, 0.5%, 0.52%

LAB 38.35, 39.76, -62.82

 

CMYK 0 / 63 / 38 / 24

HEX #C24778

RGB 194 71 120

HSL 336.1, 0.5%, 0.52%

LAB 48.68, 53.49, -1.5

 

Description

Color code: HEX #B4C248 | qconv.com Color code: HEX #B4C248 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 194 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 194 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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