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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4BD5D it is the complementary color #4B42A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4BD5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4BD5D shade: #B9BD58, #CACF6B, #DBE17E, #ECF391 and #FDFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4BD5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4BD5D shade: #B4BD5D, #A3AB4A, #929937, #818724 and #707511

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4BD5D shade: #B3BC5C, #BCAB5C, #BC925C, #BC785C and #BC5E5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4BD5D shade: #B3BC5C, #99BC5C, #7FBC5C, #65BC5C and #5CBC6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4BD5D shade matches the following richer shades: #B3BC5C, #C2CF49, #D2E237 and #E1F424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4BD5D shade: #B3BC5C, #A4AA6F, #959781, #868594 and #7772A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4BD5D shade: #BC915C, #BCAB5C, #B4BC5C, #9BBC5C and #81BC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4BD5D shade: #858D39, #A0AA45, #B3BC5C, #C1C879 and #CFD497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4BD5D shade: #B4BD5D, #5CBC77 and #9E5CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4BD5D shade: #B4BD5D, #5CB4BC and #BC5CB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4BD5D shade: #B4BD5D, #5CBC77, #645CBC and #BC5CA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4BD5D shade: #B4BD5D, #5CBC94, #645CBC and #BC5C84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 51 / 26

HEX #B4BD5D

RGB 180 189 93

HSL 65.63, 0.42%, 0.55%

LAB 74.12, -16.91, 46.95

 

Complementary color

CMYK 54 / 59 / 0 / 36

HEX #4B42A2

RGB 75 66 162

HSL 245.63, 0.42%, 0.45%

LAB 33.98, 30.92, -50.99

 

CMYK 2 / 0 / 53 / 26

HEX #B9BD58

RGB 185 189 88

HSL 62.38, 0.43%, 0.54%

LAB 74.45, -15.3, 49.81

 

CMYK 2 / 0 / 48 / 19

HEX #CACF6B

RGB 202 207 107

HSL 63, 0.51%, 0.62%

LAB 80.87, -15.76, 48.69

 

CMYK 3 / 0 / 44 / 12

HEX #DBE17E

RGB 219 225 126

HSL 63.64, 0.62%, 0.69%

LAB 87.2, -16.14, 47.54

 

CMYK 3 / 0 / 40 / 5

HEX #ECF391

RGB 236 243 145

HSL 64.29, 0.8%, 0.76%

LAB 93.44, -16.46, 46.39

 

CMYK 1 / 0 / 36 / 0

HEX #FDFFA4

RGB 253 255 164

HSL 61.32, 1%, 0.82%

LAB 98.07, -13.81, 43.3

 

CMYK 5 / 0 / 51 / 26

HEX #B4BD5D

RGB 180 189 93

HSL 65.63, 0.42%, 0.55%

LAB 74.12, -16.91, 46.95

 

CMYK 5 / 0 / 57 / 33

HEX #A3AB4A

RGB 163 171 74

HSL 64.95, 0.4%, 0.48%

LAB 67.58, -16.45, 48.03

 

CMYK 5 / 0 / 64 / 40

HEX #929937

RGB 146 153 55

HSL 64.29, 0.47%, 0.41%

LAB 60.93, -15.85, 48.93

 

CMYK 4 / 0 / 73 / 47

HEX #818724

RGB 129 135 36

HSL 63.64, 0.58%, 0.34%

LAB 54.16, -15.08, 49.39

 

CMYK 4 / 0 / 85 / 54

HEX #707511

RGB 112 117 17

HSL 63, 0.75%, 0.26%

LAB 47.25, -14.05, 48.87

 

CMYK 5 / 0 / 51 / 26

HEX #B3BC5C

RGB 179 188 92

HSL 65.63, 0.42%, 0.55%

LAB 73.75, -16.9, 46.98

 

CMYK 0 / 9 / 51 / 26

HEX #BCAB5C

RGB 188 171 92

HSL 49.38, 0.42%, 0.55%

LAB 69.89, -4.36, 42.55

 

CMYK 0 / 22 / 51 / 26

HEX #BC925C

RGB 188 146 92

HSL 33.75, 0.42%, 0.55%

LAB 63.36, 9.17, 34.53

 

CMYK 0 / 36 / 51 / 26

HEX #BC785C

RGB 188 120 92

HSL 17.5, 0.42%, 0.55%

LAB 56.97, 23.55, 26.38

 

CMYK 0 / 50 / 51 / 26

HEX #BC5E5C

RGB 188 94 92

HSL 1.25, 0.42%, 0.55%

LAB 51.23, 37.56, 18.77

 

CMYK 5 / 0 / 51 / 26

HEX #B3BC5C

RGB 179 188 92

HSL 65.63, 0.42%, 0.55%

LAB 73.75, -16.9, 46.98

 

CMYK 19 / 0 / 51 / 26

HEX #99BC5C

RGB 153 188 92

HSL 81.88, 0.42%, 0.55%

LAB 71.9, -27.28, 44.32

 

CMYK 32 / 0 / 51 / 26

HEX #7FBC5C

RGB 127 188 92

HSL 98.13, 0.42%, 0.55%

LAB 70.35, -36.89, 42.09

 

CMYK 46 / 0 / 51 / 26

HEX #65BC5C

RGB 101 188 92

HSL 114.38, 0.42%, 0.55%

LAB 69.12, -45.32, 40.3

 

CMYK 51 / 0 / 42 / 26

HEX #5CBC6D

RGB 92 188 109

HSL 130.63, 0.42%, 0.55%

LAB 69, -45.35, 31.49

 

CMYK 5 / 0 / 51 / 26

HEX #B3BC5C

RGB 179 188 92

HSL 65.63, 0.42%, 0.55%

LAB 73.75, -16.9, 46.98

 

CMYK 6 / 0 / 65 / 19

HEX #C2CF49

RGB 194 207 73

HSL 65.82, 0.58%, 0.55%

LAB 79.94, -21.65, 62.56

 

CMYK 7 / 0 / 76 / 11

HEX #D2E237

RGB 210 226 55

HSL 65.61, 0.75%, 0.55%

LAB 86.19, -25.18, 75.39

 

CMYK 8 / 0 / 85 / 4

HEX #E1F424

RGB 225 244 36

HSL 65.48, 0.9%, 0.55%

LAB 92.06, -28.16, 85.57

 

CMYK 5 / 0 / 51 / 26

HEX #B3BC5C

RGB 179 188 92

HSL 65.63, 0.42%, 0.55%

LAB 73.75, -16.9, 46.98

 

CMYK 4 / 0 / 35 / 33

HEX #A4AA6F

RGB 164 170 111

HSL 66.1, 0.26%, 0.55%

LAB 67.87, -11.66, 29.75

 

CMYK 1 / 0 / 15 / 41

HEX #959781

RGB 149 151 129

HSL 65.45, 0.1%, 0.55%

LAB 61.75, -4.72, 11.36

 

CMYK 9 / 10 / 0 / 42

HEX #868594

RGB 134 133 148

HSL 244, 0.07%, 0.55%

LAB 56.07, 3.46, -7.88

 

CMYK 28 / 31 / 0 / 35

HEX #7772A6

RGB 119 114 166

HSL 245.77, 0.23%, 0.55%

LAB 50.35, 13.92, -27.17

 

CMYK 0 / 23 / 51 / 26

HEX #BC915C

RGB 188 145 92

HSL 33.13, 0.42%, 0.55%

LAB 63.11, 9.72, 34.21

 

CMYK 0 / 9 / 51 / 26

HEX #BCAB5C

RGB 188 171 92

HSL 49.38, 0.42%, 0.55%

LAB 69.89, -4.36, 42.55

 

CMYK 4 / 0 / 51 / 26

HEX #B4BC5C

RGB 180 188 92

HSL 65, 0.42%, 0.55%

LAB 73.83, -16.5, 47.09

 

CMYK 18 / 0 / 51 / 26

HEX #9BBC5C

RGB 155 188 92

HSL 80.63, 0.42%, 0.55%

LAB 72.03, -26.5, 44.51

 

CMYK 31 / 0 / 51 / 26

HEX #81BC5C

RGB 129 188 92

HSL 96.88, 0.42%, 0.55%

LAB 70.46, -36.19, 42.25

 

CMYK 6 / 0 / 60 / 45

HEX #858D39

RGB 133 141 57

HSL 65.71, 0.42%, 0.39%

LAB 56.42, -15.07, 42.81

 

CMYK 6 / 0 / 59 / 33

HEX #A0AA45

RGB 160 170 69

HSL 65.94, 0.42%, 0.47%

LAB 67.02, -17.6, 49.63

 

CMYK 5 / 0 / 51 / 26

HEX #B3BC5C

RGB 179 188 92

HSL 65.63, 0.42%, 0.55%

LAB 73.75, -16.9, 46.98

 

CMYK 4 / 0 / 40 / 22

HEX #C1C879

RGB 193 200 121

HSL 65.32, 0.42%, 0.63%

LAB 78.48, -14.39, 38.67

 

CMYK 2 / 0 / 29 / 17

HEX #CFD497

RGB 207 212 151

HSL 64.92, 0.41%, 0.71%

LAB 83.22, -11.39, 29.69

 

CMYK 5 / 0 / 51 / 26

HEX #B4BD5D

RGB 180 189 93

HSL 65.63, 0.42%, 0.55%

LAB 74.12, -16.91, 46.95

 

CMYK 51 / 0 / 37 / 26

HEX #5CBC77

RGB 92 188 119

HSL 136.88, 0.42%, 0.55%

LAB 69.16, -43.66, 26.47

 

CMYK 16 / 51 / 0 / 26

HEX #9E5CBC

RGB 158 92 188

HSL 281.25, 0.42%, 0.55%

LAB 50.16, 43.52, -39.96

 

CMYK 5 / 0 / 51 / 26

HEX #B4BD5D

RGB 180 189 93

HSL 65.63, 0.42%, 0.55%

LAB 74.12, -16.91, 46.95

 

CMYK 51 / 4 / 0 / 26

HEX #5CB4BC

RGB 92 180 188

HSL 185, 0.42%, 0.55%

LAB 68.42, -24.17, -12.21

 

CMYK 0 / 51 / 4 / 26

HEX #BC5CB4

RGB 188 92 180

HSL 305, 0.42%, 0.55%

LAB 53.64, 50.54, -29.59

 

CMYK 5 / 0 / 51 / 26

HEX #B4BD5D

RGB 180 189 93

HSL 65.63, 0.42%, 0.55%

LAB 74.12, -16.91, 46.95

 

CMYK 51 / 0 / 37 / 26

HEX #5CBC77

RGB 92 188 119

HSL 136.88, 0.42%, 0.55%

LAB 69.16, -43.66, 26.47

 

CMYK 47 / 51 / 0 / 26

HEX #645CBC

RGB 100 92 188

HSL 245, 0.42%, 0.55%

LAB 44.22, 28.39, -49.76

 

CMYK 0 / 51 / 14 / 26

HEX #BC5CA1

RGB 188 92 161

HSL 316.88, 0.42%, 0.55%

LAB 52.86, 47.36, -19.73

 

CMYK 5 / 0 / 51 / 26

HEX #B4BD5D

RGB 180 189 93

HSL 65.63, 0.42%, 0.55%

LAB 74.12, -16.91, 46.95

 

CMYK 51 / 0 / 21 / 26

HEX #5CBC94

RGB 92 188 148

HSL 155, 0.42%, 0.55%

LAB 69.74, -37.9, 11.68

 

CMYK 47 / 51 / 0 / 26

HEX #645CBC

RGB 100 92 188

HSL 245, 0.42%, 0.55%

LAB 44.22, 28.39, -49.76

 

CMYK 0 / 51 / 30 / 26

HEX #BC5C84

RGB 188 92 132

HSL 335, 0.42%, 0.55%

LAB 51.85, 43.1, -4.13

 

Description

Color code: HEX #B4BD5D | qconv.com Color code: HEX #B4BD5D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 189 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 189 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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