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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4BBC1 it is the complementary color #4B443E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4BBC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4BBC1 shade: #B9BBBC, #CACDCF, #DBDFE2, #ECF1F5 and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4BBC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4BBC1 shade: #B4BBC1, #A3A9AE, #92979B, #818588 and #707375

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4BBC1 shade: #B4BBC0, #B4B7C0, #B4B4C0, #B7B4C0 and #BBB4C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4BBC1 shade: #B4BBC0, #B4B7C0 and #B4B4C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4BBC1 shade matches the following richer shades: #B4BBC0, #A9BBCB, #9EBCD7, #93BDE2 and #87BEED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4BBC1 shade: #B4BBC0, #BFBAB5, #CAB9AA, #D5B89F and #E1B794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4BBC1 shade: #B4C0BF, #B4BEC0, #B4BBC0, #B4B7C0 and #B4B4C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4BBC1 shade: #87929B, #9DA6AE, #B4BBC0, #CACFD3 and #E1E4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4BBC1 shade: #B4BBC1, #BCB4C0 and #C0C0B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4BBC1 shade: #B4BBC1, #C0B4BB and #BBC0B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4BBC1 shade: #B4BBC1, #BCB4C0, #C0BAB4 and #B8C0B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4BBC1 shade: #B4BBC1, #C0B4C0, #C0BAB4 and #B5C0B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 3 / 0 / 24

HEX #B4BBC1

RGB 180 187 193

HSL 207.69, 0.09%, 0.73%

LAB 75.51, -1.26, -3.88

 

Complementary color

CMYK 0 / 9 / 17 / 71

HEX #4B443E

RGB 75 68 62

HSL 27.69, 0.09%, 0.27%

LAB 29.36, 1.78, 4.7

 

CMYK 2 / 1 / 0 / 26

HEX #B9BBBC

RGB 185 187 188

HSL 200, 0.02%, 0.73%

LAB 75.75, -0.5, -0.76

 

CMYK 2 / 1 / 0 / 19

HEX #CACDCF

RGB 202 205 207

HSL 204, 0.05%, 0.8%

LAB 82.23, -0.65, -1.36

 

CMYK 3 / 1 / 0 / 11

HEX #DBDFE2

RGB 219 223 226

HSL 205.71, 0.11%, 0.87%

LAB 88.6, -0.79, -1.94

 

CMYK 4 / 2 / 0 / 4

HEX #ECF1F5

RGB 236 241 245

HSL 206.67, 0.31%, 0.94%

LAB 94.88, -0.93, -2.51

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 7 / 3 / 0 / 24

HEX #B4BBC1

RGB 180 187 193

HSL 207.69, 0.09%, 0.73%

LAB 75.51, -1.26, -3.88

 

CMYK 6 / 3 / 0 / 32

HEX #A3A9AE

RGB 163 169 174

HSL 207.27, 0.06%, 0.66%

LAB 68.91, -1.13, -3.31

 

CMYK 6 / 3 / 0 / 39

HEX #92979B

RGB 146 151 155

HSL 206.67, 0.04%, 0.59%

LAB 62.18, -1, -2.73

 

CMYK 5 / 2 / 0 / 47

HEX #818588

RGB 129 133 136

HSL 205.71, 0.03%, 0.52%

LAB 55.3, -0.86, -2.13

 

CMYK 4 / 2 / 0 / 54

HEX #707375

RGB 112 115 117

HSL 204, 0.02%, 0.45%

LAB 48.25, -0.72, -1.51

 

CMYK 6 / 3 / 0 / 25

HEX #B4BBC0

RGB 180 187 192

HSL 205, 0.09%, 0.73%

LAB 75.48, -1.45, -3.37

 

CMYK 6 / 5 / 0 / 25

HEX #B4B7C0

RGB 180 183 192

HSL 225, 0.09%, 0.73%

LAB 74.43, 0.69, -4.92

 

CMYK 6 / 6 / 0 / 25

HEX #B4B4C0

RGB 180 180 192

HSL 240, 0.09%, 0.73%

LAB 73.64, 2.31, -6.09

 

CMYK 5 / 6 / 0 / 25

HEX #B7B4C0

RGB 183 180 192

HSL 255, 0.09%, 0.73%

LAB 73.88, 3.34, -5.71

 

CMYK 3 / 6 / 0 / 25

HEX #BBB4C0

RGB 187 180 192

HSL 275, 0.09%, 0.73%

LAB 74.2, 4.71, -5.2

 

CMYK 6 / 3 / 0 / 25

HEX #B4BBC0

RGB 180 187 192

HSL 205, 0.09%, 0.73%

LAB 75.48, -1.45, -3.37

 

CMYK 6 / 5 / 0 / 25

HEX #B4B7C0

RGB 180 183 192

HSL 225, 0.09%, 0.73%

LAB 74.43, 0.69, -4.92

 

CMYK 6 / 6 / 0 / 25

HEX #B4B4C0

RGB 180 180 192

HSL 240, 0.09%, 0.73%

LAB 73.64, 2.31, -6.09

 

CMYK 6 / 3 / 0 / 25

HEX #B4BBC0

RGB 180 187 192

HSL 205, 0.09%, 0.73%

LAB 75.48, -1.45, -3.37

 

CMYK 17 / 8 / 0 / 20

HEX #A9BBCB

RGB 169 187 203

HSL 208.24, 0.25%, 0.73%

LAB 75.01, -2.82, -10.15

 

CMYK 27 / 13 / 0 / 16

HEX #9EBCD7

RGB 158 188 215

HSL 208.42, 0.42%, 0.73%

LAB 74.91, -4.06, -16.88

 

CMYK 35 / 16 / 0 / 11

HEX #93BDE2

RGB 147 189 226

HSL 208.1, 0.58%, 0.73%

LAB 74.88, -5.06, -22.96

 

CMYK 43 / 20 / 0 / 7

HEX #87BEED

RGB 135 190 237

HSL 207.65, 0.74%, 0.73%

LAB 74.88, -5.85, -28.96

 

CMYK 6 / 3 / 0 / 25

HEX #B4BBC0

RGB 180 187 192

HSL 205, 0.09%, 0.73%

LAB 75.48, -1.45, -3.37

 

CMYK 0 / 3 / 5 / 25

HEX #BFBAB5

RGB 191 186 181

HSL 30, 0.07%, 0.73%

LAB 75.78, 0.86, 3.14

 

CMYK 0 / 8 / 16 / 21

HEX #CAB9AA

RGB 202 185 170

HSL 28.13, 0.23%, 0.73%

LAB 76.17, 3.55, 9.79

 

CMYK 0 / 14 / 25 / 16

HEX #D5B89F

RGB 213 184 159

HSL 27.78, 0.39%, 0.73%

LAB 76.64, 6.58, 16.54

 

CMYK 0 / 19 / 34 / 12

HEX #E1B794

RGB 225 183 148

HSL 27.27, 0.56%, 0.73%

LAB 77.29, 10.29, 23.52

 

CMYK 6 / 0 / 1 / 25

HEX #B4C0BF

RGB 180 192 191

HSL 175, 0.09%, 0.73%

LAB 76.78, -4.31, -0.93

 

CMYK 6 / 1 / 0 / 25

HEX #B4BEC0

RGB 180 190 192

HSL 190, 0.09%, 0.73%

LAB 76.28, -3.05, -2.21

 

CMYK 6 / 3 / 0 / 25

HEX #B4BBC0

RGB 180 187 192

HSL 205, 0.09%, 0.73%

LAB 75.48, -1.45, -3.37

 

CMYK 6 / 5 / 0 / 25

HEX #B4B7C0

RGB 180 183 192

HSL 225, 0.09%, 0.73%

LAB 74.43, 0.69, -4.92

 

CMYK 6 / 6 / 0 / 25

HEX #B4B4C0

RGB 180 180 192

HSL 240, 0.09%, 0.73%

LAB 73.64, 2.31, -6.09

 

CMYK 13 / 6 / 0 / 39

HEX #87929B

RGB 135 146 155

HSL 207, 0.09%, 0.57%

LAB 59.96, -2.05, -6.11

 

CMYK 10 / 5 / 0 / 32

HEX #9DA6AE

RGB 157 166 174

HSL 208.24, 0.09%, 0.65%

LAB 67.65, -1.55, -5.23

 

CMYK 6 / 3 / 0 / 25

HEX #B4BBC0

RGB 180 187 192

HSL 205, 0.09%, 0.73%

LAB 75.48, -1.45, -3.37

 

CMYK 4 / 2 / 0 / 17

HEX #CACFD3

RGB 202 207 211

HSL 206.67, 0.09%, 0.81%

LAB 82.85, -0.95, -2.58

 

CMYK 2 / 1 / 0 / 10

HEX #E1E4E6

RGB 225 228 230

HSL 204, 0.09%, 0.89%

LAB 90.42, -0.64, -1.33

 

CMYK 7 / 3 / 0 / 24

HEX #B4BBC1

RGB 180 187 193

HSL 207.69, 0.09%, 0.73%

LAB 75.51, -1.26, -3.88

 

CMYK 2 / 6 / 0 / 25

HEX #BCB4C0

RGB 188 180 192

HSL 280, 0.09%, 0.73%

LAB 74.28, 5.06, -5.08

 

CMYK 0 / 0 / 6 / 25

HEX #C0C0B4

RGB 192 192 180

HSL 60, 0.09%, 0.73%

LAB 77.4, -2.15, 6.04

 

CMYK 7 / 3 / 0 / 24

HEX #B4BBC1

RGB 180 187 193

HSL 207.69, 0.09%, 0.73%

LAB 75.51, -1.26, -3.88

 

CMYK 0 / 6 / 3 / 25

HEX #C0B4BB

RGB 192 180 187

HSL 325, 0.09%, 0.73%

LAB 74.47, 5.52, -2.03

 

CMYK 3 / 0 / 6 / 25

HEX #BBC0B4

RGB 187 192 180

HSL 85, 0.09%, 0.73%

LAB 77.02, -3.92, 5.43

 

CMYK 7 / 3 / 0 / 24

HEX #B4BBC1

RGB 180 187 193

HSL 207.69, 0.09%, 0.73%

LAB 75.51, -1.26, -3.88

 

CMYK 2 / 6 / 0 / 25

HEX #BCB4C0

RGB 188 180 192

HSL 280, 0.09%, 0.73%

LAB 74.28, 5.06, -5.08

 

CMYK 0 / 3 / 6 / 25

HEX #C0BAB4

RGB 192 186 180

HSL 30, 0.09%, 0.73%

LAB 75.84, 1.04, 3.78

 

CMYK 4 / 0 / 6 / 25

HEX #B8C0B4

RGB 184 192 180

HSL 100, 0.09%, 0.73%

LAB 76.79, -4.98, 5.08

 

CMYK 7 / 3 / 0 / 24

HEX #B4BBC1

RGB 180 187 193

HSL 207.69, 0.09%, 0.73%

LAB 75.51, -1.26, -3.88

 

CMYK 0 / 6 / 0 / 25

HEX #C0B4C0

RGB 192 180 192

HSL 300, 0.09%, 0.73%

LAB 74.61, 6.44, -4.55

 

CMYK 0 / 3 / 6 / 25

HEX #C0BAB4

RGB 192 186 180

HSL 30, 0.09%, 0.73%

LAB 75.84, 1.04, 3.78

 

CMYK 6 / 0 / 6 / 25

HEX #B5C0B4

RGB 181 192 180

HSL 115, 0.09%, 0.73%

LAB 76.57, -6.03, 4.73

 

Description

Color code: HEX #B4BBC1 | qconv.com Color code: HEX #B4BBC1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 187 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 187 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 3 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 3% 0% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - 【公式サイト】F.O.B COOP ON...
Link: http://www.fobcoop.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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