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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4B5C300 it is the complementary color #4B4A3C00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4B5C300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4B5C300 shade: #B9B5BE00, #CAC7D100, #DBD9E400, #ECEBF700 and #FDFDFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4B5C300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4B5C300 shade: #B4B5C300, #A3A3B000, #92919D00, #817F8A00 and #706D7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4B5C300 shade: #B5B6C4, #B8B5C4, #BCB5C4, #C0B5C4 and #C4B5C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4B5C300 shade: #B5B6C4 and #B5B5C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4B5C300 shade matches the following richer shades: #B5B6C4, #ABADCF, #A0A4D9, #959AE4 and #8A91EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4B5C300 shade: #B5B6C4, #C0C0B9, #CBC9AF, #D6D2A4 and #E0DC99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4B5C300 shade: #B5BEC4, #B5BAC4, #B5B6C4, #B8B5C4 and #BCB5C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4B5C300 shade: #88899F, #9FA0B2, #B5B6C4, #CCCDD6 and #E3E4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4B5C300 shade: #B4B5C3, #C4B5C2 and #BCC4B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4B5C300 shade: #B4B5C3, #C4B5B6 and #B6C4B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4B5C300 shade: #B4B5C3, #C4B5C2, #C4C3B5 and #B5C4B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4B5C300 shade: #B4B5C3, #C4B5BE, #C4C3B5 and #B5C4BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #B4B5C300

RGBA 180 181 195 0

HSLA 236, 0.11%, 0.74%, 0

LABA 73.99, 2.37, -7.21, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #4B4A3C00

RGBA 75 74 60 0

HSLA 56, 0.11%, 0.26%, 0

LABA 31.16, -2.37, 8.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B9B5BE00

RGBA 185 181 190 0

HSLA 266.67, 0.06%, 0.73%, 0

LABA 74.24, 3.1, -4.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CAC7D100

RGBA 202 199 209 0

HSLA 258, 0.1%, 0.8%, 0

LABA 80.74, 2.89, -4.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DBD9E400

RGBA 219 217 228 0

HSLA 250.91, 0.17%, 0.87%, 0

LABA 87.14, 2.7, -5.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ECEBF700

RGBA 236 235 247 0

HSLA 245, 0.43%, 0.95%, 0

LABA 93.44, 2.51, -5.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FDFDFF00

RGBA 253 253 255 0

HSLA 240, 1%, 1%, 0

LABA 99.36, 0.36, -0.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4B5C300

RGBA 180 181 195 0

HSLA 236, 0.11%, 0.74%, 0

LABA 73.99, 2.37, -7.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3A3B000

RGBA 163 163 176 0

HSLA 240, 0.08%, 0.66%, 0

LABA 67.36, 2.56, -6.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #92919D00

RGBA 146 145 157 0

HSLA 245, 0.06%, 0.59%, 0

LABA 60.6, 2.77, -6.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #817F8A00

RGBA 129 127 138 0

HSLA 250.91, 0.04%, 0.52%, 0

LABA 53.69, 3, -5.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #706D7700

RGBA 112 109 119 0

HSLA 258, 0.04%, 0.45%, 0

LABA 46.6, 3.24, -5.13, 0

 

CMYK 8 / 7 / 0 / 23

HEX #B5B6C4

RGB 181 182 196

HSL 236, 0.11%, 0.74%

LAB 74.36, 2.37, -7.2

 

CMYK 6 / 8 / 0 / 23

HEX #B8B5C4

RGB 184 181 196

HSL 252, 0.11%, 0.74%

LAB 74.33, 3.92, -7.22

 

CMYK 4 / 8 / 0 / 23

HEX #BCB5C4

RGB 188 181 196

HSL 268, 0.11%, 0.74%

LAB 74.65, 5.29, -6.71

 

CMYK 2 / 8 / 0 / 23

HEX #C0B5C4

RGB 192 181 196

HSL 284, 0.11%, 0.74%

LAB 74.98, 6.66, -6.19

 

CMYK 0 / 8 / 0 / 23

HEX #C4B5C4

RGB 196 181 196

HSL 300, 0.11%, 0.74%

LAB 75.31, 8.04, -5.66

 

CMYK 8 / 7 / 0 / 23

HEX #B5B6C4

RGB 181 182 196

HSL 236, 0.11%, 0.74%

LAB 74.36, 2.37, -7.2

 

CMYK 8 / 8 / 0 / 23

HEX #B5B5C4

RGB 181 181 196

HSL 240, 0.11%, 0.74%

LAB 74.1, 2.91, -7.59

 

CMYK 8 / 7 / 0 / 23

HEX #B5B6C4

RGB 181 182 196

HSL 236, 0.11%, 0.74%

LAB 74.36, 2.37, -7.2

 

CMYK 17 / 16 / 0 / 19

HEX #ABADCF

RGB 171 173 207

HSL 236.67, 0.27%, 0.74%

LAB 71.59, 6.3, -17.45

 

CMYK 26 / 24 / 0 / 15

HEX #A0A4D9

RGB 160 164 217

HSL 235.79, 0.43%, 0.74%

LAB 68.78, 10.21, -27.31

 

CMYK 35 / 32 / 0 / 11

HEX #959AE4

RGB 149 154 228

HSL 236.2, 0.59%, 0.74%

LAB 65.83, 15.48, -38

 

CMYK 42 / 39 / 0 / 6

HEX #8A91EF

RGB 138 145 239

HSL 235.84, 0.76%, 0.74%

LAB 63.25, 20.8, -48.17

 

CMYK 8 / 7 / 0 / 23

HEX #B5B6C4

RGB 181 182 196

HSL 236, 0.11%, 0.74%

LAB 74.36, 2.37, -7.2

 

CMYK 0 / 0 / 4 / 25

HEX #C0C0B9

RGB 192 192 185

HSL 60, 0.05%, 0.74%

LAB 77.52, -1.27, 3.51

 

CMYK 0 / 1 / 14 / 20

HEX #CBC9AF

RGB 203 201 175

HSL 55.71, 0.21%, 0.74%

LAB 80.5, -3.73, 13.25

 

CMYK 0 / 2 / 23 / 16

HEX #D6D2A4

RGB 214 210 164

HSL 55.2, 0.38%, 0.74%

LAB 83.48, -5.96, 23.35

 

CMYK 0 / 2 / 32 / 12

HEX #E0DC99

RGB 224 220 153

HSL 56.62, 0.53%, 0.74%

LAB 86.67, -8.71, 33.48

 

CMYK 8 / 3 / 0 / 23

HEX #B5BEC4

RGB 181 190 196

HSL 204, 0.11%, 0.74%

LAB 76.46, -1.93, -4.1

 

CMYK 8 / 5 / 0 / 23

HEX #B5BAC4

RGB 181 186 196

HSL 220, 0.11%, 0.74%

LAB 75.41, 0.21, -5.65

 

CMYK 8 / 7 / 0 / 23

HEX #B5B6C4

RGB 181 182 196

HSL 236, 0.11%, 0.74%

LAB 74.36, 2.37, -7.2

 

CMYK 6 / 8 / 0 / 23

HEX #B8B5C4

RGB 184 181 196

HSL 252, 0.11%, 0.74%

LAB 74.33, 3.92, -7.22

 

CMYK 4 / 8 / 0 / 23

HEX #BCB5C4

RGB 188 181 196

HSL 268, 0.11%, 0.74%

LAB 74.65, 5.29, -6.71

 

CMYK 14 / 14 / 0 / 38

HEX #88899F

RGB 136 137 159

HSL 237.39, 0.11%, 0.58%

LAB 57.68, 4.28, -11.78

 

CMYK 11 / 10 / 0 / 30

HEX #9FA0B2

RGB 159 160 178

HSL 236.84, 0.11%, 0.66%

LAB 66.31, 3.27, -9.42

 

CMYK 8 / 7 / 0 / 23

HEX #B5B6C4

RGB 181 182 196

HSL 236, 0.11%, 0.74%

LAB 74.36, 2.37, -7.2

 

CMYK 5 / 4 / 0 / 16

HEX #CCCDD6

RGB 204 205 214

HSL 234, 0.11%, 0.82%

LAB 82.57, 1.34, -4.58

 

CMYK 3 / 2 / 0 / 9

HEX #E3E4E9

RGB 227 228 233

HSL 230, 0.12%, 0.9%

LAB 90.64, 0.58, -2.56

 

CMYK 8 / 7 / 0 / 24

HEX #B4B5C3

RGB 180 181 195

HSL 236, 0.11%, 0.74%

LAB 73.99, 2.37, -7.21

 

CMYK 0 / 8 / 1 / 23

HEX #C4B5C2

RGB 196 181 194

HSL 308, 0.11%, 0.74%

LAB 75.25, 7.67, -4.66

 

CMYK 4 / 0 / 8 / 23

HEX #BCC4B5

RGB 188 196 181

HSL 92, 0.11%, 0.74%

LAB 78.17, -5.5, 6.57

 

CMYK 8 / 7 / 0 / 24

HEX #B4B5C3

RGB 180 181 195

HSL 236, 0.11%, 0.74%

LAB 73.99, 2.37, -7.21

 

CMYK 0 / 8 / 7 / 23

HEX #C4B5B6

RGB 196 181 182

HSL 356, 0.11%, 0.74%

LAB 74.93, 5.51, 1.41

 

CMYK 7 / 0 / 8 / 23

HEX #B6C4B5

RGB 182 196 181

HSL 116, 0.11%, 0.74%

LAB 77.73, -7.6, 5.88

 

CMYK 8 / 7 / 0 / 24

HEX #B4B5C3

RGB 180 181 195

HSL 236, 0.11%, 0.74%

LAB 73.99, 2.37, -7.21

 

CMYK 0 / 8 / 1 / 23

HEX #C4B5C2

RGB 196 181 194

HSL 308, 0.11%, 0.74%

LAB 75.25, 7.67, -4.66

 

CMYK 0 / 1 / 8 / 23

HEX #C4C3B5

RGB 196 195 181

HSL 56, 0.11%, 0.74%

LAB 78.52, -2.13, 7.15

 

CMYK 8 / 0 / 7 / 23

HEX #B5C4B7

RGB 181 196 183

HSL 128, 0.11%, 0.74%

LAB 77.71, -7.58, 4.76

 

CMYK 8 / 7 / 0 / 24

HEX #B4B5C3

RGB 180 181 195

HSL 236, 0.11%, 0.74%

LAB 73.99, 2.37, -7.21

 

CMYK 0 / 8 / 3 / 23

HEX #C4B5BE

RGB 196 181 190

HSL 324, 0.11%, 0.74%

LAB 75.14, 6.93, -2.64

 

CMYK 0 / 1 / 8 / 23

HEX #C4C3B5

RGB 196 195 181

HSL 56, 0.11%, 0.74%

LAB 78.52, -2.13, 7.15

 

CMYK 8 / 0 / 4 / 23

HEX #B5C4BC

RGB 181 196 188

HSL 148, 0.11%, 0.74%

LAB 77.84, -6.65, 2.24

 

Description

Color code: HEX #B4B5C300 | qconv.com Color code: HEX #B4B5C300 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 181 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 181 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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