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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4B241 it is the complementary color #4B4DBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4B241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4B241 shade: #B9B23C, #CAC44F, #DBD662, #ECE875 and #FDFA88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4B241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4B241 shade: #B4B241, #A3A02E, #928E1B, #817C08 and #706A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4B241 shade: #B4B241, #B49341, #B47441, #B45541 and #B44141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4B241 shade: #B4B241, #97B441, #78B441, #59B441 and #41B448

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4B241 shade matches the following richer shades: #B4B241, #C8C52D, #DCD819 and #EFEB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4B241 shade: #B4B241, #A09F55, #8C8C68, #79797C and #656590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4B241 shade: #B47341, #B49141, #B4B041, #99B441 and #7AB441

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4B241 shade: #77762B, #969436, #B4B241, #C4C25A and #CFCD79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4B241 shade: #B4B241, #41B454 and #8241B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4B241 shade: #B4B241, #41B4B0 and #B041B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4B241 shade: #B4B241, #41B454, #4145B4 and #B441A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4B241 shade: #B4B241, #41B477, #4145B4 and #B4417E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

Complementary color

CMYK 61 / 59 / 0 / 25

HEX #4B4DBE

RGB 75 77 190

HSL 238.96, 0.47%, 0.52%

LAB 38.76, 33.25, -59.84

 

CMYK 0 / 4 / 68 / 27

HEX #B9B23C

RGB 185 178 60

HSL 56.64, 0.51%, 0.48%

LAB 71.2, -11.63, 58.52

 

CMYK 0 / 3 / 61 / 21

HEX #CAC44F

RGB 202 196 79

HSL 57.07, 0.54%, 0.55%

LAB 77.64, -12.46, 57.81

 

CMYK 0 / 2 / 55 / 14

HEX #DBD662

RGB 219 214 98

HSL 57.52, 0.63%, 0.62%

LAB 83.98, -13.14, 56.85

 

CMYK 0 / 2 / 50 / 7

HEX #ECE875

RGB 236 232 117

HSL 57.98, 0.76%, 0.69%

LAB 90.24, -13.71, 55.77

 

CMYK 0 / 1 / 46 / 1

HEX #FDFA88

RGB 253 250 136

HSL 58.46, 0.97%, 0.76%

LAB 96.42, -14.2, 54.66

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 0 / 2 / 72 / 36

HEX #A3A02E

RGB 163 160 46

HSL 58.46, 0.56%, 0.41%

LAB 64.26, -12.6, 56.42

 

CMYK 0 / 3 / 82 / 43

HEX #928E1B

RGB 146 142 27

HSL 57.98, 0.69%, 0.34%

LAB 57.59, -11.51, 56.13

 

CMYK 0 / 4 / 94 / 49

HEX #817C08

RGB 129 124 8

HSL 57.52, 0.88%, 0.27%

LAB 50.8, -10.13, 54.39

 

CMYK 0 / 5 / 100 / 56

HEX #706A00

RGB 112 106 0

HSL 56.79, 1%, 0.22%

LAB 43.88, -8.4, 50.2

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 0 / 18 / 64 / 29

HEX #B49341

RGB 180 147 65

HSL 42.78, 0.47%, 0.48%

LAB 62.47, 3, 46.95

 

CMYK 0 / 36 / 64 / 29

HEX #B47441

RGB 180 116 65

HSL 26.61, 0.47%, 0.48%

LAB 54.63, 20.22, 38.06

 

CMYK 0 / 53 / 64 / 29

HEX #B45541

RGB 180 85 65

HSL 10.43, 0.47%, 0.48%

LAB 47.73, 37, 29.8

 

CMYK 0 / 64 / 64 / 29

HEX #B44141

RGB 180 65 65

HSL 0, 0.47%, 0.48%

LAB 44.04, 46.65, 25.21

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 16 / 0 / 64 / 29

HEX #97B441

RGB 151 180 65

HSL 75.13, 0.47%, 0.48%

LAB 69.19, -26.61, 53.55

 

CMYK 33 / 0 / 64 / 29

HEX #78B441

RGB 120 180 65

HSL 91.3, 0.47%, 0.48%

LAB 67.29, -38.56, 50.95

 

CMYK 51 / 0 / 64 / 29

HEX #59B441

RGB 89 180 65

HSL 107.48, 0.47%, 0.48%

LAB 65.86, -48.71, 48.97

 

CMYK 64 / 0 / 60 / 29

HEX #41B448

RGB 65 180 72

HSL 123.65, 0.47%, 0.48%

LAB 65.15, -54.02, 44.82

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 0 / 1 / 78 / 22

HEX #C8C52D

RGB 200 197 45

HSL 58.84, 0.63%, 0.48%

LAB 77.52, -15.56, 70.22

 

CMYK 0 / 2 / 89 / 14

HEX #DCD819

RGB 220 216 25

HSL 58.77, 0.8%, 0.48%

LAB 84.17, -17.03, 81.02

 

CMYK 0 / 2 / 98 / 6

HEX #EFEB05

RGB 239 235 5

HSL 58.97, 0.96%, 0.48%

LAB 90.68, -18.56, 88.81

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 0 / 1 / 47 / 37

HEX #A09F55

RGB 160 159 85

HSL 59.2, 0.31%, 0.48%

LAB 64.1, -10.46, 38.51

 

CMYK 0 / 0 / 26 / 45

HEX #8C8C68

RGB 140 140 104

HSL 60, 0.15%, 0.48%

LAB 57.4, -6.18, 19.3

 

CMYK 2 / 2 / 0 / 51

HEX #79797C

RGB 121 121 124

HSL 240, 0.01%, 0.48%

LAB 50.91, 0.61, -1.64

 

CMYK 30 / 30 / 0 / 44

HEX #656590

RGB 101 101 144

HSL 240, 0.18%, 0.48%

LAB 44.36, 10.36, -23.59

 

CMYK 0 / 36 / 64 / 29

HEX #B47341

RGB 180 115 65

HSL 26.09, 0.47%, 0.48%

LAB 54.39, 20.77, 37.78

 

CMYK 0 / 19 / 64 / 29

HEX #B49141

RGB 180 145 65

HSL 41.74, 0.47%, 0.48%

LAB 61.94, 4.1, 46.37

 

CMYK 0 / 2 / 64 / 29

HEX #B4B041

RGB 180 176 65

HSL 57.91, 0.47%, 0.48%

LAB 70.27, -12.45, 55.37

 

CMYK 15 / 0 / 64 / 29

HEX #99B441

RGB 153 180 65

HSL 74.09, 0.47%, 0.48%

LAB 69.32, -25.79, 53.74

 

CMYK 32 / 0 / 64 / 29

HEX #7AB441

RGB 122 180 65

HSL 90.26, 0.47%, 0.48%

LAB 67.4, -37.83, 51.09

 

CMYK 0 / 1 / 64 / 53

HEX #77762B

RGB 119 118 43

HSL 59.21, 0.47%, 0.32%

LAB 48.33, -9.97, 40.2

 

CMYK 0 / 1 / 64 / 41

HEX #969436

RGB 150 148 54

HSL 58.75, 0.47%, 0.4%

LAB 59.83, -11.54, 48.3

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 0 / 1 / 54 / 23

HEX #C4C25A

RGB 196 194 90

HSL 58.87, 0.47%, 0.56%

LAB 76.71, -13.13, 51.71

 

CMYK 0 / 1 / 42 / 19

HEX #CFCD79

RGB 207 205 121

HSL 58.6, 0.47%, 0.64%

LAB 80.91, -11.38, 41.97

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 64 / 0 / 53 / 29

HEX #41B454

RGB 65 180 84

HSL 129.91, 0.47%, 0.48%

LAB 65.28, -52.46, 39.27

 

CMYK 28 / 64 / 0 / 29

HEX #8241B4

RGB 130 65 180

HSL 273.91, 0.47%, 0.48%

LAB 40.93, 48.67, -50.2

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 64 / 0 / 2 / 29

HEX #41B4B0

RGB 65 180 176

HSL 177.91, 0.47%, 0.48%

LAB 67.2, -32.66, -7.49

 

CMYK 2 / 64 / 0 / 29

HEX #B041B4

RGB 176 65 180

HSL 297.91, 0.47%, 0.48%

LAB 47.37, 59.66, -39.54

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 64 / 0 / 53 / 29

HEX #41B454

RGB 65 180 84

HSL 129.91, 0.47%, 0.48%

LAB 65.28, -52.46, 39.27

 

CMYK 64 / 62 / 0 / 29

HEX #4145B4

RGB 65 69 180

HSL 237.91, 0.47%, 0.48%

LAB 35.35, 33.24, -59.54

 

CMYK 0 / 64 / 11 / 29

HEX #B441A1

RGB 180 65 161

HSL 309.91, 0.47%, 0.48%

LAB 47.05, 57.51, -28.8

 

CMYK 0 / 1 / 64 / 29

HEX #B4B241

RGB 180 178 65

HSL 58.96, 0.47%, 0.48%

LAB 70.82, -13.48, 55.95

 

CMYK 64 / 0 / 34 / 29

HEX #41B477

RGB 65 180 119

HSL 148.17, 0.47%, 0.48%

LAB 65.83, -46.49, 21.83

 

CMYK 64 / 62 / 0 / 29

HEX #4145B4

RGB 65 69 180

HSL 237.91, 0.47%, 0.48%

LAB 35.35, 33.24, -59.54

 

CMYK 0 / 64 / 30 / 29

HEX #B4417E

RGB 180 65 126

HSL 328.17, 0.47%, 0.48%

LAB 45.62, 52.51, -9.93

 

Description

Color code: HEX #B4B241 | qconv.com Color code: HEX #B4B241 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 178 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 178 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 64 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 64% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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