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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4B009 it is the complementary color #4B4FF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4B009. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4B009 shade: #B9B004, #CAC217, #DBD42A, #ECE63D and #FDF850

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4B009. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4B009 shade: #B4B009, #A39E00, #928C00, #817A00 and #706800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4B009 shade: #B3AF09, #B38209, #B35409, #B32609 and #B30909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4B009 shade: #B3AF09, #89B309, #5CB309, #2EB309 and #09B313

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4B009 shade matches the following richer shades: #B3AF09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4B009 shade: #B3AF09, #A4A119, #959228, #858437 and #767546

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4B009 shade: #B35309, #B38009, #B3AE09, #8CB309 and #5EB309

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4B009 shade: #656305, #8C8907, #B3AF09, #DAD60B and #F3EE1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4B009 shade: #B4B009, #09B326 and #6A09B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4B009 shade: #B4B009, #09B3AE and #AE09B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4B009 shade: #B4B009, #09B326, #090FB3 and #B30997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4B009 shade: #B4B009, #09B359, #090FB3 and #B30964

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 95 / 29

HEX #B4B009

RGB 180 176 9

HSL 58.6, 0.9%, 0.37%

LAB 70.02, -14.45, 70.89

 

Complementary color

CMYK 70 / 68 / 0 / 4

HEX #4B4FF6

RGB 75 79 246

HSL 238.6, 0.9%, 0.63%

LAB 43.86, 50.51, -83.56

 

CMYK 0 / 5 / 98 / 27

HEX #B9B004

RGB 185 176 4

HSL 57.02, 0.96%, 0.37%

LAB 70.44, -12.31, 71.97

 

CMYK 0 / 4 / 89 / 21

HEX #CAC217

RGB 202 194 23

HSL 57.32, 0.8%, 0.44%

LAB 76.8, -13.79, 74.91

 

CMYK 0 / 3 / 81 / 14

HEX #DBD42A

RGB 219 212 42

HSL 57.63, 0.71%, 0.51%

LAB 83.08, -15.07, 76.52

 

CMYK 0 / 3 / 74 / 7

HEX #ECE63D

RGB 236 230 61

HSL 57.94, 0.82%, 0.58%

LAB 89.28, -16.17, 77.12

 

CMYK 0 / 2 / 68 / 1

HEX #FDF850

RGB 253 248 80

HSL 58.27, 0.98%, 0.65%

LAB 95.41, -17.11, 77.07

 

CMYK 0 / 2 / 95 / 29

HEX #B4B009

RGB 180 176 9

HSL 58.6, 0.9%, 0.37%

LAB 70.02, -14.45, 70.89

 

CMYK 0 / 3 / 100 / 36

HEX #A39E00

RGB 163 158 0

HSL 58.16, 1%, 0.32%

LAB 63.54, -12.83, 66.57

 

CMYK 0 / 4 / 100 / 43

HEX #928C00

RGB 146 140 0

HSL 57.53, 1%, 0.29%

LAB 56.95, -11.04, 61.1

 

CMYK 0 / 5 / 100 / 49

HEX #817A00

RGB 129 122 0

HSL 56.74, 1%, 0.25%

LAB 50.2, -9.19, 55.5

 

CMYK 0 / 7 / 100 / 56

HEX #706800

RGB 112 104 0

HSL 55.71, 1%, 0.22%

LAB 43.28, -7.27, 49.76

 

CMYK 0 / 2 / 95 / 30

HEX #B3AF09

RGB 179 175 9

HSL 58.59, 0.9%, 0.37%

LAB 69.66, -14.38, 70.58

 

CMYK 0 / 27 / 95 / 30

HEX #B38209

RGB 179 130 9

HSL 42.71, 0.9%, 0.37%

LAB 57.63, 9.79, 61.64

 

CMYK 0 / 53 / 95 / 30

HEX #B35409

RGB 179 84 9

HSL 26.47, 0.9%, 0.37%

LAB 46.9, 34.98, 54.09

 

CMYK 0 / 79 / 95 / 30

HEX #B32609

RGB 179 38 9

HSL 10.24, 0.9%, 0.37%

LAB 39.56, 54.55, 49.39

 

CMYK 0 / 95 / 95 / 30

HEX #B30909

RGB 179 9 9

HSL 0, 0.9%, 0.37%

LAB 37.48, 60.49, 48.17

 

CMYK 0 / 2 / 95 / 30

HEX #B3AF09

RGB 179 175 9

HSL 58.59, 0.9%, 0.37%

LAB 69.66, -14.38, 70.58

 

CMYK 23 / 0 / 95 / 30

HEX #89B309

RGB 137 179 9

HSL 74.82, 0.9%, 0.37%

LAB 67.71, -34.23, 67.73

 

CMYK 49 / 0 / 95 / 30

HEX #5CB309

RGB 92 179 9

HSL 90.71, 0.9%, 0.37%

LAB 65.39, -50.54, 64.9

 

CMYK 74 / 0 / 95 / 30

HEX #2EB309

RGB 46 179 9

HSL 106.94, 0.9%, 0.37%

LAB 64.03, -61.63, 63.23

 

CMYK 95 / 0 / 89 / 30

HEX #09B313

RGB 9 179 19

HSL 123.53, 0.9%, 0.37%

LAB 63.63, -65.14, 61.19

 

CMYK 0 / 2 / 95 / 30

HEX #B3AF09

RGB 179 175 9

HSL 58.59, 0.9%, 0.37%

LAB 69.66, -14.38, 70.58

 

CMYK 0 / 2 / 95 / 30

HEX #B3AF09

RGB 179 175 9

HSL 58.59, 0.9%, 0.37%

LAB 69.66, -14.38, 70.58

 

CMYK 0 / 2 / 85 / 36

HEX #A4A119

RGB 164 161 25

HSL 58.71, 0.74%, 0.37%

LAB 64.53, -13.49, 63.2

 

CMYK 0 / 2 / 73 / 42

HEX #959228

RGB 149 146 40

HSL 58.35, 0.58%, 0.37%

LAB 59.07, -11.73, 53.22

 

CMYK 0 / 1 / 59 / 48

HEX #858437

RGB 133 132 55

HSL 59.23, 0.41%, 0.37%

LAB 53.78, -10.4, 40.82

 

CMYK 0 / 1 / 41 / 54

HEX #767546

RGB 118 117 70

HSL 58.75, 0.26%, 0.37%

LAB 48.28, -7.24, 26.06

 

CMYK 0 / 54 / 95 / 30

HEX #B35309

RGB 179 83 9

HSL 26.12, 0.9%, 0.37%

LAB 46.7, 35.5, 53.95

 

CMYK 0 / 28 / 95 / 30

HEX #B38009

RGB 179 128 9

HSL 42, 0.9%, 0.37%

LAB 57.12, 10.91, 61.27

 

CMYK 0 / 3 / 95 / 30

HEX #B3AE09

RGB 179 174 9

HSL 58.24, 0.9%, 0.37%

LAB 69.38, -13.87, 70.37

 

CMYK 22 / 0 / 95 / 30

HEX #8CB309

RGB 140 179 9

HSL 73.76, 0.9%, 0.37%

LAB 67.9, -33.01, 67.96

 

CMYK 47 / 0 / 95 / 30

HEX #5EB309

RGB 94 179 9

HSL 90, 0.9%, 0.37%

LAB 65.47, -49.91, 65

 

CMYK 0 / 2 / 95 / 60

HEX #656305

RGB 101 99 5

HSL 58.75, 0.91%, 0.21%

LAB 40.74, -9.65, 46.11

 

CMYK 0 / 2 / 95 / 45

HEX #8C8907

RGB 140 137 7

HSL 58.65, 0.9%, 0.29%

LAB 55.57, -12.08, 58.67

 

CMYK 0 / 2 / 95 / 30

HEX #B3AF09

RGB 179 175 9

HSL 58.59, 0.9%, 0.37%

LAB 69.66, -14.38, 70.58

 

CMYK 0 / 2 / 95 / 15

HEX #DAD60B

RGB 218 214 11

HSL 58.84, 0.9%, 0.45%

LAB 83.45, -17.09, 82.19

 

CMYK 0 / 2 / 88 / 5

HEX #F3EE1C

RGB 243 238 28

HSL 58.6, 0.9%, 0.53%

LAB 91.81, -18.08, 87.34

 

CMYK 0 / 2 / 95 / 29

HEX #B4B009

RGB 180 176 9

HSL 58.6, 0.9%, 0.37%

LAB 70.02, -14.45, 70.89

 

CMYK 95 / 0 / 79 / 30

HEX #09B326

RGB 9 179 38

HSL 130.24, 0.9%, 0.37%

LAB 63.7, -64.16, 56.47

 

CMYK 41 / 95 / 0 / 30

HEX #6A09B3

RGB 106 9 179

HSL 274.24, 0.9%, 0.37%

LAB 30.67, 63.99, -66.44

 

CMYK 0 / 2 / 95 / 29

HEX #B4B009

RGB 180 176 9

HSL 58.6, 0.9%, 0.37%

LAB 70.02, -14.45, 70.89

 

CMYK 95 / 0 / 3 / 30

HEX #09B3AE

RGB 9 179 174

HSL 178.24, 0.9%, 0.37%

LAB 66.02, -38.08, -8.23

 

CMYK 3 / 95 / 0 / 30

HEX #AE09B3

RGB 174 9 179

HSL 298.24, 0.9%, 0.37%

LAB 41.92, 73.62, -47.66

 

CMYK 0 / 2 / 95 / 29

HEX #B4B009

RGB 180 176 9

HSL 58.6, 0.9%, 0.37%

LAB 70.02, -14.45, 70.89

 

CMYK 95 / 0 / 79 / 30

HEX #09B326

RGB 9 179 38

HSL 130.24, 0.9%, 0.37%

LAB 63.7, -64.16, 56.47

 

CMYK 95 / 92 / 0 / 30

HEX #090FB3

RGB 9 15 179

HSL 237.88, 0.9%, 0.37%

LAB 22.49, 56.97, -80.26

 

CMYK 0 / 95 / 16 / 30

HEX #B30997

RGB 179 9 151

HSL 309.88, 0.9%, 0.37%

LAB 41.24, 70.51, -31.91

 

CMYK 0 / 2 / 95 / 29

HEX #B4B009

RGB 180 176 9

HSL 58.6, 0.9%, 0.37%

LAB 70.02, -14.45, 70.89

 

CMYK 95 / 0 / 50 / 30

HEX #09B359

RGB 9 179 89

HSL 148.24, 0.9%, 0.37%

LAB 64.18, -58.27, 35.23

 

CMYK 95 / 92 / 0 / 30

HEX #090FB3

RGB 9 15 179

HSL 237.88, 0.9%, 0.37%

LAB 22.49, 56.97, -80.26

 

CMYK 0 / 95 / 44 / 30

HEX #B30964

RGB 179 9 100

HSL 327.88, 0.9%, 0.37%

LAB 39.07, 64.85, -3.57

 

Description

Color code: HEX #B4B009 | qconv.com Color code: HEX #B4B009 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 176 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 176 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 95 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 95% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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